I am pleased to announce my return to the world of my beloved Yautja movie universe. My seventeenth anthology as editor, and 4th for Titan will be my latest collaboration with Jonathan Maberry:
ALIENS VS PREDATOR: ULTIMATE PREY, Edited by Jonathan Maberry & Bryan Thomas Schmidt is a collection of all original stories that bring these two powerful franchises into collision. These stories will be more than bug hunts or monsters fighting one another. We’re amassing a slate of diverse writers who will elevate the themes to feature tales of racism, intolerance, culture clashes, and the horrors of war. Stories will run the gamut from intense psychological drama to nail-biting paranoid horror to humor to poignant tales of people and cultures caught in the grip of war.
Authors: David Barnett – Roshni “Rush” Bhatia – Maurice Broaddus – Curtis Chen – Delilah Dawson – Jess Landry – Jonathan Maberry & Louis Ozawa Changchien – Susanne Lambdin – Seanan McGuire – E.C. Myers – Yvonne Navarro – Chris Ryall – Bryan Thomas Schmidt – Steven Sears – Scott Sigler
15 new stories set in the movie universe, coming in December 2021 from Titan Books. It’s the one anthology fans have most been requesting and Jonathan and I have wanted to do it for 3 years, ever since he did Aliens: Bug Hunt and I did Predator: If It Bleeds, both for Titan, which were great successes.
These are studio approved tie-ins. We’ll reveal more details when the time comes but this exciting project has been fast tracked for quick release and we look forward to bringing it to fans.
I am pleased to announce that Blackstone Publishing has bought a pitch for my 16th anthology project, and second YA anthology which is The Hitherto Secret Experiments Of Marie Curie (working title). Co-edited with Henry Herz, the anthology will feature 18 dark stories of science fiction, fantasy, and/or horror set during Marie Curie’s high school years in Poland telling tales of her and her classmate’s antics. Our authors are: Scott Westerfeld, Jane Yolen, Mylo Carbia, Alethea Kontis, Jonathan Maberry, Scott Sigler, Stacia Deutsch, Seanan McGuire, Sarah Beth Durst, Lissa Price, Christine Taylor-Butler, Jo Whittemore, Dee Leone, Susanne Lambdin, Emily McCosh, Steve Pantazis, Henry Herz, and Bryan Thomas Schmidt & GP Charles.
The project is set for 2022 release simultaneously in print and audio, formats to be determined later. We will have more specific details, including release date and so on, as things get closer. This should be a fun and fascinating project. We hope to include as much real science and history as possible while also having fun with the subject matter and the fascinating character of one of the most important and well known female scientists in world history, a double Nobel winner.
Here’s the announcement that ran in Publisher’s Marketplace:
I am overdue letting you all know about what I have in the works. This is partially because plans are still somewhat fluid, but also because I have been waiting until I knew more to share it. I think the time has come.
I have had several novels on the traditional submission pool for the past four years and while they get positive praise for their writing quality and page turning elements, publishers keep turning them down because they don’t know how to market them. Meanwhile, I continue to struggle financially and mentally with the frustration of seeing my career stalled.
Starting in October and November, I am going to begin self-publishing at least two, maybe three, novel series at a rate of one book every four months. These books will be available through a small imprint (still being determined if it is mine or an established small press) in both print and ebook and online via Amazon and other outlets.
So far, the blurbs and reviews are overwhelmingly positive for the first book: SIMON SAYS, which launches my John Simon procedural thrillers about a tough, Luddite Kansas City cop who’s forced to team with a humanoid android to solve his partners murder. Together they uncover a conspiracy that stretches across the ocean and deep within the KCPD itself. I describe it as Asimov’s City of Steel meets Connelly’s Bosch meets Lethal Weapon.
SIMON SAYS will be out October 15th from Boralis Books in hardcover, trade paperback, and ebook. A sequel, THE SIDEMAN, will follow next February.
Also releasing this month is my next entry in the INFINITE STARS: Definitive Space Opera And Military Science Fiction anthology series from Titan Books.
