Guest Post: Lawrence M. Schoen, author of Barsk: The Elephants’ Graveyard, talks about writing anthropomorphic animals

Barsk cover

My friend Lawrence Schoen’s latest novel and big publisher debut, Barsk: The Elephants’ Graveyard, from TOR Books had sold out its first printing before it even released. It is about sentient animals who have survived the self-destruction of human beings and now rule the galaxy. I asked him to talk on the blog about how to write animals as main characters of a novel.

How do you approach writing animals as characters? Do you anthropomorphize or avoid it?

I treat animal characters much like I treat alien characters, which is to say, I write them as characters first, and then add in the other bits (animal, alien, or both).

I start by asking myself a few basic questions like, “Who is this character? How does he see the world? How does he see himself? What does he want?” and then as these basics start to sketch out, I drop the character into the setting that further shapes those answers.

With the anthropomorphic animal (or as I like to call them, “raised mammals”) characters in Barsk, there were additional factors. The easiest of these was to build on the physiological differences from the source animals, and play with how that then affects the more basic characteristics and questions. This is particularly important for the reader, because she’s looking for something familiar to glom onto, something that can be assessed at a glance, be it an elephant’s trunk or the graceful gait of a cheetah or the relative lethargy of a sloth. These are signals to a reader that say, “oh, okay, it’s like a human being, only not, because it’s also like X.”

After the broad strokes of an animal character is done, the real fun begins. The bits that act as Easter eggs for more savvy readers. Little pieces from research into what ethologists and other scientists have learned about these species which when dropped into sapient characters inform their culture and worldview. As one example, we know that among elephants, after a certain age, the males all go off on their own solitary way and only return to mate, leaving the females behind to form groups of adults and children of both sexes. Take this one datum and apply it a planet of uplifted elephants and you get a society where you have households of adult females — mothers and sisters aunts and cousins, like something out of H.M.S. Pinafore — taking responsibility for all child rearing, and males who spend their adult lives as peripatetic bachelors — never settling down for long, always moving on. And from there you get to ask how this all manifests in routine things that you probably won’t actually look at in the book, but which has to exist in the back of your mind because it all influences the way the characters walk through their own world. Questions like, “What does this do to the housing market? What’s the impact on job security? What happens to individuals who don’t fit smoothly into the society’s normative roles?”

The characters in an anthropomorphic novel need to have the same quality of breadth and depth and variety that ordinary human characters enjoy and/or endure; it’s all just filtered through the specialized animal traits that is their due as well. Because at the end of the day, you’re using them to tell human stories, and while they may be furry or horned or bat-winged or something else, they must also project a basic humanity, one to which the reader can relate. In the end, the thing we always remember about the best alien or anthropomorphic characters isn’t how much they differ from us, but how human they were.


Lawrence M. Schoen holds a Ph.D. in cognitive psychology and psycholinguistics. He’s also one of the world’s foremost authorities on the Klingon language, and the publisher of a speculative fiction small press, Paper Golem. He’s been a finalist for the John W. Campbell Award, the Hugo Award, and the Nebula Award. Lawrence lives near Philadelphia. You can find him online at LawrenceMSchoen.com and @KlingonGuy.

 

Signed Books For Christmas

Still time to order copies of my books for that special someone.  I have copies of all of my titles. Tell me which one you want and if you want it personalized too or just signed.

Email me at bryan at bryanthomasschmidt.net.  I will tell you how much to paypal and then priority mail the bubblewrapped, signed books wherever you want.

Typically I charge $15 per trade paperback plus $5 priority mail but international I’d have to calculate. This helps me. It helps your loved ones and friends by giving them good materials. And it helps you save time shopping. A 3-way win.

I have some great stuff as you can see from the reviews, or you can order from my Amazon page here: http://www.amazon.com/Bryan-Thomas-Schmidt/e/B004FRQ7XS/ref=sr_ntt_srch_lnk_1?qid=1449351366&sr=1-1.

Here are some of the books I’ve edited or written:

Mission Tomorrow cover 2 larger TWP WFP front cover 102 More Dino Jokes cover Abe Dino Hunter LOL cover Beyond Sun Cover.indd RaygunChronicles TPB front display Shattered Shields cover small

First Annual Open Reading Period- September 7 through 21, 2015

Well, I said I was going to do it, and so here I am. At present, I don’t do general open calls because I just can’t read through all that would come in for the 3-4 anthologies I do a year. But one reason I got into anthology editing was to create opportunities not just for me, but for other writers, so instead I have decided to offer two week annual submissions periods for basically earning your way onto my invite list.  So that first period will begin Monday and run two weeks, through September 21st.  Here are the parameters:

1) Send your best story in RTF, DOC or PDF format. Make it easy on me to read your work. If I can’t open the file, I won’t read it.

2) Send me the best thing you have, published, unpublished, etc. I am NOT BUYING. All my current projects are full, BUT I am starting to pitch for anthologies in 2017 and 2018, so I will need writers when they sell, which means, I want to see what you can do. If I like your voice, craft, and style, then I will put you on my list.

3) Expect to wait a while. I am going to read through what I get, but it will take a while to read it because other ediitng and reading priorities must come first. The good news is, you can go about submitting elsewhere and living your life, because I am not buying right now so I don’t need exclusivity.

4) Please use standard manuscript formatting. I.E. double spaced, serif font, 12 point type, italics instead of underlining, wordcount and contact info above title on front page, etc.  Also, NUMBER PAGES so if I read offline and drop one, I can easily find where the pages go and in what order.

5) If you story is over 7500 words, please contact me first.

6) If I have already bought stories from you or you know I own your books or stories, you just need to ask to be included. Please feel no need to submit pieces to this call. I will have enough to read already.

That’s it. That simple. Send these files to bryan at bryanthomasschmidt.net starting Monday with the subject: OPEN CALL (story name).

I will read and let you know if you’re invited to my list.

Oh, a couple notes on taste:

I like adventure stories more than lesson stories, but if you can do both, I will be awesomely impressed and pleased. I like character driven stories. I like heroes I can admire, but if the story is strong enough, of course, any of this won’t matter. I also do not like overuse of foul language or gratituitous sex and violence, so keep in mind that since I do PG themed anthologies mostly, your story samples should fit those parameters as much as possible.  Beyond that, I like all kinds of genres, but I am not a huge vampire or zombie fan, just a warning.

I do reserve the right to just say no. I don’t owe you a slot, nor do I owe you an explanation. Unfortunately, this has to be said given the nature of the www world today, sot here it is. It is not that I plan to just arbitrarily say no without some kind of explanation, but I probably don’t have time to give long notes on every story. I don’t promise to read the whole thing either. If I don’t like it, I will treat it like any other slush. Time management is key. It is not personal. It is subjective and ruled by my personal taste, yes.  I am open to people of all beliefs, lifestyles, ethinic backgrounds, cultures, etc. In fact, I strongly seek it out and don’t get enough from POC and non-western writers, so by all means, let me see what you’ve got.

I appreciate the opportunity to look at your work and your patience through this process, and I look forward to working with many of you in the future.

Bryan


Bryan Thomas Schmidt is an author and Hugo-nominated editor of adult and children’s science fiction and fantasy novels and anthologies. His debut novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels. As editor, his anthologies include Shattered Shields (Baen, 2014), Beyond The Sun (Fairwood, 2013), Raygun Chronicles (Every Day Publishing, 2013) and Space Battles (Flying Pen Press, 2012) with two more forthcoming from Baen Books and St. Martin’s Griffin in 2015 and 2016. He is also developmental editor for WordFire Press, owned by New York Times Bestselling author Kevin J. Anderson and Rebecca Moesta. Books he’s edited include The Martian by Andy Weir, My Big Fat Demonslayer Wedding by Angie Fox, The Outpost by Mike Resnick, A Game Of Authors by Frank Herbert and more. From December 2010 to earlier this year, he hosted Science Fiction and Fantasy Writer’s Chat the first Wednesday of every month at 9 P.M. ET on Twitter under the hashtag #sffwrtcht and is a frequent guest and panelist at World Cons and other conventions. His website is www.bryanthomasschmidt. Twitter: @BryanThomasS

SASQUAN- WORLD CON SCHEDULE – 2015 Bryan Thomas Schmidt

Here’s my schedule for the World Science Fiction Convention, Sasquan, in Spokane, Washington, August 18-23, 2015. I look forward to seeing some of you there. I will be at the WordFire Party, Wednesday night, the Baen Books Party, Thursday Night, the Fairwood Press Party, Friday and the Hugo Loser’s Party, Saturday. Beyond that, I will be wandering and at the WordFire Press table in the Dealer’s Room.

Thursday, August 20th

PANEL: The Work of Being a Writer, Thursday 9:00 – 9:45, Bays 111A (CC)

Writers write, but there’s more to being a writer than writing.  Come learn how to work with editors, agents, other writers, marketers, and fans.  Can writers’ groups and social media make you or break you?  Learn about all the work involved in being a writer and some strategies for success.

Randy Henderson (M) , Brenda Cooper, Bryan Thomas Schmidt, Susan Palwick

 

Friday, August 21st

PANEL: Kaffee Klatche – Bryan Thomas Schmidt, Friday 12:00 – 12:45, 202A-KK1 (CC)

Join a panelist and up to 9 other fans for a small discussion.  Coffee and snacks available for sale on the 2nd floor. Requires advance sign-up.

PANEL: The Changing Role of the Editor, Friday 3:00 – 3:45, Bays 111B (CC)

With the various ways that fiction is published (print/online/audio/self-published), how is the role of editor changing?  Does the editor need to be more technician than tweaker?  Is self-publishing making the editor’s job obsolete?

Gordon Van Gelder (M), Scott H. Andrews – Beneath Ceaseless Skies, Hugo Nominee, Yanni Kuznia – Subterranean Press , Wendy S. Delmater – Abyss and Apex – Hugo Nominee, Bryan Thomas Schmidt – Hugo Nominee

Saturday, August 22nd

Autographing – Jeffrey A. Carver, David Hartwell, Esther Jones, David Peterson, Bryan Thomas Schmidt, Saturday 10:00 – 10:45, Exhibit Hall B (CC)

Jeffrey A. Carver, Esther Jones, David Peterson, Bryan Thomas Schmidt, David Hartwell

Hugo Pre-Reception, Saturday 6:00 – 8:00, Integra Telecom Ballroom 100A (CC)

Hugo Awards Ceremony, Saturday 8:00 – 10:30, INB Performing Arts Center (CC)

The 2015 Hugo Awards promises to be one of the most memorable ceremonies in years. Come be a part of history. Your Masters of Ceremony will be Sasquan Guest of Honor David Gerrold and Tananarive Due, and they’ve both promised an entertaining ceremony.

Tananarive Due (M), David Gerrold (M)

 

 

Announcing Bi-Annual Open Reading Periods Coming Soon

Shattered Shields cover smallAs most of you know, I am a very busy anthologist, with 8 projects in various stages of contract and development through 2017. Most of these have their allotment of writers already, but as I develop new projects, I hope to expand my stable. Because of budget and busyness, my reading time is limited and so slush is just not something I can manage at the moment, however, I have come up with an option that will appeal to some of you.

I am ending Science Fiction and Fantasy Writer’s Chat in August. This is because of sheer exhaustion from four years, fading enthusiasm from me and regulars, and also needing time to read for both fun and work that I can’t find anywhere else. Interviewing people, even twice a week, and reading one of their books to do so, is a tremendous time commitment. I have had to put in 20 hours a week to it since starting in 2010. I just can’t keep up with that and slush, and I can’t read novels by friends or colleagues for fun, blurbs or more. Add to that my work in Acquisitions and Development for Wordfire as a Junior Editor, and I just am falling further and further behind. I hate that, so something had to give.

Mission Tomorrow cover 2So the solution is that I will be doing an open submission period of two weeks, starting this Fall (September 1 through 15) where writers can send me their best work. The idea is to give me a chance to get to know your work–voice, style, etc. for consideration toward future projects with openings. I am not going to buy these stories. So send your best, whichever speculative genre you want. The sole exception is erotica. I don’t publish or buy it so it won’t be the best sample for me. I don’t promise quick turn around. It may, in fact, take me months to get through the submissions. But if you are professional quality in your writing, you will be considered for invites to future anthologies. You will be in the door. I will limit the word count, probably 6k words and under,  but those details shall be announced when the Fall comes. And I will limit to one piece per writer as well. I need to be able to see an end game here if I ever hope to do it again. Published work is fine. I will be flexible on format as well. I will make it easy for you, so please do the same for me.

Beyond Sun Cover.inddFurther details will be announced when the submission time gets closer. But since many busy anthologists just don’t have time and resources to do many open calls, consider this a great chance to get into projects that may interest you in the future. If you are put in my pool, I will notify you and invite you to appropriate future projects. You also have the right to ask about openings when I announce projects you want to be invited to. Yes, people do that anyway, but if I don’t know your work, I almost always say no. Just a practicality. In any case, get those submissions ready. Reading stuff I’ve edited for taste might be a great way to see what I like in the meantime. I look forward to discovering new colleagues to work with.

Thanks.


Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with co-editor Jennifer Brozek for Baen, Mission: Tomorrow, Galactic Games, Little Green Men–Attack! and Monster Hunter Tales (with Larry Correia) all forthcoming also for Baen, Joe Ledger: Unstoppable with Jonathan Maberry for St. Martin’s Griffin (forthcoming 2017), Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.

