Stories In, Kickstarters Out, and More News

Well, I’m getting a slow start on blogging in 2013. In fact, I was so busy the last half of the year, it was hard to stick to even my steady schedule of two posts per week (Mondays and Thursdays). But 2012 ended with the sale of another children’s book and 3 anthologies to publishers, including 2 which involve Kickstarters, and the marketing of several more anthologies and a fantasy trilogy. I’m still working on prepping the fantasy trilogy for agent queries, in fact. Just a few more polishes. Add to that steady editing and blogging work for a number of clients, and I was pretty exhausted.

AbeLincolnDino_CoverV2But at this point, some of that is moving to the next stage, which is a good thing. Abraham Lincoln Dinosaur Hunter: Land of Legends, the first early reader chapter book in a new adventure series is due out this month (delayed due to cover art issues), and stories for Beyond The Sun, the colonist SF anthology I funded on Kickstarter, are rolling in (with the January 15th deadline fast upon us). So far I have great stories from headliners Robert Silverberg, Mike Resnick and Nancy Kress, along with stories from Jamie Todd Rubin, Jennifer Brozek, Autumn Rachel Dryden, Jason Sanford and Maurice Broaddus. In the queue awaiting decisions are stories by Cat Rambo, 2012 Philip K. Dick Award nominee Jean Johnson, Dana Bell and Anthony Cardno. It looks like I’ll have a harder time choosing whose stories to reject than finding good ones to fill the remaining 9-10 slots here. It’s a nice problem to have, as they say, but I hate rejecting writers, especially friends. Comes with the territory though.

The Kickstarter for Raygun Chronicles: Space Opera For a New Age is supposed to launch next week, and we are working on the Kickstarter page now.  That will run for 6 weeks with hopes we can start finalizing story contracts and get the headliners working on some great new tales. Plans include an OryCon 35 launch this November, and it will be my first hardback release. Some great writers involved (see the link under the title).

Additionally, Jennifer Brozek and I are awaiting a contract on a military fantasy anthology which sold to one of the big pro publishers. We can’t announce until the contract is final, but for me, it’s my first pro-qualifying book sale, and we have some amazing authors involved. Can’t wait to get that going. It will be turned in by December and released in 2014.

I also am getting gamma comments in on Duneman, my epic fantasy, book 1 of The Dawning Age trilogy, and I am going to do some clean up and polishing and query agents later this month. One of my writing heroes, AC Crispin is kindly helping me polish my query, so that’s also a thrill and quite good fortune. I’m hoping to enter the next phase of my writing career quite soon.

Triumph Over Tragedy cover

I have a story out tomorrow (1/08/13) in Triumph Over Tragedy, which is raising funds for Red Cross efforts to aid victims of Hurricane Sandy. An ebook only release, it will be available for only a limited time but has stories by Robert Silverberg, Timothy Zahn, Marion Zimmer Bradley, Elizabeth Bear, Michael J. Sullivan, yours truly and 20+ others. Some great stuff in there. I was one of four editors helping put the project together. My story is titled “Duncan Derring & The Call Of The Lady Luck” and is a tongue-in-cheek science fiction story about a demolitions expert who must help a starliner escape space tumbleweeds. Originally written for Wandering Weeds, which came out in November, it’s an updated, more polished version. My first resold story.

The Exodus, Book 3 in The Saga Of Davi Rhii, is 3/4ths done first draft but I’ll have to get back on that as soon as Duneman is finished. I may not send it out to a publisher if I can get a mass market deal explored via agents. That all has to wait on that process. I had already decided, for various reasons, not to go with Diminished Media Group for this one. I have interested from another small press, but since The Returning is not selling very quickly, it may just have to wait a while so I can focus on that.

Speaking of The Returning, I will be doing a review blog tour for that soon. I really need more reviews on Amazon to boost sales. Book 1, The Worker Prince, is getting regular sales via Amazon now because of it’s 24 reviews, and so I need to catch up The Returning and get that moving as well. The more people who discover and like The Worker Prince, the more likely it will be to sell, of course, so I’ll be continuing to promote that as well.

Last, but not least, I am marking a future Olympics themed anthology called Galactic Games, which the publishers I approach all seem to like but which no one has bought yet. It’s headlined by Dean Wesley Smith, Kristine Kathryn Rusch, Mike Resnick, Esther Friesner and Robert Reed. I’m hoping to push it out for release during or just after the 2014 Winter Olympics, but for that to happen, I suppose I’ll need to find it a home first.

In any case, lots going on here. I’ll do my best to get the first Write Tip going for 2013 on Thursday. And be sure and check Finish The Story, my editing site, where we have new 2013 rates and some specials going on, including a nice coupon or two on our Facebook page for $100 off. Three published authors and editors at your service with a good track record and developing client list. It’s what we do to support ourselves while writing, so we’d love to help you if we can.

Thanks for checking in.

Bryan

Goodbye & Thanks 2012! A Good Year In Review

Well, as many of you know, Fall 2009 through Fall 2011 were some tough times for me. Although it all ended on a high note with the release of The Worker Prince and mention by Barnes and Noble Book Club’s Paul Goat Allen in his Year’s Best Science Fiction Releases of 2011.  But 2012 has been a much kinder year. So here are a few of the highlights:

Books Released: 5
Magazines Released: 1

Rivalry On A Sky Course February 2012
— my first self-published ebook, a prequel short story to The Saga Of Davi Rhii novels
Space Battles: Full Throttle Space Tales #6 April 2012 (Flying Pen Press)
— headlined by Mike Resnick, Jean Johnson, Brad Torgersen and CJ Henderson, my first anthology as editor
The Returning June 2012 (Diminished Media Group)
— Sequel to The Worker Prince, 2nd in the Saga Of Davi Rhii space opera trilogy, a bit of a rough launch and sales are still slow but I feel very proud of the progress in my writing shown here and the story. Blurbed on the cover by Mike Resnick, Paul S. Kemp (Star Wars), and Howard Andrew Jones.

by 

102 More Hilarious Dinosaur Jokes For Kids: Jokes That Will Have your Kids Roaring and Hissing With Laughter August 2012 (Delabarre)
— my first children’s book, written in January, ebook only. Also my first humor book. Cute artwork by Evan Peter. A lot of fun.

by (artist)

Tales of the Talisman volume 8, Issue 1 August 2012 (Hadrosaur)
La Migra: my first print magazine short story, third short story I ever wrote, sold in El Paso in early Summer 2011, and set there, it finally made publication.

by  (Editor),  (Author), etc.

Wandering Weeds: Tales Of Rabid Vegetation November 2012 (Hall Bros.)
— edited by dear friend Jaleta Clegg, a fellow novelist, my first space opera humor piece, third anthology appearance: Duncan Derring & The Call Of The Lady Luck. Some great stories here despite a rough road to publication for us all. Duncan Derring will also appear in Triumph Over Tragedy in January 2013, my first 2nd sale of a short story.

by  (Author/Editor),  (Goodreads Author)(Author/Editor),  (Author), etc.

Books Written: 7

102 More Hilarious Dinosaur Jokes For Kids (Delabarre)
The Returning (Saga Of Davi Rhii Book 2) (Diminished Media) – final polish draft

Duneman (Dawning Age Cycle) (TBD) – second and third drafts, epic fantasy
Belsuk The Half Orc 1 (TBD) – partial sword & sorcery
Tommy Falcone 1 (TBD) – partial noir science fiction time travel

Abraham Lincoln Dinosaur Hunter: Land Of Legends (Delabarre) – forthcoming January 2013, my first children’s chapter book, 1st in a series cocreated with Jeff Rutherford

101 Hilarious Science Fiction Jokes (Delabarre) – forthcoming 2013

Books Sold: 3

102 More Hilarious Dinosaur Jokes For Kids (Delabarre)
Abraham Lincoln Dinosaur Hunter: Land Of Legends
 (Delabarre)

101 Hilarious Science Fiction Jokes (Delabarre)

 

Short Stories Written:

2 North Star Serial episodes (Sold to Digital Dragon Magazine) scifi
Brasilia with Octavio Aragao (on market) scifi
The Day Bobby Bonner Woke Up Striped (on market) scifi

Anthologies Sold: 3
Beyond The Sun – Kickstarter sold to Fairwood Press, forthcoming July 2013 (Mike Resnick, Nancy Kress, Kristine Kathryn Rusch, Robert Silverberg headliners) – science fiction colonist stories


Raygun Chronicles: Space Opera For A New Age
– Kickstarting in January 2013, sold to Every Day Publishing pending funding, for November 2013 release (Mike Resnick, Kristine Kathryn Rusch, A.C. Crispin, Dean Wesley Smith, Seanan McGuire, Robin Wayne Bailey, Sarah A. Hoyt, Allen Steele, Brenda Cooper headlining) – space opera new and reprint in pulp style

 

Shattered Shields – coedited with Jennifer Brozek, sold to a major publisher (cannot announce who until contract final) for Summer 2014 release (Larry Correia, Elizabeth Moon, Catherine Asaro, David Farland, Glen Cook, Seanan McGuire, Sarah A. Hoyt headlining) [first SFWA qualifying sale]

A very productive and awesome year which also saw me start earning significant income from editing in the Fall, with 3 anthologies sold and 5 more in the works, including collaborations with John Helfers, Rich Horton and Maurice Broaddus. I also joined White Cat Publications to edit Blue Shift Magazine, a new semi-pro science fiction zine which debuts in May 2013, but which I did most of the buying for in November 2012. I finally finished the epic fantasy novel started in January 2010 and will be querying agents with hopes of my first major publishing novel deal. I survived my first full year back in Kansas, attended my first World Con, moderated my first World Con panel, appeared on my first World Con panels, and attended 5 Conventions and 6 signings. Also, The Worker Prince earned out its advance and went into profit in October.

So, it’s been a pretty fun and exciting year. And 2013 is already headed toward being even more exciting, with 3 books expected to release, 2 anthologies, and hopefully a few more short story and anthology sales. I also hope to write 2-3 novels and 2-3 children’s books, land agents for both adult and children’s and become a full SFWA member. Maybe I’ll even start dating again or something wild and crazy like that. Ha! Who has the time? Let’s not go off the deep end, now!

Thanks all for the interest and support.

A Year Ago Today: 1 Year as A Published Author

Well, it was October 4, 2011 that my first novel, The Worker Prince, became a real book. It was published that Tuesday with a listing on www.suvudu.com and some fun announcements, and sent out into the world. In December, the book even made reviewer Paul Goat Allen’s Barnes & Noble Book Club’s Year’s Best Science Fiction Releases of 2011, an Honorable Mention alongside a Scalzi book and Ben Bova’s latest.

Since then, life hasn’t changed as much as you might expect. Despite the purchase of my new mansion, which my friend Hugh still insists is his, even though I bought it fair and square, and the bevy of beautiful half-naked young women who hang around me now, I’m pretty much the same guy I’ve always been. Oh sure, I’m single again, and moved to cushier surroundings from El Paso to Ottawa, Kansas, when I’m away from the mansion, that is. But I’m still a guy who is working hard to make his way in the world.

I have four books out now, with two more on the way. Two more in ebook only and stories in two anthologies, a magazine and some online sites. And I have a growing in popularity blog and freelance editing career. But mostly, the biggest benefit of being published for a year has been the confidence I feel. I can call myself an author, even when standing or sitting beside panelists like Mike Resnick, Jay Lake or Nancy Kress and not feel embarrassed. I have a sense of accomplishment and professionalism that I didn’t have before. And I take pride in the accomplishment. After all, not many people dream up an idea as kids then 27 years later see it published as a critically praised novel. The book’s sold pretty well for micropress, too. 700 copies, I believe at last count. That’s not anywhere near the numbers most New York published authors see, of course, but for a micropress book, it’s pretty good numbers. And that last count was seven months in (another one is due any time). So I’m told those are pretty good numbers for a micropress in six months’ time.

I do get treated a bit differently because people know I have a book out. Not just by readers and fans either, I mean. Fellow authors and pros regard me with more of a peerlike attitude, I’ve noticed. And it’s easier to approach people because my name is not totally unknown. Between the book, B&N mention and SFFWRTCHT, word has gotten around.

Whatever the case, it’s amazing how fast time flew. As imperfect as it may be, and as irritating as having Hugh constantly in my business may be, I’m still proud of my book baby. And I’m pleased that the sequel has come out. Book 3 is over half written as of today. I’m pleased with the anthologies I’ve edited and participated in since and the future opportunities that I see lying ahead.

Thanks to all of you for sharing the moments with me, good and bad. It’ll be amazing to see where we all are a year from now, won’t it? I hope your sense of achievement and success is at least equal to my own.

Coming soon:

Abraham Lincoln: Dinosaur Hunter – Land Of Legends (Fall 2012)

The Exodus (Saga of Davi Rhii 3) (2013)


Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Books For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Lost In A Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

 

 

Another 4-Star Review For THE WORKER PRINCE at Amazon

As readers continue discovering The Worker Prince, yet another 4-star review has rolled in on Amazon: http://www.amazon.com/Worker-Prince-Bryan-Thomas-Schmidt/dp/098402090X/ref=sr_1_1?ie=UTF8&qid=1346945711&sr=8-1&keywords=the+worker+prince

At 22 reviews, that means the totals look like this so far:

4.0 out of 5 overall
With 4 5 star reviews,  16 4 star reviews, and 1 each of 3 star and 2 star reviews.
Naturally, I’m thankful it’s being so well received.

4.0 out of 5 stars A bit of Moses’ story set in space, August 28, 2012
This review is from: The Worker Prince (Paperback)

This book was a bit of Moses’ story set in space minus the direct supernatural intervention of God. The Worker Prince was both creative and imaginative taking a Biblical story and reworking it into a similar but not identical plot. The author kept the idea of a people belonging to God, but took the spiritual aspects down a notch by placing his slave raised prince character at the center of the conflict, rather than making God the primary character.

Overall, I enjoyed the book. It wasn’t a “keep me up at night can’t put it down” novel, but it was good. As with many new authors I found that I never lost the narrative voice of the author so I never truly lived inside of the story. This left me feeling as if I was watching it unfold from the outside and it made me consider whether this book wouldn’t have made a better movie than a novel. I personally think that visualization on screen would do much to help the sometimes flat and dictionary life descriptive explanations come alive.

