It’s been since June that she’s gone. It’s my first Valentines without her present in four years and the first in seven years without her as my Valentine. So I’m thinking of her, one of the great loves of my life…lost. And wishing somehow things could be different for us. Knowing they can’t be.
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog. Bryan is an affiliate member of the SFWA.
This post is part of the Origins Challenge Blog Series. Almost 200 blogs participating. Click here for the list. So the challenge is to blog about how we got started writing. This is an ironic date because writing about the origins of my writing on February 13th means I’m writing about origins on the day of my origin. Yes, February 13 is my birthday, so how’s that for interesting parallels?
I got started writing through play really. My mother says I never played with a toy the same way twice. I would get mad when the toys couldn’t do all the awesome things I imagined them doing in my mind. I’d get bored and move on.
On the playground at school, I organized elaborate make believe scenarios with my friends, from firefighters fighting fires to astronauts. I’d take charge and lay out the storyline and direct the actors. Amazingly they came back to bossy me for more.
In third grade, my friend Chris Marshall and I wrote our own stories for The Littles series of books about little mouse-like people living inside a human family’s house. We wrote book after book of them, so, as best I can remember, this was my official start to writing.
However, at the same time, I wrote my first song in kindergarten around the time I started piano lessons. So I’d been doing lyric writing and such for a while by the time Chris and I wrote those books. Which counts as the first? Chicken or egg, my friends.
Over time, my active imagination continued and I’d make up stories. My 3rd grade friend, Chris Marshall, and I got hooked on John Peterson and Roberta Carter Clark’s Littles children’s books and started writing our own sequels. That was my first dreams of being a professional writer and yes, despite my stand on fanfic, I did start there like so many.
As I watched TV shows, I’d make up stories and scripts for them: Emergency, Hill Street Blues, Miami Vice, L.A.Law, Life Goes On… This eventually led to spec scripts and film school, where I actually pursued a TV career. My most successful were scripts for L.A. Law and The Wonder Years.
The idea for my debut novel, The Worker Prince, came to me in high school while I wrote all those TV ideas. I even created my own TV show and wrote the first 13 scripts plus pilot for that and plotted out episodes for two whole seasons.
In college and grad school, I wrote three nonfiction books which never went anywhere, but then my devotionals started getting used a lot and I sold some of those. Eventually, I tried prose and The Worker Prince was the second novel I finished. So here I am. That’s the story of my origins as a writer.
I’m 43. This year will see publication of the second and third anthologies to feature short stories by me, one of which I edited, my second and third novels, and the first print magazine to feature one of my stories. So far the journey’s going well.
What’s yours?
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog. Bryan is an affiliate member of the SFWA.
Well, we’re four chapters from finalizing the editing of my novel, The Returning, sequel to my debut The Worker Prince. ARCS will go out next week, and then copyediting. As I look at this book, a book which I’m amazed even got written–written in the midst of my life completely falling apart (unemployment, mental health issues and hospitalization for the wife, then divorce and a cross country relocation), I also marvel at how well this second book actually works. I know, I know: “We’ll be the judge of that” you’re thinking. And yes, you will. But from beta readers to editors, responses have been encouraging. They comment that it starts out fast like a Bourne movie and never lets up. They talk of the stakes being upped on every level from character development to complexity of plot to emotional arcs and actual events of the story. The stakes were higher in every way. And although that was deliberate in part, I find myself pondering how important second books are for us as authors and in trilogies generally. And how hard they can be to write.
When I started The Returning, I had no idea what the book would be. I knew where the story would have to go for the ending in book 3. But unlike Book 1, which employed the biblical story of Moses as a framework, and book 3, which will also employ more elements of that, book 2 had to fill in gaps and required me to create more of my own storyline and structure with these characters. I knew there were mistakes I’d made in The Worker Prince which I didn’t want to repeat. I also knew there were things I wanted to do with the characters. But I wrote in total chaos. Outlining a chapter at a time is usual for me, so that’s not what I mean. What I mean is that my life was so chaotic in the background of writing that I often went a month or weeks between chapters or even scenes. Coming back to it, I found concentration hard, so I couldn’t review what I’d written as fully. And often I didn’t want to reread the previous six chapters just to write. Unlike The Worker Prince, this book took 9 months to write. And it went out a chapter at a time to three beta readers as I went. They urged me for more quite often. Their patience was greatly appreciated. I didn’t look at their feedback until after I’d finished.