GlitchCon Schedule August 1st-3rd, 2014

GlitchCon

 

Well, another Con has arrived. From Friday through Sunday, I’ll be in Springdale, Arkansas at the Holiday Inn Conference Center for GlitchCon with the lovely Claire Ashgrove, my best bud and editing partner in Finish The Story, Jonathan Maberry and David Farland and several others. Here’s a full schedule of programming. See participants at the website at http://www.glitchcon.com/

FRIDAY, August 1

3:00 – 3:50 pm Creating Comics and Graphic Novels (Jonathan M. /

David F. / Kyle / *Tommy) (Steam Room)

5:00 OPENING CEREMONIES  (John Q. Hammons Hall)

6:00 – 6:50 pm Pulp Fiction (Jonathan M. / David F. / Tommy / Bryan

100_0440
Bryan and David Farland

S. / Phillip D.)(Steam Room)

6:00 – 8:00pm Story In A Bag, lead by Dyann Love Barr & Claire A. (Anime & Cosplay)

7:30 p.m.   — David F. / Jonathan M. / Claire / Bryan to dinner

 

SATURDAY, August 2

10:00 – 10:50 — Collaboration (Sue S. / Bill A. / Brad S. / Dyann)   (Steam Room)

12:00 – 12:50 — Series Writing (Saranna D. / David F. / Jonathan

M. / Bill A. / Claire A. / Dyann LB) (Anime & Cosplay)

1:00 – 1:50 — Writing 101 (David F. / Phillip D. / Sue S. / Dyan LB

/ Claire A. /  Saranna D. / Bryan S. (MOD)) (Steam Room)
2:00-2:50 – Old School Monsters (Jonathan M.)(Steam Room)
3:00 – 3:50  pm  Horror – Then and Now (Jonathan M. / David F.

/ Brad S./ Saranna D.)

4:00 – 4:50 — The Fantasy Allure (Jonathan M / David F. / Bryan S.

/ Brad S. / Claire A. / Saranna (MOD))(Steam Room)

7:00 – 7:50 — World Building (Sue S. / Bill A. / Dyann LB / Bryan

S. / Claire / Saranna, John W.) (Steam Room)

Bryan & Claire
Bryan & Claire

 

 

SUNDAY, August 3

10:00 – 10:50 – Story In A Bag Winners Announced

3:00-4:20 – CLOSING CEREMONIES (John Q. Hammons Hall)

ConQuest 45 A Success

100_0611Well, ConQuest 45 – Noir has come and gone, and I am calling it a great success. This is the one Con I try to make annually, because it’s local and put on by my local fan group, which is a great group of people. Glen Cook has been attending as a dealer for years, but this year we also honored him as Guest Of Honor, and that was a blast. I panelled with Glen several times including a Spec Noir panel with Mark W. Tiedemann (shown), a live GOH interview which neither of us wanted to end but did, and a military fantasy panel also featuring Kij Johnson and Robin Wayne Bailey.

On Friday night, Robin Wayne Bailey, Todd Hunter and I threw an impromptu launch party for Raygun Chronicles: Space Opera For A New Age, which released last December after funding on Kickstarter the previous March, and which features stories by Todd and Robin as well as many others, including Seanan McGuire, David Farland, Brenda Cooper, Sarah A. Hoyt, Allen M. Steele, and A.C. Crispin. The party was hopping for several hours and a Who’s Who of the Con stopped by, later voting us Best Party at the Closing Ceremonies. I also sold out of copies, for the first time ever, selling 19 and giving away 2. So I had to order more for the next Con. I call that a success./

Once again, the Basic Editing 101 For Writers panel that my editing partner Claire Ashgrove and I initiated last year was a hit with really strong attendance, including Artist GOH David Lee Pancake, who told me it was the best, clearest panel he’d seen on basic issues like passives, telling vs. showing, etc. I hadn’t encountered David yet, due to my busy schedule, so afterwards I headed down to the art show and wound up buying one of his beautiful works.

I also did a panel on Heroes and Heroines with Kij Johnson and others, a Writing For Young Audiences panel with Chris McKitterick and K.D. McEntire, and several others. Only my Abraham Lincoln Dinosaur Hunter reading drew interest as my first reading was Friday night during check in time, so I got an extra hour of rest pre-Con.

100_0615An Editor’s Are Not The Enemy panel with Selina Rosen, Deanna Sjojander and Rich Horton was lively, and brought up interesting issues about publishing traditional vs. self-publishing vs. small press which I hope were helpful.

The Con Suite, which I made extensive use of this year, unlike last year, was also well stocked and managed and I relied on it for most of my meals outside a Friday dinner with Dennis and Diane Barr and Saturday dinner with Rich and MaryAnne Horton.

Altogether, a delightful time and well worth attending, even though I arrived tired and not sure I was not sure I was ready. I quickly slipped into a different frame of mind and really enjoyed myself. Thanks to the Con Comm, and the party group especially for helping make this such a delightful experience.

After the Con, I came home and announced an upcoming Kickstarter anthology I’ve really been looking forward to. And I know it’s going to be a real special and fun project to complete. A fitting way to close the Con, with inspiration.

 


Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press,Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books (forthcoming).  He is currently working on Gaslamp Terrors and Mission Tomorrow: A New Century Of Exploration.  He hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter,

 

Conquest 45 Noir Schedule and Details Updated

Conquest 45 logoWell, for the third year in a row I am a panelist and moderator at CONQUEST 45, the local Kansas City Con on Friday May 23rd through Sunday May 25th. Well attended, with, as usual, a great lineup of guests and panelists, CONQUEST is the largest local Science Fiction, Fantasy and Horror convention. And it’s always a blast, but also always hectic for locals like me, especially those of us who are members of the local fan club KacSFFS.

This year’s Guests of Honor are Glen Cook (Author GOH), David Lee Pancake (Artist GOH), Bridget Landry (Science GOH), Ray and Barbara Van Tillburg (Fan GOH), and also Caroline Spector (Toastmistress).  Also attending (besides myself) are local professionals like Robin Wayne Bailey, Kij Johnson, Rich Horton , K.D. McEntire, Mark W. Tiedemann, Rob Chilson, Selina Rosen, Claire Ashgrove, Bradley Denton, H.G. Stratmann and Chris McKitterick. A full list can be found here.

Returning to downtown this year, CONQUEST 45 takes place at the Downtown Marriott, just off the famed Power and Light District, pretty much the center of Kansas City’s nightlife.

Room assignments are not final, but here’s the panels, panel descriptions and list of panelists in which I’ll be participating. As you’ll see, it’ll be a really hectic weekend for me. I also hope to have books on sale at Glen Cook’s dealer table, and we are working on a possible Raygun Chronicles party. When details on room assignments and the party are final, I’ll do another post, closer to the Con.

Here’s the schedule as it stands now:

Friday – May 23, 2014

Reading (Big Joe Turner A)
Friday 1400

Author/Editor Bryan Thomas Schmidt reads from his forthcoming epic fantasy series The Dawning Age.


SpecNoir (Count Basie Ballroom A)

Friday 1700

Speculative fiction and noir mix particularly well in many subgenres and forms. What is noir and what are some examples of who’s writing what and good reads out there?

Moderator: Bryan Thomas Schmidt
Panelists: Glen Cook, Mark W. Tiedemann

Raygun Chronicles Launch Party
Friday 2130 (Room 619)

Authors Todd Hunter and Robin Wayne Bailey join me to celebrate our pulp-style space opera anthology, Raygun Chronicles: Space Opera For A New Age. Party with snacks, drinks and giveaways.

 

Saturday – May 24th, 2014

Military Fantasy (Lester Young A)
Saturday 1000

What is it? Who’s writing it? How does it differ from high fantasy? What are some examples?

Moderator: Bryan Thomas Schmidt
Panelists: Glen Cook, Kij Johnson, Robin Wayne Bailey


What makes a hero/heroine? (Jay McShann A)

Saturday 1200

A discussion of what defines heroism today and what qualities we want to see in our heroes and heroines that make them heroic. And how are definitions evolving in the modern age.

Moderator: Bryan Thomas Schmidt
Panelists: Dennis Young, Gera Dean, Kij Johnson


Writing for younger audiences (Jay McShann B)

Saturday 1300

Writing for adults and writing for YA, MG and Children differ. Authors and Editors discuss the differences, the approaches, and fine examples.

Moderator: Bryan Thomas Schmidt
Panelists: Chris McKitterick, Deanna Sjolander, K. D. McEntire

 

KID’S READING: Bryan Thomas Schmidt (Big Joe Turner A)
Saturday 1500

Children’s author Bryan Thomas Schmidt reads from his chapter book series ABRAHAM LINCOLN DINOSAUR HUNTER, a humorous, action adventure, alternate history for all ages.

Self-Editing 101 For Writers With Finish The Story (Mary Lou Williams A/B)
Saturday 1600

Editorial team Bryan Thomas Schmidt and Claire Ashgrove discuss tips for basic editing of manuscripts, how to get perspective, common issues, and more.

Moderators/Panelists: Bryan Thomas Schmidt, Claire Ashgrove

Sunday – May 25th, 2014

GOH Interview: Glen Cook (Count Basie Ballroom A)
Sunday 1000

Come here me do a live SFFWRTCHT-style interview with the amazing Glen Cook. And you can ask questions, too!

Moderator: Bryan Thomas Schmidt
Panelist: Glen Cook


Editors are not  the  Enemy (Mary Lou Williams A/B)

Sunday 1100

What editors do, why it matters to writers, and why writers should consider them an asset not an enemy. An exploration of author-editor relationships.

Moderator: Bryan Thomas Schmidt
Panelists: Claire Ashgrove, Deanna Sjolander, Rich Horton, Selina Rosen


Self-Publishing — Taking the Leap! (Mary Lou Williams A/B)

Sunday 1300

Considering self-publishing your novel?  It isn’t as easy as publishing a book and reaping the royalties, nor is it for every author.  Discover pros and cons of the Indie market, tips to launching a successful book, and whether you’re prepared for the business demands.

Moderator: Claire Ashgrove
Panelists: Karin Gastreich, Bryan Thomas Schmidt, Brett Williams

 

Hope to see some of you there. Be sure to come by and say hello!


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut science fiction novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels The Returning and The Exodus (forthcoming). His children’s books include 102 More Hilarious Dinosaur Jokes For Kids and Abraham Lincoln: Dinosaur Hunter–Land Of Legends. Schmidt has edited edited anthologies Space Battles: Full Throttle Space Tales #6Beyond The SunRaygun Chronicles: Space Opera For a New Age and, with Jennifer Brozek, coedited military high fantasy original anthology, Shattered Shields. Several more anthologies are under contract and forthcoming. Schmidt hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

Mission: Tomorrow Coming To Baen in 2015 — My Latest SF Anthology Sale

Well, it’s been a really busy month, and so I have not managed to blog as intended. But it’s for good reasons. I’ve been booking SFFWRTCHT’s final six months, as it’s regular weekly Twitter incarnation will be ending this Fall. I have been working on lots of editing and packaging anthologies, and I sold two anthologies–one I can’t yet announce details on, and the other of which I will detail here. I already announced on Facebook but here’s the details for those who missed it.

My fourth science fiction anthology will be my second anthology for Baen, my first as solo editor there.  Inspired again by my grandmother’s and my shared passion for NASA’s space program, this one caught the interest of some amazing talents. I have fourteen headliners attached here, and thirty other people vying for the remaining six to eight slots. There will be two reprints, both by Grandmasters, and the rest will be original to this project.

Toni Weisskopf bought it within a few days of receiving my pitch. Ironically, I had so many proposals on her desk, I had been pitching it elsewhere for six months before finally trying her. Perhaps from now on I should just go to Baen first. Contractually, given the options, I rather have to. In any case, it’s been a great experience working with Baen so far, and I look forward to a long and healthy relationship there.

So here’s the scoop:

MISSION : TOMORROW – A NEW CENTURY OF EXPLORATION

Edited by Bryan Thomas Schmidt

Mission: Tomorrow is a pro-paying anthology of 95,000 words in which Science Fiction writers imagine the future of space exploration in a world no longer dominated by NASA. What might it look like? Private or public? Stories of space exploration, travel and adventure. Coming from Baen Books in 2015.

Headliners: Catherine Asaro, Robin Wayne Bailey, Gregory Benford, Ben Bova, Michael Capobianco, Brenda Cooper, David Farland, Michael F. Flynn, James Gunn, Sarah A. Hoyt, Jack McDevitt, Mike Resnick, Robert Silverberg, Jack Skillingstead

Yep, so a mix of hard and soft science fiction for this one, adventure and real science blended to make for some interesting near future tales of space exploration. Silverberg’s reprint is a story about the exploration of Venus, and Gunn’s is about exploring a wormhole. Ben Bova has written a new Sam Gunn story that features a Chinese female astronaut as the protagonist encountering Sam Gunn. Beyond that, I am waiting to see what comes in, but with the people involved, I’m quite excited about it.

You can find it on Goodreads here: https://www.goodreads.com/book/show/21023216-mission

Meanwhile, I sold a Young Adult anthology, a mix of science fiction, fantasy and horror, all reprints except for three new stories, but filled with huge names, to a foreign publisher, my second non-US sale, after Raygun Chronicles. I’ll release details once contracts are signed, as it’s all verbal now, but expect to see it and Mission: Tomorrow both released in 2015.


Bryan Thomas Schmidt is an author whose debut novel received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction of 2011. He’s written novels, children’s books and short fiction and edited several anthologies, including two for Baen, Shattered Shields, coedited by Jennifer Brozek (November 2014) and Mission: Tomorrow( forthcoming Fall 2015).

For Immediate Release – SFFWRTCHT on Twitter Will End in 2014

Sffwrtcht-flat

Update: SFFWRTCHT has always been a celebration of community: what unites us, not divides us. Although I can’t keep up with the weekly grind any more, given other obligations, we will continue with twice monthly chats beginning in early 2015 after a brief hiatus. More details to come. 

160 shows, 165 guests, hundreds of thousands of hits–when I started SFFWRTCHT (Science Fiction and Fantasy Writer’s Chat), I did it for two reasons: 1) I wanted to network and learn from so many awesome writers and editors who were using twitter, and 2) I wanted to contribute to my new SFF community and family in a positive way. I never expected how successful it would become, not how time consuming it would be. But I don’t regret a minute.

However, after a lot of soul searching, I have decided the time has come to end the weekly live twitter chat that is SFFWRTCHT. Much of this is selfish, I admit. I spend 25 hours a week, including reading time, question and guest prep, booking guests and more per episode. And as I get busier professionally, that is coming to feel more like a chore than the delight it once was. It’s hard to find time to read for fun or to research for my own projects. I am locked to home or at least a place with good Wifi every Wednesday night. And trying to keep it fresh requires me to search for guests who are new, not just repeats, so that I am not asking the same stuff of the same people over and over.  In the beginning, with my being out of work with plenty of free time, this was easy. And the industry embraced it which made booking guests easy. But as I’ve burned through the most active Twitter users, and become an almost full time editing professional, it’s more and more work to find time for SFFWRTCHT, a volunteer effort, which, while rewarding in its own way, requires a serious time commitment to do right.