I did think that the author did an excellent job of helping his readers understand the background and motivation of his characters. I also appreciated the fact that I never lost track of the plot line as the author kept it moving steadily forward.

As I mentioned above, the religious elements of the story were toned down so that if you weren’t familiar with the story of Moses you might never guess that this story drew heavily from a Biblical narrative. I did find it disheartening that the author used a phrase that took God’s name in vain twice, just pages from where he spent a couple of paragraphs contrasting the personal God of the workers to the gods that he grew up with. I know that it is a commonly occurring phrase in our culture and many people may not take notice of the exclamation, but I personally was still saddened to find it in this novel.

Star Rating:
Characters: 5
Plot and pace: 5
Descriptive Voice/Writing style: 3
Overall rating: 4 stars

I am certain that the author will continue to develop his writing style as he receives feedback from his audience and I look forward to seeing how he will grow as a novelist as he continues to gift us with further creative and imaginative tales like The Worker Prince.

I received a free digital copy of this novel in exchange for my honest opinion.

New 4 star Amazon Review for “The Worker Prince”

This review took me to over 20 so the book will show up in more searches now, so that’s a real blessing, too.

4.0 out of 5 stars Gladiator, Moses, Skywalker, Rhii, July 25, 2012
Amazon Verified Purchase(What’s this?)

It’s not that often that a science fiction story bordering on space opera comes along that everyone will enjoy reading. That’s what Schmidt accomplishes with the Worker Prince. Revolving around a recent graduate prince who leaves home for his first assignment only to discover his slave-class origins, the story mirrors that of the Biblical Moses in many aspects.

While the main protagonist, Davi Rhii, does not spend 40 years in the dessert, he does wrestle with identity issues and the status quo of an empire built on the back of slave labor. The conflict that ensues is the classic story of one against the many. The result is watching an individual discover his unique place, and this is something most of us long for in our own lives.

Schmidt finds a nice balance between moralizing and adventure in his tale that I thought suited anyone between the ages of 13 and dead.

That being said, it didn’t hit the sweet spot for me. I prefer a little more grime and grit in my space opera. Rhii is a champion and hero more along the lines of Luke Skywalker (without all the whining) and less like Han Solo. But the prose is elegant and well-paced.

If you enjoy young adult literature, coming of age tales, and/or science fiction adventure then you’ll enjoy The Worker Prince. Read it! Review it! Share it!

The Exodus at Halfway (Progress Report)

Artist Mitch Bentley & I celebrate three Davi Rhii covers at ConQuest 43 in May
The Exodus (Saga Of Davi Rhii 3)
59,000/120,000

Almost halfway, as hard as that may be to believe for a novel I started July 3oth. So that’s my word count for 24 days. The best streak I’ve ever had since I started writing fiction, I believe.

As I’ve tweeted daily word count reports, I’ve gotten lots of questions about it, so I thought it might be good to analyze a bit about writing a final trilogy book and why sometimes that has advantages for speed.

One thing to note is that so much worldbuilding is done already. I’m working with elements that are well developed which really saves a bunch of time. I have to describe them again and try and flesh out details we haven’t seen before but I don’t have to reinvent the wheel. Additionally, the character arcs and plotlines flow out of the cliffhanger in Book 2, so the basic starting points were fairly well defined. And as such, progressing from them to the wrap up is a narrower course than I worked with before on the prior books.

But another aspect of this is that I have written The Returning, Duneman, a half Belsuk novel, a half time travel novel, numerous short stories, and two children’s books in the interim between The Worker Prince and The Exodus, seen the release of two novels, a children’s book and some shorts and gotten lots of feedback and interviewed lots of writers. The lessons I learned from all those experiences have been internalized in large part, becoming part of my craft and writing process, so inevitably that will affect both my effectiveness as a writer and my speed. I certainly hope that shows. Watching other writers like Sam Sykes through the course of a trilogy and seeing how they developed and grew has been an interesting process and it’s one I hope my readers will take note of as well.

It’s important to admit that no book is perfect and looking back, as an author, one can always see many things one might change in retrospect. Sometimes the temptation to do it is overwhelming. If an omnibus of Saga Of Davi Rhii ever happens, I will fix some POV stuff and typos from the final book of Worker Prince but I don’t know how much else I’d touch. It is what it is and it represents who I was at a certain time as a writer. Paul Goat Allen’s recognition of the book for B&N also makes me think that while it’s flawed, it’s still something I can be proud of in spite of those flaws and there’s something about preserving that, flaws and all, that feels sacred to me. Maybe 20 years from now with many more books under my belt, I’ll laugh at this post. Who knows? But I’m in a place where that’s not happening right now.

But another factor in all of this is life. Although I’m still in a financial and employment crisis after two years of unemployment with benefits run out, my marriage is over and I am not dealing with the stress of that nor my ex’s health issues. I’m still grieving and healing, of course, but the stress of that period was such that it really impacted my focus and writing in ways that have only recently begun to be fully grasped. I am also in a quieter place with less distractions and family around to support. I’ve been to a lot of Cons and bonding with my SFF community at large (at least many of them–a few roughs spots of late). And I’ve had that success from the novel and anthology releases that has spurred me onward plus encouragement from the many people supporting SFFWRTCHT and this blog, especially Write Tips. So those are things which subconsciously and consciously both add to the mix and spur me onward.

Whatever the case, The Exodus is fast headed for 120000 words and I’m glad. I still have a month or so to finish but if I pull it off, despite a brief break for World Con next week, then it will be a new record for me. I’ll finish it, go back to rewrite Abraham Lincoln: Dinosaur Hunter 1 and Duneman and Abe will be off to press while I look for an agent for the fantasy trilogy. I also have three anthologies in the works as editor and some exciting book editing developments as a freelance editor in the works as well.

Since October 2011, I’ve had two novels, an anthology, an ebook, a children’s book, and four short stories come out. That’s an incredible year by anyone’ s standards, I’d suspect. 2013 will have The Exodus and hopefully two or three Abe Lincoln kid’s books, possibly 2 more ebook joke books, and maybe even the epic fantasy. Some anthologies are also in the works. I’m very grateful for the support and interest and for the opportunities.

For what it’s worth…


Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Books For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Lost In A Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, both forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

 

Write Tip: 10 Tips For Getting Past Writer’s Block

I did a Write Tip before on Fighting Off Writer’s Block in which a lot of published authors offered their advice. But the other day a friend told me she’s been stuck forever on her book, and I realized there are some tricks I can suggest as well, so here are my 10 Tips For Getting Past Writer’s Block.

1) Identify What Went Wrong. If you’re stuck, it’s usually because something went astray at some point. You’ve either tried to push the story where it doesn’t want to go or taken a wrong turn that your subconscious can see but your conscious can’t and thus are having trouble moving on. It may not be in the previous scene you wrote or even the previous chapter. It may be a little further back, but it’s in there somewhere and so the best way to get past it is to identify it.

2) Know Your Plot Points. Whether you write it intentionally or not, Western storytelling tends to be structured around three acts and key plot points. Your first act is your set up and then a major turning point happens that requires action from your characters and propels you into Act Two, the longer middle of your book. A second major turning point happens propelling you toward your conclusion and Act Three. In screenplays, the first turning point is around page 30, and the second page 90. But novels are a little different in page count. Between each major plot point (about every 15 pages in a script) are minor turning points. Also, each storyline will have this same structure, so turning points for subplots may occur in different places as well). The trick is to find these turning points and make sure they are paced correctly and that each propels your story on toward the next, keeping the momentum. If anything pulls it off track by slowing it down, taking it on a detour, etc., that may be why you’re blocked and you can fix it. Often times, writers have not formally studied this but do it on instinct, having learned it from their reading, etc. I don’t even think about it anymore but just write it. I studied it to death in college though. Yet if you don’t realize you’re doing it, you need to be aware and finding these plot points can help you get unstuck when you experience a block.

3) Rewrite From Page 1 To Where You Are. This may violate your “that’s not how I work” sense of craft, I realize, but truly, going back to reread and then polish from the first page through where you are stuck is a great way to not only identify plot points but find inconsistencies and issues you don’t even realize are there. It also gets the whole plotline and all of the arcs fresh in your mind, making it easier to figure out where the story wants/needs to go next. It really works. And often, along the way, whether conscious of it or not, you’ll fix that issue which caused the block. In the process, you’ll also rediscover your enthusiasm and momentum for writing the story.

4) Outline Your Plot and Character Arcs. I get it. You’re a pantser. But your story takes on stucture as you write it regardless. Taking a moment to go through and write out the outline as it now exists on what you’ve written so far doesn’t mean you have to outline the entire book, just what you’ve got on paper. In the process, you’ll find those pesky plot points or realize where they’re missing and probably figure out what works and what doesn’t to remove that block. It doesn’t have to be a lengthy outline. Just identify which scenes go with which plotline and character arc and write a one or two sentence description of events that move it forward.

5) Give Yourself Permission To Write Crap and Write Anyway. Even Robert Silverberg has told me he writes junk from time to time. It’s okay. Everybody does it. No one has to see it but you, but if you don’t give yourself permission to write, exercising your muscle, releasing your creativity, you might stay stuck. Write anyway. You might actually write past the junk and start producing good stuff again.

6) Skip To The Scene And Come Back Later. Paul S. Kemp doesn’t write linearly anyway, which amazes me. K.D. McEntire starts with the ending then goes back. There’s lots of ways to do it. I tend to write in chronological order or what I think it will be. But sometimes, a particular scene just isn’t coming along, and one way around that is to skip it for scene you can picture more clearly and write that first. In the process, sometimes things will come out that steer you in the right direction for the scene where you’re stuck and allow you to write it. It’s jogging the muscles a bit, perhaps, but it can definitely work.

7) Work On Something Else To Clear Your Head. Taking a walk, doing dishes, playing with the kids, watching TV, reading—all kinds of activities can be used for this. OR you can switch to another writing project and fiddle with that until your head clears. Often the worst thing you can do is to sit there and stress out, trying to force it. Release the tension, take a break, switch gears and see if the block resolves itself. Often by going off to something else, I find my mind working 0n the story anyway and, in the process, discover how to write the scene which had me stuck. Earlier today I did that and plotted out the scene, came back, and wrote 2000 words in a straight shot. Give it a try.

8 ) Don’t Be Dismissive. It happens to most writers from time to time. I’ve had writers tell me they don’t believe in writer’s block and I laugh. It’s a silly thing to say. Writer’s get blocked. We all deal with it differently, but that doesn’t mean it doesn’t exist. It’s like someone who’s rarely been sick saying they don’t believe in disease. No, you’ve just been really lucky. Don’t insult everyone else. So don’t be dismissive. Admit you’re blocked. Admit it happens. It doesn’t mean your story is crap or that everything you wrote is worthless. It doesn’t mean you’re a bad writer or won’t succeed. It has happened to many writers who are NY Times Bestsellers. They got over it and so will you.  But know this: the way to get through it is not to deny it and do nothing. Like anything else, it takes work. And you may have to try several things to find the right path through.

9) Deal With Life. Sometimes your creative blocks come from external sources rather than within your manuscript. When I wrote The Worker Prince, I wrote 2-6k words a day for four months straight. It was great. Then life fell apart and got stressful with work layoffs, my wife’s health issues, marital issues, money issues, etc. From January 2010 to July 2012, I struggled and felt lucky to get 1000 words a day. 12-1500 was a great day. Then July 30th, as I started The Exodus, my third Davi Rhii novel, I started having 2500 word days again regularly. I’ve had a few 1k days in there but I also had 3k. I’ve written 57000 words since then. The life issues which affected me were a big part of the problem. The unemployment issue is still a problem but the marital and health issues went away. I found my focus again and it’s made a huge difference. Sometimes living life takes priority and you have to surrender to that.

10) Journal It Out. I am not a journal writer myself. Instead, I blog a lot. But I know many writers who’ve told me that writing it out is a great way to work through these types of issues. Just sitting down and writing about their day, their thoughts, their struggles—anything that comes to mind—can be a huge release for writers. For one, it gets them writing which helps keep the writing muscles and creative muscles in shape but also allows them to clear their minds of pent up junk that might be inadvertently blocking them. For another, it provides a way to emotionally release stress and feelings that they’ve been carrying around, which might also be part of a mental block. You don’t have to start a formal journal to journal through troubles like this. You can throw it all away when you’re done but just get it out there.

So there you have it, 10 Tips For Getting Past Writer’s Block. Not all of them work for everyone because every writer and every block is different. But like any tools, having an arsenal at your disposal gives you options to find a way through that wouldn’t be there otherwise. Please let me know how they work for you. And, by all means, if you have other tips, share them in comments so we can all benefit. For what it’s worth…


Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Books For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Lost In A Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, both forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

9 Great Urban Fantasy Series You Don’t Want To Miss

In 2009 when I started writing The Worker Prince, my debut science fiction novel, I had no idea what urban fantasy was. Of course, as I got into the industry and reading I heard bits and pieces. True Blood showed up and I met and became friends with Kat Richardson and John A. Pitts whose novels fell in that category. One of the advantages of hosting Science Fiction and Fantasy Writer’s Chat is that I get sent tons of books to read and deliberately book and ask for a variety of genres. So I finally managed to read John and Kat’s books and I loved them. I have never been that into paranormal. Poltergeist was amusing but silliness. I do believe in spirits but I’m don’t think about ghosts a lot, and vampires and zombies to me are about the most tired things out there. It takes a lot to get me interested in them. I loved Anne Rice’s series and that did it for me on vamps. Zombies have just never interested me. Let dead people stay in the ground. Just a body. Meh. On the other hand, urban fantasy is huge with tons of bestselling authors, including Charlaine Harris, Jim Butcher, Kat Richardson…need I go on? So of course SFFWRTCHT needs to cover it and I need to be aware.

Now, I simply love it! One of my favorite genres and someday I will write some. I have ideas in development now, in fact. I read 52 books a year just for chat plus extras for blogging on SFSignal, etc. and blurbs, which I get asked for now. Usually 70 books at least is around the number, so it may take me a while to get through a lot of stuff (no Hamilton or Butcher yet). But these 9 are the Urban fantasy I’ve read so far. And I loved all of them for different reasons. They’re quite distinctive from each other.