I was amazed.
First of all, as I hinted at above, I’m a pantser. I let the story go where it takes me. I always have some key plot points in mind. And I always have a rough idea of the base storylines (plots and subplots). But in this case, I had no idea how I would end it until I was well over 2/3rds through. It’s a middle book. There was no real ending. Many events in this book carry over into Book 3. But at some point, I realized I could still create a satisfying denouement, even if it was a cliffhanger ending. And the book most certainly has that. At the same time, the events push toward the point where a chapter feels closed in spite of that.
Early on I realized Book 2 needed a sense of everything being turned upside down. The Worker Prince was a happy story overall. It almost feels like a standalone. Despite the survival of the antagonists and potential for more stories, everything gets wrapped up in a pretty happy ending. But for the characters to progress and the story with them, I needed to tear all the stability and happiness apart again. Their lives, relationships and future all needed to be in jeopardy, and readers needed to be surprised. So, as I wrote, I set that goal. In addition, I wanted a fast pace, action packed novel, both emotionally and physically. It required a more complicated plot. And wound up with seventeen point of view characters, a hell of a cast to manage. (Some only have a scene or two from their POV. There are major POV characters who have scenes throughout as well.)
As I reached each plot point I’d planned, I examined my options and looked for the unusual choice, the surprise twist. What could happen here that would make readers say: “Whoa! I cannot believe that just happened!” Where can I take things that makes it more complicated and pushes them further from their goals and happiness again? At every chance, I made such choices. Unlike The Worker Prince, I knew that meant important characters would have to die. In the end, four do.
It’s hard to kill characters. You spend so much time with them that you begin to feel a bit like they’re family. So killing them, unless you’re psychopathic I suppose, feels wrong and mean. Who wants to be mean? But in order for the heights of the emotional arcs and plots to be reached, the stakes had to get higher and higher in The Returning, and I found no way to do that without endangering characters. In choosing the characters to subject to this “cruelty,” I also tried to make surprising choices. I chose characters I liked but characters who, ultimately, have less interesting arcs left to them than the ones who remained. My readers may disagree, but I hope not. Because the deaths of these characters actually redefine and energize the arcs for other characters in Book 3. They serve to drive the rest of the story.
I also did more exploration of my solar system, using more alien species and worlds, and exploring more of how the Boralian Alliance got to be in control and treated the natives they encountered. This will be a big part of Book 3 as well, and I think it made for some very interesting worldbuilding along with some nice plot twists and turns.
Obviously, I can’t say too much. The book doesn’t release until June. But in any case, by the time I concluded writing The Returning, I knew I had the makings of a very satisfying chapter in my saga. In fact, editors and my beta readers all agreed it’s a better book on every level than The Worker Prince. [That’s a compliment writers. We need to grow with each book. So I took it that way. It was also my goal as mentioned above.]
And so now I can’t wait to share it with you. It goes out to reviewers and other authors for blurbs next week. I have some pretty cool people lined up, including a couple of Star Wars authors. I can’t wait to hear what they think. I hope you’ll take the time to read The Worker Prince and The Returning and love them as much as I loved the experience of bringing them to life for you.
For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog. Bryan is an affiliate member of the SFWA.
Let’s presume for a moment, that there is a writer called Leon. Leon doesn’t exist, of course, and I picked the name because I don’t actually know anyone by that name. Leon, however, embodies a number of characteristics I’ve seen in workshops and on writer sites.
Leon has written a novel, has self-published it ‘because so much crap gets published by mainstream publishers’, and is now frequently, and loudly, complaining about the lack of reviews, about the idiocy of ‘legacy’ publishing and about how everybody else should be self-publishing, too. But, you know, it is the first novel he’s ever written and to be honest it’s–uhm–not very good.