When our original host site for the cleaned up interviews shut down for similar reasons to my own expressed here, SFSignal welcomed us. But I also find myself competing with their interviews with the same people, and that makes my interviews less useful and relevant, and less helpful as promotional tools for our guests. I don’t think repeating what someone else is doing is a compelling use of my time or our guests.I’ve toyed with recruiting help. But even my regulars, who are delightful and whom I adore, have their own lives and no one has jumped up to volunteer. I toyed with cutting back some, but then how would people know when to look for us or where?

So, in the end, it seems best to back off the weekly grind of live interviews and instead convert to regular email interviews. Whether this will be weekly or monthly, I don’t know. Where they will appear, I don’t know. But I have several month’s worth of past transcripts I can start with cleaning up and posting, and as I plan to continue to December in present format, I’ll have even more by then to give me time to sort all of this out.

In the meantime, I express my thanks for the kind support and regards of the Science Fiction, Fantasy and Horror writing and publishing industry and fandom. It’s a pleasure being a part of the family and I appreciate the opportunity to contribute positively to community building. I hope to do so in the future in new ways. I know many books have been purchased and many writers encouraged and even taught through SFFWRTCHT. I’m humbled an honored by that.

In the meantime, you can still find transcripts, links, reviews, etc. on our website, which I will be maintaining here. I look very much forward to what the future brings.

Kind regards,

Bryan


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with coeditor Jennifer Brozek for Baen, Mission Tomorrow: A New Century of Exploration, also for Baen, Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.

Website/Blog: www.bryanthomasschmidt.net
Twitter: @BryanThomasS
Facebook: https://www.facebook.com/bryanthomass?ref=hl
Goodreads: https://www.goodreads.com/author/show/3874125.Bryan_Thomas_Schmidt

My Agenda: OryCon 35 Nov. 8-10, 2013

OryCon 35 Launch party CoversWell, I’m off to Portland Thursday. My first time in Oregon. And I’m looking forward to it. While I was disappointed to not be included in ORYCON programming for the first time ever at a Con in three years, I do have two key events I’ll be a part of.

BOOK LAUNCH – Brenda Cooper/John A. Pitts/Bryan Thomas Schmidt

Saturday, November 9th @ 8:00 pm SUITE 1569, Portland Doubletree Presidential Suite

Brenda Cooper, John A. Pitts and I combine forces with publisher Patrick Swenson for a 3 book launch, THE party of Saturday night at OryCon. Beer, wine and snacks will be served. We will launch Brenda’s “The Diamond Deep,” book two of her terrific “Ruby’s Song” Scifi trilogy from PYR Books, John’s collection “Bravado’s House of Blues” from Fairwood (who published Beyond The Sun) and “Raygun Chronicles” my third anthology as editor, contemporary space opera in retro pulp style.

Join us if you dare!

THEN, on Sunday:

SCIFI AUTHORFEST 7 – Portland, OR

Sunday, November 10th @ 4:30pm Powell’s Books at Cedar Hills Crossing
3415 SW Cedar Hills Blvd. (800) 878-7323

A starfleet of science-fiction and fantasy authors descends for one galactic booksigning event. Attending authors include:
Camille Alexa
Claude Lalumiere
Alma Alexander
Patricia Briggs
Brenda Cooper
Diana Pharoah Francis
Jay Lake
David Levine
Louise Marley
Andy Mangels
Devon Monk
Mike Moscoe/Shepherd
Phyllis Irene Radford
Kristine Kathryn Rusch
Dean Wesley Smith
Ken Scholes
Brent Weeks
Daniel H. Wilson
Anne Bishop
J.A. Pitts
Kay Kenyon
Rhiannon Held
Eldon Thompson
Adrian Phoenix
Nina Kiriki Hoffman
Lilith Saintcrow
Ian Doescher
Steve Perry
Bryan Thomas Schmidt
Jason Hough
and the Cloud City Garrison of the 501st Imperial Legion

So  come on out and join us!

New Blurbs and Reviews For My Newest Anthology Babies — Raygun Chronicles & Beyond The Sun

RC Arc Front coverWe have four blurbs in for my soon to be released pulp space opera anthology so far:

“RAYGUN CHRONICLES breathes supercharged life into the space opera genre with exciting and inventive new tales by a superb line-up of writers. This is why science fiction will live forever!”—Jonathan Maberry, New York Times bestselling author of PATIENT ZERO.

“RAYGUN CHRONICLES is an impressive anthology with an impressive list of contributors, a real showcase of the color and scope of what science fiction can be.”—Kevin J. Anderson, New York Times bestselling author of the Saga of Seven Suns

“Wonder, adventure, romance, humor–space opera delivers all of these, and this anthology brings together some of the finest talent in the business. Strange new worlds await. So lower your shields, engage your thrusters, and prepare to jump to warp speed!” — Dave Wolverton, New York Times Bestselling author of Star Wars: The Courtship of Prince Leia

“These stories bring the reader back to the days when we dreamt of blasters and flying cars. Golden age space opera fun with a strong Western feel.” — Alex Shvartsman, Editor Unidentified Funny Objects and Official Ken Liu Hugo bearer

Now I just have been mailing out review copies for Raygun Chronicles. It takes a while, but those efforts for Beyond The Sun have landed us two major reviews and a major podcast appearance this month. The two major reviews are out this week in LOCUS’ October 2013 issue which is THE industry zine and thus a huge boost for us. These are also my first Locus reviews EVER. The first comes from Gardner Dozois, year’s best editor, award winning anthologist and writer:

There’s nothing really exceptional in Beyond the Sun, a mixed original/reprint anthology edited by Bryan Thomas Schmidt, but it is a fun read, with some solid core SF work, although a similar concept was explored better last year by Jonathan Strahan’s Edge of Infinity. The theme appeals to me, as stories of exploration and adventure in space beyond the bounds of Earth remain one of the foundation stones of SF, but don’t expect to find hard science and rigorously worked-out physics here, as this isn’t that kind of book. Instead, it belongs to the old Pulp Adventure school, where spaceships flit between planets in days and sometimes even hours, and there are lots of exotic alien races to interact with and/or battle with. The best of the original stories here is probably Nancy Kress’s ‘‘Migration’’, a compelling look at the power instinct can hold over even the most rational minds, but also good are Brad R. Torgersen’s ‘‘The Bricks of Eta Cassiopeiae’’, Jaleta Clegg’s ‘‘One-Way Ticket to Paradise’’, and Nancy Fulda’s ‘‘A Soaring Pillar Of Brightness’’. There is also solid work by Kristine Kathryn Rusch, Cat Rambo, Mike Resnick, and others, as well as good reprint stories by Robert Silverberg and Jason Sanford.

Also from October Locus, Karen Burnham reviews BEYOND THE SUN for Diverse Hands:

Beyond The Sun revised coverKAREN BURNHAM Beyond the Sun, Bryan Thomas Schmidt, ed. (Fairwood Press 978-1-933846-38-5, $17.99, 296pp, tp), August 2013. Cover by Mitchell Davidson Bentley. [Order from Fairwood Press, <www.fairwoodpress.com>.] 

There are many reasons people may want to settle out beyond our solar system: religious freedom, economic opportunity, exploration, contacting other life, or simply the desire to be left alone. A little bit of all of these can be found in Bryan Thomas Schmidt’s broadly themed anthology Beyond The Sun. There are aliens, religious fanatics, soldiers, and plenty of people just trying to get by in this diverse volume. 

One story about going to the stars in search of a simpler life is ‘‘Respite’’ by Autumn Rachel Dryden. In it a more-or-less Puritan couple are trying to reach the main settlement by wagon while the wife is in labor and the local fauna is about to launch into a feeding frenzy. Ann’s internal perspectives on events gives us a wonderfully dry take on a very tense story, and the troubles between her and her husband are deftly sketched. What I found particularly interesting is that the story ends up admiring a particular view of father- hood that is directly critiqued in the anthology’s strong opening story, ‘‘Flipping the Switch’’ by Jamie Todd Rubin. Rubin uses a trope similar to Joe Haldeman’s classic The Forever War to describe a father who is providing for his family but is fundamentally detached from them. The story effectively portrays the increasing tension the man feels as he drifts farther and farther away from his loved ones. 

Returning to religious themes, Jean Johnson’s ‘‘Parker’s Paradise’’ depicts a colony that’s been vastly oversold by its religious leader; the acerbic perspective of a soldier tasked to protect the first contact group makes me want to go read some of her military SF, because this was hilarious. Jason Sanford’s ‘‘Rumspringa’’ gives us the space Amish, with a team of post-humans looking to manipulate an Amish colony through one of their own that went out into the world and came back. ‘‘The Far Side of the Wilderness’’ by Alex Shvartsman depicts a man driven by religious faith to hijack a ship and try to find Earth; his single-minded pursuit leaves him dissatisfied with a most amazing journey. Maurice Broaddus’s ‘‘Voice of the Martyrs’’ gives us an interesting blend of military, religion, and colonization – no easy answers in this one. 

There’s one final story that features a religious colony: ‘‘The Dybbyk of Mazel Tov IV’’ by Robert Silverberg. Unlike most of the stories, which are original to the anthology (there are two other reprints, both from the 2000’s), this is a reprint from 1973. This is the second anthology I’ve read this year that has done this: taking a solid selection of contemporary stories and adding in a cherry-picked story from many decades past. Inevitably, the reprint by an old master (it was a Le Guin story the last time, I recall) blows the others away. Robert Silverberg’s story seems fresher, livelier, and more three dimensional than so many of the stories here – not that any of them are bad, but simply that they don’t get over a bar set that high. Some of them do; I would put Rubin’s story in that category along with Cat Rambo’s ‘‘Elsewhere, Within, Elsewhen’’ (a lovely tale of alien contact that literalizes the metaphor of being trapped in a shell of bitterness and resentment). But it really seems unfair to most of the authors involved. I understand the incredible temptation when you’re offered a Silverberg or Le Guin reprint that perfectly suits your theme, but in a mostly-original anthology I wish the editors would stop and reconsider. 

That said, there are plenty of solid and enjoyable stories here. Various forms of libertarianism feature in Nancy Kress’ ‘‘Migration’’ and Brad Torgersen’s ‘‘The Bricks of Eta Cassiopeiae’’. Massive miscommunications with and about aliens feature in Simon C. Larter’s ‘‘Inner Sphere Blues’’ and Jennifer Brozek’s ‘‘Dust Angels’’. Jumping to conclusions is ill-advised in Nancy Fulda’s ‘‘A Soaring Pillar of Brightness’’. Luckily, aliens can be just as quick to misjudge a situation when Mike Resnick depicts them examining our television broadcasts in the concluding story ‘‘Observation Post’’. 

Overall, this is a collection of solid stories in the somewhat neglected outer space exploration genre of science fiction. Post-humans are rare and garden variety humans occupy center stage, which feels a bit unusual these days. I worry that it seems that aliens in this volume are so difficult to communicate with: it often takes personal sacrifice to do so, or something improbably hand-waving to do with biology and telepathy. Compared to Silverberg’s 1973 story, in which communication with aliens is not terribly more fraught than communication with a rival human religious sect, this anthology seems a little discouraging about the real potential for relating to and communicating meaningfully with the Other. 

Nonetheless, these are enjoyable tales with serious themes, worth the time spent reading them.

Lastly, several authors, the cover artist and publisher gathered with me in San Antonio at World Con for Hugo-nominated SFSignal’s podcast as well, and you can find that here: http://www.sfsignal.com/archives/2013/09/the-sf-signal-podcast-episode-204-2013-live-worldcon-panel-with-the-authors-editor-and-publisher-of-beyond-the-sun/ So lots of new stuff to enjoy.


View More: http://emilymeganphotography.pass.us/bryanBryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012), Beyond The Sun (Fairwood, July 2013), and Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and is working on Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

Announcing My Schedule For Archon 2013 in St. Louis, October 4-6

100_3440This weekend, I will be attending ARCHON 37 in St. Louis, my first time there. I had to cancel last year due to unforseen circumstances and despite living in St. Louis from 2000-2009, this will be my first time attending. (I know, for shame, for shame.) Once you get over booing me, there are some very cool guests coming including:

Writer GOH: David Weber
Aritst GOH: Donato Giancola
Toastmistress: Lee Martindale

And such SFF luminaries as: Glen Cook, Angie Fox, Laura Resnick, Dr. Charles Gannon, Michael Z. Williamson, Rich Horton, Sharon Shinn, Mark Tiedemann and my favorite artist collaborator Mitch Bentley and friends Sherry Dean, Allison Stein and Guy Anthony DeMarco, amongst many others. Full list here.

ARCHON 37 is taking place at Collinsville Convention Center, just over the river in Illinois from downtown Saint Louis at Gateway Center Drive – Collinsville, IL – 62234 with a few events, as noted on the schedule here, at nearby hotels.

I’m doing a number of panels, and I hope local folks will come say hi, as my schedule is lighter than usual and I’ll be hanging out a lot. Glen Cook will also have my books on sale in the dealer room, so I’ll likely be hanging with him a l0t.

My agenda:

Friday, October 4, 2013

5:00 PM GATEWAY CENTER Illini Author Readings A trio of Authors give a short reading and allow for comments and questions. (In order) Lee Martindale, Mark Tiedemann, Bryan ThomasSchmiDoubleTree Hotel
8:30 PM GATEWAY CENTER West Hallway Autographs Please restrict your requests to three items at a time. Thank you. Laura LeHew, Van Plexico, Bryan Thomas SchmiDoubleTree Hotel

Saturday, October 5, 2013

11:10 AM

GC

Marquette A

Writers Workshop

Closed to Public. Open only for those who sent in manuscripts. Mark Tiedemann, R.J. Carter, Kristin Bailey, Bryan Thomas Schmidt

3:50 PM

GC

Mississippian

The Future of Space Opera

Are today’s stories enough to make a series? How has space opera changed over the decades? What might it’s future look like? Bryan Thomas Schmidt (m), David Weber, Charles Gannon, Rich Horton

5:00 PM

GC

Mississippian

Editors are not the Everything (Enemy)

The collaboration between editors and writers. Bryan Thomas Schmidt (m), Charles Gannon, Rich Horton

Sunday, October 6, 2013

I’ll hang around the dealer room and common areas for part of the day and take off mid-afternoon to be with family.