INFINITE STARS: DARK FRONTIERS contains a mix of new and reprint stories by George R.R. Martin, Becky Chambers (a new Wayfarers tale), Robert A. Heinlein, Arthur C. Clarke, Jack Campbell (a new Lost Fleet tale), Tanya Huff (a new Confederation tale), Seanan McGuire, Olson Scott Card (a new Ender tale), Neal Asher, David Weber, Sharon Lee & Steve Miller (a new Liaden tale), E.E. “Doc” Smith, Kevin J. Anderson (a new Seven Suns tale), Susan R. Matthews, Brenda Cooper, Curtis Chin (a new Kangaroo tale), Larry Niven & Steven Barnes (a new Dream Park tale), CJ Cherryh, David Farland, Weston Ochse (a new Grunt tale), Mike Shepherd (a new Kris Longknife tale), CL. Moore, Gardner Dozois, James Blish, Kristine Kathryn Rusch, and Alan Dean Foster. The new stories in existing popular series are noted.
INFINITE STARS: DARK FRONTIERS releases in hardcover and ebook on November 6, 2019 wherever books are sold.
That’s it for 2019, but as mentioned, more to come throughout 2020 starting in February. I hope you will put them on your shopping lists.
Editor Jonathan Maberry has announced the Table of Contents order for his third anthology of new officially sanctioned, canon stories from The X-Files, for which Kate Corcino and I wrote a fun story set in El Paso. Here it is:
Seek and You Will Find by John Gilstrap
Perithecia by Andy Mangels
Give Up the Ghost by Jade Shames
Transmissions by Marsheila Rockwell and Jeffrey Mariotte
Desperately Seeking Mothman by Jim Beard
Love Lost by Yvonne Navarro
Thanks and Praise by Joe Harris
Border Time by Bryan Thomas Schmidt and Kate Corcino
A Scandal in Moreauvia, or: The Adventure of the Empty Heart by Nancy Holder
Still time to order copies of my books for that special someone. I have copies of all of my titles. Tell me which one you want and if you want it personalized too or just signed.
Email me at bryan at bryanthomasschmidt.net. I will tell you how much to paypal and then priority mail the bubblewrapped, signed books wherever you want.
Typically I charge $15 per trade paperback plus $5 priority mail but international I’d have to calculate. This helps me. It helps your loved ones and friends by giving them good materials. And it helps you save time shopping. A 3-way win.
Well, I said I was going to do it, and so here I am. At present, I don’t do general open calls because I just can’t read through all that would come in for the 3-4 anthologies I do a year. But one reason I got into anthology editing was to create opportunities not just for me, but for other writers, so instead I have decided to offer two week annual submissions periods for basically earning your way onto my invite list. So that first period will begin Monday and run two weeks, through September 21st. Here are the parameters:
1) Send your best story in RTF, DOC or PDF format. Make it easy on me to read your work. If I can’t open the file, I won’t read it.
2) Send me the best thing you have, published, unpublished, etc. I am NOT BUYING. All my current projects are full, BUT I am starting to pitch for anthologies in 2017 and 2018, so I will need writers when they sell, which means, I want to see what you can do. If I like your voice, craft, and style, then I will put you on my list.
3) Expect to wait a while. I am going to read through what I get, but it will take a while to read it because other ediitng and reading priorities must come first. The good news is, you can go about submitting elsewhere and living your life, because I am not buying right now so I don’t need exclusivity.
4) Please use standard manuscript formatting. I.E. double spaced, serif font, 12 point type, italics instead of underlining, wordcount and contact info above title on front page, etc. Also, NUMBER PAGES so if I read offline and drop one, I can easily find where the pages go and in what order.
5) If you story is over 7500 words, please contact me first.
6) If I have already bought stories from you or you know I own your books or stories, you just need to ask to be included. Please feel no need to submit pieces to this call. I will have enough to read already.
That’s it. That simple. Send these files to bryan at bryanthomasschmidt.net starting Monday with the subject: OPEN CALL (story name).
I will read and let you know if you’re invited to my list.
