StoryBundle: The Returning is Starward Bound

The Returning WFP Final Full CoverSome of you know that WordFire Press is rereleasing new revised and expanded editions of my Saga of Davi Rhii debut novels and finishing the trilogy next year with the brand new 3rd novel, never before released. Anyway, book 2 comes out right after World Con but as with The Worker Prince, I have the privilege of The Returning appearing in a bundle and BEFORE release. Yep, you can get it early on ebook along with 9 other terrific space opera reads.

Here’s how:

 

 

 

 

Starbound Bundle covers

THE STARWARD BOUND BUNDLE

 

The Starward Bound Bundle – Curated by Martin Kee

Even in the most violent and darkest of timelines, space opera remains steadfast in its insistence that we as a species will eventually find our place among the stars. It’s the promise the subgenre makes to its fans, that we will one day leave this ball of dirt and water, and move on to more interesting things.

But more importantly, space opera is just plain fun as hell.

I’m curating a bundle this year that encapsulates the genre from one end of the spectrum to the other, from the gritty to the absurd, from the dark to the whimsical. The beauty of space opera is in its diversity, in its limitless imagination, and in its consistent vision of humanity living abroad in the cosmic sense of the word. Even at its darkest, space opera spins from a core of optimism.

Much like our charity, this bundle aims to inspire, excite, and educate. We’re offering novels and anthologies from world-famous Hugo and Nebula winners, updated collections of short fiction and essays, and novellas compiled specifically with this bundle in mind.

To start, legendary author, and several-times-over Hugo, Nebula, and Locus award-winner, David Brin offers up his timeless anthology OTHERNESS, with stories that begin on Earth and chronicle humanity’s ascension into space. This updated book also contains newer essays and thoughts from his perspective as futurist, scholar, writer, and scientist.

Hugo and Nebula nominee and winner, Mike Resnick, provided THE OUTPOST, a fantastically imaginative novel, filled with wildly epic characters, given names as big as their personalities. Marko Kloos is presenting his immensely popular TERMS OF ENLISTMENT, a crazy-good military scifi novel, that I fell in love with at the first chapter. Bryan Thomas Schmidt gives us a thrilling continuation of his debut novel with THE RETURNING. Hugo nominee and winner, Brad Torgersen’s book RACERS OF THE NIGHT runs the gamut from lunar NASCAR to interplanetary bricklayers.

This bundle also contains the first two of my novellas from my PATCHER universe, combined into one book, which I’ve compiled specifically for this bundle. Best-seller B.V. Larson submitted his novel STARFIRE, which centers around an alien artifact and a reignited Cold War to capture it. Moira Katsen’s CRUCIBLE is a fantastic beginning to her trilogy about alien genocide at the hands of humans. Edward W. Robertson’s OUTLAW follows a space janitor who becomes a reluctant pirate. And Erik Wecks offers up his space noir adventure AETNA ADRIFT.

As always, with StoryBundle, you pay what you want for the books and a portion goes to charity. For this bundle, our charity is the Challenger Space Center, a Smithsonian organization, which exists to help excite, educate, and inspire young people with an interest in science and space exploration. The center is a museum, simulator, and school, all rolled into one, offering space camps, hands-on learning experience, and science programs for economically challenged children, helping them dream a bigger future. We are thrilled to be able to help support them in their mission.

As with every bundle, you pay what you want. $5 or more gets you the basic bundle. All books are DRM-free, in multiple eBook formats. You can download them anywhere, anytime, worldwide, and they are yours to keep. Paying $15 (or more, if you are feeling generous) gets you the bonus books, written by award-winning masters of science fiction. You can also choose what percentage of your price goes directly to the charity.

It’s our pleasure, offering this bundle to help the Challenger Space Center. Optimism for the future is rare in these pessimistic and cynical times, and these books, no matter how dark or gritty, all share a common vision: Humanity’s true destiny is yet to come. We hope that you too will find this bundle to be a hopeful promise of our place in the cosmos. – Martin Kee

The initial titles in The Starward Bound Bundle (minimum $5 to purchase) are:

  • Starfire by B. V. Larson
  • Outlaw by Edward W. Robertson
  • Aetna Adrift by Erik Wecks
  • Patcher: Books 1 & 2 by Martin Kee
  • The Novum Trilogy Book 1: Crucible by Moira Katson

If you pay more than the bonus price of just $15, you get all five of the regular titles, plus five more:

  • Otherness by David Brin
  • Terms of Enlistment by Marko Kloos
  • The Outpost by Mike Resnick
  • Racers of the Night by Brad R. Torgersen
  • The Returning by Bryan Thomas Schmidt

The bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books!

It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Why StoryBundle? Here are just a few benefits StoryBundle provides.

  • Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
  • Pay what you want (minimum $5): You decide how much these fantastic books are worth to you. If you can only spare a little, that’s fine! You’ll still get access to a batch of exceptional titles.
  • Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
  • Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to the Challenger Space Center
  • Receive extra books: If you beat the bonus price, you’ll get the bonus books!

StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.

For more information, visit our website at storybundle.com, tweet us at @storybundle and like us on Facebook.

Stories In, Kickstarters Out, and More News

Well, I’m getting a slow start on blogging in 2013. In fact, I was so busy the last half of the year, it was hard to stick to even my steady schedule of two posts per week (Mondays and Thursdays). But 2012 ended with the sale of another children’s book and 3 anthologies to publishers, including 2 which involve Kickstarters, and the marketing of several more anthologies and a fantasy trilogy. I’m still working on prepping the fantasy trilogy for agent queries, in fact. Just a few more polishes. Add to that steady editing and blogging work for a number of clients, and I was pretty exhausted.

AbeLincolnDino_CoverV2But at this point, some of that is moving to the next stage, which is a good thing. Abraham Lincoln Dinosaur Hunter: Land of Legends, the first early reader chapter book in a new adventure series is due out this month (delayed due to cover art issues), and stories for Beyond The Sun, the colonist SF anthology I funded on Kickstarter, are rolling in (with the January 15th deadline fast upon us). So far I have great stories from headliners Robert Silverberg, Mike Resnick and Nancy Kress, along with stories from Jamie Todd Rubin, Jennifer Brozek, Autumn Rachel Dryden, Jason Sanford and Maurice Broaddus. In the queue awaiting decisions are stories by Cat Rambo, 2012 Philip K. Dick Award nominee Jean Johnson, Dana Bell and Anthony Cardno. It looks like I’ll have a harder time choosing whose stories to reject than finding good ones to fill the remaining 9-10 slots here. It’s a nice problem to have, as they say, but I hate rejecting writers, especially friends. Comes with the territory though.

The Kickstarter for Raygun Chronicles: Space Opera For a New Age is supposed to launch next week, and we are working on the Kickstarter page now.  That will run for 6 weeks with hopes we can start finalizing story contracts and get the headliners working on some great new tales. Plans include an OryCon 35 launch this November, and it will be my first hardback release. Some great writers involved (see the link under the title).

Additionally, Jennifer Brozek and I are awaiting a contract on a military fantasy anthology which sold to one of the big pro publishers. We can’t announce until the contract is final, but for me, it’s my first pro-qualifying book sale, and we have some amazing authors involved. Can’t wait to get that going. It will be turned in by December and released in 2014.

I also am getting gamma comments in on Duneman, my epic fantasy, book 1 of The Dawning Age trilogy, and I am going to do some clean up and polishing and query agents later this month. One of my writing heroes, AC Crispin is kindly helping me polish my query, so that’s also a thrill and quite good fortune. I’m hoping to enter the next phase of my writing career quite soon.

Triumph Over Tragedy cover

I have a story out tomorrow (1/08/13) in Triumph Over Tragedy, which is raising funds for Red Cross efforts to aid victims of Hurricane Sandy. An ebook only release, it will be available for only a limited time but has stories by Robert Silverberg, Timothy Zahn, Marion Zimmer Bradley, Elizabeth Bear, Michael J. Sullivan, yours truly and 20+ others. Some great stuff in there. I was one of four editors helping put the project together. My story is titled “Duncan Derring & The Call Of The Lady Luck” and is a tongue-in-cheek science fiction story about a demolitions expert who must help a starliner escape space tumbleweeds. Originally written for Wandering Weeds, which came out in November, it’s an updated, more polished version. My first resold story.

The Exodus, Book 3 in The Saga Of Davi Rhii, is 3/4ths done first draft but I’ll have to get back on that as soon as Duneman is finished. I may not send it out to a publisher if I can get a mass market deal explored via agents. That all has to wait on that process. I had already decided, for various reasons, not to go with Diminished Media Group for this one. I have interested from another small press, but since The Returning is not selling very quickly, it may just have to wait a while so I can focus on that.

Speaking of The Returning, I will be doing a review blog tour for that soon. I really need more reviews on Amazon to boost sales. Book 1, The Worker Prince, is getting regular sales via Amazon now because of it’s 24 reviews, and so I need to catch up The Returning and get that moving as well. The more people who discover and like The Worker Prince, the more likely it will be to sell, of course, so I’ll be continuing to promote that as well.

Last, but not least, I am marking a future Olympics themed anthology called Galactic Games, which the publishers I approach all seem to like but which no one has bought yet. It’s headlined by Dean Wesley Smith, Kristine Kathryn Rusch, Mike Resnick, Esther Friesner and Robert Reed. I’m hoping to push it out for release during or just after the 2014 Winter Olympics, but for that to happen, I suppose I’ll need to find it a home first.

In any case, lots going on here. I’ll do my best to get the first Write Tip going for 2013 on Thursday. And be sure and check Finish The Story, my editing site, where we have new 2013 rates and some specials going on, including a nice coupon or two on our Facebook page for $100 off. Three published authors and editors at your service with a good track record and developing client list. It’s what we do to support ourselves while writing, so we’d love to help you if we can.

Thanks for checking in.

Bryan

The Exodus at Halfway (Progress Report)

Artist Mitch Bentley & I celebrate three Davi Rhii covers at ConQuest 43 in May
The Exodus (Saga Of Davi Rhii 3)
59,000/120,000

Almost halfway, as hard as that may be to believe for a novel I started July 3oth. So that’s my word count for 24 days. The best streak I’ve ever had since I started writing fiction, I believe.

As I’ve tweeted daily word count reports, I’ve gotten lots of questions about it, so I thought it might be good to analyze a bit about writing a final trilogy book and why sometimes that has advantages for speed.

One thing to note is that so much worldbuilding is done already. I’m working with elements that are well developed which really saves a bunch of time. I have to describe them again and try and flesh out details we haven’t seen before but I don’t have to reinvent the wheel. Additionally, the character arcs and plotlines flow out of the cliffhanger in Book 2, so the basic starting points were fairly well defined. And as such, progressing from them to the wrap up is a narrower course than I worked with before on the prior books.

But another aspect of this is that I have written The Returning, Duneman, a half Belsuk novel, a half time travel novel, numerous short stories, and two children’s books in the interim between The Worker Prince and The Exodus, seen the release of two novels, a children’s book and some shorts and gotten lots of feedback and interviewed lots of writers. The lessons I learned from all those experiences have been internalized in large part, becoming part of my craft and writing process, so inevitably that will affect both my effectiveness as a writer and my speed. I certainly hope that shows. Watching other writers like Sam Sykes through the course of a trilogy and seeing how they developed and grew has been an interesting process and it’s one I hope my readers will take note of as well.

It’s important to admit that no book is perfect and looking back, as an author, one can always see many things one might change in retrospect. Sometimes the temptation to do it is overwhelming. If an omnibus of Saga Of Davi Rhii ever happens, I will fix some POV stuff and typos from the final book of Worker Prince but I don’t know how much else I’d touch. It is what it is and it represents who I was at a certain time as a writer. Paul Goat Allen’s recognition of the book for B&N also makes me think that while it’s flawed, it’s still something I can be proud of in spite of those flaws and there’s something about preserving that, flaws and all, that feels sacred to me. Maybe 20 years from now with many more books under my belt, I’ll laugh at this post. Who knows? But I’m in a place where that’s not happening right now.

But another factor in all of this is life. Although I’m still in a financial and employment crisis after two years of unemployment with benefits run out, my marriage is over and I am not dealing with the stress of that nor my ex’s health issues. I’m still grieving and healing, of course, but the stress of that period was such that it really impacted my focus and writing in ways that have only recently begun to be fully grasped. I am also in a quieter place with less distractions and family around to support. I’ve been to a lot of Cons and bonding with my SFF community at large (at least many of them–a few roughs spots of late). And I’ve had that success from the novel and anthology releases that has spurred me onward plus encouragement from the many people supporting SFFWRTCHT and this blog, especially Write Tips. So those are things which subconsciously and consciously both add to the mix and spur me onward.

Whatever the case, The Exodus is fast headed for 120000 words and I’m glad. I still have a month or so to finish but if I pull it off, despite a brief break for World Con next week, then it will be a new record for me. I’ll finish it, go back to rewrite Abraham Lincoln: Dinosaur Hunter 1 and Duneman and Abe will be off to press while I look for an agent for the fantasy trilogy. I also have three anthologies in the works as editor and some exciting book editing developments as a freelance editor in the works as well.

Since October 2011, I’ve had two novels, an anthology, an ebook, a children’s book, and four short stories come out. That’s an incredible year by anyone’ s standards, I’d suspect. 2013 will have The Exodus and hopefully two or three Abe Lincoln kid’s books, possibly 2 more ebook joke books, and maybe even the epic fantasy. Some anthologies are also in the works. I’m very grateful for the support and interest and for the opportunities.

For what it’s worth…


Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Books For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Lost In A Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, both forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

 

Write Tip: Building A Larger World Using Bit Characters

All too often in worldbuilding, it’s easy to believe that the bigger you get, the more realistic your world will be, but, at the same time, the bigger the world, the more complicated it becomes for the writer. So I am always looking for ways to simplify that process by making the most of elements I create for multi-purposes. And one of those involves utilizing bit characters to add depth to my world.

Think about your day-to-day life. You have family. You have a circle of friends. You have coworkers and associates. You have workers at places you regularly patronize like the grocery store. This is your world, in a sense, at least the immediate part of it with which you regularly interact. And it’s like that for pretty much everyone I’ve met all over the world from the U.S. to Africa, Brazil, Mexico and beyond. So when writing a book and creating a world, it’s helpful to consider the immediate, day-to-day world of your characters and to think about who inhabits it.

