On My First Best Editor, Short Form Hugo Nomination

Space Battles front web sizeSo I got nominated for a Hugo for Short Form Editing. Wow. Found out two weeks ago and it surprised but thrilled me. I didn’t campaign. A group of people deemed me worthy and nominated me. Since nominating people you think are worthy is how the system works, I didn’t say a thing, except thank them for their confidence and wait to see what happened. I know I was nominated by people who are not Sad Puppies because they told me. Several, in fact. Some were Sad Puppies, but most who told me were not. The only thing I know is I have worked very hard and this is a major achievement and career moment, and it is unfortunate some people are choosing to attempt to spoil that. I just discovered April 8 that I am was on a slate called Rabid Puppies. I would have demanded removal had I known but I didn’t know it existed until nominations and had no clue who was on it. I don’t associate with the person running that campaign and am deeply disappointed by how he conducts himself and his presence on the slate. I deeply regret this but there is nothing I can do.

Thing is: forever on I am a Hugo nominated editor. The only change. I will do what I’ve always done: strive to make the best books possible. From the beginning I have worked hard to do so, by picking the best new and old pros I can find to write stories, seeking diversity in the pool from right to left, white to POC, LGBT to straight, etc. With a diverse pool in place, I then pick the best stories and hope what I get reflects that well. So far, I think it has. It has varied, of course, but that is the way it goes for every editor. Still, when you want to make books with broad appeal to a broad and diverse readership, that is the only way to do it right. I have always believed that, no matter what some detractors may say. Taking someone’s ambiguous statements and twisting their interpretation does not make them fact.

Beyond The Sun revised coverA few figures of my anthologies so far:

11 male writers
7 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
6 Conservative or independent (that I know of)

9 male writers
9 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
7 Conservative or independent (that I know of)

RaygunChronicles front displayRAYGUN CHRONICLES
14 male writers
11 female writers
3 LGBT (that I know of)
Not sure of the political alignments but some each stripe

1 female co-editor
10 male writers
7 female writers
3 LGBT (that I know of)
10 Progressive (that I know of)
7 Conservative or independent (that I know of)

And none of this reflects the content itself which includes diverse subject matter and stories.

Don’t believe me? Go check the Tables of Contents posted online. Research it yourself. 3 of these were edited solely by me. I made all decisions. The last was co-edited by my fellow nominee Jennifer Brozek. We made decisions jointly in full. She has written about it on Locus.

Shattered Shields coverThe stats on my 9 forthcoming anthologies are not finalized so I can’t post them but these are the works that got me to where I am. The last is the one that qualifies me for a nomination.

I have spent a good portion of my life working with the disadvantaged from poor to non-westerners to LGBT. I have friends I love of all stripes. Anyone who actually knows me will tell you I do not discriminate. I also avoid kerfluffles unless I am dragged in. And even then I try to be gracious. My philosophy is treat others how you want to be treated. Help people when you can. And live and let live.

I take pride in having accomplished all these things. A number of writers have made first sales to me, including Anthony Cardno, who is gay, for example. Many have gotten to find new audiences and appear alongside their writing heroes. I love that I can make that happen. Getting to work with my heroes is part of the thrill of doing this as well.

I love diversity. Don’t believe the critics. I always have and I seek it out. It is the single best gut check I know for keeping me honest and widening my point of view to see outside the box in which I live. That’s so important that I seek it out. I don’t have to agree with everyone to listen to them. But hearing how they see the world makes me see it bigger. Makes me better.

From day one, it has been a privilege to make books and I only seek to serve the SFF community as best I can. It’s such an honor to be a part of it (most days). And I really am humbled that I get to do what I love. If I get rewarded for that with awards, that will be mindblowing. But make no mistake. I did not campaign for awards. I just try and do good work. And I will continue to do so, hoping people will give it a fair chance.

To the nomination voters, thank you for your confidence in me. Sorry for the uproar. Don’t let it spoil the moment if you can. You made me part of science fiction history. It’s so amazing, and I am truly grateful. Now, may the best person win, whomever they are. I leave it to the works.


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books with nine more forthcoming, including Gaslamp TerrorsMission Tomorrow: A New Century Of Exploration (BAEN), Galactic Games (BAEN), Speculations KC, and several others.  A Junior Editor for Wordfire Press, he acquires and develops books of all kinds. He also hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.


MyOryCon Schedule

Well, I am off Thursday for my second trip to OryCon in Portland, Oregon at the Lloyd Center Doubletree.  It’s a fun con with lots of friends in attendance and a fairly laid back atmosphere. Jennifer Brozek and I will be having our SHATTERED SHIELDS Book Launch in Suite 1570 Saturday night, too, and then we’ll attend SF AuthorFest at Powell’s Beaverton Sunday afternoon to sign along with contributors Wendy Wagner and Annie Bellett and a ton of authors.