Let’s presume there is another writer called Frederica. Same deal as Leon–I don’t know anyone by that name. Frederica has dwelled in writer workshops for yonks, and enjoys ‘helping absolute n00bs out’. She has had some minor short stories published, and has submitted to publishers and agents. She’s had a few requests for the manuscript, but she hasn’t submitted anything for a while now. Which is a pity, because she writes quite well and has some lovely ideas.
Now consider that horrible thing: writer confidence. It’s that little voice in your head that says ‘This is total rubbish’ when you’re writing something. It is the insidious feeling that makes you cringe when reading your own manuscript, and makes you think twice about submitting to anywhere that pays top rates because ‘it’s not good enough’ and will never be so.
Leon clearly has too much confidence, and Frederica too little. Both are crippling. Leon would benefit from spending more time learning his craft and listening to people who have read his work. Frederica would benefit if she didn’t consider any criticism as euphemism for ‘I’m no good’ and if she could be made to submit her stories. At the root of their problems, both are probably afraid of rejection. Leon takes rejection as an insult and becomes defensive. Frederica takes rejection as a rejection of her person and feels hurt.
It would of course be ridiculous to suggest that writers aren’t–and shouldn’t be–affected by rejection, but neither defensiveness or crawling in one’s shell are productive reactions. We need to learn to write to a standard that publishers will buy, and the only way we’ll know that is to submit to markets. It does not help a new writer to withdraw from this market-testing for whatever reason, even if you intend to self-publish.
Note that in the above paragraph, I never said ‘we need to learn to write well’. What constitutes publishable writing is a fluid concept. The parameters of what is good writing are ill-defined and subject to taste, namely, that of the editor where you send your submission. Contrary to popular belief, an editor is a human being, with preferences and likes and dislikes, and with the style of a magazine or publishing house to consider. An editor is not the same person as the next editor. Therefore, if an editor says no, that doesn’t mean that the next editor will also say no. Similarly, if an editor says no, it doesn’t mean that the editor is an idiot. It means that the editor had no need for the material, nothing else.
A writer with too much confidence gets hung up about rejection. A writer with too little confidence gets hung about rejection. A writer with the right amount of confidence may feel down for a bit, but will send the submission somewhere else. This writer will think ‘I’ll show ’em’. And you know what? Sooner or later, you will indeed.
Patty Jansen lives in Sydney, Australia, where she spends most of her time writing Science Fiction and Fantasy. She publishes in both traditional and indie venues. Her story This Peaceful State of War placed first in the second quarter of the Writers of the Future contest and was published in their 27th anthology. Her story Survival in Shades of Orange will be published in Analog Science Fiction and Fact.
Her novels (available at ebook venues) include Watcher’s Web (soft SF), The Far Horizon (middle grade SF), Charlotte’s Army (military SF http://www.amazon.com/dp/B005OOFFPC ) and books 1 and 2 of the Icefire Trilogy Fire & Ice and Dust & Rain (post-apocalyptic steampunk fantasy).
Patty is on Twitter (@pattyjansen), Facebook, LinkedIn, goodreads, LibraryThing, google+ and blogs at: http://pattyjansen.com/
Our recent Write Tip on 9 Free Ways To Market Your Book has been popular but people have asked me how NOT to use those techniques, so I thought it appropriate to do a follow up post. First, here’s a refresher on the 9 Free Ways which are:
The previous post goes over how to use those, so I won’t cover that here. Here’s how not to use them:
1 ) Author Site/Blogs — The goal is to create a relationship with readers and other interested parties, but primarily readers. Don’t use your blog and author site to self-aggrandize and totally for sales. Use it instead to reveal yourself. You don’t have to just lay it all out there transparently. In fact, that, in and of itself, may be a big mistake. You have a right and need for privacy. Determine up front where the lines must be drawn and stick to them. A couple areas you might avoid are religion and politics. I rarely blog on these. They only lead people to be offended and possibly lose interest who might otherwise enjoy your books. Unless your books promote your political and religious views, you don’t really need to go there and you’re better off if you don’t. You also don’t want to lambast people. Flame wars may draw traffic but they don’t do it because you’re winning fans. People stare at car wrecks not because they envy those involved but because it’s just hard not to stare. The same is true of flame wars. Don’t get in nasty arguments and back and forth with people. Avoiding controversial topics can help avoid drawing those kinds of comments in the first place.