Well, that’s where you can find me. If you plan to be there and want an extra way to reach me, message me for my cell number. I promise not to lose it this time (fingers and toes crossed).

Look forward to seeing everyone. I will have sneak peek copies of Raygun Chronicles: Space Opera For a New Age available if you want a peek.


Beyond The Sun revised coverBryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012), Beyond The Sun (Fairwood, July 2013), and Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and is working on Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

 

 

Statement on Quitting Blue Shift Magazine

blueshift_minicover2013I’ve been delaying this for a month but the time has come to clear my slate.

In August, I resigned as editor of Blue Shift after several frustrating circumsatances.  First, while I and several contributors were paid, in some cases more than we were due, others were not. Ad payments only came after I asked twice about them. I was reassured five times that people were paid. I even provided a detailed pay sheet with who got paid for what and how they wanted to be paid as well as their addresses for contributor’s copies.

When the magazine published in August, I anxiously awaited copies. None came. So I went online and paid for one. That money went to waste. Repeated inquiries brought excuses and then no responses.

I have not had a response from White Cat owner Rick Ferrell Moore in weeks.

Now, Rick was good to me, and his goals are admirable. He even gave me a free laptop, shipped at his expense from Detroit to Kansas, when my laptop died.

But Rick also tried to launch way too many zines at one time, despite several advisors warning against it. And he is a freelance consultant in a very busy industry. Every time his regular business had a crisis, he disappeared. When his managing editor had a life threatening illness, instead of hiring someone else, he decided to do it himself, but it wasn’t getting done. And despite the fact that I like him as a person, I felt forced to draw the line. Because I am a professional. I’ve worked hard to get good writers involved, even big names, and my reputation is at stake when people don’t get what’s due to them.

I enjoyed editing a magazine. So much so that I am planning to launch my own zine soon, details to be revealed at the appropriate time. I enjoyed discovering new writers and working with them. But it must be done professionally and run well, or I can’t be a part of it. And so I regretfully tendered my resignation. I have not heard from Rick since other than one email to say he’d be in touch to wrap up lose ends. I’m still waiting.

I hereby release officially all stories for issue 2 to contributors with apologies for those who wrote specific items for this. I’m sure the stories can find other homes, and I will do my best to find homes for the others. But in the meantime, I felt I had no choice but to part ways and move on to better endeavors, and I hope everyone will understand.

Integrity has always been important to me, and I continue to strive daily to practice it. That includes a philosophy of treating people the way I want to be treated. I got into editing with a desire to help others, in the process not only creating new opportunities for me but for 0thers and getting the chance to work with writers and artists I admire. I plan to continue doing so. My fourth anthology, Shattered Shields, coedited with Jennifer Brozek, will be turned in to Baen soon. And I have more projects in the works with Mike Resnick & Pierce Watters, Cat Rambo, Tim Marquitz, Maurice Broaddus, and Jennifer Brozek. As well as on my own. But for now, my relationship with White Cat Publications is over.

I do hope they can get things together and wish them well. And I thank them for the opportunity to try editing a magazine. I hope to edit more.


View More: http://emilymeganphotography.pass.us/bryanBryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012), Beyond The Sun (Fairwood, July 2013), and Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and is working on Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

My World Con Schedule 2013

LoneStar 3 Con Schedule – Bryan Thomas Schmidt

Thursday, August 29

Arrival: 1:30 p.m. on Southwest then scramble to get to hotel, check in, unpack, drop books at dealer room and make:

Thu 17:00 – 18:00 Autographing: Taylor Anderson, Paul Herman, Bryan T. Schmidt, Sharon Shinn (Autographing) (Participant), (Convention Center)

Friday, August 30

10 a.m. – Breakfast with Toni Weisskopf/Baen (private) 

Fri 12:00 – Fri 13:00 Panel: My Favorite Dinosaur (Science, Panel), 007B (Convention Center)

Panelists:

  • Elizabeth Bear
  • G. David Nordley
  • Spring Schoenhuth
  • Takayuki Tatsumi
  • Bryan T. Schmidt (M)

1:30-3:00 p.m. – Lunch With Lezli Robyn (private)

Afternoon free

Fri 18:00 – Fri 19:00 Panel: Do SF Stories have Fewer Happy Endings Now? (, Panel), 007A (160) (Convention Center)

Panelists:

  • Grant Carrington
  • David Nickle
  • Jessica Reisman
  • Bryan T. Schmidt (M)
  • Martha Wells

Dinner with J. Kathleen Cheney, Chris Kastensmidt and whomever is around

Saturday, August 31

 Morning Free

Signing (off-site at Viva), Sat. 12:30-2:30

Panelists:

  • Django Wexler
  • Maurice Broaddus
  • Bryan Thomas Schmidt
  • J.M. McDermott

 

Intricate Worlds (, Panel), Sat 15:00 – Sat 16:00, 007A (160) (Convention Center)

Panelists:

  • Gail Carriger
  • Amanda Downum
  • Robin Hobb
  • Bryan T. Schmidt (M)

Evening Free

Sunday, September 1

 7:30 a.m. – Breakfast with Robert Silverberg (private)

Sun 10:00 – Sun 12:00 Writers Workshop O (Writers workshop), Conference 4 (Rivercenter)

Panelists:

  • Linda King
  • Bryan T. Schmidt

2:30-3:30 – Podcast Recording: SF Signal

Beyond The Sun panelists:

  • Bryan Thomas Schmidt
  • Patrick Swenson
  • Jean Johnson
  • Jamie Todd Rubin
  • Cat Rambo
  • Alex Shvartsman
  • Maurice Broaddus

Hugo Prep/Pre-Reception/Hugo Ceremony

I leave at 9 a.m. Monday morning on Southwest. So hope to see some of you during some of these times. My books will be on sale in the Dealer’s Room at Book Universe. They’ll be signed but find me to personalize. Bar Con is a good bet when none of the above.

Rumors, Scandals and Other People’s Drama, oh my!

I went through a lot of drama in my former marriage due to my wife’s mental illness. I didn’t realize until recent events how much that changed me. For one, I have a very low tolerance for other people’s unnecessary drama these days. There are things worth drama and things that are blown out of proportion. I see this a lot these days. Rumors, scandals and drama abound. People assume, get angry, start hurling insults, and it just escalates into real nastiness from there.  In the midst of such overwrought drama, real issues, real problems that deserve the attention get lost. People lose interest because they hate conflict and drama. Change doesn’t occur.

There are a few things I have learned that I wish a few others would learn about these kinds of situations. Here they are:

1) Freedom of Speech does not just apply to those you like and agree with.  People these days are quick to demand that those they find offensive shut up. So much for freedom of speech. Apparently it only applies to those who say the right things. Unfortunately, a little document called the United States Constitution would take issue with that.

2) People have a right to an opinion of their own. Even if it’s not the same as yours. That’s a founding principle for democracy, folks. And it should be treasured and respected.

3) When someone is offended by something because of their assumptions and background, not specific words, they are not due an apology. Happens a lot these days. Someone writes something and people interpret it as offensive. They demand an apology. Others line up to support them. But what the author owes them is: nothing. Common courtesy would suggest a clarification might be prudent even polite. And if the words themselves were clear and inherently offensive, then an apology would be appropriate. But if the complainers takes meaning not inherent in the words, they are choosing to be offended by interpreting the words a certain way. It’s not them to whom an apology is due. They owe one to the author. Especially if a clarification was offered and they refuse to accept it.

4) Sensitivity and Respect go both ways.  If you want people to be sensitive to your feelings, etc. or those of others around you, you cannot be dismissive of theirs. Impugning anyone with whom you disagree is no more appropriate or acceptable than anything you might accuse them of saying. If the response is just as or more offensive than what provoked it, you are also just as wrong. Bullying in the name of anti-bullying is still bullying, folks. Bigotry in the  name of anti-bigotry is still bigotry, too.

5) Your views can be just as offensive as those of your opponents. Especially for those watching you shove them arrogantly down everyone’s throats. In fact, I know many people who agree in principle with the loud voices who wouldn’t stand up and be counted because they don’t want to “act like that.” The harshness of the behavior does more harm than good to the cause. You won’t convince anyone to change by chasing them off with rudeness and insults.  If you are so aggressive that people shut up and walk away, you have lost, not won. You have defeated your cause. You have not been heard.

6) Just because a group someone belongs to was guilty in the past or has currently guilty members does not make all members of said group responsible. This is a big one. “You are a priveleged white male, so you are guilty of racism, sexism, etc. by being a white male.” This is just one common example. Sorry, but no dice. I am not responsible for the sins of my ancestors. I am responsible for my own sins and actions. If you can’t separate the two, the problem lies with you. This article on Kafkatrapping and Logical Fallacies addresses how ridiculous these claims really are. And I think we should judge people as individuals not classes, groups, etc. Isn’t that what eliminating discrimination is all about?

If more people remembered these things, I think the internet and society would be more pleasant. Certainly Science Fiction and Fantasy as a community could benefit, but I believe that’s just a reflection of broader culture. I need to remember these things.  I hope my readers will as well. Most of all, I hope some will learn to do them. Productive and effective communication doesn’t occur well in the irrational environment of inflamed emotions. But it can occur in productive, reasoned dialogue. As I said before, I’ll say it again, stopping the insult hurling and talking is the better path.

For what it’s worth…


Beyond The Sun revised coverBryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012) and Beyond The Sun (Fairwood, July 2013) and is currently editing Raygun Chronicles: Space Opera For a New Age (Every Day Publishing, November 2013) and Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also edits Blue Shift Magazine and hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website at www.bryanthomasschmidt.net or Facebook.

Guest Post: Genre Mashups by Michael J. Martinez

Daedalus Incident coverI love a good genre mashup. Elves in the 1940s? Awesome. Cybernetic werewolves? Bring it. Steampunk dragons? You bet. Horatio Hornblower in space?

…actually, I wrote that, more or less. Crashed a frigate into Mars and everything. Anyway.

Take your favorite sci-fi and fantasy subgenres, critters and tropes, write them on 3×5 cards and shuffle the deck. Chances are, when you draw two, you’ll end up with a whiz-bang clash of genre goodness. Unfortunately, turning that pairing into a setting, let alone a piece of fiction, isn’t quite so easy.

When you combine different genres, you have as much potential for an unholy mess as you do for greatness. It may sound good (“Dude…cybernetic werewolves!”) but I would suggest that it’s harder in some ways to create a mashup than to stick to one particular genre and make it your own.

Readers, I’ve found, are exceptionally and, at times, annoyingly perceptive. When something doesn’t make sense, their antennae twitch. Some can’t keep suspending their disbelief and have to put down the book. Others will keep reading, but look for more errors along the way, and may even take issue with stuff you’ve meant to put there. Two (or more) disparate genre elements can create a lot of potential for twitchy antennae.

Thus, genre mashups may start with an “ah-ha” moment and an aura of geeky awesomeness, but getting them to stand on their own requires discipline and diligence. This is where traditional world-building techniques come into play, but with special attention to the mashup elements. So you have cybernetic werewolves…OK, awesome. What happens to the hardware when they change? Do they have the mental capacity to use advance tech in their wolf-man state? Who, exactly, had the insane notion of rigging up a werewolf (a ’ware-wolf?) in the first place?

When I created the settings for The Daedalus Incident, I asked a ton of questions like those, often with answers leading to multiple additional questions. And as I wrote, I was careful to note other problems and disconnects as they arose, so they could be dealt with all together, at the same time, so that there’s a continuity of setting.

Now, I would say perhaps only 50% of that fully fleshed-out setting is in the book…but I’ve plenty of fodder for the next ones.

And of course, setting is only part of it. One of the mistakes I see in some genre mashups is that it’s enough to have a very cool mashup setting…sometimes at the expense of plot and character. Of course, any good book needs to have strong characters and a well-developed, well-executed plot. The mashup can’t serve as a crutch to prop up the other two.

Likewise, the plot and characters need to interact with the setting organically. You can certainly overlay a noir detective plot over an urban fantasy setting, but that’s not entirely original, now is it? How do the particulars of your mean-street faeries and vampires feed into that noir plot?

The point is, you have to stand strong against the geeky aura and do the hard work. People will expect a lot from a genre mashup – either because they love the idea, or because they think it’s a gimmick and it’s up to you to prove them wrong. The intensity and depth of your world-building after your ah-ha moment – and your plot and characters – will determine whether or not it turns into something great.


MJ MartinezMichael J. Martinez is the author of The Daedalus Incident, coming this summer from Night Shade Books, and is serializing his novella, The Gravity of the Affair, on his blog at michaeljmartinez.net

 

Revised Table Of Contents and Cover For Beyond The Sun

Beyond The Sun revised cover

10 Introduction • Bryan Thomas Schmidt
13 Migration • Nancy Kress
30 The Hanging Judge • Kristine Kathryn Rusch
45 Flipping the Switch • Jamie Todd Rubin
61 The Bricks of Eta Cassiopeiae • Brad R. Torgersen
77 The Far Side of the Wilderness • Alex Shvartsman
85 Respite • Autumn Rachel Dryden
97 Parker’s Paradise • Jean Johnson
111 Rumspringa • Jason Sanford
132 Elsewhere, Within, Elsewhen • Cat Rambo
146 Inner Sphere Blues • Simon C. Larter
161 Dust Angels • Jennifer Brozek
169 Voice of the Martyrs • Maurice Broaddus
185 One Way Ticket • Jaleta Clegg
200 The Gambrels of the Sky • Erin Hoffman
206 Chasing Satellites • Anthony R. Cardno
219 A Soaring Pillar of Brightness • Nancy Fulda
236 The Dybbyk of Mazel Tov IV • Robert Silverberg
253 Observation Post • Mike Resnick

**

BEYOND THE SUN, edited by Bryan Thomas Schmidt
Orig. Price: $17.99
Sale Price: $14.99
Availability: in stock
Prod. Code: FP13-2

 

AVAILABLE FOR PREORDER

This title will be published in August 2013

Colonists take to the stars to discover new planets, new sentient beings, and build new lives for themselves and their families. Some travel years to find their destination, while others travel a year or less. Some discover a planet that just might be paradise, while others find nothing but unwelcoming aliens and terrain. It’s not just a struggle for territory but a struggle for understanding as cultures clash, disasters occur, danger lurks and lives are at risk. Eighteen stories of space colonists by both leading and up and coming science fiction writers of today. Mike Resnick spins a tale of aliens who find Earth future diverse and surprising as they plan an invasion. Grandmaster Robert Silverberg examines what happens when Jews tired of fighting for their homeland start over on a planet then must deal with a dybbuk (spirit) and aliens who wish to convert to Judaism. Autumn Rachel Dryden has colonists threatened by alien animals which burst out of shells on the ground like piranhas ready to feed on flesh. Jason Sanford has Amish colonists on New Amsterdam finding their settlement and way of life threatened by a comet and the English settlers who want to evacuate them. And a new story from Hugo and Nebula-winner Nancy Kress.