1) Greywalker by Kat Richardson – Harper Blaine is a P.I. who died after an attack for two minutes then came back with the ability to see spirits. Yep, she’s a Greywalker now, and this series has gotten deserved high praise. [See Barnes & Noble Book Club’s Paul Goat Allen raving about them here. ]These are bestsellers for a reason and the seventh book, Seawitch, just arrived this month. Mysteries with Harper investigating and dealing with all kinds of spooky creatures from vampires to ghosts, etc., they are well paced with a great noir feel and make good use of their Pacific Northwest settings. From the cover description, although I like Kat as a person a lot, I was not at all sure I’d enjoy her books. Never have I been so wrong. I’ve read two so far and own all but the latest. Cannot wait to find time to read them!

2) Sarah Beauhall by  John A. Pitts – Another where I love the writer as a person but the description didn’t enthrall me. And again, I was soooo wrong. (Are you noticing a pattern?) Pitts has taken the old tropes and made them new with this one. Also set in the Pacific Northwest, Sarah Beauhall is a blacksmith apprentice and movie props maven whose prop sword turns out to be a magical dragon killing sword. The magical dragon killing sword. And she finds this out, of course, by encountering someone looking for the sword to kill dragons. But these are not the green, scaly dragons of legend and lore just yet. They are men and women who work on Wall Street and various places. And when their schemes begin to threaten Sarah and her world, she puts her sword to good use. Great fight sequences, a fun play with an SCA-like reenactment group, nice humor, and a touch of romance with Sarah struggling to open up to her girlfriend.  Packing enough testosterone-laced action to satisfy male readers and enough romantic emotional moments to please female readers, this series is for everyone and books 2 and 3 are out too. Fantastic!

3) Jane Yellowrock by Faith Hunter – A member of the illustrious Magical Words blog team with David B. Coe, amongst others, Hunter has been inspired by Anne Rice but made vampire tales set in New Orlean’s her own. If you read my introduction, you already know I would not have picked me up if her publicist hadn’t scheduled her for SFFWRTCHT. I’m so glad she did. The last of her kind, a part Cherokee vampire hunter and skinwalker capable of shapeshifting into any creature she wants, Jane’s been hired by Katherine Fontaneau, one of the oldest vampires in New Orleans and the madam of Katie’s Ladies, to hunt a powerful rogue vampire who’s killing other vamps. In the process, she gets more than she bargained for when her employer is murdered and Jane winds up working for Leo, the head vampire of the entire region. In subsequent books, she works with Leo to investigate incidents involving other vampires, even heading off to North Carolina at one point as a mediator. Jane is not the dainty heroine but an ass kicking, motorcycle riding, take no prisoners badass, but yet Hunter manages to write the books with no gratuitous sex, violence or language, keeping it PG despite the violence. And I doubt you’d have noticed if I hadn’t said that. Great writing, inventive worldbuilding and pure fun. Highly recommended.

4) Hallie Michaels by Deborah Coates – Brand new, the first book having just arrived a few months back, this series surprised me too. A new author sent to me by Alexis Nixon, publicist at TOR, Coates’ stories have appeared in Asimov’s, Strange Horizons, Fantasy and Science Fiction and Best American Fantasy, amongst other places. Hallie Michaels is a soldier fighting a war in Afghanistan when she’s called home for her sister’s funeral. The police and townsfolk say “suicide,” but Hallie can’t believe it and her investigation into it uncovers a startling plot that endangers the entire town. Something magical or supernatural is going on and a trail of bodies are associated with it. She soon discovers someone she used to know is responsible and winds up fighting for her life. I don’t know where book 2 will take us when it comes out, but Coates used the rural South Dakota setting masterfully in Wide Open and I can’t wait to read more!

5) Sookie Stackhouse by Charlaine Harris – I came to this series late, after already watching the TV show, because I was invited to interview Harris. (Confession: yes, I watch True Blood despite my lack of interest in vampires. It hooked me early on and I can’t look away, okay? Is that so wrong? Plus, I have a crush on Anna Paquin…)  The books are better than the series and filled with great humor, southern charm and fun. I really enjoyed these. Told solely from Sookie’s quirky point of view, these are fast, can’t put them down reads. I can’t wait to read more.

 

6) Control Point by Myke Cole – Not your typical urban fantasy, Cole, a veteran of the Gulf War, has envisioned a contemporary world with various types of magic. The military even has a special unit assigned to hunt down rogue users. A few with the approved classes of magic actually work for the military, but then Oscar Britton finds out he’s a portomancer–ah oh, verbotten–and he’s forced to run, leaving everything behind. Caught and interned for training by the military he’s sworn to serve, he discovers the gift is the least of his worries. An evil magical force is on the rise and this Army officer must save the world or else.  Packed with action and intrigue and great characters, Cole takes you inside military life in an intimate way and still makes you believe its a world where magic could happen. Gritty and powerful, this book opened my eyes to possibilities for creativity I hadn’t imagined and it’ll open yours too.

7) Grigori Legacy by Linda Poitevin – Ah, angels, the tired 80s trope are back. I booked Linda for chat and expected to be bored. Instead, I found myself reading two detective thrillers that just happened to have angels in them. Heaven and hell are at war and humans are caught in between, including homicide detective Alexandra Jarvis whose investigation of a serial killer points to a surprising and unusual suspect. Yes there’s angels and a romance between an angel and a human. Yes, there’s God and the Devil and some Catholic theological worldbuilding used here, but Poitevin used it to enhance worldbuilding not to sell an ideology or religion. Gritty, intense, fast-paced and engaging. Another set of books you won’t want to put down until you reach the end.

8 ) Low Town by Daniel Polansky – Another departure and one that’s hard to classify but I’m putting it here. Unlike the others, it’s not set in our contemporary world but a fictional medieval -type world and the protagonist is a disgraced intelligence agent and forgotten war hero turned independent drug dealer. Yes, that’s right. Known as the Warden, he leads a life of crime, addicted to cheap violence and expensive drugs as he constantly hustles for customers and protecting his turf from competition. Then he discovers a murdered child and feels compelled to discover who’s responsible. The mission finds him caught up in a dangerous game of deception between underworld bosses and the psy­chotic head of Black House intelligence bureau that once employed him. What he finds is far more sinister and dark than he’d ever imagined. Noir and action packed, Polansky has invented a genre almost. He mixes epic/adventure fantasy and urban fantasy with detective noir seamlessly and it’s a compelling debut. Book 2 arrives this Fall.

9) Magic Ex Libris by Jim C. Hines – Hines switches from Goblins and fairy tale princesses to an urban fantasy about Libriomancers, basically people who can pull magic from books and use it in the contemporary world. Hines is a smartass in real life and it extends to his writing, but that’s okay, because the book is laugh out loud funny as a result and endears you tot he characters. This is a voice you’ll be willing to spend time with for a while, and it won’t be long because Libriomancer is a fast, compelling read.   Isaac Vainio, a member of the secret order of Libriomancers founded by Johannes Gutenberg himself (yes, that Gutenberg), Isaac is attacked by vampires that leaked from the pages of books into our world and barely manages to escape. Then he discovers his mentor has been killed and Gutenberg himself kidnapped and a hot, motorcyle-riding dryad shows up asking him to help track down her former lover, leading to their discovery of a dark power that’s manipulating both vampires and humans and causing major havoc.  Hines cleverly incorporates the mythos of every vampire world you’ve encountered, creating a world of vampire types and layers, and throws in books by famous authors real and imagined as well. Fun, fast-paced, with plenty of action and good coming of age and romantic arcs, this book was a delightful way to while away hours. I can’t wait for the second one, coming from Daw next year.

So there you have 9 Urban Fantasy series that I think you’ll really like. Great weekend, summer or Fall reads to keep you entertained and remind you why you love books. I’m looking for more to read now. So what are some of your favorite Urban Fantasies? I’d love to hear about them in comments. Oh, and click here to buy any of these books, too. For what it’s worth…  To the writers, I love you guys!

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Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011  Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. A freelance editor, he’s edited novels and nonfiction and also hosts Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

Write Tip: Building A Larger World Using Bit Characters

All too often in worldbuilding, it’s easy to believe that the bigger you get, the more realistic your world will be, but, at the same time, the bigger the world, the more complicated it becomes for the writer. So I am always looking for ways to simplify that process by making the most of elements I create for multi-purposes. And one of those involves utilizing bit characters to add depth to my world.

Think about your day-to-day life. You have family. You have a circle of friends. You have coworkers and associates. You have workers at places you regularly patronize like the grocery store. This is your world, in a sense, at least the immediate part of it with which you regularly interact. And it’s like that for pretty much everyone I’ve met all over the world from the U.S. to Africa, Brazil, Mexico and beyond. So when writing a book and creating a world, it’s helpful to consider the immediate, day-to-day world of your characters and to think about who inhabits it.

I have very few throwaway characters. There are always some, most unnamed or referred to simply by their occupation “guard,” “paperboy,” “knight,” etc. They are created for various reasons: to add atmosphere, for a brief scene where the protagonist or antagonists seeks something for their larger quest, or for other reasons. They appear, say a few lines, then disappear, forgotten. And sometimes, particularly in epic fantasies where the stories frequently involve travel and long distance journeys, it makes sense. But other times, when characters are moving around within a particular world again and again, these characters can be utilized to add greater depth and reality to your world by becoming part of the day-to-day circles of characters, to add a sense of community and realness.

If you look at any group, there are people who show up again and again in particular locations. Those are the people who can add texture and richness to your story if you use them well. Usually they refer to the protagonist and each other by nicknames or first names. They are close contacts, see. People who are used to each other and know each other well, even if they don’t get along. They interact so often that it’s just naturally developed and, as such, they tend to have a level of intimacy in how they refer to each other. These types of characters can add great meaning to your story and be created for that purpose, but you can also find them in characters you’ve written as throwaways.

For example, when I am looking for a character for a new situation, I always think through whom I have already created that can be pulled in. In The Worker Prince, I created a Major to take Davi Rhii on a tour of his first planetary military assignment. Later, I decided to utilize this character to work with Davi’s rival Bordox in tracking him down. By the end of the book, the character also led forces against the attacking army Davi led. Because this character inhabited the same circles as my protagonist (Davi) and antagonist (Bordox), having him recur added a sense of the circles they inhabit and how they interconnect, which just makes the world seem more real.

In writing the sequel, The Returning, I found myself in need of characters to accomplish various things. A throwaway member of the Borali Council, Lord Qai, then was given a major role. And Major Zylo wound up coming back as an interrogator and conspirator to great advantage for readers. One advantage of using such characters over and over is that you don’t have to build them from scratch in their history and their personality. That adds emotional depth to their interactions with your main characters because of things we’ve already read elsewhere in the stories, and, again, emphasizes the circles our leads inhabit in this world, making the world feel much more like the world we ourselves inhabit.

Screenwriters and movie directors have learned this trick. For many years, while I was in film school I’d count the cast list at the end of films and find that invariably, 33 characters was a common number. Looking at the number of one shot characters, it usually numbered 10 or less out of the 33. The rest tended to appear in multiple scenes, even if they only spoke a line or two each time. Why? because filmmakers know that people interact with a common circle every day and by including that circle, their story becomes more real and pops off the screen, even when viewers don’t notice all the details. Subconsciously, they grasp it and that behind-the-scenes experience, informs their opinions of the story and their involvement with it and ability to accept it as “realistic.”

So every time I create a character, I think about the characters I’ve already created who are still available to return. Can one of them be used instead of a new character? How can I add depth to that one-off character in both scenes by combining the two? Automatically, if the character occurs in different situations, it’s not only creating a sense of every day circle, as mentioned, but building a deeper character despite the small part they play, because you are showing another aspect of who they are in a way that makes them not just the flower shop girl, but also a neighbor, or a fellow parent, etc. There are all sorts of possibilities.

How much thought do you put into these types of characters? Do you just create them when you need them and forget about them? Or do you find ways to utilize them well and make a more memorable, powerful story? Remember the throwaway art gallery employee Serge in Beverly Hills Cop? Bronson Pinchot turned a bit part into a series regular, and the filmmakers found other scenes to utilize him in, not just at the gallery, but elsewhere. He was so popular that he returned in the film’s sequels. This is the same kind of thing that you can do in your novel and readers will enjoy it just as much. Especially if a character is well drawn and memorable. They may start as the stereotypical smart mouthed butcher and evolve into so much more.  If your protagonist walks past the same market again and again, why not have that passerby character be the storekeeper he interacted with before? It saves you the need to introduce and describe a new character and also accomplishes so much more.

Consider your current project. Are there characters you could utilize in this way to make the world bigger and the story more interesting and real? How do you handle these bit-part characters? How has it enriched your worldbuilding and storytelling? I’d love to hear your thoughts and ideas in comments.

For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011  Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

The Worker Prince, My First Novel, Comes to NetGalley For A Limited Time

It rarely happens. While NetGalley is a goto place now for reviewers and others to get advanced looks at forthcoming books, it’s also expensive and thus, dominated primarily by bigger publishers and authors who have the cash to spend on it. Color me surprised when, in July, I was given a special one time opportunity to get my debut novel, The Worker Prince, listed there. While the listing is for around a month only, it’s a great chance to have a book named Honorable Mention by Barnes & Noble Book Club’s reviewer Paul Goat Allen on his Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 out to more reviewers and, thus, more readers.

Within five minutes of the listing going live, we had five requests already. The listing can be found at http://netgalley.com/PopupHandler.php?module=catalog&func=galleyTitleDetails&projectid=19576 and is available in various ebook formats from .mobi and .epub to pdf and palm. Members of NetGalley simply need to search for it by name, click the More Info or Read Now links and then request their copy. It’s that simple. And as soon as my publicist sees it, she’ll approve it and you’ll be allowed to download it and read it.  Of course, we’re hoping you love it, but regardless, please review it. Not just at NetGalley but at Amazon, Barnes & Noble, Goodreads and Library Thing.  Why? Not just because I’m asking or out of guilt for  a free copy, but because without reviews, authors and books like me and mine won’t survive. The number of reviews increases the number of people who find the book in searches, and also let’s them know a lot of people are reading it, giving them some idea of outside perspective on what it’s about and whether it’s worth their time, and that word of mouth, above all, is what sells books.