I have very few throwaway characters. There are always some, most unnamed or referred to simply by their occupation “guard,” “paperboy,” “knight,” etc. They are created for various reasons: to add atmosphere, for a brief scene where the protagonist or antagonists seeks something for their larger quest, or for other reasons. They appear, say a few lines, then disappear, forgotten. And sometimes, particularly in epic fantasies where the stories frequently involve travel and long distance journeys, it makes sense. But other times, when characters are moving around within a particular world again and again, these characters can be utilized to add greater depth and reality to your world by becoming part of the day-to-day circles of characters, to add a sense of community and realness.

If you look at any group, there are people who show up again and again in particular locations. Those are the people who can add texture and richness to your story if you use them well. Usually they refer to the protagonist and each other by nicknames or first names. They are close contacts, see. People who are used to each other and know each other well, even if they don’t get along. They interact so often that it’s just naturally developed and, as such, they tend to have a level of intimacy in how they refer to each other. These types of characters can add great meaning to your story and be created for that purpose, but you can also find them in characters you’ve written as throwaways.

For example, when I am looking for a character for a new situation, I always think through whom I have already created that can be pulled in. In The Worker Prince, I created a Major to take Davi Rhii on a tour of his first planetary military assignment. Later, I decided to utilize this character to work with Davi’s rival Bordox in tracking him down. By the end of the book, the character also led forces against the attacking army Davi led. Because this character inhabited the same circles as my protagonist (Davi) and antagonist (Bordox), having him recur added a sense of the circles they inhabit and how they interconnect, which just makes the world seem more real.

In writing the sequel, The Returning, I found myself in need of characters to accomplish various things. A throwaway member of the Borali Council, Lord Qai, then was given a major role. And Major Zylo wound up coming back as an interrogator and conspirator to great advantage for readers. One advantage of using such characters over and over is that you don’t have to build them from scratch in their history and their personality. That adds emotional depth to their interactions with your main characters because of things we’ve already read elsewhere in the stories, and, again, emphasizes the circles our leads inhabit in this world, making the world feel much more like the world we ourselves inhabit.

Screenwriters and movie directors have learned this trick. For many years, while I was in film school I’d count the cast list at the end of films and find that invariably, 33 characters was a common number. Looking at the number of one shot characters, it usually numbered 10 or less out of the 33. The rest tended to appear in multiple scenes, even if they only spoke a line or two each time. Why? because filmmakers know that people interact with a common circle every day and by including that circle, their story becomes more real and pops off the screen, even when viewers don’t notice all the details. Subconsciously, they grasp it and that behind-the-scenes experience, informs their opinions of the story and their involvement with it and ability to accept it as “realistic.”

So every time I create a character, I think about the characters I’ve already created who are still available to return. Can one of them be used instead of a new character? How can I add depth to that one-off character in both scenes by combining the two? Automatically, if the character occurs in different situations, it’s not only creating a sense of every day circle, as mentioned, but building a deeper character despite the small part they play, because you are showing another aspect of who they are in a way that makes them not just the flower shop girl, but also a neighbor, or a fellow parent, etc. There are all sorts of possibilities.

How much thought do you put into these types of characters? Do you just create them when you need them and forget about them? Or do you find ways to utilize them well and make a more memorable, powerful story? Remember the throwaway art gallery employee Serge in Beverly Hills Cop? Bronson Pinchot turned a bit part into a series regular, and the filmmakers found other scenes to utilize him in, not just at the gallery, but elsewhere. He was so popular that he returned in the film’s sequels. This is the same kind of thing that you can do in your novel and readers will enjoy it just as much. Especially if a character is well drawn and memorable. They may start as the stereotypical smart mouthed butcher and evolve into so much more.  If your protagonist walks past the same market again and again, why not have that passerby character be the storekeeper he interacted with before? It saves you the need to introduce and describe a new character and also accomplishes so much more.

Consider your current project. Are there characters you could utilize in this way to make the world bigger and the story more interesting and real? How do you handle these bit-part characters? How has it enriched your worldbuilding and storytelling? I’d love to hear your thoughts and ideas in comments.

For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011  Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

The Worker Prince, My First Novel, Comes to NetGalley For A Limited Time

It rarely happens. While NetGalley is a goto place now for reviewers and others to get advanced looks at forthcoming books, it’s also expensive and thus, dominated primarily by bigger publishers and authors who have the cash to spend on it. Color me surprised when, in July, I was given a special one time opportunity to get my debut novel, The Worker Prince, listed there. While the listing is for around a month only, it’s a great chance to have a book named Honorable Mention by Barnes & Noble Book Club’s reviewer Paul Goat Allen on his Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 out to more reviewers and, thus, more readers.

Within five minutes of the listing going live, we had five requests already. The listing can be found at http://netgalley.com/PopupHandler.php?module=catalog&func=galleyTitleDetails&projectid=19576 and is available in various ebook formats from .mobi and .epub to pdf and palm. Members of NetGalley simply need to search for it by name, click the More Info or Read Now links and then request their copy. It’s that simple. And as soon as my publicist sees it, she’ll approve it and you’ll be allowed to download it and read it.  Of course, we’re hoping you love it, but regardless, please review it. Not just at NetGalley but at Amazon, Barnes & Noble, Goodreads and Library Thing.  Why? Not just because I’m asking or out of guilt for  a free copy, but because without reviews, authors and books like me and mine won’t survive. The number of reviews increases the number of people who find the book in searches, and also let’s them know a lot of people are reading it, giving them some idea of outside perspective on what it’s about and whether it’s worth their time, and that word of mouth, above all, is what sells books.

So, if you enjoy reading and free books, won’t you please consider taking advantage of this unique opportunity? The Worker Prince has been frequently compared to Star Wars: A New Hope. People say it captures the feel of the original Star Wars. It’s been compared to pulp and classic old fashioned space operas like Heinlein’s Starship Troopers or the Jason January tales. And it’s garnered praise from authors like Brenda Cooper, Maurice Broaddus, Mike Resnick, David Lee Summers and more.

Here’s the teaser:

What if everything you thought you knew about yourself and the world turned out to be wrong?

For Davi Rhii, Prince of the Boralian people, that nightmare has become a reality. Freshly graduated from the prestigious Borali Military Academy, now he’s discovered a secret that calls into question everything he knew about himself. His quest to rediscover himself brings him into conflict with his friends and family, calling into question his cultural values and assumptions, and putting in jeopardy all he’s worked for his whole life. One thing’s for sure: he’s going to have to make decisions that will change his life forever…

It’s a space western fantasy, epic space opera with great action, space battles, family drama, political scheming, and a bit of romance. Based in part on the Moses story, but also original and takes off from that story into different directions. It’s family friendly and has been enjoyed by 8 year olds and readers in their 70s. It’s 326 pages, trade paperback at $14.95. Released October 4, 2011 from Diminished Media.

I think this is an exciting opportunity for us both. I hope you’ll agree. And if you like it, book 2 is out, too.


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011  Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

WriteTip: Diligence Pays Off-Success Equals Talent Plus Work

Okay, this isn’t the usual steps process for sure, but I still think it’s appropriate for a write tip. A few months back I posted about the power of diligence quoting from a Steve Martin interview with Charlie Rose where the comedian/actor talked about how importance diligence has been to his success. Pretty much everyone in the entertainment/media business I’ve met who’s had a career of more than a decade has mentioned the importance of diligence to me, and, in an age where e-publishing has become the rage and feeds our cultural fixation with instant gratification, I think a reminder about diligence is important. In fact, the key lesson is in bold later in this post, but first a little about how diligence has paid off for me.

I started writing fiction prose in summer 2008 with a love story about a divorced couple who fall in love again. My first novel started as a novella then grew. I finished it at around 65k words but it sucked. Or at least, it was’t ready for prime time. So, I went back to school, reading, studying craft, learning, practicing, and about a year later, I started writing my first science fiction book–a Moses-inspired space opera I’d dreamed up as a teen. The Worker Prince, as it’s called, was my debut novel, released in October 2011 and made Honorable Mention on Barnes & Noble Book Club’s Year’s Best SF Releases of 2011, quite an honor for a micropress book. Sales are steady but slow and I’ve earned back my advance or am close at around 650 copies. Book 2, The Returning, came out last month and now I’m writing Book 3.

But those novels are far from the only thing I”ve had going on. In 2008, when I started writing fiction, I knew no one writing books besides an old friend, a historian named Leon C. Metz. Now Leon is no slouch. He’s published over 20 books on history, his most famous being a biography of John Wesley Hardin, famous gunfighter. But I didn’t know anyone in science fiction, had never been to a convention, had not taken writing workshops and no one knew who I was.

Now, to be fair, I had been writing nonfiction, screenplays and plays for twenty years, since high school. I’d had some limited success with a script in development at Disney that never got made and a couple of co-written produced plays. I’d sold some nonfiction articles to magazines and such. And I’d had devotionals published. But still, I was unknown in most regards, particularly in the area of fiction books and especially in science fiction and fantasy.

But as I met writers, Ken Scholes being one of the first and I met him on Facebook after reading his wonderful Lamentation,  they always talked about how important it was to write every day. If you get stuck, write anyway. If you’re frustrated, try something else i.e. switch projects for a bit or give yourself permission to write crap just to get words down and exercise the writing muscles. As my friend and fellow novelists John A. Pitts says: “Concert pianists at the height of fame have to practice every day, why shouldn’t writers?” And that’s the truth of it.

So I wrote. I worked on a few novel ideas. I wrote a lot of short stories. And I rewrote The Worker Prince, also starting two fantasy novels, including Duneman, which is in beta reading right now and will hopefully land me an agent and traditional publisher later this year. The main thing was that I wrote, continued studying craft, read a lot, and started going to Cons to meet writers and others. Now, I have a huge network of contacts and friends, and looking at my Goodreads and Amazon author pages, there are 7 titles listed. By the end of the year, there will be 8 and maybe 9. Of those, only 2 are self-published: The North Star Serial, Part 1, which collects a series of flash fiction episodes I wrote for Digital Dragon Magazine and Rivalry On A Sky Course, which is an ebook only release of a prequel story to The Worker Prince which first sold to Residential Aliens before I released it as an ebook. Everything else has been paid for by a publisher and put out, including the anthology I edited and others in which I have stories appearing. (Wandering Weeds comes out any time now.)

What’s my point? Well, I’ve dedicated a lot of time to writing. I’ve treated it like a job, even though it doesn’t pay the bills yet. And I’ll tell you that my total income for writing expenses last year was close to $2000 when you add print cartridges, Cons, travel, paper, supplies, postage, etc. But this year, my expenses are going to be less, but my income should be close to $3000. It remains to be seen and that estimate encompasses four book advances (two pending) and some sales income (still coming in), as well as a few sales, but it’s definitely progress in the right direction. And last year I only attended 3 Cons and 1 Workshop. This year I have attended 4 Cons with 2 more planned, done 4 signings so far and have 4 more planned–all of which involved at least some travel (shortest 10 minute drive, longest airplane, including a couple 6+ hour drives). What’s my point?

I am acting like a full time writer even though I am not one. I am also spending several hours a week on blogging, social media marketing, networking, promotion and reading and running #sffwrtcht (Science Fiction and Fantasy Writer’s Chat, Wednesday at 9 pm EDT on Twitter). I typically spend 2-3 hours a day writing, 2-3 editing (mostly for other people) and 2-3 on blogging and social media, plus any other work I need to do. (I am seeking full time employment and do freelance gigs from time to time.) Once I get a full time job, my goal will still be to do the 6-9 hours a day devoted to my writing career.

Why? Because I am getting somewhere, not just with the earning income progress but with the amount of material published. My third Davi Rhii book will come out sometime next year and I hope to sell a couple more novels, including Duneman. My first kid’s chapter book is going to come out this Winter (late 2012 or early 2013). I just got asked to do more joke books after my first released today which means nice advances, and I have a celebrity bio contracted, two half novels done, and several short stories, including 10 more North Stars to finish the cycle left to write.

Diligence.

Diligence matters.

dil·i·gence

   [dil-i-juhns]  Show IPA

noun

1.

constant and earnest effort to accomplish what isundertaken; persistent exertion of body or mind.
So if your passion is writing, storytelling, etc., be diligent. Make the effort to do what you love and follow your passion. Treat it like work, without discipline it won’t happen. But know that if you have the talent and you apply the work to it, things will happen. After all, talent is like 2×4 boards, it takes some tools, nails, effort, etc. to build something with it. But it can be done and will be done if you’re diligent. You may not get rich. You may not become that famous. But you will become very satisfied and you will have a body of work that shows you’re more than just a person who dreams of being a writer. You’ll be a real, published writer, and whether that ever pays my bills fully or not, to me that’s saying something.
For what it’s worth…

Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011  Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

The Returning Blog Tour Wrap-Up & GiveAway Blasts

Wow! That sure went by fast. Two month blog tour. And I’m exhausted! I always knew physical book tours wear authors out but this blog tour has really got me beat. Yet, despite some snaggs in the book’s print release, and other issues, it’s really been a good tour and I’m so thankful to all of the bloggers and readers who’ve supported it. Especially the bloggers who stepped in last minute to help me complete the second leg of the tour when I fell behind with booking. 

And to say thanks, I’m going to do something special to celebrate this tour. I’m going to give stuff away

And by stuff, I don’t just mean my books,  although those will definitely be included, but a few select books by other authors as well.

All prizes are brand new, final release versions. And all you have to do to win is answer the following quiz, based on the blog tour stops, by August 31st. You should send entries to bryan at bryanthomasschmidt.net. (If you tried the contact link, it’s not working steadily so please use this email instead.) List answers numbered by question and tell me which prize package you want, 1st-3rd choice. I’ll award prizes based on number of correct answers and order received. 

QUIZ:

1) The character Qajuan makes an appearance in one of the excerpts. What planet is Qajuan from and on which blog did the post appear? (Hint: It’s from a blogger with three names in June.)

2) What is the name of the 3rd book in the Saga of Davi Rhii and please cite the post where you found it. (Hint: It’s an interview)

3) What is a Gixi and what do people in the Davi Rhii universe do with it? (Hint: It’s something edible.)

4) Which ground vehicle from the Davi Rhii universe is similar to a  motorcyle and on which post is the answer found?

5) What is the name of Xalivar’s sister (cite post)?

6) Who is Davi Rhii’s fiancee (cite post)?

7) What are boxes?

8 ) The Worker Prince received what honor from Barnes & Noble? (Hint: It’s in my bio.)

9) Davi’s best friends are human and alien. Name them and which planet is the alien from? (Note: Both have character profiles.)

10) What is the link to my first book trailer?