Meanwhile, though, here’s where to find me at the Con. Hope to see some of you!

Fri Nov 7 2:00:pm
Fri Nov 7 3:00:pm
Revision: Path to Better Writing or Way to Never Finish?

Endless revisions can kill good writing, but everyone says polish your work. Besides, the first draft is usually bad, right? How to navigate through the apparent contradictions without going crazy.

(*)Bryan Thomas Schmidt, SD Perry, Bruce Taylor, Manny Frishberg, K.C. Ball

Fri Nov 7 3:00:pm
Fri Nov 7 3:30:pm
Bryan Thomas Schmidt Reading (30min)

Bryan Thomas Schmidt reads from his own works.

Bryan Thomas Schmidt

Fri Nov 7 4:00:pm
Fri Nov 7 5:00:pm
Religion in Fantasy

Gods? Goddesses? Just pretend religion doesn’t exist?

(*)Bryan Thomas Schmidt, Devon Monk, Jack Whitsel, Joan Gaustad, Karen Azinger

Fri Nov 7 5:00:pm
Fri Nov 7 6:00:pm
I Quit My Job to Be a Writer! WHAT HAVE I DONE?

What the full-time writing life is like, how to stay focused when you’re all by yourself, the realities of making a living via the written word, and techniques for forcing yourself to get dressed and leave the house.

Richard A. Lovett, Matthew Hughes, (*)Mary Rosenblum, Mike Moscoe, Bryan Thomas Schmidt

Sat Nov 8 11:00:am
Sat Nov 8 12:00:pm
Planners vs. Pantsers

Some writers have everything outlined and plotted before they put their fingers on the keyboard. Others insist on flying by the seat of their pants. If you’re one, come learn the techniques of the other, and why you should pay attention.

(*)Bryan Thomas Schmidt, Anna Sheehan, J. A. Pitts, Dean Wells, Steve Perry

Sat Nov 8 12:00:pm
Sat Nov 8 1:00:pm
Surviving the Edit

Sometimes it feels as if editors are out to crush your soul, when they’re really there to save the soul of your book (or they should be). Learn how to choose an editor, how to take your lumps–and when you should ignore what the editor says.

Colleen Anderson, SD Perry, (*)Bryan Thomas Schmidt, Jason V Brock

Sat Nov 8 4:00:pm
Sat Nov 8 5:00:pm
Social Media and the Modern Writer

Websites, Facebook fan pages, email lists, contests, twitter, tumblr, Pinterest, ads, blogs and that annoying thing called a “platform”: what works, what doesn’t, and why you need to care (spoiler: you do).

Theresa (Darklady) Reed, (*)Bryan Thomas Schmidt, Erik Wecks, MeiLin Miranda

Saturday Nov. 8 :00 pm     Shattered Shields/Baen Launch Party
Suite 1570                               Alcohol, soft drinks, snacks and more. Come win signed artwork and books or buy some. Join Jennifer Brozek, Bryan Thomas Schmidt, Wendy N. Wagner and Annie Bellett.

Sun Nov 9 1:00:pm
Sun Nov 9 2:00:pm
Crowdfund Your Project

You’ve got a book, a comic, a film, a game–something awesome! Your fans want it. How do you raise the funds to get it to them? Let them pre-order it via Kickstarter or the other crowdfunding sites. We’ll discuss best practices, when not to crowdfund, backer rewards people want, fulfillment nightmares and successes, and handling the haters (they gonna hate).

MeiLin Miranda, Erik Wecks, (*)Bryan Thomas Schmidt, Jake Richmond

Why I Am An Editor

Shattered Shields coverI became an editor for three primary reasons: 1) I love reading stories; 2) I love working with and discovering new writers; 3) I like helping others. For me, editing combined all these loves, so it seemed a natural fit. After all, I could get a chance to work with my heroes and legends as well as up and coming and new writers who are legends yet to be, and in the process, have fun and make some really interesting books, giving great, diverse stories life.

I’ve interviewed a lot of editors, and I think most of them said some combination of the above as well.

But for me, it also stems from years spent working with nonprofits to help artists from different backgrounds and cultures come together and create art and be heard. There’s no greater gift you can give an artist than a chance to share their voice, I think. And it’s such a joy helping them polish and refine their work, giving them a venue and audience, and watching them shine. I found it very addictive. So addictive that when one camp I was working with moved cross country, I created my own nonprofit and started doing the work in other ways, taking it across the world to Ghana, Italy, Mexico, Brazil, and other places, usually places where such training is too expensive or too elite for the poor, and focusing our work on artists denied those opportunities. Doing that work was life changing and has forever shaped by beliefs, my life, my goals, and my art, and I continue to long to find ways to do more of that work in the future. So anthologies and editing had natural appeal.