So, if you enjoy reading and free books, won’t you please consider taking advantage of this unique opportunity? The Worker Prince has been frequently compared to Star Wars: A New Hope. People say it captures the feel of the original Star Wars. It’s been compared to pulp and classic old fashioned space operas like Heinlein’s Starship Troopers or the Jason January tales. And it’s garnered praise from authors like Brenda Cooper, Maurice Broaddus, Mike Resnick, David Lee Summers and more.

Here’s the teaser:

What if everything you thought you knew about yourself and the world turned out to be wrong?

For Davi Rhii, Prince of the Boralian people, that nightmare has become a reality. Freshly graduated from the prestigious Borali Military Academy, now he’s discovered a secret that calls into question everything he knew about himself. His quest to rediscover himself brings him into conflict with his friends and family, calling into question his cultural values and assumptions, and putting in jeopardy all he’s worked for his whole life. One thing’s for sure: he’s going to have to make decisions that will change his life forever…

It’s a space western fantasy, epic space opera with great action, space battles, family drama, political scheming, and a bit of romance. Based in part on the Moses story, but also original and takes off from that story into different directions. It’s family friendly and has been enjoyed by 8 year olds and readers in their 70s. It’s 326 pages, trade paperback at $14.95. Released October 4, 2011 from Diminished Media.

I think this is an exciting opportunity for us both. I hope you’ll agree. And if you like it, book 2 is out, too.


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011  Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

WriteTip: Diligence Pays Off-Success Equals Talent Plus Work

Okay, this isn’t the usual steps process for sure, but I still think it’s appropriate for a write tip. A few months back I posted about the power of diligence quoting from a Steve Martin interview with Charlie Rose where the comedian/actor talked about how importance diligence has been to his success. Pretty much everyone in the entertainment/media business I’ve met who’s had a career of more than a decade has mentioned the importance of diligence to me, and, in an age where e-publishing has become the rage and feeds our cultural fixation with instant gratification, I think a reminder about diligence is important. In fact, the key lesson is in bold later in this post, but first a little about how diligence has paid off for me.

I started writing fiction prose in summer 2008 with a love story about a divorced couple who fall in love again. My first novel started as a novella then grew. I finished it at around 65k words but it sucked. Or at least, it was’t ready for prime time. So, I went back to school, reading, studying craft, learning, practicing, and about a year later, I started writing my first science fiction book–a Moses-inspired space opera I’d dreamed up as a teen. The Worker Prince, as it’s called, was my debut novel, released in October 2011 and made Honorable Mention on Barnes & Noble Book Club’s Year’s Best SF Releases of 2011, quite an honor for a micropress book. Sales are steady but slow and I’ve earned back my advance or am close at around 650 copies. Book 2, The Returning, came out last month and now I’m writing Book 3.

But those novels are far from the only thing I”ve had going on. In 2008, when I started writing fiction, I knew no one writing books besides an old friend, a historian named Leon C. Metz. Now Leon is no slouch. He’s published over 20 books on history, his most famous being a biography of John Wesley Hardin, famous gunfighter. But I didn’t know anyone in science fiction, had never been to a convention, had not taken writing workshops and no one knew who I was.

Now, to be fair, I had been writing nonfiction, screenplays and plays for twenty years, since high school. I’d had some limited success with a script in development at Disney that never got made and a couple of co-written produced plays. I’d sold some nonfiction articles to magazines and such. And I’d had devotionals published. But still, I was unknown in most regards, particularly in the area of fiction books and especially in science fiction and fantasy.

But as I met writers, Ken Scholes being one of the first and I met him on Facebook after reading his wonderful Lamentation,  they always talked about how important it was to write every day. If you get stuck, write anyway. If you’re frustrated, try something else i.e. switch projects for a bit or give yourself permission to write crap just to get words down and exercise the writing muscles. As my friend and fellow novelists John A. Pitts says: “Concert pianists at the height of fame have to practice every day, why shouldn’t writers?” And that’s the truth of it.

So I wrote. I worked on a few novel ideas. I wrote a lot of short stories. And I rewrote The Worker Prince, also starting two fantasy novels, including Duneman, which is in beta reading right now and will hopefully land me an agent and traditional publisher later this year. The main thing was that I wrote, continued studying craft, read a lot, and started going to Cons to meet writers and others. Now, I have a huge network of contacts and friends, and looking at my Goodreads and Amazon author pages, there are 7 titles listed. By the end of the year, there will be 8 and maybe 9. Of those, only 2 are self-published: The North Star Serial, Part 1, which collects a series of flash fiction episodes I wrote for Digital Dragon Magazine and Rivalry On A Sky Course, which is an ebook only release of a prequel story to The Worker Prince which first sold to Residential Aliens before I released it as an ebook. Everything else has been paid for by a publisher and put out, including the anthology I edited and others in which I have stories appearing. (Wandering Weeds comes out any time now.)

What’s my point? Well, I’ve dedicated a lot of time to writing. I’ve treated it like a job, even though it doesn’t pay the bills yet. And I’ll tell you that my total income for writing expenses last year was close to $2000 when you add print cartridges, Cons, travel, paper, supplies, postage, etc. But this year, my expenses are going to be less, but my income should be close to $3000. It remains to be seen and that estimate encompasses four book advances (two pending) and some sales income (still coming in), as well as a few sales, but it’s definitely progress in the right direction. And last year I only attended 3 Cons and 1 Workshop. This year I have attended 4 Cons with 2 more planned, done 4 signings so far and have 4 more planned–all of which involved at least some travel (shortest 10 minute drive, longest airplane, including a couple 6+ hour drives). What’s my point?

I am acting like a full time writer even though I am not one. I am also spending several hours a week on blogging, social media marketing, networking, promotion and reading and running #sffwrtcht (Science Fiction and Fantasy Writer’s Chat, Wednesday at 9 pm EDT on Twitter). I typically spend 2-3 hours a day writing, 2-3 editing (mostly for other people) and 2-3 on blogging and social media, plus any other work I need to do. (I am seeking full time employment and do freelance gigs from time to time.) Once I get a full time job, my goal will still be to do the 6-9 hours a day devoted to my writing career.

Why? Because I am getting somewhere, not just with the earning income progress but with the amount of material published. My third Davi Rhii book will come out sometime next year and I hope to sell a couple more novels, including Duneman. My first kid’s chapter book is going to come out this Winter (late 2012 or early 2013). I just got asked to do more joke books after my first released today which means nice advances, and I have a celebrity bio contracted, two half novels done, and several short stories, including 10 more North Stars to finish the cycle left to write.

Diligence.

Diligence matters.

dil·i·gence

   [dil-i-juhns]  Show IPA

noun

1.

constant and earnest effort to accomplish what isundertaken; persistent exertion of body or mind.
So if your passion is writing, storytelling, etc., be diligent. Make the effort to do what you love and follow your passion. Treat it like work, without discipline it won’t happen. But know that if you have the talent and you apply the work to it, things will happen. After all, talent is like 2×4 boards, it takes some tools, nails, effort, etc. to build something with it. But it can be done and will be done if you’re diligent. You may not get rich. You may not become that famous. But you will become very satisfied and you will have a body of work that shows you’re more than just a person who dreams of being a writer. You’ll be a real, published writer, and whether that ever pays my bills fully or not, to me that’s saying something.
For what it’s worth…

Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011  Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

The Returning Blog Tour Schedule, Part 2

Well, after a brief break for the July 4th, holiday, the blog tour for my second novel, The Returning, has resumed and I’m late posting links to it but here they are: 

Friday July 6 Heidi Ruby Miller Heidi’s Pick Six Interview
Saturday July 7 FMW Podcast Interview
Monday July 9 Jeremy C. Shipp The Value Of Writers In Community
Tuesday July 10 The New Author Dialogue: Making A Booktrailer On A Budget Part 1 http://the-new-author.blogspot.com/2012/07/conservation-with-bryan-thomas-schmidt.html
Wednesday July 11 Jeff Rutherford Opening The Door To Imagination: My Discovery of SFF
Thursday July 12 The New Author Dialogue: Making A Booktrailer On A Budget Part 2
Friday July 13 Claire Ashgrove World-Building : Vehicles Of The Davi Rhii Universe with Short Excerpt/Also: I rejoin Adventures In SciFi Publishing Podcast for an interview live from ConQuest 43 in Kansas City with my pal Brent Bowen.
Monday July 16 Keenan Brand Author Profile & Excerpt
Tuesday July 17 Madison Woods Guest Post: My Core Assumptions & My Writing
Wednesday July 18 Rachel Hunter Guest Post: On The Careful Use Of Ordinary Moments To Build Character In Science Fiction
Thursday July 19 Grace Bridges Character Profile: Davi Rhii with Excerpt
Friday July 20 Anne-Mhairi Simpson Guest Post: How My World Travels Have Informed My Worldview & My Writing
Monday July 23 Livia  Blackburne’s A Brain Scientist On Writing Guest Post: How To Market Your Book (& Yourself) At Cons
Tuesday July 24 L.S. King Character Profile: Miri Rhii with Excerpt
Wednesday July 25 Dana Bell Guest Post: The Saga Of Davi Rhii-Keeping The Next Book Fresh
Thursday July 26 Louis B. Shalako Interview
Friday July 27 Frank Creed Guest Post: One Advantage Of Series- It Gets Easier With Each Book
Monday July 31 Wrap Up & Giveaway Blast at www.bryanthomasschmidt.net/blog

The tour will run through July 31st and also have another interview at Adventures In SciFi Publishing podcast amongst others. Links will be added to this post as things develop. My heartfelt gratitude  to all who have hosted and helped make this tour a success. 

And in case you missed it, here’s the posts we did in Part 1 of THE RETURNING Blog Tour:

Tuesday, May 29 Blog Tour Schedule & E-Book Release
Wednesday, May 30 Functional Nerds Guest Post: Tools For Worldbuilding (Guest Post) 
Thursday, May 31 Anthony Cardno  Guest Post: How To Run a Blog Tour For A Sequel Without Spoiling Book 1
Friday, June 1 Gary W. Olson  Character Profile & Excerpt: Xalivar
Monday, June 4 SFSignal Guest Post: 15 Science Fiction and Fantasy Thrillers Worth Your Time
Tuesday, June 5  Andrew Reeves/Jaded Muse Video Blog: Boxes (What’s yours?)
Wednesday, June 6 Reader’s Realm Excerpt from Chapter 2/ Brad R. Torgersen Catching Up With Interview
Thursday, June 7  Linda Rodriguez Guest Post: 5 Tips On Social Media For Today’s Author
Friday, June 8 Linda Poitevin Guest Post: Approaching Book 2
Monday, June 11 Elizabeth S. Craig: Mystery Writing Is Murder, Special Write Tip Guest Post: Surprise v. Suspense / Review at Functional Nerds
Tuesday, June 12 Matthew Sanborn Smith/The One Thousand: Character Profile & Excerpt: Farien Noa
Wednesday, June 13 Leah Petersen 5 Minute Interview
Thursday, June 14 Mae Empson Character Profile Interview & Excerpt: Tela Tabansi
Friday, June 15 Joshua P. Simon Interview
Monday, June 18 Bibliophile Stalker Guest Post: Culture In World-building
Tuesday, June 19 Mary Pax Dialogue: Why I Love Space Opera / Book Day Post
Wednesday, June 20 Moses Siregar Guest Post: What Makes A Story Epic
Thursday, June 21 Jaleta Clegg Guest Post: Food in Borali System
Friday, June 22 To Be Read Interview & EBook Giveaway
Sunday, June 24 THE PLATFORM Internet Radio with John Rakestraw “Finding Your Imagination
Monday, June 25 Grasping For The Wind Turning The Tables: SFFWRTCHT Interviews Bryan Thomas Schmidt
Tuesday, June 26 Ray Gun Revival Short Interview & Character Profile & Excerpt: Yao Brahma
Wednesday, June 27 AISFP Blog Essay: The Importance of The Responsible Use Of History In Fiction: Steampunk/Jamie Todd Rubin Dialogue: Space Battles In The Golden Age & Beyond
Thursday, June 28 Oops! Glitch! Post postponed to tomorrow due to unexpected travel of host blogger.
Friday, June 29 K.D. Weiland Guest Post: The Most Important Rule Of Writing: Be True To Yourself
Saturday, June  30 Patty Jansen Guest Post: Can There Be Space Opera Without Science?
Tuesday July 3 Book Day 2: Print Release!!!

Also, you can still get The Returning at 33% off for a limited time from me in either print or ebook (both signed) here.


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

Join The Returning Street Team & Win A Free Copy Plus Book Trailer Contest

We need your help. The launch for The Returning has been rough. Not quite as rough as the ride I took writing it but we lost some momentum. This book has gotten great reviews so far and we believe it’s better than the first. The first got B&N Year’s Best mention, so that’s saying something. But in order to prove it, we need people to read it. So we need your help!

We need some street team ambassadors. People who will read and review the book at sites like Amazon, B&N, Goodreads, LibraryThing, etc. but also walk around spreading word of mouth about it. What do you get? A free, signed trade paperback of the book. And the only cost to you is time–as little or as much as you put into it. We’re hoping you’ll put quite a bit over time though. Because we’re hoping this is a book you’ll want to tell people about.

So how can you become an Ambassador? Email me at bryan at this website, without the www. Or use our Contact form. Tell me why you want to sign up. And I’ll pick the eight best answers. Be sure and include an address so I can send the books and a one page instruction sheet. (Just a reminder of what we’re asking for here and a few tips of how to talk about the book.)

Plus, if you already own The Worker Prince, we have another opportunity for you. We’re working on new book trailers for both books and a combined one. And I need pictures of average people reading the books. So take a picture of yourself with the book, any interesting location you want, and send it in. But also, think about taking it with you out and asking others to take pictures with it. We’ll post the best pics and run a contest. The top 10 entrants get entered to win 2 signed copies of The Returning or Space Battles, your pick. It’s easy!

So, get that creativity cap on and let’s have some fun!

Here are some fun pics already taken for the trailer. And a couple Photoshopped for fun as well.

My poodle catching up on daddy’s book in preparation for book 2’s arrival!

And this nice group of men and women stopped to see it in Kansas City.
These nice folks checked it out in K.C. See? Animals like it, too.


Even stars are catching up to be ready for book 2!
And these guys read it on furlough, which was nice of them. Spock said “It’s very logical.”

So what are you waiting for? You could be next!

Book Day Two: The Returning Comes To Print!!!