PRIZES:

Prize Package 1- The Saga of Davi Rhii: The Worker Prince & The Returning (Books 1 & 2) trade paperback, signed & personalized by author
Prize Package 2 – The Saga of Davi Rhii ebooks – Book 1 & 2 (The Worker Prince, The Returning) Signed copies can be requested using kindlegraph for both Nook & Kindle
Prize Package 3— Mark Chadbourn’s Kingdom Of The Serpent Trilogy trade paperback from PYR Brand New

 

 

 

 

 

 

 

 

 

Prize Package 4- 4 hardbacks: Ian McDonald “Planesrunner”, Goyer & Cassutt “Heaven’s War”, Hugo nominated Haldeman “Earthbound” and Bujold “Diplomatic Immunity” (last two have shelf wear but all brand new)
Prize Package 5 – “The Phoenix Guard” by Steven Brust, “Hunter and Fox” Phillippa Ballantine, “The Return Man” by VM Zito (Zombie Apocalypse) – paperbacks, brand new

 

GRRRRRRRRR Go ahead, make my day!!

 

One of each prize will be given away. All are currently being guarded by the fierce poodle, Amelie, seen below at her post.

 

And here are the blog tour links you’ll need to track down the answersThanks for following along and supporting me and these great bloggers. And remember, I am still offering sale deals on Davi Rhii books at my website store through September 1st, including e-book and paperback bundles at discount at 33% off print or e-book copies of The Returning.

The Returning Blog Tour

Tuesday, May 29 Blog Tour Schedule & E-Book Release
Wednesday, May 30 Functional Nerds Guest Post: Tools For Worldbuilding
Thursday, May 31 Anthony Cardno  Guest Post: How To Run a Blog Tour For A Sequel Without Spoiling Book 1
Friday, June 1 Gary W. Olson  Character Profile & Excerpt: Xalivar Rhii
Monday, June 4 SFSignal Guest Post: 15 Science Fiction and Fantasy Thrillers Worth Your Time
Tuesday, June 5  Andrew Reeves/Jaded Muse Video Blog: Boxes (What’s yours?)
Wednesday, June 6 Reader’s Realm Excerpt from Chapter 2/ Brad R. Torgersen Catching Up With Interview
Thursday, June 7  Linda Rodriguez Guest Post: 5 Tips On Social Media For Today’s Author
Friday, June 8 Linda Poitevin Guest Post: Approaching Book 2
Monday, June 11 Elizabeth S. Craig: Mystery Writing Is Murder, Special Write Tip Guest Post: Surprise v. Suspense / Review at Functional Nerds
Tuesday, June 12 Matthew Sanborn Smith/The One Thousand: Character Profile & Excerpt: Farien Noa
Wednesday, June 13 Leah Petersen 5 Minute Interview
Thursday, June 14 Mae Empson Character Profile Interview & Excerpt: Tela Tabansi
Friday, June 15 Joshua P. Simon Interview
Monday, June 18 Bibliophile Stalker Guest Post: Culture In World-building
Tuesday, June 19 Mary Pax Dialogue: Why I Love Space Opera / Book Day Post
Wednesday, June 20 Moses Siregar Guest Post: What Makes A Story Epic
Thursday, June 21 Jaleta Clegg Guest Post: Food in Borali System
Friday, June 22 To Be Read Interview & EBook Giveaway
Sunday, June 24 THE PLATFORM Internet Radio with John Rakestraw “Finding Your Imagination
Monday, June 25 Grasping For The Wind Turning The Tables: SFFWRTCHT Interviews Bryan Thomas Schmidt
Tuesday, June 26 Ray Gun Revival Short Interview & Character Profile & Excerpt: Yao Brahma
Wednesday, June 27 AISFP Blog Essay: The Importance of The Responsible Use Of History In Fiction: Steampunk/Jamie Todd Rubin Dialogue: Space Battles In The Golden Age & Beyond
Friday, June 29 K.D. Weiland Guest Post: The Most Important Rule Of Writing: Be True To Yourself
Saturday, June  30 Patty Jansen Guest Post: Can There Be Space Opera Without Science?
Tuesday July 3 Book Day 2: Print Release!!!
Friday July 6 Heidi Ruby Miller Heidi’s Pick Six Interview 
Saturday July 7 FMW Podcast Interview
Monday July 9 Jeremy C. Shipp The Value Of Writers In Community
Tuesday July 10 The New Author Dialogue: Making A Booktrailer On A Budget Part 1 http://the-new-author.blogspot.com/2012/07/conservation-with-bryan-thomas-schmidt.html
Wednesday July 11 Jeff Rutherford Opening The Door To Imagination: My Discovery of SFF
Thursday July 12 The New Author Dialogue: Making A Booktrailer On A Budget Part 2
Friday July 13 Claire Ashgrove World-Building : Vehicles Of The Davi Rhii Universe with Short Excerpt/Also: I rejoin Adventures In SciFi Publishing Podcast for an interview live from ConQuest 43 in Kansas City with my pal Brent Bowen.
Monday July 16 Keenan Brand Author Profile & Excerpt
Tuesday July 17 Madison Woods Guest Post: My Core Assumptions & My Writing
Wednesday July 18 Rachel Hunter Guest Post: On The Careful Use Of Ordinary Moments To Build Character In Science Fiction
Thursday July 19 Grace Bridges Character Profile: Davi Rhii with Excerpt
Friday July 20 Anne-Mhairi Simpson Guest Post: How My World Travels Have Informed My Worldview & My Writing
Monday July 23 Livia  Blackburne’s A Brain Scientist On Writing Guest Post: How To Market Your Book (& Yourself) At Cons
Tuesday July 24 L.S. King Character Profile: Miri Rhii with Excerpt
Wednesday July 25 Dana Bell Guest Post: The Saga Of Davi Rhii-Keeping The Next Book Fresh
Thursday July 26 Louis B. Shalako Interview
Friday July 27 Frank Creed Guest Post: One Advantage Of Series- It Gets Easier With Each Book
Monday July 31 Wrap Up & Giveaway Blast at www.bryanthomasschmidt.net/blog  (Duh, that’s this post)

 

The Returning Blog Tour Schedule, Part 2

Well, after a brief break for the July 4th, holiday, the blog tour for my second novel, The Returning, has resumed and I’m late posting links to it but here they are: 

Friday July 6 Heidi Ruby Miller Heidi’s Pick Six Interview
Saturday July 7 FMW Podcast Interview
Monday July 9 Jeremy C. Shipp The Value Of Writers In Community
Tuesday July 10 The New Author Dialogue: Making A Booktrailer On A Budget Part 1 http://the-new-author.blogspot.com/2012/07/conservation-with-bryan-thomas-schmidt.html
Wednesday July 11 Jeff Rutherford Opening The Door To Imagination: My Discovery of SFF
Thursday July 12 The New Author Dialogue: Making A Booktrailer On A Budget Part 2
Friday July 13 Claire Ashgrove World-Building : Vehicles Of The Davi Rhii Universe with Short Excerpt/Also: I rejoin Adventures In SciFi Publishing Podcast for an interview live from ConQuest 43 in Kansas City with my pal Brent Bowen.
Monday July 16 Keenan Brand Author Profile & Excerpt
Tuesday July 17 Madison Woods Guest Post: My Core Assumptions & My Writing
Wednesday July 18 Rachel Hunter Guest Post: On The Careful Use Of Ordinary Moments To Build Character In Science Fiction
Thursday July 19 Grace Bridges Character Profile: Davi Rhii with Excerpt
Friday July 20 Anne-Mhairi Simpson Guest Post: How My World Travels Have Informed My Worldview & My Writing
Monday July 23 Livia  Blackburne’s A Brain Scientist On Writing Guest Post: How To Market Your Book (& Yourself) At Cons
Tuesday July 24 L.S. King Character Profile: Miri Rhii with Excerpt
Wednesday July 25 Dana Bell Guest Post: The Saga Of Davi Rhii-Keeping The Next Book Fresh
Thursday July 26 Louis B. Shalako Interview
Friday July 27 Frank Creed Guest Post: One Advantage Of Series- It Gets Easier With Each Book
Monday July 31 Wrap Up & Giveaway Blast at www.bryanthomasschmidt.net/blog

The tour will run through July 31st and also have another interview at Adventures In SciFi Publishing podcast amongst others. Links will be added to this post as things develop. My heartfelt gratitude  to all who have hosted and helped make this tour a success. 

And in case you missed it, here’s the posts we did in Part 1 of THE RETURNING Blog Tour:

Tuesday, May 29 Blog Tour Schedule & E-Book Release
Wednesday, May 30 Functional Nerds Guest Post: Tools For Worldbuilding (Guest Post) 
Thursday, May 31 Anthony Cardno  Guest Post: How To Run a Blog Tour For A Sequel Without Spoiling Book 1
Friday, June 1 Gary W. Olson  Character Profile & Excerpt: Xalivar
Monday, June 4 SFSignal Guest Post: 15 Science Fiction and Fantasy Thrillers Worth Your Time
Tuesday, June 5  Andrew Reeves/Jaded Muse Video Blog: Boxes (What’s yours?)
Wednesday, June 6 Reader’s Realm Excerpt from Chapter 2/ Brad R. Torgersen Catching Up With Interview
Thursday, June 7  Linda Rodriguez Guest Post: 5 Tips On Social Media For Today’s Author
Friday, June 8 Linda Poitevin Guest Post: Approaching Book 2
Monday, June 11 Elizabeth S. Craig: Mystery Writing Is Murder, Special Write Tip Guest Post: Surprise v. Suspense / Review at Functional Nerds
Tuesday, June 12 Matthew Sanborn Smith/The One Thousand: Character Profile & Excerpt: Farien Noa
Wednesday, June 13 Leah Petersen 5 Minute Interview
Thursday, June 14 Mae Empson Character Profile Interview & Excerpt: Tela Tabansi
Friday, June 15 Joshua P. Simon Interview
Monday, June 18 Bibliophile Stalker Guest Post: Culture In World-building
Tuesday, June 19 Mary Pax Dialogue: Why I Love Space Opera / Book Day Post
Wednesday, June 20 Moses Siregar Guest Post: What Makes A Story Epic
Thursday, June 21 Jaleta Clegg Guest Post: Food in Borali System
Friday, June 22 To Be Read Interview & EBook Giveaway
Sunday, June 24 THE PLATFORM Internet Radio with John Rakestraw “Finding Your Imagination
Monday, June 25 Grasping For The Wind Turning The Tables: SFFWRTCHT Interviews Bryan Thomas Schmidt
Tuesday, June 26 Ray Gun Revival Short Interview & Character Profile & Excerpt: Yao Brahma
Wednesday, June 27 AISFP Blog Essay: The Importance of The Responsible Use Of History In Fiction: Steampunk/Jamie Todd Rubin Dialogue: Space Battles In The Golden Age & Beyond
Thursday, June 28 Oops! Glitch! Post postponed to tomorrow due to unexpected travel of host blogger.
Friday, June 29 K.D. Weiland Guest Post: The Most Important Rule Of Writing: Be True To Yourself
Saturday, June  30 Patty Jansen Guest Post: Can There Be Space Opera Without Science?
Tuesday July 3 Book Day 2: Print Release!!!

Also, you can still get The Returning at 33% off for a limited time from me in either print or ebook (both signed) here.


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

Book Day Two: The Returning Comes To Print!!!

Well, paperbacks are finally here, so this is Book Day 2 for the exciting sequel to The Worker Prince, which made Barnes & Noble Book Club’s Year’s Best Science Fiction Releases of 2011!  Mitch Bentley of Atomic Fly Studios did some of his best work ever on the cover. Sorry again for the delay, but we’re excited to bring it to you and hope you are too! You’ll love this book. Hugo/Nebula award winner Mike Resnick even blurbed it, as you see on the cover.

The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Someone is sending assassins to kill and terrorize them, riling up the old enmity all over again, while Xalivar is back seeking revenge on Davi and all those who defied him. Davi, Farien and Yao reunite to investigate the murders, finding their lives and friendships threatened by what they discover.

Meanwhile, the new High Lord Councilor, Tarkanius, Lord Aron, and Davi find themselves fighting all over again to preserve the unity of the Borali Alliance, while even many of their allies and friends work against them to tear it apart. Davi and Tela find their future together threatened by difficulties with their relationship, and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.

The Returning has romance, assassins, tension, both modern and classic science fiction notions, and very smooth writing. What more could you want? Bryan Thomas Schmidt keeps improving. As good as The Worker Prince WAS, The Returning is better.” – Mike Resnick, Author, StarshipIvory

The Returning blends themes of faith with classic space opera tropes and the result is a page-turning story that takes off like a rocket.” – Paul S. Kemp, Author, Star Wars: RiptideStar Wars: Deceived

“A fun space opera romp, complete with intrigues, treachery, dastardly villains, and flawed but moral heroes.” – Howard Andrew Jones, Author, The Desert Of SoulsPathfinder Tales: Plague Of Spells.

To celebrate, we have the books continuing at 33% off signed from this site only. YEP, including ebooks, which I sign through Kindlegraph (don’t worry, still works for Nook). And if you buy the book elsewhere, use the contact form to send me your address and I’ll mail you a signed bookplate for free.

 Trade paperback Special discount this week only! 


Ebook – MOBI/EPUB Special discount this week only! 

340 pp · ISBN 978‐0‐9840209‐4‐2 ·Trade Paperback · $14.99 tpb $7.99 Ebook  · Publication: June 14, 2012

Or buy it at Amazon here: http://www.amazon.com/The-Returning-Bryan-Thomas-Schmidt/dp/0984020942/ref=tmm_pap_title_0?ie=UTF8&qid=1341255149&sr=8-3

Or Barnes & Noble here: http://www.barnesandnoble.com/w/the-returning-bryan-thomas-schmidt/1108892375?ean=9780984020942

Or Smashwords here: https://www.smashwords.com/books/view/175177

For interviews and more fun, check out the current Blog Tour.

Here’s what people said about the first book and links to reviews of book 2.