2 ) Author Profiles/Blog Interviews–Don’t reveal spoilers in your interviews or profiles, unless the book has been out a very long time and you are discussing aspects of craft where it’s relevant. And try and stick to authors and topics where an audience who’d be interested in your book and its genre/topic might find you. It’s okay to reach out to new readers but, seriously, you shouldn’t be on a Christian romance authors blog promoting your paranormal erotic romance, okay? It’s just a waste of time. And don’t lie either. Be honest. At the same time, try and hold back some in interviews. Don’t tell everything to everyone. And find a new way to answer the same old questions. Keep it fresh if you can. You’ll be answering a lot of the same questions again and again at various places. It’s boring for you but it’s all the more so for fans, so try and find new ways to say the same thing and reveal new tidbits with each interview if you can. It’s hard, so hold some things back and give a little each time.
3 ) Goodreads/Library Thing–Great for giveaways and networking with book lovers and fellow authors but these communities tend to give back what you put into them, much like Twitter. They are the most successful giveaway sites, in my experience, for spreading interest and generating reviews. Not so successful, in my experience, for their ads or for generating huge sales numbers. They are a tool to be used with lots of others for spreading the word. It’s important to remember they are about “community.” Door to door salesman are as welcome on Goodreads and Library Thing as anywhere else. Goodreads has the easier interface but both are popular. Approach them as opportunities to share yourself, your love of books, and review and discuss books, genres, trends. Author interviews so far don’t generate a lot of interest in my experience. It’s more about communicating through observing what people do and their observing what you do and say about what you read. Approach them accordingly in both time dedicated to them and how you use them.
4 ) Press Releases–Don’t just copy someone else’s and don’t write blind. There’s an art to this and the goal is give them a ready to print article about you, your book, etc. You want to minimize the work for them so they’ll jump on the opportunity for an easy to prep story. And that takes practice and careful thought and editing. If you can afford it, write the first few drafts, then pay a publicist to fine tune it. There are plenty of independent publicists, like Matt Staggs or Adonna Pruette, who would be happy to assist and charge reasonable fees. Once you’ve done several and get the format and style down, you may be able to work on your own but I know from experience, your first several press releases will not get the results you need without a professional touch. The difference is startling.
5 ) PSAs–Public Service Announcements are a funny thing. They aren’t as common as they once were but they are indeed true to their name: Public Service. It’s not about sales. It’s about making the public aware of an event which might be of interest/benefit. Stations can be very selective about the kinds of events which qualify. They make income from selling ads, after all. Library and school events, for example, are far more likely than bookstore events to be accepted. After all, both imply educational content. And both libraries and schools are publicly funded to serve the public. Still, it’s worth checking these out but you will have to write and time the text yourself and be very careful with wording. Again, don’t self-aggrandize and don’t sell. Just inform. If the radio or tv station does you a favor, you need to make it easy and worth their time. If you make them mad or offend, you’ll alienate them from not only PSAs but also other potential opportunities for you.
6 ) Signings–Don’t expect to sell hundreds of books. The average signing is 4-6 from everyone I talk to, unless you’re a bestseller with multiple books. Signings are as much about letting people know you exist and cultivating valuable relationships with bookstores as they are about actually signing and selling books. I’m sure it varies from author to author but especially new and unknown authors need to approach Signings as opportunities to put their best foot forward and network more than selling books. The signings I have done so far have all sold at least 4 books. The most I sold was 11. All of them brought stores who carry and promote my book for me. And all of them brought publicity opportunities in the community I wouldn’t have gotten otherwise. I also sell other people’s books. My goal at signings is for people to buy something from that store and to make customers feel welcome. Hopefully they buy my book or at least talk to me. But if not, at least I helped the store and the store will want to help me in return.