“Jack Williamson used to say that spaceflight was to science fiction what the Trojan war was to the Greeks. In recent years, myth is being replaced by the pragmatic, and this insightful anthology demonstrates that truth.”

—James Gunn, SFWA Grandmaster

Beyond the Sun mixes courage, redemption, and stark terror in tales of distant worlds. Buckle in.”

—Jack McDevitt, author of Firebird

“Thomas Wolfe said, ‘You can’t go home again,’ but in this thoughtful, exciting collection of stories about mankind’s push to the stars, we see that we take the attributes with us that make us human. A wonderful collection of space-faring stories that reminds us that all we can depend on when we explore the universe is the unexpected.”

—James Van Pelt, author of Summer of the Apocalypse

“This is science fiction doing what only science fiction can do—pushing us out past the warm envelope of our biosphere,exploring our ultimate destiny as a species. A truly phenomenal collection.”

—Ted Kosmatka, author of The Prophet of Bones


BTS author photo 2Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012) and is working on Beyond The Sun (Fairwood, July 2013), Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also edits Blue Shift Magazine and hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

A Mistake I Don’t Regret

Don't be a hater logoTwo days ago, I posted a post I’m proud of. I worked hard on it. Since then, it has led to anger and vitriol being aimed at me. The intention was to promote civility and temperance in important discussions on issues in the SFF community. Not to silence anyone but to encourage dialogue presented in a way that it can be heard by those who need to hear it. The result was a lot of support but also some people who just want another target for bashing. It’s unfortunate. I remain a nice guy. I won’t behave that way, even if they do. But I did temporarily take the post to private for a few days until things die down, because, frankly, I’m just exhausted from the emotional drain of dealing with the vitriol.

Was it a mistake to post such a call? I don’t think so. Some friends don’t think so. I certainly don’t regret it.

But I do regret that the SFF community is unready to hear such a call. I think it’s to the detriment of that community. It’s most unfortunate. I wish it were more surprising.

Oh well. I tried. My conscience is clear. If people want to misconstrue, mischaracterize and assume the worst, they are going to do it no matter what I say or do. I choose a different path. Hate breeds hate as they say. But I choose love.  That hasn’t changed. I hope these attackers find the healing and help they need. Because clearly there’s a lot of brokenness out there. And stop attacking someone who actually support equality in so many ways, including equality in stories I buy and more. Giving back to someone else what was done to you is not a victory. It’s a diminishment of self.

B

In the meantime, posts on related topics which might be of interest:
On Sexual Harrassment: http://bryanthomasschmidt.net/2013/06/03/lets-talk-about-hitting-on-girls-boys-i-e-dont-sexually-harrass/

Cat Rambo’s great post on arguing on the internet, which is similar in take to mine: http://www.kittywumpus.net/blog/2013/06/17/arguing-on-the-internet-the-dwarves-are-for-the-dwarves/

On reaching beyond female stereotypes: http://bryanthomasschmidt.net/2012/05/24/the-importance-of-reaching-beyond-female-stereotypes/

On being true to yourself in world-building: http://bryanthomasschmidt.net/2013/06/03/write-tip-worldbuilding-follow-the-truth-not-someone-elses-agenda/

And finally, if you just need a laugh, our most popular post ever: http://bryanthomasschmidt.net/2012/06/11/guest-post-your-punctuation-personality-type-by-leah-petersen/

Enjoy!

My Schedule For ConQuest 44

ConQuest 44 logoWell, ConQuest 44, our local con, and the first SFF con I ever attended in 2010, is back this coming weekend and here is my tentative schedule:

Friday 1600-1700: Building a Fantasy World [MOD] (Monarch) Bryan Thomas Schmidt [MOD], Patrick Rothfuss, Patricia C. Wrede, M.C. (Mary) Chambers, K.D. McEntire

Saturday 1300-1325: Reading/Q&A/Autographs [MOD] (Regency) Bryan Thomas Schmidt/ Mark L Groves

Saturday 1400-1500: How to Introduce SciFi to Kids (Embassy) Tyrell Gephardt, Patrick Stutzman, Bryan Thomas Schmidt

Saturday 1600-1700: Relationship between Writers and Editors (Embassy) Jean Stuntz [MOD],Teresa Neilsen Hayden, Selina Rosen, Bryan Thomas Schmidt

Sunday 1100-1200: Collaborating with Cover Artists [MOD] (Monarch) Bryan Thomas Schmidt [MOD], John Picacio, Mitch Bentley, Claire Ashgrove

Sunday 1500-1600: Editing 101 for Writers [MOD] (Embassy) Bryan Thomas Schmidt [MOD], Claire Ashgrove

Glen Cook in the dealer room will have copies of all of my books, including my children’s books which will finally be out in paperbacks.

Sadly, due to my current financial crisis, I may not make all of this programming. I will certainly try to be there as much as I can but, at this point, Saturday is iffy because I have a long drive due to no money for hotel and I am going to have to just really be careful about going a long way when I have no credit cards or anything else to bail me out if my car broke down, etc. Let alone to buy meals. In any case, some great guests this year and a great Con. Patrick Rothfuss, John Picacio, Teresa Neilsen Hayden, Patricia C. Wrede and more will be there, see the link above. We’ll just have to see what happens.

 

Giveaway: Abraham Lincoln Dinosaur Hunter-Land of Legends (early reader scifi)

AbeLincolnDino_CoverV2My publisher, Delabarre, is giving away 20 copies of the ebo0k (epub or mobi, your choice) for my debut early reader book: Abraham Lincoln Dinosaur Hunter – Land of Legends.

“ABRAHAM LINCOLN: DINOSAUR HUNTER — LAND OF LEGENDS succeeds on almost every level –readability, alternate history, adventure, and excitement.” — Mike Resnick

“Prehistoric action and Abe Lincoln in one rollicking swoop!” — Tamora Pierce

Abraham Lincoln may or may not have fought vampires, but not many people know that when Abraham Lincoln was 10 years old, he fought something much worse – a Tyrannosaurus Rex.

One day young Abe Lincoln is marveling over meeting his hero, Davy Crockett. The next, Davy saves Abe’s life. But when they kindly agree to teenage inventor Nehemiah’s urging to test his newfangled time machine, they wind up sent back in time…to the age of dinosaurs.

When the machine gets broken, adventures ensue as Lincoln and Crockett fight dinosaurs and race to find the materials needed to fix the machine that can take them home. Abraham Lincoln – Dinosaur Hunter: Land of Legends is the first volume in a new action-packed middle-grade series. Science Fiction/Fantasy Adventure with great humor and good lessons about friendship, teamwork and more.

This is the first book of an ongoing series for which I have 7 more planned already. It hit stores in ebook and trade paperback in February 2013.

All you have to do to win is leave a comment as to why you’d like to win a copy, your name, preferred ebook format, and email address. We’ll do the rest. I’m closing the entries March 30th. Winners will be chosen at random and contacted via email.

Easy, right?

Here’s an excerpt to whet your appetities!

 

PROLOGUE
On The Run…

 

Davy Crockett’s eyes widened. He motioned for us to hurry as he cocked the rifle and took aim at the treetops. “Run!” He fired three shots in a row as we took off then turned to race after us.

GRRRRRRRROOOWWWWLL!

I, Abe they call me, looked back as I ran up the hill. A giant cat with two huge, white fangs like swords, extending from its mouth bounded down from a large tree and picked up speed, chasing us.

We broke through the tree line atop the next hill and started down the slope.

GRRRRRRRROOOWWWWLL!

ROOOAAARRR!

The second sound was oddly familiar. I glanced around for the source and my breath caught in my throat.

The giant lizard was back and rushing toward us from the north, following the tree line.

“Scarface! Run!” Nehemiah Winkler, our teenage neighbor, called.

GRRRRRRRROOOWWWWLL!

ROOOAAARRR!

“I wanna go home!” Jacob Carter cried as I grabbed his hand and pulled him along. I had no doubt the rest of us shared that sentiment right then.

Davy stopped atop the hill and fired back at the cat again, then turned to fire at the lizard. None of his shots had any effect. The predators kept after us at top speed. “Get amongst the trees where at least the lizard can’t get to us!” Davy instructed as he started after us again.

I bounced down the slope toward the next tree line like a rabbit in a race and burst through the trees into the shadowy cluster. The cat would have no trouble following, but the closeness of the trees might impede the lizard. If it didn’t just smash them down, that is.

“We’re doomed!” Jacob said.

I nodded, reluctantly agreeing. “There’s nowhere to hide.”

Wait! I’m getting ahead of myself. Let me start at the beginning. We’ll get to old Scarface the T-Rex soon enough. This is the story of how I, Abraham Lincoln, became a dinosaur hunter with Davy Crockett.

 


Beyond Sun Cover.inddBryan Thomas Schmidt is the editor of Blue Shift Magazine and an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exoduswill appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends from Delabarre Publishing.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press (July 2013), headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, and Raygun Chronicles: Space Opera For a New Age for Every Day Publishing (November 2013). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

7 YA Series Adults Will Enjoy With Their Kids

As host of SFFWRTCHT, I am exposed to authors from all different publishers, genres and styles, and recently have been getting a chance to see more and more Young Adult books. As a non-regular reader of YA, I was hesitant. Will I relate to this? Is this for me? Is it going to be a bunch of teen angst and drama? Instead, so far, I have found very interesting, well developed real people as characters with interesting plots and stories to go with. Since I often get exposed to books before they take off, here are 7 YA reads I recommend to readers of all ages. In fact, adults, enjoy them with your kids if you dare!

Darwen Arkwright 1 - Hartley1) Darwen Arkwright by A.J. Hartley — Admittedly marketed as Middle Grade, this series has enough to it to appeal far beyond. It has a set up and characters which remind me of Harry Potter, but it’s very unique. The British protagonist enrolls in a new school in the U.S. and finds a door to a fantasy dimension that winds up involving him in plots and schemes by monsters and magic to take over the world.  Entertaining, with great worldbuilding, this would be a worthy follow up for Potter fans.

 

Flash Point _ Kress2) Flash Point by Nancy Kress — A standalone by a top writer, this compelling story has a teen cast in a near future reality TV show where producers create events to get a reaction by surprising their cast, but things get far more dangerous and complicated than anyone expected, and you’ll find the journey as compelling and fascinating as I did.

 

 

Jumpers by Gould3) Jumper by Steven Gould — Admittedly, these are hits, but I just recently read Impulse, the third, after missing the middle book, and it was amazing. You can read them as standalones or as a series, but they tell the story of David Rice and his wife and daughter, hunted for their gift of Jumping through time and space to locations they can remember in various ways, this series is compelling and interesting with real situations and characters interwoven with fantastic elements. Forget the movie, Jumper. Whether you liked it or not, this is the original canon and well worth the read.

Fair Coin - Myers4) Coin Series by EC Myers — PYR sent me Fair Coin to interview the author and it was a real page turner. The story of a boy who finds he has a coin with the power to time travel, it unfolds like a mystery-thriller and keeps you guessing to the end. The three central characters are well drawn and appear in varied versions as the protagonist travels. The story of the coin and their lives turns out far more complicated and surprising than expected.

 

Lightbringer5) Lightbringer Series by K.D. McEntire — I’ve read all three of these, and, full disclosure, the author is a friend. But this is just interesting urban fantasy about a young girl who discovers, after her mother’s death, that she can send spirits to eternal rest or destroy them, depending on circumstances, and finds herself hunted and chased by them as a result, turning her world upside down. Interesting world building, great characters. Darker, but still hopeful and well worth the read.

Starters - Price6) Starters and Enders by Lissa Price — Lissa sent me a copy when she was booked on a World Con panel I was moderating and this one knocked my socks off. I had no idea what to expect but it was one of my favorite reads of 2012. The sequel, Enders, is in the works and I guarantee it’ll be among your favorite reads too! The story of a time when youth is undervalued, with society run by older, Enders, who survived an epidemic, a young girl finds herself renting her body as a vacation body for older people, only to discover the company she works for is part of a larger, evil plot and her life is on the line. Lightning pacing, great characters, a real page turner.

Lady Of Devices - Adina7) Magnificent Devices by Shelley Adina — This is a fun, yet short, series of YA Steampunk adventures set in Victorian England about a girl coming of age and striving to defy mores and make her own way in life after her father’s suicide and family bankruptcy. The setup may sound depressing, but the character is so delightful you’ll quickly move on and enjoy the action, adventure, well drawn characters and great use of London settings.

Those are some great reads you might want to discover with kids, for what it’s worth… Meanwhile, I’d love to hear about your favorites in comments.

My latest project
My latest project

AbeLincolnDino_CoverV2

 

 

Bryan Thomas Schmidt is the editor of Blue Shift Magazine and an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends from Delabarre Publishing.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press (July 2013), headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, and Raygun Chronicles: Space Opera For a New Age for Every Day Publishing (November 2013). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

2013 Projects

AbeLincolnDino_CoverV2I thought perhaps some of you might be interested in what I’m working on. Especially since my blogging has dropped a bit in regularity, in part, due to being so busy. I enjoy blogging but at a certain point, between writer’s block for blog ideas, and just sheer busyness, it becomes work, so I have been reluctant to push myself to produce posts if they aren’t going to have some substance. Who wants to hear about what I had for lunch or darning my socks?