Praise for The Worker Prince:

“A significant new author in the field of space opera – Bryan is a fresh new imagination to watch out for!”— Grace Bridges, author of Faith Awakened and Legendary Space Pilgrims

“Retro-with-a-twist SF brimming with an infectious enthusiasm!” — Saladin Ahmed, author Throne Of the Crescent Moon

“If your reader’s heart longs for the Golden Age of Science Fiction–when good was good and bad was bad, and great characters fought against universal odds–then The Worker Prince is for you. Good, retro fun for the whole family.”— Jason Sanford, author Never Never StoriesInterzone

“I found myself thinking of stories that I read during my (misspent) youth, including Heinlein juveniles and the Jason January tales, as well as Star Trek and Star Wars.”— Redstone SF 

“A very well written book and a story very well told…where the heroes are heroes and the villains are villains. I would highly recommend it even if you are new to Sci-Fi.”—Ben Love, Call FM, Miami

Reviews:

http://functionalnerds.com/2012/06/review-the-returning-by-bryan-thomas-schmidt/

http://oddengine.wordpress.com/2012/06/04/review-the-returning-by-bryan-thomas-schmidt/

http://vantiltool.blogspot.com/2012/05/bryan-thomas-schmidt-publishes-second_02.html 

To find The Returning on Barnes & Noble’s website, click here.

To find The Returning on Amazon’s website, click here.

About Me:

Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

 

My Convergence Panel Schedule

Well, at least for me, one of the biggest Conventions of my year has arrived: Convergence, which is being held in Bloomington, Minnesota, Independence Day weekend, Thursday through Sunday July 5-8.  This Con has been around for many years and now occupies multiple hotels. There are tons of invited guests, including Scott Lynch, Elizabeth Bear, Bonnie Burton, Lyda Morehouse, Tamora Pierce, Paul Cornell, Lynne M. Thomas, Ruth Berman, Steven Brust, and little old me. And yes, there are a few current Hugo nominees included there. The full schedule can be found here. But here’s my schedule. I’ll also be at the Infinite Diversity Dealer Table selling my book along with collectibles and other items. I had great hopes that this would also be the first Con at which my latest novel, The Returning,  will be available, so I’m excited to launch it personally out into the world after its trying journey. But books are printing and ship Monday so it’s looking doubtful to my frustration. Don’t even have a copy to show anyone yet. Fingers crossed that I get a pleasant surprise before I leave.

Friday, July 6th, 2012

10:00-10:55 Dealer’s Room

11:00-12:00 Autograph Table-Signing

Panelists: Bryan Thomas Schmidt, Dana Baird, Michael Merriam will be available to sign their work.

12:00-1:00 Dealer’s Room

1:00-2:00 Lunch

2:00pm – 3:00pm @ Bloomington Panel: Social Networking For Luddites
Why would anyone have a Facebook account AND a Twitter account? What is Google Plus anyway and why should you care? How to use social networking as way to *actually* stay connected online. Panelists: Joan Marie Verba, Bryan Thomas Schmidt, Sharon Stiteler, Sigrid Ellis, Ted Meissner

3:300-6:00 Dealer’s Room

7:00pm – 8:00pm @ Atrium 7

Panel: Keeping The Next Book Fresh
How do you keep your writing fresh when it is time to sit down and write the next book or story? Panelists: Bryan Thomas Schmidt, Kelly McCullough, Holly Day, Shannon Ryan, Tamora Pierce

10:00pm – 11:00pm @ Atrium 7 Panel: So You’ve Sold a Novel: Now What Happens?
Congratulations — you sold your novel. Now comes the hard part: rewrites, editorial comments, cover art, marketing, promotions, and making sense of the royalty statement. Come ask established novelists questions about what happens after the sale. Panelists: Bryan Thomas Schmidt, Michael Merriam, Doug Hulick, Kelly McCullough, Dana Baird

Saturday, July 7, 2012

10:00 a.m. -12 noon Dealer Room

2:00pm – 3:00pm @ Atrium 7 Panel: The Importance Of Strong Heroines
Damsels in distress used to be the mainstay trope of SFF but now stronger heroines are not only in demand but even common. Why is it important to avoid stereotypes in writing women characters? Are there any limitations? What are the pitfalls? Panelists: Bryan Thomas Schmidt, Catherine Lundoff, Tamora Pierce, Dana Baird, Kathy Sullivan

3:30-3:55 Dealer’s Room

3:30pm – 4:30pm @ Cabana 201 Reading: Bryan Thomas Schmidt
Bryan Thomas Schmidt, author of The Worker Prince reads from his own work, including his new novel The Returning.

4:30-6:00 Dealer’s Room

6:00-7:00 Dinner

8:30pm – 9:30pm @ Atrium 3 Panel: The Importance of Faith In Fiction
Lust, greed, anger, revenge are all common motivators seen in fiction, but in the real world, faith is often just as strong or stronger. Why is the power of belief so powerful? How do you incorporate it in worldbuilding? Panelists: Bryan Thomas Schmidt, Caroline Symcox, Emma Bull, Veronica Cummer, Steven Jones

10:00pm – 11:00pm @ Atrium 8 Panel: The Evolution of Heroes
Heroes have evolved from larger than life good guys who are perfect to dark, imperfect anti-heroes and somewhere in between. What brought about the changes? What kind of heroes do you like? Where do you see heroes evolving in the future? Panelists: Bryan Thomas Schmidt, Michael Scott Shappe, Kelly McCullough, Mark Stegbauer, Daren Johnson

Sunday, July 8, 2012

9:30am – 10:30am @ Atrium 8 Panel: The Christian Roots Of Modern Fantasy
Carroll and MacDonald were clergymen. Chesterton and Lewis were Christian apologeticists. Tolkien was a fervent Catholic and Rowling and Meyer have both discussed the role of faith in their work. What about fantasy has attracted the Christian imagination? Panelists: Bryan Thomas Schmidt, Phillip Andrew Bennett Low, Kristina Halseth, Steven Jones, Caroline Symcox

10:30-10:55 Dealer’s Room

11:00am – 12:00pm @ Bloomington Panel: Marketing 101-From Your Room Party To Your Own Business
Selling yourself isn’t easy. How do you get potential customers to want our product? It is easy but it isn’t always simple. Panelists: Bryan Thomas Schmidt, Romeo Azar, Anjila Olsen

12:00-1:00 Dealer’s Room

I have to hit the road mid-day, but I’ll stick around until early afternoon for sales, signing, etc.


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA and is currently working on his first epic fantasy trilogy, the middle grade chapter book series Abraham Lincoln: Dinosaur Hunter, and the third Davi Rhii book.

An Explanation And Apology Re: The Delayed Release of THE RETURNING In Print

You know, things don’t always go the way that we expect them to when publishing a book. This week is one of those times.

I expected the print release of my second novel in the Davi Rhii series, The Returning, to be the real highlight of my week. Those plans have now been pushed back a bit because somehow the book’s layout got messed up during the file transfer from my publisher to Lightning Source, our printer and distributor. An attempt was made to quickly correct that but there was not enough time to get it fixed by June 19th for the official release. It appears Barnes & Noble cancelled all pre-orders for print due to this error. The buy links for print copies aren’t up on either Amazon or B&N but the ebook version is up and available for your Nook or Kindle. I heartily apologize for this inconvenience.

I really have been excited to see this book released. I worked hard on my end to come up with a story that you’ll love. It has a great cover by Mitch Bentley, one of his best ever. It got blurbs from some great people like Mike Resnick, Paul Kemp, and Howard Andrew Jones. The reviews have mostly been great. The official online blog tour started May 29th and will run until mid-July. So much work and so many hands have been involved in the process of bringing this book to you and now technology seems to have gotten in the way. It hiccuped in a big, bad way.

I really want readers to have a shot at this book. But I also want it right. It’s important. It matters because you, as a reader, matter. Please know that I want to provide the best quality product possible and am as anxious as anyone to get this out into the world. The print copy should be up and running by Friday, June 29th at the absolute latest. Ebook versions are up now if you enjoy that instead. In the meantime, I have decided to extend the 33% off sale on copies purchased from me here. I appreciate your understanding and patience and your patience shall be rewarded. You will have a good looking, properly produced book. I can promise you that.

As a bonus, copies ordered from me will be signed personally either on the paper copies themselves or via Kindlegraph and can be personalized at your request. In addition, I will send signed bookplates or Kindlegraph signatures to anyone who requests them that buys the books at any other venue as well and this will be done at no charge for buyers of all formats, including Nook.

We appreciate your understanding and patience and look forward to your response to the book very soon.


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and has several short stories featured  in anthologies and magazines.  He edited the new anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. His children’s book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing. As  a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

Write Tips: Editorial Pet Peeves – All Of A Sudden/Suddenly

Although I am an editor myself,  my publisher rightly and smartly assigns me editors for my books.  The Founding Fathers built checks and balances into our government for a reason and, for similar reasons, they are invaluable in the editorial process. Bet you had no idea editing is so patriotic? Recently the editor who edits my Davi Rhii novels, Randy Streu, and I were discussing some editorial pet peeves. And I decided to do a series of these dialogues here which some of you may find helpful. This is the first. Others will follow as they come up. In this case, we’re discussing the annoyance of two overused cheats. One a phrase, the other a single word, used interchangeably for similar affect: “Suddenly” and “all of a sudden” in fiction. Let’s explain by example:

BTS: All of a sudden, Randy’s here.

Randy: Don’t start.

BTS: Sorry, I couldn’t resist. Welcome to the blog.

Randy: Thanks.

BTS: So, we were talking about editorial pet peeves and one of them is the use of “all of a sudden” and “suddenly” for dramatic impact, when they usually and ironically have the exact opposite effect.

Randy: Exactly. If you want drama, make it so.

BTS: All of a sudden, I feel like Commander Riker.

Randy: See? That usage feels natural, in dialogue, at least, because people say that: “All of a sudden, there you were. Suddenly, she appeared.”

BTS: Okay, so when doesn’t it work?

Randy: Pretty much anywhere else, but especially in narration.

An explosion knocked us from our feet mid-conversation as a 747 hit the houses behind us and set Randy’s hair on fire. We hadn’t even known the plane was there. I was unscathed, not a hair out of place, which annoyed him. “Nice hairspray,” he commented. “Thanks. Got it at the dollar store,” I replied.

Randy: Okay, that’s silly and ridiculous, but it works.

BTS: Because it’s unexpected.

Randy: Exactly.

BTS: And thus, it really comes on suddenly in effect and captures the intended dramatic impact rather than being slowed down by the words “all of a sudden” or “suddenly.” Because by the time you get to “sudden” or “ly,” whatever you’re describing is expected. You’ve foreshadowed it with a bullhorn, in effect.

So how should you do it? If you want to surprise your readers in a way that feels sudden, then don’t announce it, just make it happen.

Here’s an example from my second published novel, The Returning, which comes out June 19th. It’s the scene depicted on the book’s cover, in fact:

     “All right, what’s the plan?” Farien turned and joined Yao, looking at Davi as they rang the bell at the tower where Lord Niger kept a ground floor apartment. Amidst an elite grouping of residential high rises near the city center, the twin suns glinted off its shiny exterior, lending it a glow. “Home to the rich and mighty,” it seemed to say. Today one of their number would fall.

      “He’s not gonna like this,” Yao said.

      “He should have considered that before he betrayed our people,” Davi said as the door slid open to reveal a dark-skinned woman with her hair up. Her eyebrows rose in a question mark as she stared at them with concern.

      “We’re here to see Lord Niger,” Yao said.

      “My Niger’s in his study and can’t be disturbed right now,” the woman replied, Davi searched his mind for her name—Abena, if he remembered right.

      “I’m afraid he’ll have to be,” Davi said, extending his datapad.

      Abena’s expression changed to confusion. “What’s this? A warrant?”

      “It’s from the Palace, ma’am,” Yao said. “I’m afraid we really need to speak with your husband right away.”

      She scowled, shaking her head and stepping back inside, ripping the datapad from Davi’s hand as she did. The door slid shut.

      “Great! That was perfect!” Farien rolled his eyes.

      “You would’ve done better?” Davi shot him a look.

      Farien guffawed. “I always do better, Rhii. I think you’ve forgotten some of your diplomatic skills since you got demoted from Princehood.”

            Yao chuckled as Davi made a face. Then the wall beside them exploded in a shower of crumpled steel, broken glass and smoky dust. All three ducked and reached for their blasters, spinning around as their eyes panned for the cause of the blast. 

Okay let’s break this down. Davi, Farien and Yao arrive at a wealthy neighborhood to bring a member of the ruling Council in for questioning and are confronted by his unfriendly wife, who slams the door. In context, probably not so surprising. But the wall exploding is. Why? Because, although there’s inherent drama in what came before, the drama there comes from the tension between the people, not from the threat of violence or physical danger. With one fell swoop, or really, one sentence: “Then the wall beside them exploded in a shower of crumpled steel, broken glass and smoky dust” they go from laughing together and mildly frustrated to fighting for their lives.

Notice how I don’t use “suddenly” or “all of a sudden.” It still works. In fact, it’s better. I don’t need them. Because the suddenness of the jolting change in tone to the scene conveys it for me with much more power. And that’s what we’re talking about here. If you craft your story well, you don’t need to show your cards and your craft with such cheating words and phrases. Instead, the drama inherent in the story itself and how the elements or ordered by the writer, does the work for you. It’s why you’ll find readers, critics and editors often complaining whenever these overused cheats appear.

And don’t get us started on “in an instant,” “instantly,” “in a flash,” “without warning,” “unexpectedly,” “all at once,” “moments later” or “out of nowhere…” You can dress a sheep in clothes and it’s still a sheep.

What are other such pet peeves you’ve noticed in fiction or that you try and avoid? I’d love to hear yours in comments.

For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

 

Randy Streu is a radio announcer, producer, father and husband who lives in Upper New York State. He’s also the co-founder and owner of Diminished Media Group, as well as its primary developmental editor. In addition, he’s a writer and edits Digital Dragon Magazine with Tim Ambrose, his cofounder/c0-owner of DMG. It’s rumored his picture inspired Bryan’s internal image of his antagonist in the Davi Rhii saga, Xalivar. But you know how rumors are.

The Returning Blog Tour Schedule

It’s hard to believe it’s here. I get all emotional because of all the behind the scenes chaos I went through while writing it, but I’m about to be the author of two published novels and I’m thrilled and humbled at the same time. So you know what that means: another blog tour. Just last October, I was off promoting the novel I’d longed to write for 27 years, The Worker Prince. Now, it finally has a sequel, The Returning. It’s got another brilliant Mitch Bentley cover. More of the action and multi-layered plotting, larger-than-life characters and humor mixed with drama. It’s even got blurbs by three of my favorite writers, now also my friends.

It has everything, and you can find out for yourselves on June 19th! But right now, here’s the scoop on the tour and how you can preorder signed paperbacks or ebooks at 25% off on my store or at Barnes & Noble here.