Well, paperbacks are finally here, so this is Book Day 2 for the exciting sequel to The Worker Prince, which made Barnes & Noble Book Club’s Year’s Best Science Fiction Releases of 2011!  Mitch Bentley of Atomic Fly Studios did some of his best work ever on the cover. Sorry again for the delay, but we’re excited to bring it to you and hope you are too! You’ll love this book. Hugo/Nebula award winner Mike Resnick even blurbed it, as you see on the cover.

The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Someone is sending assassins to kill and terrorize them, riling up the old enmity all over again, while Xalivar is back seeking revenge on Davi and all those who defied him. Davi, Farien and Yao reunite to investigate the murders, finding their lives and friendships threatened by what they discover.

Meanwhile, the new High Lord Councilor, Tarkanius, Lord Aron, and Davi find themselves fighting all over again to preserve the unity of the Borali Alliance, while even many of their allies and friends work against them to tear it apart. Davi and Tela find their future together threatened by difficulties with their relationship, and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.

The Returning has romance, assassins, tension, both modern and classic science fiction notions, and very smooth writing. What more could you want? Bryan Thomas Schmidt keeps improving. As good as The Worker Prince WAS, The Returning is better.” – Mike Resnick, Author, StarshipIvory

The Returning blends themes of faith with classic space opera tropes and the result is a page-turning story that takes off like a rocket.” – Paul S. Kemp, Author, Star Wars: RiptideStar Wars: Deceived

“A fun space opera romp, complete with intrigues, treachery, dastardly villains, and flawed but moral heroes.” – Howard Andrew Jones, Author, The Desert Of SoulsPathfinder Tales: Plague Of Spells.

To celebrate, we have the books continuing at 33% off signed from this site only. YEP, including ebooks, which I sign through Kindlegraph (don’t worry, still works for Nook). And if you buy the book elsewhere, use the contact form to send me your address and I’ll mail you a signed bookplate for free.

 Trade paperback Special discount this week only! 


Ebook – MOBI/EPUB Special discount this week only! 

340 pp · ISBN 978‐0‐9840209‐4‐2 ·Trade Paperback · $14.99 tpb $7.99 Ebook  · Publication: June 14, 2012

Or buy it at Amazon here: http://www.amazon.com/The-Returning-Bryan-Thomas-Schmidt/dp/0984020942/ref=tmm_pap_title_0?ie=UTF8&qid=1341255149&sr=8-3

Or Barnes & Noble here: http://www.barnesandnoble.com/w/the-returning-bryan-thomas-schmidt/1108892375?ean=9780984020942

Or Smashwords here: https://www.smashwords.com/books/view/175177

For interviews and more fun, check out the current Blog Tour.

Here’s what people said about the first book and links to reviews of book 2.

Praise for The Worker Prince:

“A significant new author in the field of space opera – Bryan is a fresh new imagination to watch out for!”— Grace Bridges, author of Faith Awakened and Legendary Space Pilgrims

“Retro-with-a-twist SF brimming with an infectious enthusiasm!” — Saladin Ahmed, author Throne Of the Crescent Moon

“If your reader’s heart longs for the Golden Age of Science Fiction–when good was good and bad was bad, and great characters fought against universal odds–then The Worker Prince is for you. Good, retro fun for the whole family.”— Jason Sanford, author Never Never StoriesInterzone

“I found myself thinking of stories that I read during my (misspent) youth, including Heinlein juveniles and the Jason January tales, as well as Star Trek and Star Wars.”— Redstone SF 

“A very well written book and a story very well told…where the heroes are heroes and the villains are villains. I would highly recommend it even if you are new to Sci-Fi.”—Ben Love, Call FM, Miami

Reviews:

http://functionalnerds.com/2012/06/review-the-returning-by-bryan-thomas-schmidt/

http://oddengine.wordpress.com/2012/06/04/review-the-returning-by-bryan-thomas-schmidt/

http://vantiltool.blogspot.com/2012/05/bryan-thomas-schmidt-publishes-second_02.html 

To find The Returning on Barnes & Noble’s website, click here.

To find The Returning on Amazon’s website, click here.

About Me:

Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured  in anthologies and magazines.  He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

 

The Returning Blog Tour Schedule

It’s hard to believe it’s here. I get all emotional because of all the behind the scenes chaos I went through while writing it, but I’m about to be the author of two published novels and I’m thrilled and humbled at the same time. So you know what that means: another blog tour. Just last October, I was off promoting the novel I’d longed to write for 27 years, The Worker Prince. Now, it finally has a sequel, The Returning. It’s got another brilliant Mitch Bentley cover. More of the action and multi-layered plotting, larger-than-life characters and humor mixed with drama. It’s even got blurbs by three of my favorite writers, now also my friends.

It has everything, and you can find out for yourselves on June 19th! But right now, here’s the scoop on the tour and how you can preorder signed paperbacks or ebooks at 25% off on my store or at Barnes & Noble here.

The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Someone is sending assassins to kill and terrorize them, riling up the old enmity all over again, while Xalivar is back seeking revenge on Davi and all those who defied him. Davi, Farien and Yao reunite to investigate the murders, finding their lives and friendships threatened by what they discover. Meanwhile, the new High Lord Councilor, Tarkanius, Lord Aron, and Davi find themselves fighting all over again to preserve the unity of the Borali Alliance, while even many of their allies and friends work against them to tear it apart. Davi and Tela find their future together threatened by difficulties with their relationship, and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.

370 pp · ISBN 978-0-9840209-4-2 ·Trade Paperback · $14.99 tpb $5.99 Ebook  · Publication: June 19, 2012

“The Returning has romance, assassins, tension, both modern and classic science fiction notions, and very smooth writing. What more could you want? Bryan Thomas Schmidt keeps improving. As good as THE WORKER PRINCE WAS, THE RETURNING is better.” – Mike Resnick, Author, Starship, Ivory

“The Returning blends themes of faith with classic space opera tropes and the result is a page-turning story that takes off like a rocket.” – Paul S. Kemp, Author, Star Wars: Riptide, Star Wars: Deceived

“A fun space opera romp, complete with intrigues, treachery, dastardly villains, and flawed but moral heroes.” Howard Andrew Jones (Pathfinder: Plague Of Shadows, The Desert Of Souls) on THE RETURNING

To preorder your signed paperback for $11 + shipping, click here:

To preorder the ebook in whichever format you prefer, click here: (be sure and enter format desired in the box)

Preferred Format (epub/mobi)

To preorder from Barnes & Noble, click here: http://www.barnesandnoble.com/w/the-returning-bryan-thomas-schmidt/1108892375?ean=9780984020942

And please visit these awesome blogs for more information including excerpts, interviews, guest posts and more all through June and July 2012! I’ll insert links as they become available as well as updating specific content which is still being determined.

THE RETURNING Blog Tour

Tuesday, May 29 Blog Tour Schedule & Book Release – www.bryanthomasschmidt.net/blog (You’re there now)
Wednesday, May 30 Functional Nerds Guest Post: Tools For Worldbuilding (Guest Post) 
Thursday, May 31 Anthony Cardno  Guest Post: How To Run a Blog Tour For A Sequel Without Spoiling Book 1
Friday, June 1 Gary W. Olson  Character Profile & Excerpt: Xalivar
Monday, June 4 SFSignal Guest Post: 15 Science Fiction and Fantasy Thrillers Worth Your Time
Tuesday, June 5  Andrew Reeves/Jaded Muse Video Blog: Boxes (What’s yours?)
Wednesday, June 6 Reader’s Realm Excerpt from Chapter 2/ Brad R. Torgersen Catching Up With Interview
Thursday, June 7  Linda Rodriguez Guest Post: 5 Tips On Social Media For Today’s Author
Friday, June 8 Linda Poitevin Guest Post: Approaching Book 2
Monday, June 11 Elizabeth S. Craig: Mystery Writing Is Murder, Special Write Tip Guest Post: Surprise v. Suspense / Review at Functional Nerds
Tuesday, June 12 Matthew Sanborn Smith/The One Thousand: Character Profile & Excerpt: Farien Noa
Wednesday, June 13 Leah Petersen 5 Minute Interview
Thursday, June 14 Mae Empson Character Profile Interview & Excerpt: Tela Tabansi
Friday, June 15 Joshua P. Simon Interview
Monday, June 18 Bibliophile Stalker Guest Post: Culture In World-building
Tuesday, June 19 Mary Pax Dialogue: Why I Love Space Opera / Book Day Post
Wednesday, June 20 Moses Siregar Guest Post: What Makes A Story Epic
Thursday, June 21 Jaleta Clegg Guest Post: Food in Borali System
Friday, June 22 To Be Read Interview & EBook Giveaway
Sunday, June 24 THE PLATFORM Internet Radio with John Rakestraw “Finding Your Imagination
Monday, June 25 Grasping For The Wind Turning The Tables: SFFWRTCHT Interviews Bryan Thomas Schmidt
Tuesday, June 26 Ray Gun Revival Short Interview & Character Profile & Excerpt: Yao Brahma
Wednesday, June 27 AISFP Blog Essay: The Importance of The Responsible Use Of History In Fiction: Steampunk/Jamie Todd Rubin Dialogue: Space Battles In The Golden Age & Beyond
Thursday, June 28 Oops! Glitch! Post postponed to tomorrow due to unexpected travel of host blogger.
Friday, June 29 K.D. Weiland Guest Post: The Most Important Rule Of Writing: Be True To Yourself
Saturday, June  30 Patty Jansen Guest Post: Can There Be Space Opera Without Science?
Monday July 2 FMW Podcast Interview (delayed due to editing issue)
Tuesday July 3 Book Day 2: Print Release!!!

The Blog Tour Resumes Friday, July 6, after the holiday with more fun!!!!

And if you missed the prior book’s blog tour, here’s that roundup.

I also did posts in my popular Write Tips series on Planning A Blog Tour and Preparing For A Blog Tour Even As You Write.

For specific info on this series, The Saga of Davi Rhii, click here.

For this book’s page, click here.

For The Worker Prince page, click here.

To order my debut novel, THE WORKER PRINCE, Book 1 in the  Saga Of Davi Rhii, use the links at the bottom:

 What if everything you thought you knew about  yourself  and the world turned out to be wrong?
 For Davi Rhii, Prince of the Boralian people, that  nightmare has become a reality. Freshly  graduated from  the prestigious Borali Military  Academy, now he’s discovered he was secretly  adopted and born a worker. Ancient enemies of  the Boralians, enslaved now for generations, the  workers of Vertullis live lives harder than Davi had  ever imagined. To make matters worse, Davi’s  discovered that the High Lord Councillor of the  Alliance, his uncle Xalivar, is responsible for years of abuse and suppression against the workers Davi now knows as his own people.

His quest to rediscover himself brings him into conflict with Xalivar and his friends and family, calling into question his cultural values and assumptions, and putting in jeopardy all he’s worked for his whole life. Davi’s never felt more confused and alone. Will he stand and watch the workers face continued mistreatment or turn his back on his loved ones and fight for what’s right? Whatever he decides is sure to change his life forever.

326 pp · ISBN 978‐0‐9840209‐0‐4 ·Trade Paperback · $14.95 tpb $4.99 Ebook  · Publication: October 4, 2011

The Worker Prince: Book 1 In The Saga of Davi Rhii  Trade paperback only   EPUB or MOBI — please specify in notes on order

Or you can order at Amazon here: The Worker Prince


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and has several short stories featured  in anthologies and magazines.  He edited the new anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. His children’s book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing. As  a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

Write Tip: Making Book Cards For Your Book Table To Increase Ebook Sales

Ebooks are a huge market these days. Everyone knows the market share is growing. But the one problem with ebooks is when an author is making appearances, they’re often not readily available to sell. Interested readers have to go back to a computer or ereader and download them. And if the bookstore doesn’t have Wifi, it may not happen. Oh sure, they promise to do it later, but often those sales never materialize or, at least, there’s no effective way to measure them that tells you how successful your author appearances really are. Whereas people will buy paper books on the spot, and, often on impulse. So how do you take advantage of those sales with your ebooks for people who might still think the paper version is too expensive for their budget?

Dean Wesley Smith and his wife Kristine Kathryn Rusch are friends of mine and they are brilliant, not just as writers, but as business people. Their blogs are filled with all kinds of great advice, warnings and tips for writers. It’s no surprise that their blogs provided the answer to this delimma for me. In fact, I saw it in action at Larry Smith’s bookseller tables at Conclave in Detroit: ebook cards of Kris’ books. What are they?

Well on the outside, they look like this (works in progress):

They are pocket sized, greeting card-like brochures printed on light card stock, featuring the book’s cover and descriptions, etc. But inside, they contain a code for downloading the book when the buyer gets home. Yep. They buy it off your table, folded like a card and sealed with two of those round disk sealers that come on newsletters and mailers all the time. But the difference is, they download them after their already bought using codes and the weblink listed inside.

Here’s an example of the inside:

And yes, the code is fake, of course. But it won’t be on the real thing. With Smashwords or Paypal, you can change the codes whenever you want, so once an event is over, make a new code, then just hand write in on the cards for the next event or, even better, print labels with new code to go over the existing code. That way you can match downloads using the code with sales from your events to keep track of anyone who might “loan” the code to a friend or spread the word.

I think you get the idea. The beauty is that you can make these yourselves using Microsoft Word or Microsoft Publisher and then print them on your printer as you need them. I get two out of each sheet so I tend to take them with me about 20 each to events.  Remember to offset the margins properly so they print on both sides lined up correctly. Then trim them down with a paper cutter, fold them, clip on those sticky round disks and you’re good to go. Note how I also list my other books with ISBNs so people can find them later.

You can even autograph these ebook cards so that ereading folk take home a signed book cover in effect. It can be set on a shelf or kept in a scrapbook, etc. very easily for collectors.

I think this is a brilliant idea Smith and Rusch have. They’ve even gone so far as to get theirs placed in stores. I’m just getting started with it, but to me, the possibilities are endless. And having these on hand can only help increase sales to people who are excited about the book on the spot but whose enthusiasm might fade later. After all, people are confronted with lots of books and items for sale at events and cons. It would be disappointing if they got distracted and never got around to checking out your books after they seemed so excited about them.