7 ) Appearances–Appearances are hand-in-hand with signings as networking opportunities. Especially when you get the chance to read or be on a panel, you get the opportunity for people who didn’t know your name or the titles of your book to remember you and learn of your expertise (or at least ability to b.s. really well in public). The goal is to make a good impression on as many people as you can. You don’t do that by aggressively selling. You do it by being personable, knowledgeable and respectful. You do it by smiling a lot and being warm and friendly. If you can do that while waving a copy of your book subtly in front of yourself, all the better. But high pressure pushy tactics will not bode well for you.
8 ) Book Clubs–These are groups of book lovers who offer two advantages: 1. They go through a lot of books. 2. If they love it, they’ll buy more, recommend it to people and otherwise spread the word. The disadvantage is that some are quite picky and blunt in their response. Do offer to visit or otherwise interact with the group. Do offer group discounts if you can. Free books to group leaders are a good idea if you can afford it, but these are book buyers, so free books aren’t essential to win both interest and loyalty. The most important thing here is to write a good book. If they enjoy it, they’ll take it from there with very little effort on your part. Again, selling is less important than personal connection. Cultivate this as networking for word of mouth, more than an opportunity to sell multiple copies. If it works out, you’ll get both.
9 ) Reading Group Guides–Do not SPOIL. Do not SPOIL. Repeat after me. Reading Group Guides are for Book Clubs and others to stimulate thought and conversation, PERIOD. You do not repeat your story in intimate detail. Do not preach on your themes or message. Your goal is to get them to read thoughtfully and interact on what they’ve read. Help them enjoy the reading experience in a way which will likely result in their wanting to read more and spreading the word.
Well, those are some tips on how NOT to use the 9 Free Ways To Market Your Book, I’d love to hear your thoughts on other cautions, etc. as well as your successes. For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog. Bryan is an affiliate member of the SFWA.
This is not a lecture. It’s an observation. And it’s not a self-aggrandizing post but I do need to give some detail on my own life to make the point, so I will.
Recently, I saw Wayne Koons, a former Marine, then NASA Engineer, then pilot/astronaut speak about his education, his life and his faith. Speaking at the same event were one of the Lost Boys of Sudan, a Nicaraguan musician and the head of athletics for University of Kentucky, Mitch Barnhart. Other accomplished people joined them but all of them shared a similar message: Do something. Koons pointed out that the median age of all employees at NASA up into 1969 when Apollo 11 landed on the moon was under 40. And he said it to point out to college students that they can make a difference.
It got me to thinking. I’m a guy who often feels frustrated by lack of success in areas of my life. 23 months unemployed. And I have a hard time getting a job because I’ve done so many things, despite a Masters, and despite the fact my career had been somewhat steady until I was fired by my ex-employer in May 2010. Resumes don’t explain all the variety in my life. But what does explain it is an inner drive I was raised with to be someone who made an impact on my world and community.
My parents are a doctor and nurse who believed in service. Of my grandparents, one was a farmer, one a teacher, one a housewife and one a utility worker. (The housewife was all about service. She raised six kids and helped manage a farm in addition to serving church and community so don’t write her off as less significant.) My family has a legacy of service to others–careers and jobs which make an impact far beyond the walls of their homes. So naturally, I grew up expecting to do the same.
My earliest dreams fluctuated between being a rock star/composer and an author/writer. I focused on TV and film in college but then wound up leaving my time in Hollywood to travel doing music. Fun as those days were in many ways, I found them unsatisfying. I still wanted to make a difference and entertaining people wasn’t enough. So I went back to school for a Masters while working in sales and other retail jobs to get by, often working 30 hours plus while taking a full time load of classes. It was hard. Grades suffered someone. But I was serving and that made me happy.