Oh, a couple notes on taste:
I like adventure stories more than lesson stories, but if you can do both, I will be awesomely impressed and pleased. I like character driven stories. I like heroes I can admire, but if the story is strong enough, of course, any of this won’t matter. I also do not like overuse of foul language or gratituitous sex and violence, so keep in mind that since I do PG themed anthologies mostly, your story samples should fit those parameters as much as possible. Beyond that, I like all kinds of genres, but I am not a huge vampire or zombie fan, just a warning.
I do reserve the right to just say no. I don’t owe you a slot, nor do I owe you an explanation. Unfortunately, this has to be said given the nature of the www world today, sot here it is. It is not that I plan to just arbitrarily say no without some kind of explanation, but I probably don’t have time to give long notes on every story. I don’t promise to read the whole thing either. If I don’t like it, I will treat it like any other slush. Time management is key. It is not personal. It is subjective and ruled by my personal taste, yes. I am open to people of all beliefs, lifestyles, ethinic backgrounds, cultures, etc. In fact, I strongly seek it out and don’t get enough from POC and non-western writers, so by all means, let me see what you’ve got.
I appreciate the opportunity to look at your work and your patience through this process, and I look forward to working with many of you in the future.
Bryan Thomas Schmidt is an author and Hugo-nominated editor of adult and children’s science fiction and fantasy novels and anthologies. His debut novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels. As editor, his anthologies include Shattered Shields (Baen, 2014), Beyond The Sun (Fairwood, 2013), Raygun Chronicles (Every Day Publishing, 2013) and Space Battles (Flying Pen Press, 2012) with two more forthcoming from Baen Books and St. Martin’s Griffin in 2015 and 2016. He is also developmental editor for WordFire Press, owned by New York Times Bestselling author Kevin J. Anderson and Rebecca Moesta. Books he’s edited include The Martian by Andy Weir, My Big Fat Demonslayer Wedding by Angie Fox, The Outpost by Mike Resnick, A Game Of Authors by Frank Herbert and more. From December 2010 to earlier this year, he hosted Science Fiction and Fantasy Writer’s Chat the first Wednesday of every month at 9 P.M. ET on Twitter under the hashtag #sffwrtcht and is a frequent guest and panelist at World Cons and other conventions. His website is www.bryanthomasschmidt. Twitter: @BryanThomasS
As most of you know, I am a very busy anthologist, with 8 projects in various stages of contract and development through 2017. Most of these have their allotment of writers already, but as I develop new projects, I hope to expand my stable. Because of budget and busyness, my reading time is limited and so slush is just not something I can manage at the moment, however, I have come up with an option that will appeal to some of you.
I am ending Science Fiction and Fantasy Writer’s Chat in August. This is because of sheer exhaustion from four years, fading enthusiasm from me and regulars, and also needing time to read for both fun and work that I can’t find anywhere else. Interviewing people, even twice a week, and reading one of their books to do so, is a tremendous time commitment. I have had to put in 20 hours a week to it since starting in 2010. I just can’t keep up with that and slush, and I can’t read novels by friends or colleagues for fun, blurbs or more. Add to that my work in Acquisitions and Development for Wordfire as a Junior Editor, and I just am falling further and further behind. I hate that, so something had to give.
So the solution is that I will be doing an open submission period of two weeks, starting this Fall (September 1 through 15) where writers can send me their best work. The idea is to give me a chance to get to know your work–voice, style, etc. for consideration toward future projects with openings. I am not going to buy these stories. So send your best, whichever speculative genre you want. The sole exception is erotica. I don’t publish or buy it so it won’t be the best sample for me. I don’t promise quick turn around. It may, in fact, take me months to get through the submissions. But if you are professional quality in your writing, you will be considered for invites to future anthologies. You will be in the door. I will limit the word count, probably 6k words and under, but those details shall be announced when the Fall comes. And I will limit to one piece per writer as well. I need to be able to see an end game here if I ever hope to do it again. Published work is fine. I will be flexible on format as well. I will make it easy for you, so please do the same for me.