So, ebook cards, another do-it-yourself solution. Yes, professional printers could do these for you but they cost a lot more and you’d have to buy them in larger volumes. My total cost making mine was an hour of time for the original set up (doing a second book took 10 minutes just to modify data and change images) and then 1 ream of cardstock at around $7.50. That’s 250 sheets and thus 500 potential cards. 600 round/waffle mailing seals came in a pack for $8.67. So less than $17 total. Not a bad investment if you ask me. For what it’s worth…

By the way, when they’re done, they look like this and they fit in a standard business card holder:

P.S. If you want to borrow my .doc template, I’ll happily send it to you. Just ask.


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and has several short stories featured  in anthologies and magazines. His children’s book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing along with the anthology Space Battles: Full Throttle Space Tales #6 which he edited for Flying Pen Press, headlined by Mike Resnick. As  a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

19 5-star & 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

 

 

Agenda For ConStellation NE This Weekend – Lincoln, NE

Well, my first Con of the year has finally arrived. I’m attending the third annual ConStellation Con in Lincoln, Nebraska, April 13-15 at Guest House Inn on Cornhusker Highway in North Lincoln. So if you’re in the area, come on out!

Guest of Honor is Elizabeth Bear, a Hugo nominee for the podcast she does with fellow writers called SFSqueecast. She’s also the author of a number of novels and her stories have appeared in Asimov’s, amongst other places. Her latest novel, Range Of Ghosts, just released last month from TOR.

Artist Guest of Honor is W.J. Hodgson and Jim C. Hines and Brandon Sanderson are past GOH authors.

A full programming schedule can be found here. And my agenda is below.

When not involved in panels or readings, I will be hanging in the dealer room with Sam’s Dot Publishing’s Tyree Campbell, who has graciously agreed to stock my books on his table.  The specific events I’ll be doing are 3 panels and a reading as follows:

Character Building – Saturday, 11 a.m., Deneb Room

What makes a good character? How do you name characters? What are the aspects of character one must consider when creating characters for a story? How deep do you go? An examination of character creation and more.


Author Reading- Saturday, 2 p.m., ConSuite

I’ll be reading from Space Battles and The Worker Prince and perhaps even a passage from The Returning which comes out in June.


Faith in Science Fiction and Fantasy-
Sunday at 1 p.m., Vega Room

A discussion of the importance of faith as a motivator for humankind. Not a debate about the validity or value or religions, but rather a discussion of how faith drives all of us in some way. What do you put your faith in? What drives you toward your elusive life long goals? Why is faith an indelible, essential element for world building in speculative fiction? We’ll discuss these questions and much more.


Great Reads – Sunday at 2 p.m., Vega Room
What are the best books you’ve read in the past year? How do they compare to ones you’ve read in years past? Which forthcoming books are you most excited about and why? A discussion of books we love and why we love them and our quest for more.

I will have copies of Space Battles: Full Throttle Space Tales #6, my ebook Rivalry On A Sky Course, as well as print and ebooks of The Worker Prince. I also plan to have a few copies of The North Star Serial, Part 1 and Of Fur And Fire, edited by Dana Bell, which features my first published fantasy story, “Amelie’s Guardian.”

Hope to see you there. I look forward to a fun weekend!


Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, The Returning (forthcoming), the collection The North Star Serial, Part 1, and the kids book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing. he edited the anthology Space Battles: Full Throttle Space Tales #6 which he edited for Flying Pen Press, headlined by Mike Resnick and has stories in several anthologies and magazines (some forthcoming). As  a freelance editor, he’s edited a novel for author Ellen C. Maze (Rabbit: Legacy), a historical book for Leon C. Metz (The Shooters, John Wesley Hardin, The Border), and is now editing Decipher Inc’s WARS tie-in books for Grail Quest Books.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.

19 5-star & 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Write Tip: 8 Key Elements For Capturing The Star Wars Feel In Your Story

One of the highest compliments I’ve gotten on my debut novel, The Worker Prince, and I’ve heard it over and over, is that it “feels like reading Star Wars: A New Hope.” This was very deliberate on my part, and I referred a lot in writing it to Timothy Zahn’s Thrawn Trilogy and Kevin J. Anderson’s Jedi Academy books.  It’s a challenge to capture the feel without going too far into imitation. And while watching the films repeatedly and reading tie-in books is definitely essential, I also think there are other factors which must be present to lend the right aura. Here are the 8 I’ve identified:

1) Your story must have an epic scope. Both Star Wars and The Worker Prince are stories about a quest of good vs. evil, to win justice over evil and save the universe, or at least their part of it. This is epic and requires bigness: big baddees, big ships, big planets and world, big stakes, big heroes, etc. You can’t really do it well staying inside an Enterprise or just on a single planet. There has to be a larger picture and bigger feel to capture it. Despite the different key focus of each movie or book, all encompass this epic scope of good vs. evil.

2) Larger than life characters. You need characters we can relate to, yes. Who can’t relate to the young farm boy with big dreams of a more exciting life somewhere else? Both Luke Skywalker and Davi Rhii (protagonist of The Worker Prince) share that trait. And thus, the first segments of both trilogies are coming of age tales about their quest to become men and men with a purpose. Han Solo and Leia are larger than life. Leia may be a petite figure but her attitude far outsizes her physical body. Han Solo is edgy. He comes off as dangerous and unpredictable, but, as we get to know him, he has a morality not so different from our other heroes, and, above all, he wants good to win. Chewbacca  is another obvious example, as is Darth Vader. Both are feared on sight for similar and different reasons. And both are formidable foes. One possesses a kind, giving heart. The other is selfish and cruel. But neither does it half way. Vader takes his cruelty to the extreme just as Chewbacca takes his kindness to extremes with his loyalty and dedication to his friends. I gave Davi Rhii some companions who have trait like this. None of them is a copy or exactly identical to any Star Wars character. I was careful about this. Davi’s love interest, Tela, is a pilot, a slave, but she has Leia’s sass, values and strength of will. His companions Yao, a tall alien, and Farien, a shorter, bulker, edgier human, compete and banter with Davi throughout their adventures much like Luke, Han and Leia do. And the bad guy, Xalivar, is definitely a dark lord, even though he and Vader approach it very differently. The anti-heroes are not dominant in these worlds. Luke is pretty clear cut in his goodness as is Leia. Han teeters on the edge but he comes out good overall in the end. The same is true of characters in my saga. There are very clear cut bad and good characters, not a lot left up to reader interpretation.

3) Adrenaline filled, relentless action. High stakes require a sense of fast pace and constant jeopardy for your characters. They can never be totally at ease or seem to get ahead without something new and dangerous knocking them off course. The action scenes are intense, with real danger, and the character’s witty banter adds to both the urgency and tension while also infusing much needed humor at times. Zahn and Anderson’s action scenes were particular important to me in writing the many action sequences of The Worker Prince, because I wanted to capture this style. I also had to make sure the action only lets up for short periods. The story always had to keep its sense that the heroes’ lives were on the line.

4) An overarching ideology with which characters must wrestle and which they must interpret in living according to their own understandings. In Star Wars, this is called “The Force.” In The Worker Prince, I used a conflict of religions. Not only do all characters good and evil wrestle with what these belief systems mean for them and how to interpret them in their lives (in both stories), but so do the two major opposing forces: The Empire and The Rebels in Star Wars, The Borali Alliance and the Vertullians in The Worker Prince. Some characters, like Han and Farien, are indifferent and don’t really hold much credence to the ideologies. They live by their own code of morality, even if they share some of the larger ideology’s values. Other characters honor the ideology for living good lives, serving others, like Luke, the Jedi, Leia, Davi Rhii. Vader, Xalivar and the baddies, however, turn that ideology into a force for evil. Vader playing with the dark side, and Xalivar persecuting anyone who doesn’t share the traditional birthright and ideology of his Boralian people.

5) Rapport/banter. I already mentioned how much this adds to action scenes but it adds to character in general. Good guys banter. It’s part of their rapport. And good guys banter with bad guys as well. Much of this occurs with humor. Humor humanizes the characters, lessens the tension at the right moments, and endears the characters to the audience. It’s fun, too. Banter is difficult to write without dipping into silliness. Star Wars has certainly been accused of it, at times. And I’d imagine The Worker Prince will get a few criticisms, too. But audiences love it. C-3PO and R2D2 aren’t popular for their looks. It’s their heart and personality, so often expressed through banter, which won audiences over. There’s a reason action movies are known for quotable lines. They may be silly but they sure are memorable. The key is to find proper balance and not take it too far one way or the other.

6) Cool gadgets and vehicles. Lightsabers, blasters, landspeeders, X-Wings, Tie Fighters, The Millennium Falcon–these are characters as much as the people in Star Wars. In The Worker Prince, we have blasters, datapads, Skitters, Floaters, air taxis, VS28 fighters and more. All these ships become huge parts of the world and how it operates. And they play essential roles in the characters’ abilities to survive and triumph over adversity. Can you imagine the stories without these things?

7) A Sense Of Wonder And Discovery. It’s no accident that Star Wars: A New Hope is a coming of age tale. It’s about Luke’s self-discovery and we discover it along with him: his world, his abilities, his future, etc. Davi Rhii takes a similar journey in The Worker Prince. Both approach the world, as young people often do, with wonder and curiosity that’s contageous. And they also share a drive to discover how to make the world better and how to be better men. The second stories, Empire Strikes Back and The Returning, change focus a bit. In Empire, it’s more of Han and Leia’s story. Their relationship, their beliefs, are central in focus as they are chased around the galaxy by the Empire and threatened time and again, fighting side by side for their lives. Luke’s still present and discovering who he is, but his journey is a bit more thoughtful this time around and less adrenaline packed at times. In The Returning, Davi, Yao and Farien find their lives on the line from very early on until the very end. They are involved in most of the book’s huge action scenes and there’s almost one per chapter, some many pages long. Davi is being chased by those who want to kill him, and, at the same time, he and his friends are chasing answers to who’s killing Vertullians and who’s threatening the peace. At the same time, Davi is discovering how to be a good mate to Tela and he and Tela are both rediscovering relationships with their long lost fathers. Aron’s new role on the Council as the first Vertullian to serve in leadership brings many challenges of discovery, and so does Miri’s adjustment from royalty to civilian life. In Return Of The Jedi, Luke’s quest comes center stage again as he tries to discover the truth about Vader’s claim to be his father and what that means. He also struggles to confront Vader and the Empire and end the chase once and for all. Leia and Han’s relationship continues to develop and the Rebels continue fighting the Empire, but the focus is still different from Empire. I am still writing The Exodus, my third book, so I’m not sure how it all will wind up, but this story has chase elements and also people stepping up, like Luke, for final confrontations, including Davi and Xalivar, Davi and Bordox, and Tarkanius taking charge in his leadership role.  Throughout, the discoveries impact the characters with a profound sense of change and continued wonder at the bigness of their worlds.

8 ) Emphasis on Character and plot, not science. Both Star Wars and The Worker Prince are space opera and space fantasy. They have elements of science, but the science is not hard science and often wouldn’t hold up to scientific law. In both cases, there are some elements of true science, perhaps, but mostly the tales are driven by the characters and the plot, not the science. The characters and their journeys are the heart and what draws us in and makes us care; what entertains us and captures us. There’s never a sense of some infodump teaching science nor is there a sense of it teaching philosophy or religion. The ideologies are present as part of the world, but they are not for our indoctrination but for our understanding of what drives the characters and frames their understandings of the world.

For me, these 8 elements are at the core of why stories like Star Wars have the feel they do. Reading The Worker Prince, even if you notice the feel, they’re still very different. I do pay tribute to the former’s influence, of course, but the story is original and stands on its own. And I think anyone trying to capture a similar feel would do well to keep these elements in mind. Yes, they can be traced back to old fashioned pulp stories, in many cases.  What do you think? Did I miss anything? I’d love to hear comments.

For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012 along with his book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing and the anthology Space Battles: Full Throttle Space Tales #6 which he edited for Flying Pen Press, headlined by Mike Resnick. As  a freelance editor, he’s edited a novel for author Ellen C. Maze (Rabbit: Legacy), a historical book for Leon C. Metz (The Shooters, John Wesley Hardin, The Border), and is now editing Decipher Inc’s WARS tie-in books for Grail Quest Books.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

New York Times Bestselling Star Wars Author Paul S. Kemp Blurbs “The Returning”

Star Wars/Forgotten Realms author Paul S. Kemp has this to say about my next novel The Returning: “The Returning blends themes of faith with classic space opera tropes and the result is a page-turning story that takes off like a rocket.”

Here’s more info, including the previous blurb, and I expect a cover image in the next two weeks:

The Returning has romance, assassins, tension, both modern and classic science fiction notions, and very smooth writing. What more could you want? Bryan Thomas Schmidt keeps improving. As good as The Worker Prince was, The Returning is better.” – Mike Resnick

“A fun space opera romp, complete w/ intrigues, treachery, dastardly villains, and flawed but moral heroes.” Howard Andrew Jones (Pathfinder: Plague Of Shadows, The Desert Of Souls) on THE RETURNING

Sequel to The Worker PrinceThe Returning is forthcoming this June. Book 2 in the Saga Of Davi Rhii, the back cover copy reads as follows:

The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Now someone is sending assassins to kill and terrorize them and it’s riling up old enmity all over again. The new High Lord Councilor, Tarkanius, Lord Aron, and Captain Davi Rhii find themselves fighting all over again to preserve the unity of the Borali Alliance, while forces from within and without work against them in an attempt to tear it apart.

Meanwhile, Davi and Tela are struggling to keep their romance alive in the midst of busy lives filled with drama and stress and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.

Although it’s not out until June, you can preorder The Returning today for $10.11 at Barnes & Noble (31% off the cover price).

Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012 along with the anthology Space Battles: Full Throttle Space Tales #6 which he edited for Flying Pen Press, headlined by Mike Rensick. As  a freelance editor, he’s edited a novel for author Ellen C. Maze (Rabbit: Legacy), a historical book for Leon C. Metz (The Shooters, John Wesley Hardin, The Border), and is now editing Decipher Inc’s WARS tie-in books for Grail Quest Books.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

First Blurb For Novel 2: THE RETURNING (Saga of Davi Rhii 2)

Just in from my friend/mentor and one of my favorite authors, a blurb for my second novel: “THE RETURNING has romance, assassins, tension, both modern and classic science fiction notions, and very smooth writing. What more could you want? Bryan Thomas Schmidt keeps improving. As good as THE WORKER PRINCE WAS, THE RETURNING is better.” – Mike Resnick

Sequel to The Worker Prince, The Returning is forthcoming this June. Book 2 in the Saga Of Davi Rhii, the back cover copy reads as follows:

The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Now someone is sending assassins to kill and terrorize them and it’s riling up old enmity all over again. The new High Lord Councilor, Tarkanius, Lord Aron, and Captain Davi Rhii find themselves fighting all over again to preserve the unity of the Borali Alliance, while forces from within and without work against them in an attempt to tear it apart.