The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Someone is sending assassins to kill and terrorize them, riling up the old enmity all over again, while Xalivar is back seeking revenge on Davi and all those who defied him. Davi, Farien and Yao reunite to investigate the murders, finding their lives and friendships threatened by what they discover. Meanwhile, the new High Lord Councilor, Tarkanius, Lord Aron, and Davi find themselves fighting all over again to preserve the unity of the Borali Alliance, while even many of their allies and friends work against them to tear it apart. Davi and Tela find their future together threatened by difficulties with their relationship, and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.

370 pp · ISBN 978-0-9840209-4-2 ·Trade Paperback · $14.99 tpb $5.99 Ebook  · Publication: June 19, 2012

“The Returning has romance, assassins, tension, both modern and classic science fiction notions, and very smooth writing. What more could you want? Bryan Thomas Schmidt keeps improving. As good as THE WORKER PRINCE WAS, THE RETURNING is better.” – Mike Resnick, Author, Starship, Ivory

“The Returning blends themes of faith with classic space opera tropes and the result is a page-turning story that takes off like a rocket.” – Paul S. Kemp, Author, Star Wars: Riptide, Star Wars: Deceived

“A fun space opera romp, complete with intrigues, treachery, dastardly villains, and flawed but moral heroes.” Howard Andrew Jones (Pathfinder: Plague Of Shadows, The Desert Of Souls) on THE RETURNING

To preorder your signed paperback for $11 + shipping, click here:

To preorder the ebook in whichever format you prefer, click here: (be sure and enter format desired in the box)

Preferred Format (epub/mobi)

To preorder from Barnes & Noble, click here: http://www.barnesandnoble.com/w/the-returning-bryan-thomas-schmidt/1108892375?ean=9780984020942

And please visit these awesome blogs for more information including excerpts, interviews, guest posts and more all through June and July 2012! I’ll insert links as they become available as well as updating specific content which is still being determined.

THE RETURNING Blog Tour

Tuesday, May 29 Blog Tour Schedule & Book Release – www.bryanthomasschmidt.net/blog (You’re there now)
Wednesday, May 30 Functional Nerds Guest Post: Tools For Worldbuilding (Guest Post) 
Thursday, May 31 Anthony Cardno  Guest Post: How To Run a Blog Tour For A Sequel Without Spoiling Book 1
Friday, June 1 Gary W. Olson  Character Profile & Excerpt: Xalivar
Monday, June 4 SFSignal Guest Post: 15 Science Fiction and Fantasy Thrillers Worth Your Time
Tuesday, June 5  Andrew Reeves/Jaded Muse Video Blog: Boxes (What’s yours?)
Wednesday, June 6 Reader’s Realm Excerpt from Chapter 2/ Brad R. Torgersen Catching Up With Interview
Thursday, June 7  Linda Rodriguez Guest Post: 5 Tips On Social Media For Today’s Author
Friday, June 8 Linda Poitevin Guest Post: Approaching Book 2
Monday, June 11 Elizabeth S. Craig: Mystery Writing Is Murder, Special Write Tip Guest Post: Surprise v. Suspense / Review at Functional Nerds
Tuesday, June 12 Matthew Sanborn Smith/The One Thousand: Character Profile & Excerpt: Farien Noa
Wednesday, June 13 Leah Petersen 5 Minute Interview
Thursday, June 14 Mae Empson Character Profile Interview & Excerpt: Tela Tabansi
Friday, June 15 Joshua P. Simon Interview
Monday, June 18 Bibliophile Stalker Guest Post: Culture In World-building
Tuesday, June 19 Mary Pax Dialogue: Why I Love Space Opera / Book Day Post
Wednesday, June 20 Moses Siregar Guest Post: What Makes A Story Epic
Thursday, June 21 Jaleta Clegg Guest Post: Food in Borali System
Friday, June 22 To Be Read Interview & EBook Giveaway
Sunday, June 24 THE PLATFORM Internet Radio with John Rakestraw “Finding Your Imagination
Monday, June 25 Grasping For The Wind Turning The Tables: SFFWRTCHT Interviews Bryan Thomas Schmidt
Tuesday, June 26 Ray Gun Revival Short Interview & Character Profile & Excerpt: Yao Brahma
Wednesday, June 27 AISFP Blog Essay: The Importance of The Responsible Use Of History In Fiction: Steampunk/Jamie Todd Rubin Dialogue: Space Battles In The Golden Age & Beyond
Thursday, June 28 Oops! Glitch! Post postponed to tomorrow due to unexpected travel of host blogger.
Friday, June 29 K.D. Weiland Guest Post: The Most Important Rule Of Writing: Be True To Yourself
Saturday, June  30 Patty Jansen Guest Post: Can There Be Space Opera Without Science?
Monday July 2 FMW Podcast Interview (delayed due to editing issue)
Tuesday July 3 Book Day 2: Print Release!!!

The Blog Tour Resumes Friday, July 6, after the holiday with more fun!!!!

And if you missed the prior book’s blog tour, here’s that roundup.

I also did posts in my popular Write Tips series on Planning A Blog Tour and Preparing For A Blog Tour Even As You Write.

For specific info on this series, The Saga of Davi Rhii, click here.

For this book’s page, click here.

For The Worker Prince page, click here.

To order my debut novel, THE WORKER PRINCE, Book 1 in the  Saga Of Davi Rhii, use the links at the bottom:

 What if everything you thought you knew about  yourself  and the world turned out to be wrong?
 For Davi Rhii, Prince of the Boralian people, that  nightmare has become a reality. Freshly  graduated from  the prestigious Borali Military  Academy, now he’s discovered he was secretly  adopted and born a worker. Ancient enemies of  the Boralians, enslaved now for generations, the  workers of Vertullis live lives harder than Davi had  ever imagined. To make matters worse, Davi’s  discovered that the High Lord Councillor of the  Alliance, his uncle Xalivar, is responsible for years of abuse and suppression against the workers Davi now knows as his own people.

His quest to rediscover himself brings him into conflict with Xalivar and his friends and family, calling into question his cultural values and assumptions, and putting in jeopardy all he’s worked for his whole life. Davi’s never felt more confused and alone. Will he stand and watch the workers face continued mistreatment or turn his back on his loved ones and fight for what’s right? Whatever he decides is sure to change his life forever.

326 pp · ISBN 978‐0‐9840209‐0‐4 ·Trade Paperback · $14.95 tpb $4.99 Ebook  · Publication: October 4, 2011

The Worker Prince: Book 1 In The Saga of Davi Rhii  Trade paperback only   EPUB or MOBI — please specify in notes on order

Or you can order at Amazon here: The Worker Prince


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and has several short stories featured  in anthologies and magazines.  He edited the new anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. His children’s book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing. As  a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

Preorder SPACE BATTLES & Get My Other Davi Rhii Short Story Free

To celebrate the release of Space Battles: Full Throttle Space Tales #6, my first anthology as editor, I am giving away Rivalry On A Sky Course free at smashwords. If you preorder Space Battles and send me your order number via email or here, I’ll send you a code to download Rivalry for free. Rivalry and my Space Battles story “The Hand Of God” are the only current short stories set in the universe of my Davi Rhii novels, The Worker Prince and The Returning (forthcoming this June). For info on Space Battles , Rivalry On A Sky Course and The Worker Prince, click the links below the pics.

http://bryanthomasschmidt.net/the-worker-prince/ - Read about my debut novel here

 

 


 

 

Read about my debut novel here.

 

 

 

 

 

 

 

 

Read about Rivalry here.

 

 

 

 

 

 

 

 

 

Read more about Space Battles here. Through April 17, Flying Pen Press has it at 40% off on preorders!

 

 

My Panel Slate For Constellation in Lincoln, NE

Well, the Con Programming Chair from Constellation in Lincoln, NE, April 13-15 sent me my panel schedule. I’ll be launching Space Battles there as well as promoting my other stuff. More details to follow when I have them. Elizabeth Bear is the GOH. Hope to see some of you there.

Character Building – Saturday, 11 a.m.

What makes a good character? How do you name characters? What are the aspects of character one must consider when creating characters for a story? How deep do you go? An examination of character creation and more.


Author Reading- Saturday, 2 p.m.

I’ll be reading from Space Battles and The Worker Prince and perhaps even a passage from The Returning which comes out in June.


Faith in Science Fiction and Fantasy-
Sunday at 1 p.m.

A discussion of the importance of faith as a motivator for humankind. Not a debate about the validity or value or religions, but rather a discussion of how faith drives all of us in some way. What do you put your faith in? What drives you toward your elusive life long goals? Why is faith an indelible, essential element for world building in speculative fiction? We’ll discuss these questions and much more.


Great Reads – Sunday at 2 p.m.
What are the best books you’ve read in the past year? How do they compare to ones you’ve read in years past? Which forthcoming books are you most excited about and why? A discussion of books we love and why we love them and our quest for more.

 

Excited to attend this Con for the first time. 


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, The Returning (forthcoming), the collection The North Star Serial, Part 1, and the kids book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing. he edited the anthology Space Battles: Full Throttle Space Tales #6 which he edited for Flying Pen Press, headlined by Mike Resnick and has stories in several anthologies and magazines (some forthcoming). As  a freelance editor, he’s edited a novel for author Ellen C. Maze (Rabbit: Legacy), a historical book for Leon C. Metz (The Shooters, John Wesley Hardin, The Border), and is now editing Decipher Inc’s WARS tie-in books for Grail Quest Books.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

19 5-star & 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

New York Times Bestselling Star Wars Author Paul S. Kemp Blurbs “The Returning”

Star Wars/Forgotten Realms author Paul S. Kemp has this to say about my next novel The Returning: “The Returning blends themes of faith with classic space opera tropes and the result is a page-turning story that takes off like a rocket.”

Here’s more info, including the previous blurb, and I expect a cover image in the next two weeks:

The Returning has romance, assassins, tension, both modern and classic science fiction notions, and very smooth writing. What more could you want? Bryan Thomas Schmidt keeps improving. As good as The Worker Prince was, The Returning is better.” – Mike Resnick

“A fun space opera romp, complete w/ intrigues, treachery, dastardly villains, and flawed but moral heroes.” Howard Andrew Jones (Pathfinder: Plague Of Shadows, The Desert Of Souls) on THE RETURNING

Sequel to The Worker PrinceThe Returning is forthcoming this June. Book 2 in the Saga Of Davi Rhii, the back cover copy reads as follows:

The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Now someone is sending assassins to kill and terrorize them and it’s riling up old enmity all over again. The new High Lord Councilor, Tarkanius, Lord Aron, and Captain Davi Rhii find themselves fighting all over again to preserve the unity of the Borali Alliance, while forces from within and without work against them in an attempt to tear it apart.

Meanwhile, Davi and Tela are struggling to keep their romance alive in the midst of busy lives filled with drama and stress and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.

Although it’s not out until June, you can preorder The Returning today for $10.11 at Barnes & Noble (31% off the cover price).

Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012 along with the anthology Space Battles: Full Throttle Space Tales #6 which he edited for Flying Pen Press, headlined by Mike Rensick. As  a freelance editor, he’s edited a novel for author Ellen C. Maze (Rabbit: Legacy), a historical book for Leon C. Metz (The Shooters, John Wesley Hardin, The Border), and is now editing Decipher Inc’s WARS tie-in books for Grail Quest Books.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

First Blurb For Novel 2: THE RETURNING (Saga of Davi Rhii 2)

Just in from my friend/mentor and one of my favorite authors, a blurb for my second novel: “THE RETURNING has romance, assassins, tension, both modern and classic science fiction notions, and very smooth writing. What more could you want? Bryan Thomas Schmidt keeps improving. As good as THE WORKER PRINCE WAS, THE RETURNING is better.” – Mike Resnick

Sequel to The Worker Prince, The Returning is forthcoming this June. Book 2 in the Saga Of Davi Rhii, the back cover copy reads as follows:

The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Now someone is sending assassins to kill and terrorize them and it’s riling up old enmity all over again. The new High Lord Councilor, Tarkanius, Lord Aron, and Captain Davi Rhii find themselves fighting all over again to preserve the unity of the Borali Alliance, while forces from within and without work against them in an attempt to tear it apart.

Meanwhile, Davi and Tela are struggling to keep their romance alive in the midst of busy lives filled with drama and stress and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.

Although it’s not out until June, you can preorder The Returning today for $10.11 at Barnes & Noble (30% off the cover price).

More Rungs On The Ladder: The Returning, DMG & I Get A Locus Mention

Well, I got my first publishing related mention in Locus. Sometime last year I was listed in a photo caption for Rainforest Writer’s Village despite not actually being there for the picture (so that doesn’t count). The announcement of the sale of my second novel showed up yesterday with mention of my editor, Randy Streu, and some other cool people like my friend D.W. Grintalis, who sold her debut novel, Mike Resnick, who’s sold too many to count, etc. It’s a good feeling, because Locus is the industry zine (for those who don’t know) and it makes me feel more officially a part of things. It’s like a step on the ladder.

Another rung occurred when I sent review copies to Library Journal, Kirkus, Locus and Publisher’s Weekly. Didn’t get that done for The Worker Prince, to my regret. But good reviews from those would really boost credibility and sales, so here’s hoping they feel as good about book 2 as I and Randy do. I did send The Worker Prince along to Locus, since they don’t rule out reviewing books which have been out for a while. We’ll see. More waiting begins.

 

Acknowledgements: The Returning

These are the acknowledgements I wrote to my second published novel, fourth novel I’ve written. It thanks a lot of online and real life people who deserve to share any credit for my success.

Acknowledgements
Writing your fourth novel and first sequel is an interesting
experience. And as I finished each chapter, I turned it over to a
dedicated trio of beta readers—Michelle Ristuccia, Lee Gunter and
Louis Shalako. Each brought different perspectives and experience as
readers and writers. And as is my wont, I did not look at any notes after
chapter 1 so it wouldn’t cloud my writing process. (I only looked at
chapter 1 because I wanted to be sure what they were giving me was
going to be useful. It was…quite useful!) Amazingly, once I got it all
together, and once I let them read The Worker Prince (they’d been
chosen as betas initially because they had no familiarity with it), they
kept telling me this book was better. Now it’s up to you to decide.
Despite all those who graciously assisted me in making this book a
reality and, I hope, a success, any errors or issues remain my own. So I
gratefully thank, in addition to the three wonderful betas listed above,
Kathy Williams, Mike Wallace, Anthony Cardno, Randy Streu, Jen
Connelly Ambrose, Tim Ambrose, and Diminished Media Group for
editing, input, proofing, feedback, encouragement, support and more.
And for loving my writing even at its worst in a way that continues to
amaze and inspire me to keep going.