Further details will be announced when the submission time gets closer. But since many busy anthologists just don’t have time and resources to do many open calls, consider this a great chance to get into projects that may interest you in the future. If you are put in my pool, I will notify you and invite you to appropriate future projects. You also have the right to ask about openings when I announce projects you want to be invited to. Yes, people do that anyway, but if I don’t know your work, I almost always say no. Just a practicality. In any case, get those submissions ready. Reading stuff I’ve edited for taste might be a great way to see what I like in the meantime. I look forward to discovering new colleagues to work with.
Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with co-editor Jennifer Brozek for Baen, Mission: Tomorrow, Galactic Games, Little Green Men–Attack! and Monster Hunter Tales (with Larry Correia) all forthcoming also for Baen, Joe Ledger: Unstoppable with Jonathan Maberry for St. Martin’s Griffin (forthcoming 2017), Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.
So I got nominated for a Hugo for Short Form Editing. Wow. Found out two weeks ago and it surprised but thrilled me. I didn’t campaign. A group of people deemed me worthy and nominated me. Since nominating people you think are worthy is how the system works, I didn’t say a thing, except thank them for their confidence and wait to see what happened. I know I was nominated by people who are not Sad Puppies because they told me. Several, in fact. Some were Sad Puppies, but most who told me were not. The only thing I know is I have worked very hard and this is a major achievement and career moment, and it is unfortunate some people are choosing to attempt to spoil that. I just discovered April 8 that I am was on a slate called Rabid Puppies. I would have demanded removal had I known but I didn’t know it existed until nominations and had no clue who was on it. I don’t associate with the person running that campaign and am deeply disappointed by how he conducts himself and his presence on the slate. I deeply regret this but there is nothing I can do.
Thing is: forever on I am a Hugo nominated editor. The only change. I will do what I’ve always done: strive to make the best books possible. From the beginning I have worked hard to do so, by picking the best new and old pros I can find to write stories, seeking diversity in the pool from right to left, white to POC, LGBT to straight, etc. With a diverse pool in place, I then pick the best stories and hope what I get reflects that well. So far, I think it has. It has varied, of course, but that is the way it goes for every editor. Still, when you want to make books with broad appeal to a broad and diverse readership, that is the only way to do it right. I have always believed that, no matter what some detractors may say. Taking someone’s ambiguous statements and twisting their interpretation does not make them fact.
A few figures of my anthologies so far:
11 male writers
7 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
6 Conservative or independent (that I know of)
BEYOND THE SUN
9 male writers
9 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
7 Conservative or independent (that I know of)
14 male writers
11 female writers
3 LGBT (that I know of)
Not sure of the political alignments but some each stripe
1 female co-editor
10 male writers
7 female writers
3 LGBT (that I know of)
10 Progressive (that I know of)
7 Conservative or independent (that I know of)
And none of this reflects the content itself which includes diverse subject matter and stories.
Don’t believe me? Go check the Tables of Contents posted online. Research it yourself. 3 of these were edited solely by me. I made all decisions. The last was co-edited by my fellow nominee Jennifer Brozek. We made decisions jointly in full. She has written about it on Locus.
The stats on my 9 forthcoming anthologies are not finalized so I can’t post them but these are the works that got me to where I am. The last is the one that qualifies me for a nomination.
I have spent a good portion of my life working with the disadvantaged from poor to non-westerners to LGBT. I have friends I love of all stripes. Anyone who actually knows me will tell you I do not discriminate. I also avoid kerfluffles unless I am dragged in. And even then I try to be gracious. My philosophy is treat others how you want to be treated. Help people when you can. And live and let live.
I take pride in having accomplished all these things. A number of writers have made first sales to me, including Anthony Cardno, who is gay, for example. Many have gotten to find new audiences and appear alongside their writing heroes. I love that I can make that happen. Getting to work with my heroes is part of the thrill of doing this as well.
I love diversity. Don’t believe the critics. I always have and I seek it out. It is the single best gut check I know for keeping me honest and widening my point of view to see outside the box in which I live. That’s so important that I seek it out. I don’t have to agree with everyone to listen to them. But hearing how they see the world makes me see it bigger. Makes me better.