Meanwhile, Davi and Tela are struggling to keep their romance alive in the midst of busy lives filled with drama and stress and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.

Although it’s not out until June, you can preorder The Returning today for $10.11 at Barnes & Noble (30% off the cover price).

More Rungs On The Ladder: The Returning, DMG & I Get A Locus Mention

Well, I got my first publishing related mention in Locus. Sometime last year I was listed in a photo caption for Rainforest Writer’s Village despite not actually being there for the picture (so that doesn’t count). The announcement of the sale of my second novel showed up yesterday with mention of my editor, Randy Streu, and some other cool people like my friend D.W. Grintalis, who sold her debut novel, Mike Resnick, who’s sold too many to count, etc. It’s a good feeling, because Locus is the industry zine (for those who don’t know) and it makes me feel more officially a part of things. It’s like a step on the ladder.

Another rung occurred when I sent review copies to Library Journal, Kirkus, Locus and Publisher’s Weekly. Didn’t get that done for The Worker Prince, to my regret. But good reviews from those would really boost credibility and sales, so here’s hoping they feel as good about book 2 as I and Randy do. I did send The Worker Prince along to Locus, since they don’t rule out reviewing books which have been out for a while. We’ll see. More waiting begins.

 

Acknowledgements: The Returning

These are the acknowledgements I wrote to my second published novel, fourth novel I’ve written. It thanks a lot of online and real life people who deserve to share any credit for my success.

Acknowledgements
Writing your fourth novel and first sequel is an interesting
experience. And as I finished each chapter, I turned it over to a
dedicated trio of beta readers—Michelle Ristuccia, Lee Gunter and
Louis Shalako. Each brought different perspectives and experience as
readers and writers. And as is my wont, I did not look at any notes after
chapter 1 so it wouldn’t cloud my writing process. (I only looked at
chapter 1 because I wanted to be sure what they were giving me was
going to be useful. It was…quite useful!) Amazingly, once I got it all
together, and once I let them read The Worker Prince (they’d been
chosen as betas initially because they had no familiarity with it), they
kept telling me this book was better. Now it’s up to you to decide.
Despite all those who graciously assisted me in making this book a
reality and, I hope, a success, any errors or issues remain my own. So I
gratefully thank, in addition to the three wonderful betas listed above,
Kathy Williams, Mike Wallace, Anthony Cardno, Randy Streu, Jen
Connelly Ambrose, Tim Ambrose, and Diminished Media Group for
editing, input, proofing, feedback, encouragement, support and more.
And for loving my writing even at its worst in a way that continues to
amaze and inspire me to keep going.

I must add to the list those who taught me story craft: Ted Dale,
Ron Dyas, John Wells, Larry Ward, and so many at California State
University, Fullerton film school. Again writers like Leon C. Metz,
Robert Silverberg, Orson Scott Card, Mike Resnick, Ken Scholes, Jay
Lake, Kevin J. Anderson, Alan Dean Foster, Timothy Zahn, A.C.
Crispin and Kristine Kathryn Rusch. For support, encouragement and
friendship, Mary Robinette Kowal, Kat Richardson, John A. Pitts,
Brenda Cooper, Saladin Ahmed, Jason Sanford, Patty Jansen, Moses
Siregar III, Howard Andrew Jones, Jean Johnson, Patrick Swenson, and
all of the SFFWRTCHT regulars.

To the publicists and other friends who helped promote The
Worker Prince, had me on their blogs, reTweeted, posted links, etc.,
mostly without my asking, especially Adonna Pruette and Matt
Staggs—thank you for supporting me. In supporting you, I never had
ulterior motives. It’s nice to know I don’t need them. Special thanks to
Paul Goat Allen for honoring The Worker Prince with Honorable
Mention on his Barnes & Noble Book Clubs Years Best Science
Fiction Releases of 2011. You have no idea how much that encouraged
me at just the right time.

To my dogs, “my babies,” Louie and Amelie for always reminding
daddy that he’s loved and that he takes things too seriously way too
often. Your companionship has seen me through so much. To family:
Ramon & Glenda Schmidt, Lara McCullough, Kyle McCullough, Karl
and Heather Schmidt for support. To Mitch Bentley for great artwork
and encouragement and Jeana Clark for the map. To friends like Charles
Davidson, Aaron Zapata, Tim Pearse, Greg Baerg, Shaun Farrell,
John Klima, Patrick Hester, John Anealio, Kaolin Fire, Sarah Hendrix,
Johne Cook, Grace Bridges, Jaleta Clegg, Matthew Sanborn Smith,
Charles A. Tan, John DeNardo, John Ottinger for all your support,
encouragement, and so much more. I am so blessed by your presence
in my life!

Last, but not least, to all the readers and reviewers who read The
Worker Prince and sent feedback or just told a friend. This is for you. I
hope we fixed the issues and grew in craft. And I hope you enjoy this
second chapter even more than the first and look forward with me to
the “more to come.”

God’s richest blessings on you all.
Bryan T. Schmidt
Ottawa, Kansas
Spring 2012

The Returning: It Is Finished

Well, my second contracted novel is on its way. ARCS are being prepped. E-ARCS are already going out. And copyediting and cover design will begin in earnest for our June release of The Returning, sequel to The Worker Prince. Pretty exciting stuff. A year ago, this book barely existed and now here it is. Three years ago, it was barely a figment of my imagination. Yet, here it is.

Kudos to Randy Streu who knocked out the last chapter and epilogue in record time the night before his birthday and family weekend vacation.

I look forward to seeing what Mitch Bentley creates this time around. We’ve already had discussions.

Most of all, I look forward to getting it into the hands of reviewers, blurbers and YOU! My beta readers and Randy tell me it’s better than The Worker Prince, along the lines of a Bourne movie type pacing and lots of plot surprises and twists, including a cliffhanger of an ending. Can’t wait for your verdict.

It feels really good to have finished yet another novel. With the publication of my children’s dinosaur jokebook and Space Battles, an anthology I edited, this Spring, it will be quite a year of publications, taking my book table from two books up to six quite fast. Very exciting!

Thanks all for the support!

Origins: February 13

This post is part of the Origins Challenge Blog Series. Almost 200 blogs participating. Click here for the listSo the challenge is to blog about how we got started writing. This is an ironic date because writing about the origins of my writing on February 13th means I’m writing about origins on the day of my origin. Yes, February 13 is my birthday, so how’s that for interesting parallels?

I got started writing through play really. My mother says I never played with a toy the same way twice. I would get mad when the toys couldn’t do all the awesome things I imagined them doing in my mind. I’d get bored and move on.

On the playground at school, I organized elaborate make believe scenarios with my friends, from firefighters fighting fires to astronauts. I’d take charge and lay out the storyline and direct the actors. Amazingly they came back to bossy me for more.

In third grade, my friend Chris Marshall and I wrote our own stories for The Littles series of books about little mouse-like people living inside a human family’s house. We wrote book after book of them, so, as best I can remember, this was my official start to writing.

However, at the same time, I wrote my first song in kindergarten around the time I started piano lessons. So I’d been doing lyric writing and such for a while by the time Chris and I wrote those books. Which counts as the first? Chicken or egg, my friends.

Over time, my active imagination continued and I’d make up stories. My 3rd grade friend, Chris Marshall, and I got hooked on John Peterson and Roberta Carter Clark’s Littles children’s books and started writing our own sequels. That was my first dreams of being a professional writer and yes, despite my stand on fanfic, I did start there like so many.

As I watched TV shows, I’d make up stories and scripts for them: Emergency, Hill Street Blues, Miami Vice, L.A.Law, Life Goes On… This eventually led to spec scripts and film school, where I actually pursued a TV career. My most successful were scripts for L.A. Law and The Wonder Years.

The idea for my debut novel, The Worker Prince, came to me in high school while I wrote all those TV ideas. I even created my own TV show and wrote the first 13 scripts plus pilot for that and plotted out episodes for two whole seasons.

In college and grad school, I wrote three nonfiction books which never went anywhere, but then my devotionals started getting used a lot and I sold some of those. Eventually, I tried prose and The Worker Prince was the second novel I finished. So here I am. That’s the story of my origins as a writer.

I’m 43. This year will see publication of the second and third anthologies to feature short stories by me, one of which I edited, my second and third novels, and the first print magazine to feature one of my stories. So far the journey’s going well.

What’s yours?


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

19 5-star & 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

 

The Returning: How I Dealt With Middle Book Syndrome

Well, we’re four chapters from finalizing the editing of my novel, The Returning, sequel to my debut The Worker Prince. ARCS will go out next week, and then copyediting. As I look at this book, a book which I’m amazed even got written–written in the midst of my life completely falling apart (unemployment, mental health issues and hospitalization for the wife, then divorce and a cross country relocation), I also marvel at how well this second book actually works. I know, I know: “We’ll be the judge of that” you’re thinking. And yes, you will. But from beta readers to editors, responses have been encouraging. They comment that it starts out fast like a Bourne movie and never lets up. They talk of the stakes being upped on every level from character development to complexity of plot to emotional arcs and actual events of the story. The stakes were higher in every way. And although that was deliberate in part, I find myself pondering how important second books are for us as authors and in trilogies generally. And how hard they can be to write.

When I started The Returning, I had no idea what the book would be. I knew where the story would have to go for the ending in book 3. But unlike Book 1, which employed the biblical story of Moses as a framework, and book 3, which will also employ more elements of that, book 2 had to fill in gaps and required me to create more of my own storyline and structure with these characters. I knew there were mistakes I’d made in The Worker Prince which I didn’t want to repeat. I also knew there were things I wanted to do with the characters. But I wrote in total chaos. Outlining a chapter at a time is usual for me, so that’s not what I mean. What I mean is that my life was so chaotic in the background of writing that I often went a month or weeks between chapters or even scenes. Coming back to it, I found concentration hard, so I couldn’t review what I’d written as fully. And often I didn’t want to reread the previous six chapters just to write. Unlike The Worker Prince, this book took 9 months to write. And it went out a chapter at a time to three beta readers as I went. They urged me for more quite often. Their patience was greatly appreciated. I didn’t look at their feedback until after I’d finished.

I was amazed.

First of all, as I hinted at above, I’m a pantser. I let the story go where it takes me. I always have some key plot points in mind. And I always have a rough idea of the base storylines (plots and subplots). But in this case, I had no idea how I would end it until I was well over 2/3rds through. It’s a middle book. There was no real ending. Many events in this book carry over into Book 3. But at some point, I realized I could still create a satisfying denouement, even if it was a cliffhanger ending. And the book most certainly has that. At the same time, the events push toward the point where a chapter feels closed in spite of that.

Early on I realized Book 2 needed a sense of everything being turned upside down. The Worker Prince was a happy story overall. It almost feels like a standalone. Despite the survival of the antagonists and potential for more stories, everything gets wrapped up in a pretty happy ending. But for the characters to progress and the story with them, I needed to tear all the stability and happiness apart again. Their lives, relationships and future all needed to be in jeopardy, and readers needed to be surprised. So, as I wrote, I set that goal. In addition, I wanted a fast pace, action packed novel, both emotionally and physically. It required a more complicated plot. And wound up with seventeen point of view characters, a hell of a cast to manage. (Some only have a scene or two from their POV. There are major POV characters who have scenes throughout as well.)

As I reached each plot point I’d planned, I examined my options and looked for the unusual choice, the surprise twist. What could happen here that would make readers say: “Whoa! I cannot believe that just happened!” Where can I take things that makes it more complicated and pushes them further from their goals and happiness again? At every chance, I made such choices. Unlike The Worker Prince, I knew that meant important characters would have to die. In the end, four do.

It’s hard to kill characters. You spend so much time with them that you begin to feel a bit like they’re family. So killing them, unless you’re psychopathic I suppose, feels wrong and mean. Who wants to be mean? But in order for the heights of the emotional arcs and plots to be reached, the stakes had to get higher and higher in The Returning, and I found no way to do that without endangering characters. In choosing the characters to subject to this “cruelty,” I also tried to make surprising choices. I chose characters I liked but characters who, ultimately, have less interesting arcs left to them than the ones who remained. My readers may disagree, but I hope not. Because the deaths of these characters actually redefine and energize the arcs for other characters in Book 3. They serve to drive the rest of the story.

I also did more exploration of my solar system, using more alien species and worlds, and exploring more of how the Boralian Alliance got to be in control and treated the natives they encountered. This will be a big part of Book 3 as well, and I think it made for some very interesting worldbuilding along with some nice plot twists and turns.

Obviously, I can’t say too much. The book doesn’t release until June. But in any case, by the time I concluded writing The Returning, I knew I had the makings of a very satisfying chapter in my saga. In fact, editors and my beta readers all agreed it’s a better book on every level than The Worker Prince. [That’s a compliment writers. We need to grow with each book. So I took it that way. It was also my goal as mentioned above.]

And so now I can’t wait to share it with you. It goes out to reviewers and other authors for blurbs next week. I have some pretty cool people lined up, including a couple of Star Wars authors. I can’t wait to hear what they think. I hope you’ll take the time to read The Worker Prince and The Returning and love them as much as I loved the experience of bringing them to life for you.

For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

19 5-star & 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

VLog: How To Respond To Reviews

Recently my friend reviewed my book at SFSignal. I never expect anything less than an honest review from reviewers, especially friends. Anything is unhelpful because people tend to see through it anyway and because honest evaluation is the only thing a writer can rightfully expect from anyone. You hope they love the book. It’s hard if they don’t. In this case, the reviewer liked it but had some hard criticisms of a few aspects. Nonethless, I went on the site, said I was sorry it didn’t all work for him, linked to the B&N Year’s Best mention of the book, and thanked him for reviewing it. My friend, instead of taking my thanks as appreciation for his work, thought I was upset with him and it made him very uncomfortable. We’ve now sorted that out but it really got me thinking about how we respond to reviewers as writers and here are some thoughts:

Bryan Thomas Schmidt VLog1: Responding To Book Review from Bryan Schmidt on Vimeo.