Anyway, here are the projects I’m working on for this year.

Books:

Abraham Lincoln Dinosaur Hunter: Land Of Legends — copyedits turned in Feb. 1 for February release (Delabarre), this is a children’s adventure series for early readers.

Duneman, Book 1, The Dawning Age — out to agents. This is my first of three fantasy novels in an epic trilogy. I hope to sell it to publishers in the near future for 2014 release.

The Exodus, Saga Of Davi Rhii Book 3 — This is 75% written, first draft. I stalled on it and polished Duneman so I could get something on the market. The Worker Prince, Book 1, has earned back its advance but The Returning, Book 2, is really not moving quickly with sales. I am wanting to seek a mass market paperback deal perhaps before I even try and release Book 3, so this is on hold while I seek representation, although I may finish drafting The Exodus in the next few months.

Belsuk The Half-Orc — This sword & sorcery novel is half done first draft. Will get back on with it later this year.

Falcone Files — This time travel scifi noir is also half done first draft. Hope to pick it back up as well.

Amelie’s New Home — My poodle is credited as co-author. It’s the story of a poodle who is abandoned and wanders, then finds a new home. Early reader book. Meant for young kids as a story of belonging and hope. Need to revise and get this on the market.

I’ll be working on Believer, Dawning Age Book 2, as well as another Abraham Lincoln Dinosaur Hunter and a Kansas Joke Book. Beyond that, we’ll see what develops.

Raygun Chronicles cover v2 with words 3Anthologies:

Beyond The Sun — I have to finish editing one story then assemble the manuscript, format it, and add interstitial stuff like story intros, bios, etc. then I will send this to Fairwood Press in mid-March for preparation to release ARCS in April and May. Great author list and stories. Very excited about this one.

Raygun Chronicles: Space Opera For A New Age — This one is in Kickstarter. If that doesn’t fund, it will go away, which I hope doesn’t happen because we have some great stories and authors lined up for this as well. Right now focus is on funding. Editing for this will begin in mid-March if it funds. [Closed to submissions.]

Shattered Shields — We just sent back the contract to Baen Books with some requested clarifications and changes. Once Toni responds, we’ll get the contract settled. Stories are due mid-August for this one, and we have some amazing names lined up. Co-editor Jennifer Brozek and I are quite excited. This will be my first book with major distribution and for a major publisher. Expect a fuller announcement later this month. [Closed to submissions.]

Choices — This is the latest, and my first YA anthology. Intended to be mostly reprints, I will be packaging and seeking a publisher. So far I have interest from Cory Doctorow, Robert Silverberg and Mike Resnick. Looking for quite a few more but awaiting responses. Except updates soon. [Closed to submissions.]

World Encounters — This one was my first anthology idea and is still my passion. Mike Resnick helped me assemble a heck of a writer’s list but so far, we have not gotten a publisher. I will be trying again later this year, in association with John Helfers who has signed on to co-edit. It is first encounter stories from cultural perspectives other than Western World. [Closed to submissions.]

Space And Shadows — An anthology of spec noir, Co-editor John Helfers and I will be assembling a writer’s list and looking to find a publisher soon for this one. [Closed to submissions.]

Writing With The Masters — My first non-fiction/fiction mix, Co-editor Rich Horton and I will be looking for a publisher. The goal is to combined essays, interviews, and stories old and new from all the Damon Knight Grandmasters still alive.

Invasion — Another new concept of invasion stories which I am beginning to develop. [Closed to submissions.]

Beyond that, there are a few less developed ideas in the works, including an SFFWRTCHT Benefit anthology. I’ll update as things develop. I also have two issues of Blue Shift to finish and get published and no doubt more will come along.

Those are what I have in the works. What are you working on?


BTS Author PhotoBryan Thomas Schmidt is the editor of Blue Shift Magazine and an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exoduswill appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends from Delabarre Publishing.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press (July 2013), headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, and Raygun Chronicles: Space Opera For a New Age for Every Day Publishing (November 2013). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

 

Beyond The Sun Table Of Contents Is Official!

Fairwood Press bannerToday, I officially announced the Table Of Contents for Beyond The Sun, my space colonist anthology and first Kickstarter venture, at SFSignal:
http://www.sfsignal.com/archives/2013/01/toc-beyond-the-sun-edited-by-bryan-thomas-schmidt/

We wound up with typical attrition of 20-40% of writers not coming through with stories. Luckily I had some name writers who asked to contribute but weren’t on my original list so we wound up with a stellar TOC.

You can click the link to see the full thing but in addition to our headliners: Silverberg, Kress, Resnick and Rusch, we also had names like Sanford, Fulda, Broaddus, Rambo, Torgersen, Brozek, Rubin and Johnson. Very exciting!

Thanks all for your support!

Meanwhile, please consider my latest project:

Smashing Planet Tales - Raygun Chronicles
http://www.kickstarter.com/projects/601968027/raygun-chronicles-space-opera-science-fiction-anth

 

Ray Gun Chronicles: Space Opera For a New Age Kickstarter Launched

Raygun Chronicles cover v2 with words 3It’s a big week for me. Amidst making final choices of stories for my first Kickstarter Anthology: Beyond The Sun, and awaiting my first book contract from a major, I am launching, with Every Day Publishing, a Kickstarter for Raygun Chronicles: Space Opera For a New Age. This anthology, headlined by Mike Resnick, A.C. Crispin, Dean Wesley Smith, Kristine Kathryn Rusch, Seanan McGuire, Allen Steele, Robin Wayne Bailey, Sarah A. Hoyt and Brenda Cooper, features contemporary space opera with a classic feel. 13 reprints, 10 new stories, great artwork from Paul Pedersen, an Artists Of The Future Winner, this will also be my first hardback release when it’s published in November–launched at OryCon–provided we fund.

As you can see from the artwork, and the very cool video, this story is about the dreams we all have of rayguns, heroes and heroines, space ships and more. And these stories will take you into that warm, fuzzy dreamscape again and again. All of the stories are fun and provide a nice variety. And I haven’t even seen what our awesome headliners have come up with yet. But with three Star Trek writers, a Star Wars writer, award winners, and fans of space opera, I sure can’t wait to read it. You can sponsor us and preorder everything from signed copies, ebooks, hardbacks, and tradepaperbacks, to t-shirts and a trip to OryCon for the launch. So be sure and check out the Kickstarter! Thanks for helping make dreams possible. All writers will be paid pro-rates. And I receive pro compensation as editor of my third anthology project, one of three for 2013.

Meanwhile check out the Kickstarter and the awesome video here, and thanks for your support!


BTS Author PhotoBryan Thomas Schmidt is the editor of Blue Shift Magazine and an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exoduswill appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends from Delabarre Publishing.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press (July 2013), headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, and Raygun Chronicles: Space Opera For a New Age for Every Day Publishing (November 2013). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

 

 

Stories In, Kickstarters Out, and More News

Well, I’m getting a slow start on blogging in 2013. In fact, I was so busy the last half of the year, it was hard to stick to even my steady schedule of two posts per week (Mondays and Thursdays). But 2012 ended with the sale of another children’s book and 3 anthologies to publishers, including 2 which involve Kickstarters, and the marketing of several more anthologies and a fantasy trilogy. I’m still working on prepping the fantasy trilogy for agent queries, in fact. Just a few more polishes. Add to that steady editing and blogging work for a number of clients, and I was pretty exhausted.

AbeLincolnDino_CoverV2But at this point, some of that is moving to the next stage, which is a good thing. Abraham Lincoln Dinosaur Hunter: Land of Legends, the first early reader chapter book in a new adventure series is due out this month (delayed due to cover art issues), and stories for Beyond The Sun, the colonist SF anthology I funded on Kickstarter, are rolling in (with the January 15th deadline fast upon us). So far I have great stories from headliners Robert Silverberg, Mike Resnick and Nancy Kress, along with stories from Jamie Todd Rubin, Jennifer Brozek, Autumn Rachel Dryden, Jason Sanford and Maurice Broaddus. In the queue awaiting decisions are stories by Cat Rambo, 2012 Philip K. Dick Award nominee Jean Johnson, Dana Bell and Anthony Cardno. It looks like I’ll have a harder time choosing whose stories to reject than finding good ones to fill the remaining 9-10 slots here. It’s a nice problem to have, as they say, but I hate rejecting writers, especially friends. Comes with the territory though.

The Kickstarter for Raygun Chronicles: Space Opera For a New Age is supposed to launch next week, and we are working on the Kickstarter page now.  That will run for 6 weeks with hopes we can start finalizing story contracts and get the headliners working on some great new tales. Plans include an OryCon 35 launch this November, and it will be my first hardback release. Some great writers involved (see the link under the title).

Additionally, Jennifer Brozek and I are awaiting a contract on a military fantasy anthology which sold to one of the big pro publishers. We can’t announce until the contract is final, but for me, it’s my first pro-qualifying book sale, and we have some amazing authors involved. Can’t wait to get that going. It will be turned in by December and released in 2014.

I also am getting gamma comments in on Duneman, my epic fantasy, book 1 of The Dawning Age trilogy, and I am going to do some clean up and polishing and query agents later this month. One of my writing heroes, AC Crispin is kindly helping me polish my query, so that’s also a thrill and quite good fortune. I’m hoping to enter the next phase of my writing career quite soon.

Triumph Over Tragedy cover

I have a story out tomorrow (1/08/13) in Triumph Over Tragedy, which is raising funds for Red Cross efforts to aid victims of Hurricane Sandy. An ebook only release, it will be available for only a limited time but has stories by Robert Silverberg, Timothy Zahn, Marion Zimmer Bradley, Elizabeth Bear, Michael J. Sullivan, yours truly and 20+ others. Some great stuff in there. I was one of four editors helping put the project together. My story is titled “Duncan Derring & The Call Of The Lady Luck” and is a tongue-in-cheek science fiction story about a demolitions expert who must help a starliner escape space tumbleweeds. Originally written for Wandering Weeds, which came out in November, it’s an updated, more polished version. My first resold story.

The Exodus, Book 3 in The Saga Of Davi Rhii, is 3/4ths done first draft but I’ll have to get back on that as soon as Duneman is finished. I may not send it out to a publisher if I can get a mass market deal explored via agents. That all has to wait on that process. I had already decided, for various reasons, not to go with Diminished Media Group for this one. I have interested from another small press, but since The Returning is not selling very quickly, it may just have to wait a while so I can focus on that.

Speaking of The Returning, I will be doing a review blog tour for that soon. I really need more reviews on Amazon to boost sales. Book 1, The Worker Prince, is getting regular sales via Amazon now because of it’s 24 reviews, and so I need to catch up The Returning and get that moving as well. The more people who discover and like The Worker Prince, the more likely it will be to sell, of course, so I’ll be continuing to promote that as well.

Last, but not least, I am marking a future Olympics themed anthology called Galactic Games, which the publishers I approach all seem to like but which no one has bought yet. It’s headlined by Dean Wesley Smith, Kristine Kathryn Rusch, Mike Resnick, Esther Friesner and Robert Reed. I’m hoping to push it out for release during or just after the 2014 Winter Olympics, but for that to happen, I suppose I’ll need to find it a home first.

In any case, lots going on here. I’ll do my best to get the first Write Tip going for 2013 on Thursday. And be sure and check Finish The Story, my editing site, where we have new 2013 rates and some specials going on, including a nice coupon or two on our Facebook page for $100 off. Three published authors and editors at your service with a good track record and developing client list. It’s what we do to support ourselves while writing, so we’d love to help you if we can.

Thanks for checking in.

Bryan

The Next Big Thing

The Next Big Thing Authors logoThe idea behind The Next Big Thing meme is pretty simple: another author tags you, you answer ten standard questions, and then you tag five other authors, propagating the meme through the interwebs like some sort of virus. So R.T. Kaelin tagged me in his post, and well, here I go spreading the infection:

1) What is the working title of your next book? 

Duneman.

It’s book 1 of The Dawning Age, my first epic fantasy trilogy.

2) Where did the idea come from for the book? 

In part, it was inspired by two of my favorite fantasy reads: Lord Valentine’s Castle by Robert Silverberg and Lamentation by Ken Scholes as well as Walter Miller’s classic A Canticle For Leibowitz. The first chapter started as what I thought was a short story but clearly revealed itself to be much longer when it was finished.

3) What genre does your book fall under? 

Fantasy for sure.

Epic Fantasy more specifically, although some will label it steampunk or even science fantasy because I employ airships, guns and electricity in the setting, which is a world transition from an age of faith and magic to that of technology and science and all that entails.

4) What actors would you choose to play the part of your characters in a movie rendition? 

I’m gonna skip this. For one, I never think that way. I almost hope Hollywood never adapts my books. I went to film school and spent years working in movies and television. Hollywood loves to screw up other people’s stuff. If I got as popular as JK Rowling and could get creative control, I might change my mind but otherwise, I’m not interested, sorry. I will say that the role of Smithy is very much inspired by John Rhys Davies’ performances as Gimli in Lord Of The Rings, Sallah in Indiana Jones, and Rodrigues in Shogun.

5) What is the one-sentence synopsis of your book? 

In  a world transitioning from an age of faith and magic to one of science and technology, an amnesiac man launches a quest to recover his kidnapped wife and son and rediscover his past.

6) Will your book be self-published or represented by an agency? 

As soon as the gamma reader notes come back and my synopsis is finished, I am querying some top agents, thanks to intros from writer friends who are their clients.

7) How long did it take you to write the first draft of the manuscript? 

Nine months. January through September 2010.

8) What other books would you compare this story to within your genre? 

I’m not a big fan of self-comparison. It comes across as either pompous or self-serving. But I did aim to be family friendly and fun in the vein of Michael J. Sullivan’s Riyria books. I mentioned the influence of Scholes and Silverberg. I think fans of David B. Coe’s Lon Tobyn and Brent Weeks’ Lightbringer would enjoy it as well.

9) Who or what inspired you to write this book? 