I must add to the list those who taught me story craft: Ted Dale,
Ron Dyas, John Wells, Larry Ward, and so many at California State
University, Fullerton film school. Again writers like Leon C. Metz,
Robert Silverberg, Orson Scott Card, Mike Resnick, Ken Scholes, Jay
Lake, Kevin J. Anderson, Alan Dean Foster, Timothy Zahn, A.C.
Crispin and Kristine Kathryn Rusch. For support, encouragement and
friendship, Mary Robinette Kowal, Kat Richardson, John A. Pitts,
Brenda Cooper, Saladin Ahmed, Jason Sanford, Patty Jansen, Moses
Siregar III, Howard Andrew Jones, Jean Johnson, Patrick Swenson, and
all of the SFFWRTCHT regulars.

To the publicists and other friends who helped promote The
Worker Prince, had me on their blogs, reTweeted, posted links, etc.,
mostly without my asking, especially Adonna Pruette and Matt
Staggs—thank you for supporting me. In supporting you, I never had
ulterior motives. It’s nice to know I don’t need them. Special thanks to
Paul Goat Allen for honoring The Worker Prince with Honorable
Mention on his Barnes & Noble Book Clubs Years Best Science
Fiction Releases of 2011. You have no idea how much that encouraged
me at just the right time.

To my dogs, “my babies,” Louie and Amelie for always reminding
daddy that he’s loved and that he takes things too seriously way too
often. Your companionship has seen me through so much. To family:
Ramon & Glenda Schmidt, Lara McCullough, Kyle McCullough, Karl
and Heather Schmidt for support. To Mitch Bentley for great artwork
and encouragement and Jeana Clark for the map. To friends like Charles
Davidson, Aaron Zapata, Tim Pearse, Greg Baerg, Shaun Farrell,
John Klima, Patrick Hester, John Anealio, Kaolin Fire, Sarah Hendrix,
Johne Cook, Grace Bridges, Jaleta Clegg, Matthew Sanborn Smith,
Charles A. Tan, John DeNardo, John Ottinger for all your support,
encouragement, and so much more. I am so blessed by your presence
in my life!

Last, but not least, to all the readers and reviewers who read The
Worker Prince and sent feedback or just told a friend. This is for you. I
hope we fixed the issues and grew in craft. And I hope you enjoy this
second chapter even more than the first and look forward with me to
the “more to come.”

God’s richest blessings on you all.
Bryan T. Schmidt
Ottawa, Kansas
Spring 2012

Vlog: Writing Update to Call FM–Novelization Of My Novel (Humor)

Had a great interview on the radio with Call FM’s Ben & Guillermo. At one point, Guillermo and Ben asked about which actor might play characters if my book were made into a movie. Afterwards, Guillermo asked me if there’d be a novelization (of the movie of the novel). He was obviously tired, but well, I couldn’t resist calling back in and ribbing him about it this week as they rerun my interview. And so here’s the call.

Untitled from Bryan Schmidt on Vimeo.

The Returning: It Is Finished

Well, my second contracted novel is on its way. ARCS are being prepped. E-ARCS are already going out. And copyediting and cover design will begin in earnest for our June release of The Returning, sequel to The Worker Prince. Pretty exciting stuff. A year ago, this book barely existed and now here it is. Three years ago, it was barely a figment of my imagination. Yet, here it is.

Kudos to Randy Streu who knocked out the last chapter and epilogue in record time the night before his birthday and family weekend vacation.

I look forward to seeing what Mitch Bentley creates this time around. We’ve already had discussions.

Most of all, I look forward to getting it into the hands of reviewers, blurbers and YOU! My beta readers and Randy tell me it’s better than The Worker Prince, along the lines of a Bourne movie type pacing and lots of plot surprises and twists, including a cliffhanger of an ending. Can’t wait for your verdict.

It feels really good to have finished yet another novel. With the publication of my children’s dinosaur jokebook and Space Battles, an anthology I edited, this Spring, it will be quite a year of publications, taking my book table from two books up to six quite fast. Very exciting!

Thanks all for the support!

The Returning: How I Dealt With Middle Book Syndrome

Well, we’re four chapters from finalizing the editing of my novel, The Returning, sequel to my debut The Worker Prince. ARCS will go out next week, and then copyediting. As I look at this book, a book which I’m amazed even got written–written in the midst of my life completely falling apart (unemployment, mental health issues and hospitalization for the wife, then divorce and a cross country relocation), I also marvel at how well this second book actually works. I know, I know: “We’ll be the judge of that” you’re thinking. And yes, you will. But from beta readers to editors, responses have been encouraging. They comment that it starts out fast like a Bourne movie and never lets up. They talk of the stakes being upped on every level from character development to complexity of plot to emotional arcs and actual events of the story. The stakes were higher in every way. And although that was deliberate in part, I find myself pondering how important second books are for us as authors and in trilogies generally. And how hard they can be to write.

When I started The Returning, I had no idea what the book would be. I knew where the story would have to go for the ending in book 3. But unlike Book 1, which employed the biblical story of Moses as a framework, and book 3, which will also employ more elements of that, book 2 had to fill in gaps and required me to create more of my own storyline and structure with these characters. I knew there were mistakes I’d made in The Worker Prince which I didn’t want to repeat. I also knew there were things I wanted to do with the characters. But I wrote in total chaos. Outlining a chapter at a time is usual for me, so that’s not what I mean. What I mean is that my life was so chaotic in the background of writing that I often went a month or weeks between chapters or even scenes. Coming back to it, I found concentration hard, so I couldn’t review what I’d written as fully. And often I didn’t want to reread the previous six chapters just to write. Unlike The Worker Prince, this book took 9 months to write. And it went out a chapter at a time to three beta readers as I went. They urged me for more quite often. Their patience was greatly appreciated. I didn’t look at their feedback until after I’d finished.

I was amazed.

First of all, as I hinted at above, I’m a pantser. I let the story go where it takes me. I always have some key plot points in mind. And I always have a rough idea of the base storylines (plots and subplots). But in this case, I had no idea how I would end it until I was well over 2/3rds through. It’s a middle book. There was no real ending. Many events in this book carry over into Book 3. But at some point, I realized I could still create a satisfying denouement, even if it was a cliffhanger ending. And the book most certainly has that. At the same time, the events push toward the point where a chapter feels closed in spite of that.

Early on I realized Book 2 needed a sense of everything being turned upside down. The Worker Prince was a happy story overall. It almost feels like a standalone. Despite the survival of the antagonists and potential for more stories, everything gets wrapped up in a pretty happy ending. But for the characters to progress and the story with them, I needed to tear all the stability and happiness apart again. Their lives, relationships and future all needed to be in jeopardy, and readers needed to be surprised. So, as I wrote, I set that goal. In addition, I wanted a fast pace, action packed novel, both emotionally and physically. It required a more complicated plot. And wound up with seventeen point of view characters, a hell of a cast to manage. (Some only have a scene or two from their POV. There are major POV characters who have scenes throughout as well.)

As I reached each plot point I’d planned, I examined my options and looked for the unusual choice, the surprise twist. What could happen here that would make readers say: “Whoa! I cannot believe that just happened!” Where can I take things that makes it more complicated and pushes them further from their goals and happiness again? At every chance, I made such choices. Unlike The Worker Prince, I knew that meant important characters would have to die. In the end, four do.

It’s hard to kill characters. You spend so much time with them that you begin to feel a bit like they’re family. So killing them, unless you’re psychopathic I suppose, feels wrong and mean. Who wants to be mean? But in order for the heights of the emotional arcs and plots to be reached, the stakes had to get higher and higher in The Returning, and I found no way to do that without endangering characters. In choosing the characters to subject to this “cruelty,” I also tried to make surprising choices. I chose characters I liked but characters who, ultimately, have less interesting arcs left to them than the ones who remained. My readers may disagree, but I hope not. Because the deaths of these characters actually redefine and energize the arcs for other characters in Book 3. They serve to drive the rest of the story.

I also did more exploration of my solar system, using more alien species and worlds, and exploring more of how the Boralian Alliance got to be in control and treated the natives they encountered. This will be a big part of Book 3 as well, and I think it made for some very interesting worldbuilding along with some nice plot twists and turns.

Obviously, I can’t say too much. The book doesn’t release until June. But in any case, by the time I concluded writing The Returning, I knew I had the makings of a very satisfying chapter in my saga. In fact, editors and my beta readers all agreed it’s a better book on every level than The Worker Prince. [That’s a compliment writers. We need to grow with each book. So I took it that way. It was also my goal as mentioned above.]

And so now I can’t wait to share it with you. It goes out to reviewers and other authors for blurbs next week. I have some pretty cool people lined up, including a couple of Star Wars authors. I can’t wait to hear what they think. I hope you’ll take the time to read The Worker Prince and The Returning and love them as much as I loved the experience of bringing them to life for you.

For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

19 5-star & 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Write Tip: The Necessity Of Discipline

Okay, it’s an old topic, I know, but discipline is so vital to your writing success. And if I’ve learned anything about discipline over the years, it’s that to be disciplined in any area of life, you need good discipline in all areas of life.

There’s nothing that bleeds from one area of life into others faster than lack of discipline. If you want to succeed at your work as a writer, you have to dedicate time to it regularly. Whether it’s an hour a day, fifteen minutes a day or five hours a day, you have to set aside time and do the writing. If you miss a day, it’s easier to miss another day and so on. If you’re only going to write five days a week, okay, fine, if that works for you. But don’t take off an extra day. It’ll be that much harder to get back to your regular schedule after.

When you diet, you can’t have a cheat day. One cheat can blow the whole week’s diet. When I lost 66 pounds in ten months on Weight Watchers in 2003, I didn’t have cheat days. I couldn’t. I counted calories every day and if I wanted a special treat, I just had to compensate with low calorie foods for the other meals that day or the next two days, period. Cheat days just made it harder to get back into the discipline, and, early on, I discovered without that discipline, my diet wouldn’t succeed.

For me, this is true in other areas of life.

The times I’ve been successful with exercise have been times when I’ve made it routine. Four to five days a week, forty-five minutes to an hour every day, period. No excuses. Once I start skipping days, pretty soon I just stop exercising. It’s happened time and time again. I find a similar thing with writing. One reason blogging helps me so much is that I am forcing myself to make content daily. I am doing my warm ups for other writing, in essence. I blog twice a week at least for my blog, but then I do guest posts for other sites on other days. Sometimes I blog in advance and save them up (Saturday I wrote my Valentines Day post), but by blogging almost every day (I skipped Friday for example), I get my writing chops working automatically and it’s easier to do other writing I need to do for the day. Similar perhaps to warming up before a jog or a game.

I do the same thing with my reading time for SFFWRTCHT, dividing a book into daily goals by page count to make sure I get the books read. Sometimes I fail because I often have more than one book to read at a time. And some books are longer than others. But I still push myself to meet the goal, and most weeks I succeed. It’s why I’ve read so many books in the past year, per my 2011 reading post.

When it comes to writing, I have to set clear goals. Without goals my discipline waivers. For me it’s a word count of 1200-3000 words a day, when I’m working on other jobs and 3-5000 words a day when I’m not. I also set goals to do a certain number of scenes or a chapter each day. Sticking to it, the work gets done. Not sticking to it, and pretty soon I’ve gone weeks with no output.

It’s ironic that the fun part of writing isn’t the task of putting words to paper. Editing and polishing is a lot more fun for me, but the really joyful part is the daydreaming when I think up ideas. I could sit and do that all day, couldn’t you? But making those daydreams work on the page is tough sometimes. Yet in 2008 I decided to write a novel and by the end of 2009 I’d written two. By the end of 2011, I had my first published novel and I already know that by the end of 2012 I’ll have two more published. Imagine what will come in 2013 if I keep working?

Right now I have two half manuscripts to complete and one that is ready for second draft. If I get all of those done this year, and that’s a goal, I will have three more books to sell for 2013 but in addition, I need to write the finale to my Davi Rhii saga which is due to be published in 2013. So I could end up with as many as four books coming out in 2013. That would be doubling my publication output every year. Pretty cool, huh? Even if it doesn’t happen, what a worthy goal, right?

In 2012 I have Davi Rhii book 2, The Returning, coming out, along with 102 More Dinosaur Jokes For Kids, the anthology Space Battles: Full Throttle Space Tales 6, which I edited for Flying Pen Press, and the episodic novel based on a flash fiction series The North Star. I have stories coming out in Tales Of The Talisman and the anthologies Space Battles and Wandering Weeds: Tales Of Rabid Vegetation.

None of this would be possible without the discipline of regularly sitting down to write.

Am I rich yet? No. But in 2010 and 2011 I spent more on writing than I made. In 2012, I have already made 50% of what I spent on writing last year and I still have a bunch of stuff to come out and advances, etc. to receive with only a month gone in the year. That’s what I call progress, the good kind. It can only get better.

This year I am disciplining myself to eat better regularly and exercise at least four days a week. I am getting a used elliptical machine to make sure I have no excuse to not do it. It’ll be staring me in the face and with my e-reader, I can read while I do it. I am reorganizing my grocery shopping to plan healthier meals. Cutting out some of my unhealthy snacking and replacing it with healthier choices. All of this discipline will help me keep discipline high in my writing and other areas of my life. I’m sure my reading goals will be easier met, too. And I’ll bet I can meet that 2013 goal.

So when you think about your writing, ask yourself about your discipline. How does your discipline or lack of it contribute to your writing success? In what ways can you do better? In what ways are you already doing well? Where have you made progress? Where does progress need to occur? Adjust your goals and discipline accordingly. Don’t forget to look at other areas of your life.

I wouldn’t be where I am if I hadn’t started disciplining myself, but I know I can do better. What about you? How’s your discipline? For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

4 5-star & 13 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Write Tip: The Importance Of Distance

I know it’s not obvious but I’m not a patient person. I hate waiting. I hate lines. The only form of delay I enjoy is procrastination. I’m awesome with that one. But because of this problems have developed from time to time. I always heard people talk about how important it was to get distance from your work before doing second drafts, etc. I always struggled. So excited about it, caught up. It was hell to put it aside for two or three days, let alone a month or two. And I think some of the criticisms I got in reviews for The Worker Prince reflects that struggle. I see little things I could done better. I know, authors always do that. But I see a few bigger things, too. (Oh, you say, that never happens to me.) Okay. I’m not perfect. Is that what you needed to hear? Feeling good about yourself?