To read my interview with book blogger/reviewer Sarah Chorn at sffwrtcht, go here.

For Immediate Release: Author Bryan Thomas Schmidt Joins Madonna In No Nipples Policy

Ottawa, KS, January 31, 2012–Author Bryan Thomas Schmidt today announced there would be no revealing of his or other nipples at his book signing at Hastings Books in Lawrence, Kansas this coming Saturday or any other public appearances on his agenda.

“I just wanted to join Madonna right now in refuting any accusations of public nudity,” Schmidt said. “Just as with Madonna’s Super Bowl Halftime Show, absolutely no nipple sightings will occur either now or in the future at my author events and I believe that’s a policy we’ll plan to continue well into the future.”

MAPN (Mothers Against Public Nipples) put out this statement upon hearing the news: “We are relieved to know that family values still means something in this day and age. Exposure to nipples is something every parent should be able to mediate for their children in the comfort of their own timing. Respect for parents’ rights is too often absent in this day and age.”

From Bryan’s publisher: Diminished Media Group co-Director Randy Streu says, “We’re committed to our values as a family business and a family-friendly market, and while male nipples don’t come with the controversy of their female counterparts, we believe it’s best avoided altogether.”

“I might add that I call on authors of all genres to join me in this important movement,” Schmidt said, “especially in the face of recent revealing photos posted by authors like Jim C. Hines at their websites. There are just some things our readers don’t need to know about us.”

Mothers everywhere, surveyed by the reporter, express great relief. Some even expressed renewed hope and faith in a Higher Being.

Recent press coverage of Bryan, The Worker Prince, and the free signing from 1-4 pm on Saturday, February 4th, 2012 being held at Hastings, 1900 W. 23RD, Lawrence, KS 66046, can be found at lawrence.com. For directions to Hastings on Google Maps, click here.

For press and media inquiries including interviews and guest blogging requests, you can contact Bryan at: bryan at bryanthomasschmidt.net.

Links to recent interviews can be found here. Information on Bryan and his books can be found at his author website www.bryanthomasschmidt.net. Bryan’s books can be purchased online at Amazon.com, BarnesandNoble.com and other retailers.


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

4 5-star & 13 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Write Tip: The Necessity Of Discipline

Okay, it’s an old topic, I know, but discipline is so vital to your writing success. And if I’ve learned anything about discipline over the years, it’s that to be disciplined in any area of life, you need good discipline in all areas of life.

There’s nothing that bleeds from one area of life into others faster than lack of discipline. If you want to succeed at your work as a writer, you have to dedicate time to it regularly. Whether it’s an hour a day, fifteen minutes a day or five hours a day, you have to set aside time and do the writing. If you miss a day, it’s easier to miss another day and so on. If you’re only going to write five days a week, okay, fine, if that works for you. But don’t take off an extra day. It’ll be that much harder to get back to your regular schedule after.

When you diet, you can’t have a cheat day. One cheat can blow the whole week’s diet. When I lost 66 pounds in ten months on Weight Watchers in 2003, I didn’t have cheat days. I couldn’t. I counted calories every day and if I wanted a special treat, I just had to compensate with low calorie foods for the other meals that day or the next two days, period. Cheat days just made it harder to get back into the discipline, and, early on, I discovered without that discipline, my diet wouldn’t succeed.

For me, this is true in other areas of life.

The times I’ve been successful with exercise have been times when I’ve made it routine. Four to five days a week, forty-five minutes to an hour every day, period. No excuses. Once I start skipping days, pretty soon I just stop exercising. It’s happened time and time again. I find a similar thing with writing. One reason blogging helps me so much is that I am forcing myself to make content daily. I am doing my warm ups for other writing, in essence. I blog twice a week at least for my blog, but then I do guest posts for other sites on other days. Sometimes I blog in advance and save them up (Saturday I wrote my Valentines Day post), but by blogging almost every day (I skipped Friday for example), I get my writing chops working automatically and it’s easier to do other writing I need to do for the day. Similar perhaps to warming up before a jog or a game.

I do the same thing with my reading time for SFFWRTCHT, dividing a book into daily goals by page count to make sure I get the books read. Sometimes I fail because I often have more than one book to read at a time. And some books are longer than others. But I still push myself to meet the goal, and most weeks I succeed. It’s why I’ve read so many books in the past year, per my 2011 reading post.

When it comes to writing, I have to set clear goals. Without goals my discipline waivers. For me it’s a word count of 1200-3000 words a day, when I’m working on other jobs and 3-5000 words a day when I’m not. I also set goals to do a certain number of scenes or a chapter each day. Sticking to it, the work gets done. Not sticking to it, and pretty soon I’ve gone weeks with no output.

It’s ironic that the fun part of writing isn’t the task of putting words to paper. Editing and polishing is a lot more fun for me, but the really joyful part is the daydreaming when I think up ideas. I could sit and do that all day, couldn’t you? But making those daydreams work on the page is tough sometimes. Yet in 2008 I decided to write a novel and by the end of 2009 I’d written two. By the end of 2011, I had my first published novel and I already know that by the end of 2012 I’ll have two more published. Imagine what will come in 2013 if I keep working?

Right now I have two half manuscripts to complete and one that is ready for second draft. If I get all of those done this year, and that’s a goal, I will have three more books to sell for 2013 but in addition, I need to write the finale to my Davi Rhii saga which is due to be published in 2013. So I could end up with as many as four books coming out in 2013. That would be doubling my publication output every year. Pretty cool, huh? Even if it doesn’t happen, what a worthy goal, right?

In 2012 I have Davi Rhii book 2, The Returning, coming out, along with 102 More Dinosaur Jokes For Kids, the anthology Space Battles: Full Throttle Space Tales 6, which I edited for Flying Pen Press, and the episodic novel based on a flash fiction series The North Star. I have stories coming out in Tales Of The Talisman and the anthologies Space Battles and Wandering Weeds: Tales Of Rabid Vegetation.

None of this would be possible without the discipline of regularly sitting down to write.

Am I rich yet? No. But in 2010 and 2011 I spent more on writing than I made. In 2012, I have already made 50% of what I spent on writing last year and I still have a bunch of stuff to come out and advances, etc. to receive with only a month gone in the year. That’s what I call progress, the good kind. It can only get better.

This year I am disciplining myself to eat better regularly and exercise at least four days a week. I am getting a used elliptical machine to make sure I have no excuse to not do it. It’ll be staring me in the face and with my e-reader, I can read while I do it. I am reorganizing my grocery shopping to plan healthier meals. Cutting out some of my unhealthy snacking and replacing it with healthier choices. All of this discipline will help me keep discipline high in my writing and other areas of my life. I’m sure my reading goals will be easier met, too. And I’ll bet I can meet that 2013 goal.

So when you think about your writing, ask yourself about your discipline. How does your discipline or lack of it contribute to your writing success? In what ways can you do better? In what ways are you already doing well? Where have you made progress? Where does progress need to occur? Adjust your goals and discipline accordingly. Don’t forget to look at other areas of your life.

I wouldn’t be where I am if I hadn’t started disciplining myself, but I know I can do better. What about you? How’s your discipline? For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

4 5-star & 13 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Write Tip: The Importance Of Distance

I know it’s not obvious but I’m not a patient person. I hate waiting. I hate lines. The only form of delay I enjoy is procrastination. I’m awesome with that one. But because of this problems have developed from time to time. I always heard people talk about how important it was to get distance from your work before doing second drafts, etc. I always struggled. So excited about it, caught up. It was hell to put it aside for two or three days, let alone a month or two. And I think some of the criticisms I got in reviews for The Worker Prince reflects that struggle. I see little things I could done better. I know, authors always do that. But I see a few bigger things, too. (Oh, you say, that never happens to me.) Okay. I’m not perfect. Is that what you needed to hear? Feeling good about yourself?

In early November though, I turned in The Returning, my sequel to The Worker Prince, and my publisher was busy with another novel release and I launched immediately into a sword & sorcery book I was chomping at the bit to write. And somehow, I didn’t look at The Returning again until early January, when we started editing it. My beta reader’s feedback had already been incorporated before the publisher got it. So I was feeling pretty confident it was a better book than The Worker Prince. (My goal in life is to improve, just saying). But nonetheless, before I cracked the pages, I compiled a chart of all the negatives from the good reviews The Worker Prince has received and decided to make sure none of them repeated in the sequel.

As I began to go back through, it was fun to rediscover my book. It had been written over nine hellish months during which my now ex was hospitalized five times for mental illness, I lost my part time job, went through divorce, came close to bankruptcy, etc. In other words, a period where I had weeks, even a whole month, of no writing. So I wrote in total chaos. To make matters worse, the plot was complicated and I had fifteen Point of View characters. By the time I was done, I was totally struggling to remember what I’d done earlier. I was sure the book was a complete mess. My beta readers, however, raved and, upon reading The Worker Prince (which I refused to let them do until they were well into The Returning), assurred me this book was better. I didn’t really find it that easy to believe. Until I started back through.

Not saying it’s genius. Not saying it’s Twain. But I did find the book a lot better than I remembered. I also found a lot of conflicting plot holes and repetition and other items needing fixing. Things I didn’t catch on my second pass with beta reader’s notes. Things they didn’t catch. I’m pretty confident I wouldn’t have caught them without that distance. So, yeah, I’m starting to believe even more than I did before that good distance is vital to better writing.

For example, descriptions are a weakness for me. I come from a screenwriting and journalism background so having to wax poetic about setting and emotions is hard for me. I didn’t practice it much until I started with fiction. Much of my rewrites involve looking for opportunities to do this. In fact, I found that I had not even described the various vehicles in my story. Everybody knows what they are from book 1, right? Ha! Never assume. I’ve striven very hard to make book 2 a standalone entry for the series, not requiring people to go back to the first book unless they want to. (I hope they will, I need the sales and it has its own charms, I swear). That was why I wanted betas who hadn’t read the first book. So here I was leaving out vital description. How embarrassing would it have been to leave that out?

Other examples, I found repeated scenes where I did the same thing twice in separate settings. I found extraneous dialogue to cut. I found repetitive word choices. All things it’s so much easier to see with fresh eyes. Fresh eyes also helps me see character arcs and themes better. I find motifs and other elements I can repeat or use to add depth to the story and characters as well.

So, yes, I do believe distancing yourself from your work is vital to good fiction writing. And I think we do ourselves a favor when we force patience and take time away. After all, it writing is an art (and I do strive for it to be), part of the artistic process is seeking excellence. Anything one can do to get better perspective and improve is worth doing. Don’t you think?

What are your experiences with taking time away? Do you have a set period? Do you ignore the advice? Has it helped you? Hindered you? Frustrated you? I’d love to discuss it more in comments. I’m sure there’s a lot more to say but those are my thoughts for now. For what it’s worth…


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

4 5-star & 12 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Write Tip: Five Tips For Social Media Promotion Success

This post originally ran as part of the blog tour for my debut novel, The Worker Prince,  at the blog of Patty Jansen.

Social Media has taken over the world, or at least parts of it. Its rise in popularity has been stunning. It’s literally changed the way most of us use the web forever. And that’s no exaggeration. Of course, along with it, Social Media has risen to be one of the most important tools for promotion, especially self-promotion. Yet a challenge remains: finding a delicate balance between self-promotion and alienation. How can you promote yourself well and still keep followers happy? How can you avoid being obnoxious? Here’s some suggestions from one who’s spent a lot of time and effort studying that very thing.

First, Social Media is called Social for a reason. Your focus needs to be on socializing not selling. The key to Social Media success, no matter what you do with it, is networking and relationships. When authors ask me when to start Social Media so they can promote their forthcoming book, my response is: you haven’t already? I started two years before my book came out. And I had almost no work to promote. Instead, I built friendships, learned who was out there, what people were doing, and supported and promoted them. My focus was not on me, it was on others. And that’s key to Social Media success. Making it all about you is the quickest route to obnoxious failure. Making it about community is the quickest route to success.

Second, Social Media sites are communities. Yep, I repeated myself. That’s okay, because this point is important. The key to Social Media success is providing useful content people will enjoy and value. The quickest route to that, before you’ve found your own niche, is to retweet the links and content of others. If you read it, and it’s valuable to you, share it. If someone’s doing something cool, let people know. Take the time to pass it on. People will remember. And they will reciprocate. And if you have established a history and reputation for supporting your community, your community will support you.

Third, support people with praise. If someone succeeds at something, congratulate them. It takes seconds to do it. It feels good. You’ve been on the receiving end, right? So I don’t have to tell you. Let people know you care what’s happening with them by responding with support. If they’re having a hard time, encourage them. If they’re succeeding, congratulate them. If they write something cool or send something useful, pass it on. It’s all about community.

Fourth, self-promote with care. I send out the same self-promotion tweet no more than twice a day. This may be supplemented by Retweeting or posting something someone else says, yes. But that’s them tooting my horn, not me. If I have several things to promote (I run more than one blog, for example), I will still only do two a day per item I am promoting. I do once in the morning and once at night to catch both crowds. I cross post from Twitter to Facebook, Google+ and LinkedIn and that’s it. The rest of my Social Media day is spent either encouraging, supporting or spreading the word as described in the points above. It’s not all about me. It’s not obnoxious. My friends know I have projects I am excited about. Many of them are in the same position and doing similar promotion. Being with a small press, they also know I may tweet a bit more about it than they do. It’s okay. Small measure is fine. Posting twelve or fifteen times a day about it, that’s obnoxious.

Fifth, wording matters. Use your sense of humor. Use humility. Don’t be pushy. When you do self-promote, do it in a way that’s not obnoxious in presentation. People don’t mind you letting them know your stuff exists. You have a right to be proud of your accomplishments. You have a right to want to share it. But if you’re obnoxious about it, they will mind. Most won’t even bother with it.

Okay, so there you have five tips for Social Media Self-Promotion success. Really, five tips for Social Media success, I hope. I wish you the greatest success in your Social Media endeavors. And hey, in case you’re interested, I wrote a book.


Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

4 5-star & 11 4-star reviews THE WORKER PRINCE $4.99 Kindle http://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.