Beyond The Sun revised coverAnd the first anthology opportunity proved to be a challenge for sure, but also a whole lot of fun. It’s as much of a challenge sometimes attracting writers to trust a new editor as it can be for writers to get a shot, and I wound up short on submissions and thus late on deadline, but this did give me a chance to work with some writers to improve their stories. There were at least three that made into into the final book after such collaboration. Space Battles: Full Throttle Space Tales #6, the end result is a book I’m proud of. It’s not as good as the books that followed in some ways, but the reviews have been solid and it’s a fun read, and above all, when creating anthologies, I want to create fun reads. For me, reading should be fun. Science Fiction and Fantasy should be fun. Above all other concerns.

So creating opportunities for authors has been a huge part of what I got into this to do, thus, when I didn’t have the editorial credibility quite yet, I looked toward Kickstarter and put together Beyond The Sun, somehow being lucky enough to get four of my writing heroes as headliners. That experience proved yet another great one and shortly after that Kickstarter, friends from a Canadian small press approached me with the idea for Raygun Chronicles: Space Opera For A New Age, and so a few months later, we Kickstarted that with even more big names. That was my biggest anthology yet.

Again, the highlight of both of these was working with writers. Even as the fanboy in me thrilled at getting to work with Silverberg, Rusch, Kress, and more, I enjoyed seeing the up and coming writers’ eyes light up and the chance to be in a book with such luminaries as well. I enjoyed working with them to develop stories, polish them, and assembling the books, etc.

Then Baen bought an idea I had come up with and recruited Jennifer Brozek to co-edit, the military high fantasy anthology Shattered Shields. Like Raygun,  we had a full on professional budget and this time we were buying all originals. So I had the chance to work for a major publisher for the first time, again, an incredible experience. And despite our different tastes, Jennifer and I wound up agreeing on almost all the stories, the exception being a couple, and, of course, she liked some more than I did and vice versa. Still, a great creative partnership. What a talented lady!

RaygunChronicles front displayAnd having such opportunities to partner with great people is the highlight of being an editor. I just really appreciate that. It’s why I don’t want to work with people that don’t share a mutual respect. Time’s too short. I want to be able to enjoy working together. After all, collaboration should be fun, I think. And it’s why I keep pitching and developing anthologies of various types. It’s also why I wanted to use my credibility to reach out to new voices in projects that might be tougher to find publisher homes for like World Encounters and Enabled, but which still have important subject matters which deserve to be explored.

I love reading. Reading has changed my life. It’s made my world bigger. It’s made me a better person. And it’s opened up possibilities I could have never imagined. As reading amongst new generations decreases in popularity, I also want to create books parents and kids can read and enjoy together, that will provoke discussion and nurture a love of reading and genre. That’s why I always push for an educational accessibility aspect in all my guidelines and books, and why I try and keep content PG13 at worst, so it can reach the largest audience. And my background with diversity and cross cultural encounters makes me desire to include writers of diverse backgrounds and beliefs in every project. Sometimes you are limited by who’s available and who connects with the concept, but I try nonetheless. And I have had some great successes.

In any case, just a few thoughts on why I love being an editor and why I wanted to be one. I admit, I’m hooked now, and I hope I get to continue doing this for a long time to come.

For what it’s worth…

Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books (forthcoming).  He is currently working on Gaslamp TerrorsMission Tomorrow: A New Century Of Exploration (BAEN), Galactic Games (BAEN), Enabled, and several others.  He hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

Goodbye & Thanks 2012! A Good Year In Review

Well, as many of you know, Fall 2009 through Fall 2011 were some tough times for me. Although it all ended on a high note with the release of The Worker Prince and mention by Barnes and Noble Book Club’s Paul Goat Allen in his Year’s Best Science Fiction Releases of 2011.  But 2012 has been a much kinder year. So here are a few of the highlights:

Books Released: 5
Magazines Released: 1

Rivalry On A Sky Course February 2012
— my first self-published ebook, a prequel short story to The Saga Of Davi Rhii novels
Space Battles: Full Throttle Space Tales #6 April 2012 (Flying Pen Press)
— headlined by Mike Resnick, Jean Johnson, Brad Torgersen and CJ Henderson, my first anthology as editor
The Returning June 2012 (Diminished Media Group)
— Sequel to The Worker Prince, 2nd in the Saga Of Davi Rhii space opera trilogy, a bit of a rough launch and sales are still slow but I feel very proud of the progress in my writing shown here and the story. Blurbed on the cover by Mike Resnick, Paul S. Kemp (Star Wars), and Howard Andrew Jones.