In early November though, I turned in The Returning, my sequel to The Worker Prince, and my publisher was busy with another novel release and I launched immediately into a sword & sorcery book I was chomping at the bit to write. And somehow, I didn’t look at The Returning again until early January, when we started editing it. My beta reader’s feedback had already been incorporated before the publisher got it. So I was feeling pretty confident it was a better book than The Worker Prince. (My goal in life is to improve, just saying). But nonetheless, before I cracked the pages, I compiled a chart of all the negatives from the good reviews The Worker Prince has received and decided to make sure none of them repeated in the sequel.

As I began to go back through, it was fun to rediscover my book. It had been written over nine hellish months during which my now ex was hospitalized five times for mental illness, I lost my part time job, went through divorce, came close to bankruptcy, etc. In other words, a period where I had weeks, even a whole month, of no writing. So I wrote in total chaos. To make matters worse, the plot was complicated and I had fifteen Point of View characters. By the time I was done, I was totally struggling to remember what I’d done earlier. I was sure the book was a complete mess. My beta readers, however, raved and, upon reading The Worker Prince (which I refused to let them do until they were well into The Returning), assurred me this book was better. I didn’t really find it that easy to believe. Until I started back through.

Not saying it’s genius. Not saying it’s Twain. But I did find the book a lot better than I remembered. I also found a lot of conflicting plot holes and repetition and other items needing fixing. Things I didn’t catch on my second pass with beta reader’s notes. Things they didn’t catch. I’m pretty confident I wouldn’t have caught them without that distance. So, yeah, I’m starting to believe even more than I did before that good distance is vital to better writing.

For example, descriptions are a weakness for me. I come from a screenwriting and journalism background so having to wax poetic about setting and emotions is hard for me. I didn’t practice it much until I started with fiction. Much of my rewrites involve looking for opportunities to do this. In fact, I found that I had not even described the various vehicles in my story. Everybody knows what they are from book 1, right? Ha! Never assume. I’ve striven very hard to make book 2 a standalone entry for the series, not requiring people to go back to the first book unless they want to. (I hope they will, I need the sales and it has its own charms, I swear). That was why I wanted betas who hadn’t read the first book. So here I was leaving out vital description. How embarrassing would it have been to leave that out?

Other examples, I found repeated scenes where I did the same thing twice in separate settings. I found extraneous dialogue to cut. I found repetitive word choices. All things it’s so much easier to see with fresh eyes. Fresh eyes also helps me see character arcs and themes better. I find motifs and other elements I can repeat or use to add depth to the story and characters as well.

So, yes, I do believe distancing yourself from your work is vital to good fiction writing. And I think we do ourselves a favor when we force patience and take time away. After all, it writing is an art (and I do strive for it to be), part of the artistic process is seeking excellence. Anything one can do to get better perspective and improve is worth doing. Don’t you think?

What are your experiences with taking time away? Do you have a set period? Do you ignore the advice? Has it helped you? Hindered you? Frustrated you? I’d love to discuss it more in comments. I’m sure there’s a lot more to say but those are my thoughts for now. For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

4 5-star & 12 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Hello 2012! Good Riddance 2011! (Predictions & Reflections)

Well, 2011 is gone and I am as glad as anyone it will never return. I thought 2010 was a bad year but 2011 was so much worse. In may 2010, I lost my full time job. By the end of the year, my part time one also went away due to my out of state job search and their wanting continuity. Unemployment problems began. We made it through 2010 without a relapse of Bianca’s health issues, but in February, 2011, they came back with a vengeance, resulting in her spending most of February through May in various hospitals against her will and causing a great deal of financial and emotional stress for me. While I did sign my book contract at the end of 2010 and see my debut novel published to good reviews and even a B&N Book Clubs Honorable Mention on Years Best SF releases, overall, 2011 was pretty unhappy. I did complete a sequel to The Worker Prince and start a new heroic fantasy novel. I outlined some other ideas and I did see stories published. I made my first paid sale to Tales Of The Talisman early on but it won’t appear until Summer 2012. Residential Aliens finally bought my long standing Worker Prince prequel story, “Rivalry On A Sky Course” and published it a few days before the novel’s release. I also sold stories to the anthologies Of Fur and Fire and Wandering Weeds and got the editing assignment and completed Space Battles, which will feature yet another Worker Prince universe story. Both Wandering Weeds and Space Battles should appear in 2012 along with The Returning, book 2 in the Saga Of Davi Rhii and hopefully other things which have yet to materialize.

SFFWRTCHT became a major thing in 2011. I started it in Fall 2010 and it grew into a majorly respected interview series with a column, guest posts and much more. I got bigger name guests and publishers partnered with me to get me arcs of their books. I also started columns on the  blog as well and am looking into a podcast.

My first book tour was a success and a lot of fun in 2011 and I plan another one for mid-2012 to promote both The Returning and Space Battles. I did my first podcast interviews, author interviews and guest posts all as part of this tour. Additionally, I attended my first Cons as a panelist and author guest. And moderated my first panels. I now do them a lot more often and am enjoying the opportunity to share my knowledge, vision and ideas with a larger audience and interact with them. I really feel like I got legitimized as a member of the professional SFF community this year and that’s a really good feeling.  I also got my first reviews. Most were positive, thankfully. And I’ve learned as much as I can, applying it as we edit The Returning for its 2012 release.

As for 2012, after what I’ve been through, I’m hesitant to make too many prediction, and, frankly, not very optimistic. But based on the few positives from 2011, I can make a few guesses. I imagine SFFWRTCHT will continue to grow. If it’s approved, my membership in SFWA will commence as an affiliate member. I will have three more books published, two anthologies and one novel with my material. North Star Serial will finally come to ebook and I’ll be writing more episodes at some point. I also hope to make my first traditional publishing deal and get an agent. I really feel like those are the next steps in my career but we’ll see.

I have quite a few Con appearances and signings scheduled for 2012. My first signing was a success despite low attendance. I didn’t promote it well due to a date change and just not being on the ball. But we sold well above the statistical average number of books for a signing which I consider a huge success. I will be an Author Guest at Convergence and ConQuest. With Convergence having an average attendance of 5k, that’s a big deal and it will coincide with my having Space Battles and The Returning released, giving me five books with my work to sell. I also plan to attend ChiCon WorldCon and several more area cons and will aim for World Fantasy and GenCon as well.

I have to write book 3 in the Saga Of Davi Rhii, finish The Relic Of Aken, my heroic fantasy, and do draft two of Sandman, as well as write those North Star stories.  I have two steampunk novel ideas and an urban fantasy I would like to get to. And I’d like to get back to short stories outside North Star despite my failure this year to do much with them. I really feel I am terrible with that area of craft but since novels are doing so well for me am focusing my attention there for now. The sole exception being North Star because the present run is almost exhausted and the zine wants more episodes to complete the cycle.

In any case,  I also hope 2012 brings financial stability again, either through a book contract or a steady job or both. This living on the edge has been very devastating, causing me to have serious depression for the first time, gain a lot of weight, and have a lot of health issues. And getting back on a even keel would really change how I produce and enjoy life in 2012. With Congress playing games on unemployment extensions, my current account runs out in February and it’s uncertain how I’ll get by. My parents have strained their resources helping me and I don’t know how to burden them any further. Let’s hope 2012 is not my return to flipping burgers. That doesn’t seem like a good use of my Masters.

Anyway, there’s my reflections and predictions. I tried not to be too negative. Most of you have already seen my hard life posts so why rehash it. After all, isn’t the goal to predict a happier future?

In any case, I hope 2012 brings better times for all of us.


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎

4 5-star & 11 4-star reviews THE WORKER PRINCE $3.99 Kindlehttp://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

 

An Interview With Lord Xalivar

This interview originally ran at Nicole Peeler’s blog as part of my first blog tour. Thanks to Nicole for the invite to visit her blog on my tour. I wanted to rerun it again here because it was a fun post to write and because I wanted to share it with you. This is a fictional interview with the antagonist of my debut novel. I wanted to sit down with one of my characters, the deposed High Lord Counselor of the Boralian Alliance, Lord Xalivar, for a chat.

Xalivar: Deposed? I was not desposed! I was violated!

BTS: Sorry. So Mr., Xalivar should I call you?

X: I prefer, my Lord.

BTS: Uh, ok, my Lord…that’s weird for me.

X: Yes, that’s what my enemies said and now they’ve written that scandalous tome of lies about me.

BTS: Well, I wrote it, actually, just as they told it to me.

X: So you’re a co-conspirator! Why should I trust you?

BTS: Well, I really did want to get it right, so if there’s something you’d like to set the record straight about, I’m listening.

X: (clears throat) It didn’t happen like that.

BTS: It didn’t happen like what?

X: I thought you said you were listening.

BTS: I am.

X: No, you’re not. You’re interrupting. It’s not the same thing. I am the High Lord Councilor of the Borali Alliance. Interrupting me is tantamount to treason!

BTS: Actually, you were deposed…

X: Shhhhhhh! LISTEN!

BTS: OK, sorry.

X: My family served the Alliance for generations. With honor! We have always done what was best for the Alliance and her people.

BTS: Some would argue with that.

X: Because they’re fools! Fools who don’t know what’s best for them. That’s why they need leadership. Wise leadership, like I have always provided.

BTS: I see.

X: Stop interrupting or my LSP men will arrest you.

BTS: Oh, well, I don’t want that.

X: (laughs) No, you don’t. Anyway,  as I was saying, the accusations made against me were made of ignorance, from a total lack of perspective.

BTS: Allegations of abuse of slaves? Enslaving fellow humans? Trying to usurp the Council?

X: Lies! Why are you spreading them? I already told you these were lies.

BTS: But the existence of slavery is documented—

X: Yes, but I did not enslave them. My grandfather did. I merely preserved the system. It was working just fine for both of our peoples.

BTS: The slaves might beg to differ.

X: Slaves always do, but they are not intellectually capable of making such statements with any accuracy.

BTS: They’re human beings.

X: That’s your opinion. Not a fact.

BTS: But they came from Earth to colonize the stars just as your ancestors did.

X: Earth has many species.

BTS: But only one species of humanoids—humans themselves.

X: Evolved from apes. Some of us evolved longer and more advanced than others.

BTS: So there are levels of evolution?

X: There are levels to everything. It’s the natural order of things.

BTS: The Vertullians don’t believe in Evolutionary theory. They believe in creation by their God.

X: See? They haven’t intellectually evolved enough to understand Evolution. And here you and everyone else go writing their story as if it’s history, as if it’s truth. It’s a total sham! Slander! I should sue you all!

BTS: They just wanted the same rights as your own people. Is that so bad?

X: You have to earn rights. They are not inherent.

BTS: Well, the workers believe differently.

X: Because they’re inferior.

BTS: I see. Anything else?

X: I did not betray the Council. The Council listened to lies told them by my sister.

BTS: I heard you two were very close.

X: (laughs) I thought so once. I was wrong. It’s clear our family had some weak genes which she was victim of.

BTS: So she’s not evolved?

X: She’s lesser evolved than I am, yes.

BTS: Wow. Ok. And Davi Rhii? He was raised as your nephew and heir, yet you betrayed him.

X: I did not. He betrayed himself. He set out to destroy our superior Alliance and was revealed in his ignorance.

BTS: You didn’t send men to kill him?

X: I did not. And I never abused the slaves. They were treated as slaves deserve—like property, herded and directed, incapable of making proper decisions on their own and born to serve their masters. It’s natural, not abuse.

BTS: I see.

X: It’s a matter of perspective. Creatures of their level of low intellectual ability are prone to exaggerating because they don’t fully grasp reality.

BTS: But the Council and many of your citizens agreed with them?

X: Low intellects all.

BTS: So anyone who disagrees with you is less intellectually developed?

X: Isn’t that obvious? They replaced me with one of their own, tried to arrest me. They criminalized me by slandering my reputation. It’s all a manipulation and distortion by inferior minds.

BTS: Some might regard your attitude as arrogance.

X: Only intellectually underdeveloped persons would think so.

BTS: I think we’re done here.

X: I have not even begun to give you the correct story.

BTS: You believe I’m too intellectually inferior to understand it.

X: Ah ha! You’re on their side, despite your earlier denials.

BTS: I tried to be a neutral third party but they seem more credible.

X: Credible? Ha! Barely more than apes!

BTS: I have a headache.

X: I’ve worn out your inferior brain. Told you!

BTS: Thank you very much for your time.

X: It’s really sad you can’t handle the truth.


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, the collection The North Star Serial, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.

‎3 5-star & 8 4-star reviews THE WORKER PRINCE $3.99 Kindlehttp://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Xalivar Rhii, once the High Lord Counselor of the Boralian Alliance, the continuation of an honorable line of fine leadership, now spends his days fighting to redress the injustice done to him by others. An innocent victim, he and his minions hang at their favorite secret hideaway preparing to enact revenge with great vengeance and restore balance to the Universe.

 

Write Tip: The Dichotomy Of Writing Life-Dealing With Criticism

Two of the most valuable skills one must cultivate as a writer are being hypersensitive to write passionate, powerful, emotion-filled prose, and having a thick skin to handle criticism. Ironically, these two skills are often diametrically opposed. How can you be thick skinned and sensitive at the same time? In truth, I don’t know anyone who can.

Criticism hurts, no matter who’s giving it or what it says. No one who puts themselves out there, especially artistically–pouring their emotions, thoughts, ideas, and heart into their work–enjoys it when people criticize that work. It’s just hard to hear. Some may claim to be immune, but being used to it and being immune are not the same thing. One can certainly learn to accept that criticism is often a daily, or at least weekly, part of the life of an artist, especially when work is newly released. But I don’t honestly know how one can ever totally get to the point where it doesn’t sting. After all, any serious artist, of whatever medium, works hard to do their best at what they do. From studying craft, learning tools, and experimenting to long hours conceptualizing and planning, serious art takes work.

Having my first novel out there for seven weeks, it’s been hard to hear that I didn’t do it perfectly. The human side of me, which knows all of us are imperfect and that I still have lots of room to grow as a writer (always will), knows that people will find fault with my work. But the artist side of me cringes and feels a jab in the heart region every time they do. Mostly I have learned to bite my tongue and just keep it to myself. Occasionally my publisher and I discuss it. It’s hard sometimes to keep your mouth shut when you feel the criticisms are unfair (which is not every time). I’ve made a mistake a time or two but, in every case, I made sure to learn anything I could to apply in future novels so I won’t have to hear the same criticisms again. My goal is to make them work hard to find faults. It may be difficult to reach that point, but that’s what I’m shooting for.