I love epic fantasy. And after spending so much time on my space opera trilogy, The Saga Of Davi Rhii, it seemed natural for me to try my hand at fantasy and expand my writing palate, so to speak. Plus, the amnesia thing, which Silverberg did so well in Lord Valentine’s Castle, is a great device, and I wanted to see if I could take it further than he did and stall the reveal of past and identity in many ways that would be compelling while still keeping readers guessing.

10) What else about the book might pique the reader’s interest? 

A traditional fantasy setting with airships and steamships, guns and more mixed with swords, horses, and the classics. Trolls, dwarves (little humans not the Tolkien kind) and women who fight alongside the men. A story of a man discovering himself along with us, with lots of intrigue, mystery and twists and turns. Some surprises, too. And a story about loyalty, honor, family, and friendship. All of these and more.

AbeLincolnDino_CoverV2My next book release is coming this month from Delabarre: Abraham Lincoln Dinosaur Hunter: Land Of Legends, a early readers’ adventure about young Abe traveling back in time with Davy Crockett and learning to survive amidst dinosaurs. Full of humor, action, dinosaurs, bears, sabretooth tigers, and more,  it was as fun to write as I hope it is to read. Abraham Lincoln is a timeless character and I find adults get as excited about this one as kids. You can read an excerpt at the link from the title.

Every person below has proven to be both a good writer and very nice. I am glad I have gotten the opportunity to know them all. They may have done this before. I had a hard time finding people who haven’t, but if they haven’t and want to here they are:

Guy Anthony DeMarco
Claire Ashgrove
Robin Wayne Bailey
David B. Coe
Linda Poitevin

 

Bryan Thomas Schmidt is the editor of Blue Shift Magazine and an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exoduswill appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends from Delabarre Publishing.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press (July 2013), headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, and Raygun Chronicles: Space Opera For a New Age for Every Day Publishing (November 2013). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

The 100 Books I Read This Year

Goodreads has a Challenge where you can set reading goals each year.  Last year I discovered it half way through so I only set a goal of 40 books, which I more than reached. This year, I decided to set a goal of 100. I finished today, with my first Honorverse and David Weber book, a real page turner. I read these for various reasons: 52 for chat guest interviews, some for other interviews, some for market research, a few for writing craft, a few for fun and pure interest. In any case, I did some great and varied reading this year. Here are the covers for all the books I read in Goodreads’ Reading Challenge for 2012:

On Basilisk Station (Honor Harrington, #1)CitizensLance of Earth and Sky (The Chaos Knight, #2)Blowback (Retrieval Artist, #9)Seven Wonders
God's War (Bel Dame Apocrypha, #1)The Creative Fire (Ruby's Song #1)The Halls Of Stormweather (Forgotten Realms: Sembia, #1)Flying in the Heart of the Lafayette EscadrilleIndustry Talk
Flash PointBeggars in SpainBroken Blade (Fallen Blade, #1)Starbridge (Starbridge, Book 1)The Tears of the Singers (Star Trek, #19)
InkThe Monster HuntersTheft of Swords (The Riyria Revelations, #1-2)Han Solo at Star's End: From the Adventures of Luke SkywalkerExploits: The Chronicles of Lucifer Jones Volume II
The Hutt Gambit (Star Wars: The Han Solo Trilogy, #2)The Paradise Snare (Star Wars: The Han Solo Trilogy, #1)The Whitefire Crossing (Shattered Sigil, #1)Crosscurrent (Star Wars)Little Giant--Big Trouble (Dragon Slayers' Academy, #19)
March Of The Ankylosaurus (Dinosaur Cove)The Magic School Bus to the Rescue: Forest FireCharge Of The Triceratops (Dinosaur Cove)Frog and Toad Are Friends (Frog and Toad, #1)Attack Of The Tyrannosaurus (Dinosaur Cove)
Ecko RisingImmortal Hope (The Curse of the Templars, #1)Adventures (The Chronicles of Lucifer Jones, #1)Dragon Slayers' Academy the New Kid at School/Revenge of the Dragon Lady: 1 & 2 (Dragon Slayers' Academy 1 and 2)Hail! Hail! Camp Dragononka (Dragon Slayers' Academy, #17)
Kitty Steals the Show (Kitty Norville, #10)Lightbringer (Lightbringer, #1)Starters (Starters and Enders, #1)The Cat (Sons of Destiny, #5)How to Write Magical Words: A Writer's Companion
Born of BloodDarwen Arkwright and the Peregrine PactThe Mask of AtreusA Soldier's Duty (Theirs Not to Reason Why, #1)The Winds of Khalakovo (Lays of Anuskaya, #1)
Blood on the MinkThe Hammer and the BladeLibriomancer (Magic Ex Libris, #1)Thieftaker (Thieftaker Chronicles, #1)Darth Vader and Son
The Sword-Edged Blonde (Eddie LaCrosse, #1)Reaper (Lightbringer, #2)Sword of Fire and Sea (The Chaos Knight, #1)Fighting GravityOrion and King Arthur (Orion, #6)
Wide OpenLeviathan Wakes (Expanse, #1)The Warded Man (Demon Cycle, #1)Judgment at Proteus (Quadrail, #5)The Skybound Sea (Aeons' Gate, #3)
Skinwalker (Jane Yellowrock, #1)The Caves of SteelTriggersShadow's Son (Shadow Saga, #1)Living Dead in Dallas (Sookie Stackhouse, #2)
The Science of Science Fiction WritingA Storm of Swords (A Song of Ice and Fire, #3)WWW: Wake (WWW, #1)Master of Devils (Pathfinder Tales)Prince of Wolves
The Domino Pattern (Quadrail, #4)Sins of the Son (Grigori Legacy, #2)Glamour in Glass (Glamourist Histories #2)Sins of the Angels (Grigori Legacy, #1)Carpathia
Old Tin SorrowsSeven PrincesDead Until Dark (Sookie Stackhouse, #1)The Dragonbone Chair (Memory, Sorrow, and Thorn, #1)Wars: The Battle of Phobos (Vol.1) - Preludes
The Guide to Writing Fantasy and Science Fiction: 6 Steps to Writing and Publishing Your Bestseller!Pathfinder Roleplaying Game Core Rulebook (Pathfinder RPG)Forgotten Realms Campaign Guide: A 4th Edition D&D SupplementPathfinder Chronicles: Campaign Setting (Pathfinder Chronicles)Machine
Subversion: Science Fiction & Fantasy Tales of Challenging the NormEmpire StateThe January Dancer (The January Dancer, #1)The Truce at Bakura (Star Wars)Making Waves
Control Point (Shadow Ops, #1)Count to a TrillionThrone of the Crescent Moon (The Crescent Moon Kingdoms, #1)CassafireFirst Meetings in Ender's Universe (Ender's Saga, #0.5)
A War of Gifts (Ender's Saga, #5)EarthboundShadows in Flight (Shadow, #5)Arctic RisingAnniversary Day (A Retrieval Artist Novel, #8)

Worker Prince frontBryan Thomas Schmidt is the editor of Blue Shift Magazine and an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exoduswill appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends from Delabarre Publishing.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press (July 2013), headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, and Raygun Chronicles: Space Opera For a New Age for Every Day Publishing (November 2013). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

Sprunk-Schmidt Star Wars Rewatch: Our Wishes For Future Star Wars

Star Wars happy holidaysBTS: Jon, this has been a fun discussion. It’s reminded me of so many reasons why I like Star Wars, and has me mire excited than ever at the prospect of more.  When Disney made their announcement a few weeks back, I was surprised and reticent, but done well, this could be an amazing opportunity for fans. What are some things you’d like to see in future films?

JS: I want any new films to both honor the older films (esp. the original trilogy) — WITHOUT copying them (i.e., stop reusing the same exact dialogue quips) — and reach for something new. One good thing that the prequel movies did was they introduced new depth to the Jedi-Sith conflict. I’d like to see Jedi (and Sith) presented in some new, interesting ways. I want the new directors/writers to reach for new types of characters. Stop using the “scoundrel, bounty hunter, princess, droid sidekick” archtypes. Those only worked in the originals because they were fresh takes on old standbys. Develop new characters and character types. I’d really love a series of films based on Tim Zahn’s Thrawn trilogy, but I don’t think we will.

BTS: It’s interesting to hear you mention good things the prequels did. It seems people are split on them. Old school trilogy fans tend to hate them for lacking the true spirit. Fans who had their first experience with them often call them superior for their special effects, etc. I thought the acting and character development and over reliance on CGI were their prime weaknesses. I liked the action and some of the new characters. I enjoyed the new settings and ships a lot as well. Were there other things you thought they did well? (We’ll get to the bad more after).

JS: I thought the fight scenes, especially the duel between Darth Maul and Obi-Wan/Qui-Gon, and then Yoda versus Palpatine and Obi-Wan versus Anakin in the third movie. Most of the space battles were also good. Ian McDiarmid’s performance as Palpatine was excellent, and I also enjoyed Liam Nielson and Ewan McGregor. Some of the CGI was beautiful. Other than those things, I wasn’t much of a fan.
BTS: McDiarmid, Neeson, McGregor, Portman and Jackson all didn’t need the hand holding that other actors did and did their best to rise above the weaknesses and, thus, stood out. I enjoyed the underwater sequence and the water planet concept. I really like the Council scenes on Coruscant and having the chance to see so many diverse creatures. The Jedi HQ and clone stuff interested me as well. Jake Lloyd and Hayden Christiansen were two big weaknesses. Sadly, I’ve seen Christiansen give decent performances elsewhere with director’s guidance. The films would have been much better with a director who guided the actors more. AND then there’s Jar Jar…
JS: I didn’t particularly like either incarnation of Anakin. Young Ani (ugh, that nickname… “Ani! Ani!”) was nice enough, but Lucas wasted the entire first movie by portraying Anakin as a young kid. I didn’t care one bit about his miraculous conception, his slave status, his pod race, or his crush on Amidala (and her eventual attraction to him is a little weird). And don’t get me started on his piloting of a starfighter at the climax–that was the height of absurdity. Then in the second movie we get Petulant Teenage Anikan. That was slightly better because at least his theatrics tied in somewhat with the plot, but it was still annoying as hell. I refuse to believe that Darth Vader came out of a whiny kid with a ponytail. Now, a brooding, quiet, loner kid? Yeah, that would make some sense. It kills me to say this, but the Harry Potter movies did it better, portraying young Voldemort as a dark, scary kid. That’s what the movies needed. Alas, Lucas has become addicted to candyland storytelling. I could almost stand Anakin in the third movie. The hair was a little 80s’ glam for me, but he finally came to posses a little of the Vader swagger, and his relationship with Obi-Wan started to take on a more realistic quality. As for Jar-Jar, I feel bad for the actor who played him, but it was one of the worst character choices in film history. At least Lucas started to realize his mistake and cut back on Jar-Jar’s screen time. What really makes me ill is that the prequel movies could have been good. The basic premise–the evolution of Vader–was powerful. Lucas just failed in the execution of major parts of those movies.
BTS: Agreed. They could have and should have been better. And I think we see him start to crack a bit with Return Of The Jedi, with Ewoks and other things that seem to have been part of the failure of those latter films. Empire, being directed by someone else, was still quite strong. And the first film, he’d done so many drafts and had so much input from studio, his now ex-wife, etc., that it was strong. It’s when we see those influences fade, when Lucas is so big he can do what he wants unchecked that his failures overcome his gifts sadly. I also afree that the Thrawn series would be amazing movies but given the role the original trilogy cast plays in those, and the age of those actors, I don’t see how it would be feasible without major changes. On top of that, they’d have to completely change the Star Wars timeline, unless they want to do the Tron3D aging trick they pulled with Jeff Bridges, and, even then, Hamill and Fisher would have to lose some serious weight to pass. But there are tons of storylines they can do, including something with their kids and other characters introduced later in the Expanded Universe, and I think they’d be wise to consider it. There’s a lot of mythology to build on that’s well established and well thought out and already existing and liked by fans. Why not use that stuff? I just hope they don’t pull a JJ Abrams-Star Trek scenario.
JS: Wow, you are reading my mind. I agree SOOOOOOOOOOOOO much with what you just said. Part of me wants the future movies to break away from the Skywalker and Solo families, but I understand that they could be a useful tether to the past films if handled properly. For instance, if Han and Leia’s kids kept muttering Han’s dialogue lines from the original movies (“I can arrange that! He could use a good kiss!”), I will leave the theater. Generational films/series require a deft touch that, frankly, Lucas did not possess. The new films need to be more than just enhanced-CGI versions of the previous movies. Entirely new themes and story arcs. New approaches to the Force–no midichlorians, ffs.
BTS: GEORGE, “some people are stronger in the Force” was an acceptable explanation for decades. We didn’t need you to dig deeper. *shakes head* Mid-chlorioans, my ass…. Sorry, I digress. But hey, the actors are older. I have no desire to see Leia in a bikini at middle age, and watching Han and Luke cough and grab their jiggling bellies mid-fight as two middle aged men running around would do, also has little appeal. On the other hand, give me Luke as Master of a Jedi Academy, and I’d be all over that. Han as negotiator and Leia and stateswoman also are perfect. They can still play key leadership roles without having to be the center of the action now. There’s an opportunity to recapture their personalities and the fun of their characters and use that bolster the introduction of new characters. If Star Wars as a franchise is going to have a future, they have to do that well, I think.JS: I think (hope) that’s what Disney has in mind, to allow those actors to come back in cameo roles, although they could definitely be more substantial roles if couched properly, as you said. They could also make movies about other events. The galaxy is a huge place with millions (if not billions) of inhabited worlds. What was everyone else doing while Luke and his friends battled the second Death Star? A series of films could carve out another sector of space where the war was being fought by different people, and how they react when the emperor is defeated. A galaxy of warlords–some imperial, others Alliance, and a bunch out for themselves–battling for control of the old empire is rich with possibilities.