From day one, it has been a privilege to make books and I only seek to serve the SFF community as best I can. It’s such an honor to be a part of it (most days). And I really am humbled that I get to do what I love. If I get rewarded for that with awards, that will be mindblowing. But make no mistake. I did not campaign for awards. I just try and do good work. And I will continue to do so, hoping people will give it a fair chance.
To the nomination voters, thank you for your confidence in me. Sorry for the uproar. Don’t let it spoil the moment if you can. You made me part of science fiction history. It’s so amazing, and I am truly grateful. Now, may the best person win, whomever they are. I leave it to the works.
Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books with nine more forthcoming, including Gaslamp Terrors, Mission Tomorrow: A New Century Of Exploration (BAEN), Galactic Games (BAEN), Speculations KC, and several others. A Junior Editor for Wordfire Press, he acquires and develops books of all kinds. He also hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.
“RAYGUN CHRONICLES breathes supercharged life into the space opera genre with exciting and inventive new tales by a superb line-up of writers. This is why science fiction will live forever!”—Jonathan Maberry, New York Times bestselling author of PATIENT ZERO.
“RAYGUN CHRONICLES is an impressive anthology with an impressive list of contributors, a real showcase of the color and scope of what science fiction can be.”—Kevin J. Anderson, New York Times bestselling author of the Saga of Seven Suns
“Wonder, adventure, romance, humor–space opera delivers all of these, and this anthology brings together some of the finest talent in the business. Strange new worlds await. So lower your shields, engage your thrusters, and prepare to jump to warp speed!” — Dave Wolverton, New York Times Bestselling author of Star Wars: The Courtship of Prince Leia
“These stories bring the reader back to the days when we dreamt of blasters and flying cars. Golden age space opera fun with a strong Western feel.” — Alex Shvartsman, Editor Unidentified Funny Objects and Official Ken Liu Hugo bearer
Now I just have been mailing out review copies for Raygun Chronicles. It takes a while, but those efforts for Beyond The Sunhave landed us two major reviews and a major podcast appearance this month. The two major reviews are out this week in LOCUS’ October 2013 issue which is THE industry zine and thus a huge boost for us. These are also my first Locus reviews EVER. The first comes from Gardner Dozois, year’s best editor, award winning anthologist and writer:
There’s nothing really exceptional in Beyond the Sun, a mixed original/reprint anthology edited by Bryan Thomas Schmidt, but it is a fun read, with some solid core SF work, although a similar concept was explored better last year by Jonathan Strahan’s Edge of Infinity. The theme appeals to me, as stories of exploration and adventure in space beyond the bounds of Earth remain one of the foundation stones of SF, but don’t expect to find hard science and rigorously worked-out physics here, as this isn’t that kind of book. Instead, it belongs to the old Pulp Adventure school, where spaceships flit between planets in days and sometimes even hours, and there are lots of exotic alien races to interact with and/or battle with. The best of the original stories here is probably Nancy Kress’s ‘‘Migration’’, a compelling look at the power instinct can hold over even the most rational minds, but also good are Brad R. Torgersen’s ‘‘The Bricks of Eta Cassiopeiae’’, Jaleta Clegg’s ‘‘One-Way Ticket to Paradise’’, and Nancy Fulda’s ‘‘A Soaring Pillar Of Brightness’’. There is also solid work by Kristine Kathryn Rusch, Cat Rambo, Mike Resnick, and others, as well as good reprint stories by Robert Silverberg and Jason Sanford.
Also from October Locus, Karen Burnham reviews BEYOND THE SUN for Diverse Hands:
KAREN BURNHAM Beyond the Sun, Bryan Thomas Schmidt, ed. (Fairwood Press 978-1-933846-38-5, $17.99, 296pp, tp), August 2013. Cover by Mitchell Davidson Bentley. [Order from Fairwood Press, <www.fairwoodpress.com>.]
There are many reasons people may want to settle out beyond our solar system: religious freedom, economic opportunity, exploration, contacting other life, or simply the desire to be left alone. A little bit of all of these can be found in Bryan Thomas Schmidt’s broadly themed anthology Beyond The Sun. There are aliens, religious fanatics, soldiers, and plenty of people just trying to get by in this diverse volume.