I think it was especially hard with the first novel because it was, for me, my legitimization as a serious professional writer. Not self-published, not a free zine, this was someone paying me an advance against earnings for something I wrote, spending money on editing, printing, cover art, etc. Serious professional writers were writing blurbs and reading it to do so. For me, this book sent a message: Bryan Thomas Schmidt is for real about being a professional writer. He’s a peer.

It’s hard to explain that feeling to someone who hasn’t gone through it or isn’t preparing to, but, in part, it’s a sense of not wanting to let anyone down. People have supported and helped and encouraged me, and I wanted those efforts to have been worthy of the work I put out in the world. Of course, even name writers like Stephen King and Orson Scott Card and Mike Resnick get bad reviews. We all get criticized but if my book is sharing the shelf space, I just want to feel like I belong there. Do you know what I mean? Shelf space in bookstores and on bookseller tables is in high demand and all the more so as stores like Borders go bankrupt. It’s a competition just to get your book on the shelves, so if I ask someone to carry my book, I want them to get some income to make it worth their while. If not, why should they ever support me again?

Also, publishing a book feels so permanent. This is something which may one day make it into collections or library shelves. People may hold on to it and pass it down to kids, grandkids, pass it to friends, etc. My name and my picture will forever be associated with it. So I want that association to be a good thing, not one I or anyone else regrets. No frowns. Smiles. That’s what I want when people think of Bryan Thomas Schmidt and fiction. And when they criticize it for faults, I feel like I failed in that.

It’s best, of course, to remember that opinions are subjective. What’s the old saying? “Opinions are like buttholes. Everyone has one.” That’s crass, yes, but it’s true. And the reality is not everyone is going to like your work. Taste is a huge factor. Some people just don’t get science fiction or fantasy. Some people won’t like anything without serious, hard researched science involved. Some people won’t like your book because the characters aren’t like them. Some won’t like it because you had a male antagonist and not a female. The list of reasons can go on eternally. But in the end, those are just opinions. Your target audience will rarely be “everyone.” There are always specifics. So if you aim to please those people and yourself, I think you can find satisfaction.

For example, I knew when it went out that my book wasn’t perfect. I knew that from the first agent query rejection and publisher rejection. Not everyone liked my book or thought it was perfect. Okay. But I knew that would never be the case. I could never please everyone. It’s that way with everything in life. Instead, I focused my attention on how to make the book the best it could possibly be right up until the final deadline. If I wrote The Worker Prince today, I’d do things differently. In many cases, I’d do things better. Writing book 2, The Returning, was so much easier for a reason: I learned craft in the past two years I didn’t have when I wrote book 1. Every book has lessons learned which you automatically apply to future works, so every book should be easier and better, in theory. So my goal was to release the best book I could at that point in my writer’s journey and to know I had to be satisfied that I did my best. It’s all I can ask of myself.

How do you be sensitive enough to write characters who come alive with emotion and touch readers and still have a thick skin for criticism? I don’t have the answer. The best advice I have is to focus on what you can change and let the rest go. If you can find tips to improve your writing in the criticisms, use it. If you can’t, let it go. If you can do that, you can’t ask much  more of yourself. Sorry if you were looking for easy answers. I don’t have them. But as long as you remember that writing is a journey and a process that  never ends and stay on the road of discovery, I think you can recognize you’re growing and so will your works and that makes it easier to accept the bad with the good in critics. At least, that’s my approach.

For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, the collection The North Star Serial, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.

‎3 5-star & 8 4-star reviews THE WORKER PRINCE $3.99 Kindlehttp://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Write Tip: Get In Late, Get Out Early

When I went to screenwriting school, the key thing they taught us about writing scenes was to enter a scene as late as possible and get out as soon as possible after that. Forget the niceties. None of this:

 

Bob walked in the room to find Guy sitting on the couch, chilling.

“Hey, dude, whassup?” Bob asked.

Guy shrugged, not even glancing over. “Nothing. You?”

“Meh. Me either.”

 

No. You’d better have something more interesting. We can assume they’re nice, normal people but we don’t need to see their mundane, routine, room entering banter to prove it.  Show us that and you’ve lost our interest. Why? We can see that every day. And when  you write it out, it’s quickly apparent how boring our lives have become.

Instead, you want to start with as dramatic a spot as possible.

 

           “Why am I here?” Hachim choked out. Sweat dripped off the arms of the chair as it soaked through his robe. After twenty minutes alone in the interrogation room, he looked like he’d fallen into a lake. Tarkanius and Aron shook their heads, and Aron was thankful he wasn’t present for the odor. They watched through the one way glass as the Major Zylo stopped across the table from the sweaty Lord, staring at him.

            “You know why you’re here,” Zylo said.

            Hachim coughed. “I’ve done nothing wrong.”

            “So you always sweat this much when you’re innocent?”

            Hachim grabbed the towel Zylo tossed across the table at him and began wiping the exposed flesh of his face, brow, neck and arms. “It’s hot in here.”

            “I’m perfectly comfortable.” Zylo sat in the seat across from him and leaned back, watching as the Lord cleaned himself. “You’re gonna need a new robe.”

 

Are you hooked yet? I hope so. This scene should be a lot more interesting. If not, go back to your boring life. I hope you’re very happy there.

The difference between scene 1 and scene 2 is that when scene 1 starts, nothing is happening. The characters aren’t even all that interesting. In scene 2, the drama has started before we’re allowed in the room. Hachim’s already sweating, Zylo’s already hostile. It’s obvious right away Hachim is guilty of something, at least as far as Zylo’s concerned, and Zylo intends to get to the bottom of it. We’d like to as well. To me, this illustrates well the craft of getting into a scene as late as possible. Something interesting is already happening. No wasted space. No chit chat.

Now let me show you the rest of the scene so we can talk about point two: getting out as soon after.

  “What is this about? You have no right to detain me without cause!”

            Zylo nodded, then slid a datapad across the table, watching as Hachim set down the towel and began to read.

            “Conspiracy? Assassination?” Hachim’s eyes darted up from the screen. “I had nothing to do with it.”

            “You knew about it.”

            Hachim shook his head. “If you could prove it, you’d have already arrested me.” He smiled smugly.

            Zylo laughed. “The Alien Leadership Summit.”

            Hachim’s eyes raced to finish the charges. “What about it?” Hachim slid the datapad back across the table and shot him a confused look that wasn’t very convincing.

            “What’s the location?”

            “That’s classified for the Council.”

            “I have clearance, trust me. I’m on the security team.”

            Hachim hesitated, then melted under Zylo’s stare. “Idolis.”

            Zylo shook his head. “Buzz! Wrong answer. And it was all over the news.”

            “So? I am not the only person privy to that.” Hachim leaned back in his chair, attempting to appear bored, but Aron saw the fear in his eyes. And Zylo saw it, too.

            Zylo chuckled. “Yes, you were.”

            Hachim looked at him again, startled. “What?”

            Zylo nodded, smirking. “Each Lord was given a different location.”

            Hachim frowned. “A different location? They can’t hold the Summit in more than one place…” His voice trailed off as the implications sank in. Zylo raised a brow as their eyes met. “Lies? A trap?”

            “A security precaution. How many people did you tell?”

            Hachim shook his head. “No, I’m innocent. I’m not going to tolerate this abuse.” Slowly, he stood from his chair and took a step toward the door.

            Zylo shoved Hachim back into the chair. “Sit down and start answering.” Hachim looked offended at the treatment. Zylo wasn’t even phased. “Now!”

            Aron looked at Tarkanius, wondering if it were time for them to join the interrogation. Tarkanius shook his head. “No. Let him suffer.”

            “Then their fate will be yours.” Zylo shrugged and turned to casually stroll toward the door. Hachim’s eyes widened.

            “It was Niger’s idea,” Hachim began. Zylo turned back as Hachim’s shoulders sank with his weight in the chair.

 

Can you see how fast it moves? And the whole thing is fairly dramatic. In fact, you don’t even get to know what he tells him. Why? Because talk is boring. It’s more interesting to show that in the scenes that follow. In context, this opens Chapter 12 in my forthcoming novel The Returning, so readers will actually know more coming into it than you did. They’ll know, for example, that Hachim has been betraying his trust as a public servant. That people’s lives are at risk if he’s leaked the data as suspected. People we care about’s lives. Still, it illustrates my point well. It’s tight. It’s dramatic. It sets up the character’s relationship quickly. The characters are revealed through action and dialogue. There’s tight pace. And it holds your interest. Plus, even both pieces combined, it’s short. In late, out early.

Try it. Not only will your pacing automatically be better. Your readers are likely to turn pages faster. And your writing is even going to be more fun. Yes, this is an interrogation scene. But you can do the same thing with any scene where there’s conflict, and, frankly, most of the time, if you scene doesn’t have conflict, you shouldn’t be writing it. Seriously. Conflict is the heart of good fiction. If you don’t have conflict at the heart of a scene, find a way to dismiss it with a couple quick telling sentences and skip to the next dramatic moment. Your readers will thank you for it.

In any case, that’s how you get in late, and get out early. I hope it helps you improve your craft. Feel free to comment, ask questions, dialogue about it. I won’t bite…well, then, part of the dramatic tension is your not knowing for sure if that’s true. For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, the collection The North Star Serial, and has several short stories forthcoming in anthologies and magazines. He’s also the host ofScience Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.

Writing my First Sequel

At the beginning of February, I started writing my first sequel novel, tentatively titled “The Returning,” which carries on the story of my forthcoming first novel “The Worker Prince.” An epic space opera series, the books tell the story of Davi Rhii, born a slave but raised a Prince, who helps his native people of birth win their freedom and full citizenship in the Borali Alliance.

Whereas the first book is a space opera coming of age story set against political intrigue and a revolution, the second book is more of a thriller/mystery with forces rising to try and upset the balance and restore the Alliance to its pre-revolution state with Rhii and his people enslaved again.

It’s an interesting experience to revisit a milieu you know so well. On the one hand, I feel very comfortable writing these characters and much world building is already in place. On the other,  I felt the need to start with a multi-chapter outline through Chapter 5. While I reserve the right to change the outline as I go along, and I have, the desire to connect the story and capture the feel of the first novel compelled me to do more planning than usual.

It’s interesting to work within the parameters I’ve already set forth with a different type of story.  On the one hand, banter between characters is fun and easy to write, and I am finding it easy to just drop in the back story in little chunks in trying to avoid the common mistake of sequels known as the info dump (I was criticized for this some on my first novel and endeavored to fix what I could). On the other hand, because I know it so well, I have no idea how much is too little or too much, and I find myself seeking beta readers who have not read the first book to better guage their sense of frustration at knowing too little or desire to know more and when. So far, the betas have not even mentioned this, so I may be doing okay, although I have asked them to write questions which occur to them and where in order to give me an idea if there are pressing questions readers need answered at certain points along the way.  


While it took me a bit to get back into the swing of things, so to speak, it’s delightful to write these characters knowing them so well because I can actually enjoy the scene as it unfolds almost like a reader would, much more so than the first time around. Of course, when I run into a new character that’s a bit different, but so far it’s mostly been the old regulars. I have dealt with mostly new settings however, and that allows me to introduce some new technologies (i.e. gadgets) and other ideas to build the world further. In some ways I think introducing new settings with familiar characters will make it easier for the reader. It provides them with familiar guides to lead them into the new parts, which keeps them still feeling like they’re with old friends rather than disjointed and on totally unfamiliar ground.


I also notice how my craft has evolved. Although I will still need many drafts to polish, I am adding more detail in this first draft than I did in the past and setting up story arcs, inner monologues, etc. much better. So far the beta reader who wrote back to me said “I’m not bored” implying he was intrigued and it challenged him to give notes as a result. I’ll call that a good sign that the book is on track.


Interestingly, I just finalized the contract on Book 1 at long last and will probably sign it officially this week. So we are off and running with a projected publication date in late Summer. Next week, I go to Rainforest Writer’s Village from Wednesday through Saturday to do nothing but write, so I hope to get two chapters done there. Since I just wrapped chapter 3 today and plan to do another before I travel, that would put me at seven, around half way. Exciting stuff. What have your experiences with sequels been like?



Call For Beta Readers: The Returning

After learning from other novelists about how they do beta reading, I’ve decided to try and recruit beta readers to read as I write. The novel in question is the sequel to my forthcoming first novel, “The Worker Prince.” This book, titled “The Returning” is a space opera epic with a touch of thriller, murder mystery and political intrigue.

The basic premise is that after the workers (Vertullians) achieve citizenship and freedom from years of slavery, someone is killing them off, one at a time and stirring up questions amongst both workers and their former enemies, the Borali Alliance about whether they can all live together in peace. Our hero, Davi Rhii, former Borali prince, now a Captain in the Borali military, is sent to investigate the murders and report back to the Council of Lords. In the meantime, he faces a personal challenge in his developing relationship with Tela as their parents pressure them to marry and Tela resists his attempts to keep her safe. Aron, the first ex-worker to serve on the Council of Lords, has proposed making the worker religious holiday, The Returning, an official Alliance holiday to encourage a sense of unity, but now that plan is stirring up controversy. Meanwhile, Davi’s exhiled Uncle Xalivar is content on regaining his power as High Lord Councilor of the Borali Alliance.

Beta readers will recieve a chapter at a time. I am using the system developed by AJ Hartley at www.magicalwords.net. Readers will read the chapter on either Word file or paper and mark passages using the following system:

A=Awesome. Something about this just blew me away. Excellent.
B=Bored now.
C=Confused. He said what? The people of Anth believed in what? He can get out of the rabbit burrow because…? Huh?
D=Don’t care. Ten pages on minor character’s lineage? So what? Yeah, I’m sure it’s really clever and all but… I’ve got QVC to watch.
You only need to mark the passages which evoke one of the four responses listed. Total honesty is requested. Don’t worry about offending me. It’s first draft–a lot of work will be needed before it ever sees a publisher’s desk. And detailed explanations won’t be demanded, although they can be helpful when offered. This allows me to get a sense of how you respond to the manuscript. I prefer people who have not read book 1 because I need a sense of how well I am trickling out the back story. Is it too much, too little?
I am writing about a chapter a week (22 pages on average). I would hope you could read each chapter within 2-3 weeks and get back to me. I can’t pay you except to say I will acknowledge you in the book when it’s published and I can offer you a free copy. 
If anyone’s willing, please get in touch. My beta readers on the first book said it captured the feel of “Star Wars: A New Hope” and really liked it. I hope you’ll enjoy this as well. You’ll be helping me write a better book and I’ll also throw in a free e-copy of book 1 when you’re done if you want.
Thanks for taking time to consider it and for your support of my work and this blog!