BTS: Absolutely. I’d love to see other planets and races. This is a chance, for example, to make Lando no longer the only non-white in that era. Obviously, they had one in Amadala’s service as well as Mace in the prequels, but surely there are whole planets of humans with varied racial profiles, not to mention aliens, etc. And they could also explore some of the aliens we’ve already met more in depth such as Chewbacca, etc. I can imagine humorous scenarios with Han training pilots and getting annoyed with a cocky student and a little competition developing, etc. I also think they need to come up with a solid villain again. Vader is gone. And so is Palpatine. Maybe competing factions, maybe they can find new stories involving Thrawn somehow.
JS: I love those suggestions. I hope that someone at Disney is thinking the same way. This franchise has limitless potential. And the choice of villain, as in most action-adventure films, is key. They need a solid idea, and talented actors to pull it off. We could use a Heath Ledger’s Joker to up the ante.
BTS: A high caliber performance, yes. The darkness of the Batman films would spoil Star Wars, in my opinion. They have always had a hopeful lightness even at their darkness moments, unlike the Nolan films, and I think that’s part of the charm and should be preserved. I also think there’s an opportunity to introduce conflicting elements. With the Emperor and his lead henchman dead, why wouldn’t competing forces arise to threaten the Empire’s power? The Hutts, perhaps, or the Corporate Sector Authority as set forward in the Daley Han books. Surely there are plenty of options which could be explored to keep it more interesting. I’d also like to see them use the same level of humor. They can exploit the aging heroes and how age affects their ability to join the action as Lethal Weapon did so well, but they can also exploit the generational differences with new characters and even the cross cultural clashes inevitable with aliens.
JS: Yes, keep the charm of the franchise (lightsaber duels, starship battles, seat-of-the-pants heroics, etc…) and also strive to tell new stories. I think that’s the recipe for success. They could even do multiple film series at the same time, like the EU book series. I’m fine with a series of films that is tilted more Young Adult as long as there is also one or more series aimed at me, the aging SW nut who fell in love with the franchise back in ’77, too.
BTS: One of my writing goals, silly as it may sound, is to write a Star Wars tie-in. Just once, I want to play in that sandbox. I have several ideas but I know they’re assigned. My dream would be to do something with Han Solo in his later years, post-Chewie’s death (a storyline I don’t like but which has been done and offers great dramatic possibilities for the character nonetheless) where he takes in a young kid as apprentice. Have you ever thought of writing a tie-in novel?
JS: There aren’t many franchises for which I’d be willing to write a tie-in, but Star Wars is one of them. I don’t have any specific stories in mind, but I’m sure I could come up with a few ideas if given the chance. But my dream job (in addition to my writing) would be quality control for all future Star Wars movies. Just let me sit in during the storyboarding, the casting, the filming, and the editing and I could prevent so many problems from getting made in the first place. If we’re talking dreams-that-will-never-come-true, I’d love to tear apart the prequel movies and remake them from scratch.
BTS: I’d like to erase memory of them from my head for good and wait for your versions, sir. Heh, I’d give anything to script one of them but since my film school and screenwriting days are behind me, I consider that a “never going to happen” thing. But yeah, consulting would be a blast. We’d have a long line to wait in, though, I’d guess.  I’m glad we took time to revisit this though, Jon. And I think it’s a good reminder why we love them so much and how much they’ve affected us and inspired our work and our storytelling. Any fina thoughts as we close this out?

JS: I hope the Star Wars franchise enjoys a long life of more films, books, comics, and memorabilia. It’s a part of our national identity and it has served as a major influence in my life.

BTS: Well, I don’t know how I could say it any better than that, so, thanks for sharing this journey with us and Happy Holidays. We wish you a wonderful 2013 to come!

Intro & Invitation: http://bryanthomasschmidt.net/2012/11/11/announcing-the-sprunk-schmidt-star-wars-original-trilogy-rewatch-youre-invited/

A New Hope: http://jonsprunk.blogspot.com/2012/11/hello-friends-today-i-have-special-treat.html

Empire Strikes Back: http://bryanthomasschmidt.net/2012/11/26/sprunk-schmidt-original-trilogy-rewatch-empire-strikes-back/

Return Of The Jedi: http://jonsprunk.blogspot.com/2012/12/star-wars-discussion-iii.html

 

About Us:

Jon Sprunk grew up in central Pennsylvania, the eldest of four and attended Lock Haven University. He graduated with a B.A. in English in 1992. After his disastrous first novel failed to find a publisher, he sought gainful employment. Finally, after many more rejections and twists and turns of life, he joined Pennwriters and attended their annual conference in 2004. His short fiction has appeared in Cloaked in Shadow: Dark Tales of ElvesDreams & Visions #34 andCemetery Moon #4. In June 2009, he signed a multi-book contract with Pyr Books by whom his Shadow Trilogy dark fantasy series have been published. He can be found on twitter as @jsprunk70, on Facebook and via his website athttp://jonsprunk.com/.

 

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press, headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, a Ray Gun Revival Best Of Collection for Every Day Publishing and World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, all forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

A Triumph Over Tragedy Story Preview: Duncan Derring

Recently, I had a first,  when my humorous Science Fiction story, Duncan Derring & The Call Of The Lady Luck, was picked up by Triumph Over Tragedy, R.T. Kaelin’s brilliant project to raise funds for the Red Cross’ Hurricane Sandy. Featuring stories from the likes of Robert Silverberg, Marion Zimmer Bradley, Michael Stackpole, Timothy Zahn, Elizabeth Bear and many more, it’s an honor to have my name included. The e-anthology will release near the end of 2012 and be available for a limited time. All stories are donated and so is editing time by Kaelin, Sarah Chorn, Rob Bedford and myself. The goal is to raise $10,000 for the Red Cross. You can participate and get a copy of this fine anthology for just $7 here.  For a full list of contributors, see the Goodreads listing here. While some writers offered reprints, many of the stories are brand new. I highly recommend getting a copy. You can learn more on Science Fiction &  Fantasy Writer’s Chat Wednesday, December 27th at 9 p.m. ET, when Kaelin, Chorn and others come on to talk about the project.

Meanwhile, I thought I’d give you a preview of my story. This tale also appeared in print in Wandering Weeds: Tales Of Rabid Vegetation edited by Frances Pauli & Jaleta Clegg. You can read about that on Goodreads here. Besides it being the first time I’ve shared a Table Of Contents with my favorite writer of all time, Silverberg, and had a story in a charity anthology, it’s also the first time one of my stories has been published twice, and I’m glad Duncan gets a chance to reach a wider audience, as I’m hoping this is the first in a series of adventures for him.

I hope you enjoy this snippet of Duncan’s first adventure. Inspired by love of pulp characters and Mike Resnick’s Catostrophe Baker and Lucifer Jones tales. And please support Triumph Over Tragedy.

 

DUNCAN DERRING AND THE CALL OF THE LADY LUCK
by

Bryan Thomas Schmidt

T

 he mission sounded simple: head out to the edge of the solar system and save the Princess Line’s Lady Luck from the Andromedan tumbleweeds. It was the sort of mission I was made for, and I fully expected to wrap her up in less than a day and be on my way. For once, my expectations were wildly out of synch with reality. Happens to everyone sometime, I suppose.

Duncan Derring, weapons and demolitions expert—what do you mean you never heard of me? Where have you been? It wasn’t exactly the kind of profession you’d expect tourism ventures to call upon, I know, but the galaxy held all kinds of odd dangers for these passenger ships. They weren’t outfitted with any weapons and only the barest sorts of shields. In fact, if I’d been the one hired to approve the design, they never would have made it out of concept. But no one asked me.

The Lady Luck was one of the newer liners, “a five star resort amongst the stars,” the brochures said, and they weren’t talking about the kind of stars you see in movies. She could carry a load of up to five thousand passengers, not counting certain odd-sized alien species, and provided all the dining and entertainment options anyone could imagine. She contained twenty-seven restaurants, eighteen bars, ten nightclubs, eight ballrooms, thirty-five shops, fifteen cinemas, and any number of other recreational and entertainment facilities. If I hadn’t been aboard a liner once myself, I’d have thought it absurd, but Princess Ltd. specialized in making absurdities reality.

I’d never seen the Andromedan Tumbleweeds, although I’d heard a lot about them, of course. Kinda goes without saying that, in my profession, you stay abreast of the latest developments. Floating in deep space between Neptune and Uranus, the tumbleweeds were freshly arrived from Andromeda, where the locals tired of the toll they took on ships and planets and used a fleet’s worth of force fields to drag them to the edge of their solar system and push them off on us. How nice of them, you might think, and you’d be right, but then you don’t know the Andromedans. No one ever called the Andromedans nice.

It took about two days at full on ultra-light engines to make the journey from my previous assignment, Ganymede Colony just off Jupiter. Why anyone had wanted to build resort towns in the Galileans was beyond me, but some people like looking at cool, gaseous masses, I guess. I certainly prefer them to some warm gaseous masses I’ve known. I was able to set the nav computer to auto for much of the route and catch some much-needed sleep. Despite my distaste for the location, the Ganymede Colony was a busy place and sleep had been more of a rarity than I’m used to. The custom-made feather mattress I’d installed in my quarters molded itself to the contours of my body as I slept. It took three tries and its sexiest feminine voice for the nav computer to awaken me. I warmed quickly as the heaters in my sleep pod brought my body temperature to normal and the blood raced through my veins again.

Yawning, I sat up, rubbing at the aches in my neck as I put my feet on the cold deck. The sensation got me moving faster as I slid out of my sleep jumpsuit and began strapping on my demolitions gear. At least as much of it as I could and still move around with speed and conduct ship’s business. You have to be ready to jump at a moment’s notice in this business, for both economic and literal survival, and the better prepared you were, the more successful you’d be.

As the Trini, short for Trinitrotoluene—aka TNT—slipped out of hyperspace, I found myself immediately at the heart of the problem. Until I’d encountered her, I would have never thought a nav computer could be programmed with a sense of humor. I figured a jealous woman of some sort must be behind her, because she was always pulling this sort of thing on me, and for once, I wasn’t in the mood. As accustomed as I am to dangerous situations, the sight of three tumbleweeds rotating seeming inches from my cockpit view screen stopped my heart.

I requested a location on the Lady Luck herself and found her frozen in space just inside the edge of the field. The report said she’d come upon the tumbleweeds unexpectedly and figured staying put and keeping pace was her only chance. Given the tumbleweeds’ propensity for random changes in direction with the slightest shift in gravitation, I’d say the Lady Luck lived up to her name. The readings my computer took upon arrival showed little influence from planetary gravitation at that particular moment. It was enough to make me relax again, which would turn out to be a regrettable mistake.

As I rotated the Trini and took in the view, I noted damages on the Lady Luck’s hull from unlucky encounters with a few of the surrounding tumbleweeds. The fact the liner was still functional and in one piece indicated the impacts had deflected the offending tumbleweeds away without disturbing any others. Such a disturbance would probably have caused a sizable enough chain reaction that my mission would have been pointless.

The Lady Luck hailed me as soon as I arrived. “Lady Luck Liner calling craft Trini,” the comm officer said in that annoying formal style they have.

“Yeah, I’m here,” I responded. “Just checking out the damages.”

“None necessitating more than a change of five thousand shorts so far,” she said. The Lady Luck had full on laundry facilities, too, so I figured that didn’t pose them much of a problem.

“How is it you came to be inside the field?” I asked, thinking only an idiot could have made such a colossal blunder.

“We were at full stop, under night crew. The weeds came upon us faster than we could bring her up to full and take evasives,” the Captain answered. “Our nav computer malfunctioned and the scanners read them as small debris.”

Given my own experience with nav computers, I didn’t bother to delve any further. When they weren’t in motion, the tumbleweeds always appeared smaller than their actual size to scanners. Pilots relied on nav charts and computers to pinpoint their location when they travelled this part of the system. But they always verified their presence with human eyes.

“Can you back her out the way you came in?”

“It’s not so easy to move a one hundred thousand ton liner,” the Captain said. “It’s a bit like backing Saturn through one of her rings. We don’t have the maneuverability. Backing up’s rarely called for.”

I checked my computer’s readings again. “For the moment, it appears you got lucky, but when the field reaches the influence of Neptune’s gravity, it could change in a hurry.”

“Can you try and have us out before then?” the Captain replied, as if I needed some amateur questioning my competence for the mission. But the thought of four thousand five hundred passengers suffering for the ignorance of their crew wasn’t something I could live with, so I set about my calculations for clearing them a path.

As I flew along the field’s edge, it became obvious I’d have to go in manually and set the explosives. My jetpack was quicker and I a far smaller target than my ship. The odds I would avoid entanglements with any of the weeds would greatly increase if I went alone. The catch was that I hadn’t used my pack in over a year and never in a situation rife with the risks I’d face here. All it would take is one wrong move, one wrong placement of an explosive, or one disturbance of the field to send the weeds into chaos, haphazardly spinning like their Earthen namesakes across space, colliding with each other or anything else in their way.

To complicate things further, Neptune’s gravitation was coming into range. Planetary gravity started influencing objects millions of kilometers out. On paper, the figures looked ridiculous but this wasn’t on paper. Even a slight gravitational pull could send the tumbleweeds into chaotic motion, which would be the end of the Lady Luck, the Trini, and me.

Finishing my calculations with due speed but proper care, I slipped into my suit and jetted out the Trini’s passenger airlock, making my way into the field. The tumbleweeds were even more intimidating up close than they had been through the Trini’s ports. The temperature inside my suit rose as adrenaline coursed through my veins. Spying my first target, I used the suit’s jets to swing left and approach, taking care not to lose control or come in too fast.

I reversed my jets’ thrust, slowing my momentum as I reached each tumbleweed’s surface. Then I could set each charge and use my boots to push free before jetting off to the next target. Firing the jets too close might start the weeds spinning. The Trini’s calculations determined it would take twenty-two charges to both clear a path for the liner and deflect nearby tumbleweeds away from the Lady Luck. My plan included setting five more just in case something went wrong.

Thanks to my experience and skill, the execution came off without a hitch. As I released the last charge and clicked the activation button, ready to push off and head back to my ship, a motion over my right shoulder drew my attention. A door was opening on the Lady Luck. It appeared to be a garbage chute.

I punched the button on my radio. “Captain, don’t jettison anything, until you’ve cleared the field!”

But I was too late.

Continued in Triumph Over Tragedy.


Bryan Thomas Schmidt is the editor of Blue Shift Magazine and an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exoduswill appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends(forthcoming) appeared from Delabarre Publishing in 2012.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press (July 2013), headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, and Raygun Chronicles: Space Opera For a New Age for Every Day Publishing (November 2013). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.