One story about going to the stars in search of a simpler life is ‘‘Respite’’ by Autumn Rachel Dryden. In it a more-or-less Puritan couple are trying to reach the main settlement by wagon while the wife is in labor and the local fauna is about to launch into a feeding frenzy. Ann’s internal perspectives on events gives us a wonderfully dry take on a very tense story, and the troubles between her and her husband are deftly sketched. What I found particularly interesting is that the story ends up admiring a particular view of father- hood that is directly critiqued in the anthology’s strong opening story, ‘‘Flipping the Switch’’ by Jamie Todd Rubin. Rubin uses a trope similar to Joe Haldeman’s classic The Forever War to describe a father who is providing for his family but is fundamentally detached from them. The story effectively portrays the increasing tension the man feels as he drifts farther and farther away from his loved ones.
Returning to religious themes, Jean Johnson’s ‘‘Parker’s Paradise’’ depicts a colony that’s been vastly oversold by its religious leader; the acerbic perspective of a soldier tasked to protect the first contact group makes me want to go read some of her military SF, because this was hilarious. Jason Sanford’s ‘‘Rumspringa’’ gives us the space Amish, with a team of post-humans looking to manipulate an Amish colony through one of their own that went out into the world and came back. ‘‘The Far Side of the Wilderness’’ by Alex Shvartsman depicts a man driven by religious faith to hijack a ship and try to find Earth; his single-minded pursuit leaves him dissatisfied with a most amazing journey. Maurice Broaddus’s ‘‘Voice of the Martyrs’’ gives us an interesting blend of military, religion, and colonization – no easy answers in this one.
There’s one final story that features a religious colony: ‘‘The Dybbyk of Mazel Tov IV’’ by Robert Silverberg. Unlike most of the stories, which are original to the anthology (there are two other reprints, both from the 2000’s), this is a reprint from 1973. This is the second anthology I’ve read this year that has done this: taking a solid selection of contemporary stories and adding in a cherry-picked story from many decades past. Inevitably, the reprint by an old master (it was a Le Guin story the last time, I recall) blows the others away. Robert Silverberg’s story seems fresher, livelier, and more three dimensional than so many of the stories here – not that any of them are bad, but simply that they don’t get over a bar set that high. Some of them do; I would put Rubin’s story in that category along with Cat Rambo’s ‘‘Elsewhere, Within, Elsewhen’’ (a lovely tale of alien contact that literalizes the metaphor of being trapped in a shell of bitterness and resentment). But it really seems unfair to most of the authors involved. I understand the incredible temptation when you’re offered a Silverberg or Le Guin reprint that perfectly suits your theme, but in a mostly-original anthology I wish the editors would stop and reconsider.
That said, there are plenty of solid and enjoyable stories here. Various forms of libertarianism feature in Nancy Kress’ ‘‘Migration’’ and Brad Torgersen’s ‘‘The Bricks of Eta Cassiopeiae’’. Massive miscommunications with and about aliens feature in Simon C. Larter’s ‘‘Inner Sphere Blues’’ and Jennifer Brozek’s ‘‘Dust Angels’’. Jumping to conclusions is ill-advised in Nancy Fulda’s ‘‘A Soaring Pillar of Brightness’’. Luckily, aliens can be just as quick to misjudge a situation when Mike Resnick depicts them examining our television broadcasts in the concluding story ‘‘Observation Post’’.
Overall, this is a collection of solid stories in the somewhat neglected outer space exploration genre of science fiction. Post-humans are rare and garden variety humans occupy center stage, which feels a bit unusual these days. I worry that it seems that aliens in this volume are so difficult to communicate with: it often takes personal sacrifice to do so, or something improbably hand-waving to do with biology and telepathy. Compared to Silverberg’s 1973 story, in which communication with aliens is not terribly more fraught than communication with a rival human religious sect, this anthology seems a little discouraging about the real potential for relating to and communicating meaningfully with the Other.
Nonetheless, these are enjoyable tales with serious themes, worth the time spent reading them.