102 More Hilarious Dinosaur Jokes For Kids: Jokes That Will Have your Kids Roaring and Hissing With Laughter August 2012 (Delabarre)
— my first children’s book, written in January, ebook only. Also my first humor book. Cute artwork by Evan Peter. A lot of fun.

by (artist)

Tales of the Talisman volume 8, Issue 1 August 2012 (Hadrosaur)
La Migra: my first print magazine short story, third short story I ever wrote, sold in El Paso in early Summer 2011, and set there, it finally made publication.

by  (Editor),  (Author), etc.

Wandering Weeds: Tales Of Rabid Vegetation November 2012 (Hall Bros.)
— edited by dear friend Jaleta Clegg, a fellow novelist, my first space opera humor piece, third anthology appearance: Duncan Derring & The Call Of The Lady Luck. Some great stories here despite a rough road to publication for us all. Duncan Derring will also appear in Triumph Over Tragedy in January 2013, my first 2nd sale of a short story.

by  (Author/Editor),  (Goodreads Author)(Author/Editor),  (Author), etc.

Books Written: 7

102 More Hilarious Dinosaur Jokes For Kids (Delabarre)
The Returning (Saga Of Davi Rhii Book 2) (Diminished Media) – final polish draft

Duneman (Dawning Age Cycle) (TBD) – second and third drafts, epic fantasy
Belsuk The Half Orc 1 (TBD) – partial sword & sorcery
Tommy Falcone 1 (TBD) – partial noir science fiction time travel

Abraham Lincoln Dinosaur Hunter: Land Of Legends (Delabarre) – forthcoming January 2013, my first children’s chapter book, 1st in a series cocreated with Jeff Rutherford

101 Hilarious Science Fiction Jokes (Delabarre) – forthcoming 2013

Books Sold: 3

102 More Hilarious Dinosaur Jokes For Kids (Delabarre)
Abraham Lincoln Dinosaur Hunter: Land Of Legends

101 Hilarious Science Fiction Jokes (Delabarre)


Short Stories Written:

2 North Star Serial episodes (Sold to Digital Dragon Magazine) scifi
Brasilia with Octavio Aragao (on market) scifi
The Day Bobby Bonner Woke Up Striped (on market) scifi

Anthologies Sold: 3
Beyond The Sun – Kickstarter sold to Fairwood Press, forthcoming July 2013 (Mike Resnick, Nancy Kress, Kristine Kathryn Rusch, Robert Silverberg headliners) – science fiction colonist stories

Raygun Chronicles: Space Opera For A New Age
– Kickstarting in January 2013, sold to Every Day Publishing pending funding, for November 2013 release (Mike Resnick, Kristine Kathryn Rusch, A.C. Crispin, Dean Wesley Smith, Seanan McGuire, Robin Wayne Bailey, Sarah A. Hoyt, Allen Steele, Brenda Cooper headlining) – space opera new and reprint in pulp style


Shattered Shields – coedited with Jennifer Brozek, sold to a major publisher (cannot announce who until contract final) for Summer 2014 release (Larry Correia, Elizabeth Moon, Catherine Asaro, David Farland, Glen Cook, Seanan McGuire, Sarah A. Hoyt headlining) [first SFWA qualifying sale]

A very productive and awesome year which also saw me start earning significant income from editing in the Fall, with 3 anthologies sold and 5 more in the works, including collaborations with John Helfers, Rich Horton and Maurice Broaddus. I also joined White Cat Publications to edit Blue Shift Magazine, a new semi-pro science fiction zine which debuts in May 2013, but which I did most of the buying for in November 2012. I finally finished the epic fantasy novel started in January 2010 and will be querying agents with hopes of my first major publishing novel deal. I survived my first full year back in Kansas, attended my first World Con, moderated my first World Con panel, appeared on my first World Con panels, and attended 5 Conventions and 6 signings. Also, The Worker Prince earned out its advance and went into profit in October.

So, it’s been a pretty fun and exciting year. And 2013 is already headed toward being even more exciting, with 3 books expected to release, 2 anthologies, and hopefully a few more short story and anthology sales. I also hope to write 2-3 novels and 2-3 children’s books, land agents for both adult and children’s and become a full SFWA member. Maybe I’ll even start dating again or something wild and crazy like that. Ha! Who has the time? Let’s not go off the deep end, now!

Thanks all for the interest and support.