After I got my Masters, I founded a nonprofit and travelled for the next decade to Africa, Brazil, Mexico and other places bringing musicians and other qualified arts people to provide specialized training to people who couldn’t afford or get access to it any other way. I raised money, recruited volunteers, led teams and taught. And to this day, I still hear from students who grew and went on to great success from what Anchored Music has done. We still exist. Life just sideswiped me a bit and have been less active the past two years due to many personal crises in my life. But the point is, we made a difference. I got paid nothing. I took consulting or contract jobs instead of full time to have the freedom to take weeks off and do the mission work. I sacrificed a career path, in other words, but I was doing something and that’s what mattered. No matter what other failures I experience, no one can take that away.
It’s funny when you’re an author. No matter the genre or book itself, people just assume you’re accomplished. Not that I am belittling what it takes to be published. There is hard work and some degree of intelligence generally involved, most of the time, yes. But do all authors deserve to be treated like heroes? Not so sure. I do know when your book teaches something or brings a message of hope and change, it’s much more satisfying than just writing to entertain. Because you’re doing something with your words.
What’s my point? When I was 17, all I wanted to do was be the rock star/composer, find a girl, fall in love, and have a family like the portrait painted by my hero John Denver in his songs. How disappointing it was to find out years later that even John Denver couldn’t live the ideal he sang about. His “perfect” family life was far from it. But I never imagined the roads and paths down which life would take me in my quest to make a difference. Or how much frustration and heartache there could be with employment as a result.
Still, I don’t regret it, because even if I die tomorrow, I have accomplished a lot for a 43 year old man: national radio singles, opening for major acts, name on national TV, TV and radio appearances, songs used in six languages and sung in churches, published books, and most importantly students who took what I taught and went on to make better lives for themselves and their community. That last one is the greatest accomplishment of all. To those people, my life matters. They still tell me that every time they track me down online. I made a difference. I did something and it had significant impact for their lives.
Wayne Koons and Mitch Barnhart never imagined growing up where their paths would take them. Neither did a little African boy who was just feeling lucky to be alive every day in the Sudan. But now they are educated, accomplished men with better lives than any one of them could have ever imagined.
No matter who you are or what your dreams or background, you can do that, too. You can do something and be significant. Your liffe can matter to more than just you. I urge you to consider that. Strive to serve more than just yourself and your own desires. Strive to reach beyond you spouse, kids and immediate community. As Christa McAuliffe said, before dying in NASA’s Challenger accident, “It’s better to shoot for the stars and miss than shoot for nothing and hit.” So shoot for the stars. You never know, you might just change the destiny of a solar system. Your life can be significant. It can matter. And all you have to do is DO SOMETHING.
For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog. Bryan is an affiliate member of the SFWA.
Recently my friend reviewed my book at SFSignal. I never expect anything less than an honest review from reviewers, especially friends. Anything is unhelpful because people tend to see through it anyway and because honest evaluation is the only thing a writer can rightfully expect from anyone. You hope they love the book. It’s hard if they don’t. In this case, the reviewer liked it but had some hard criticisms of a few aspects. Nonethless, I went on the site, said I was sorry it didn’t all work for him, linked to the B&N Year’s Best mention of the book, and thanked him for reviewing it. My friend, instead of taking my thanks as appreciation for his work, thought I was upset with him and it made him very uncomfortable. We’ve now sorted that out but it really got me thinking about how we respond to reviewers as writers and here are some thoughts:
Ottawa, KS, January 31, 2012–Author Bryan Thomas Schmidt today announced there would be no revealing of his or other nipples at his book signing at Hastings Books in Lawrence, Kansas this coming Saturday or any other public appearances on his agenda.
“I just wanted to join Madonna right now in refuting any accusations of public nudity,” Schmidt said. “Just as with Madonna’s Super Bowl Halftime Show, absolutely no nipple sightings will occur either now or in the future at my author events and I believe that’s a policy we’ll plan to continue well into the future.”
MAPN (Mothers Against Public Nipples) put out this statement upon hearing the news: “We are relieved to know that family values still means something in this day and age. Exposure to nipples is something every parent should be able to mediate for their children in the comfort of their own timing. Respect for parents’ rights is too often absent in this day and age.”
From Bryan’s publisher: Diminished Media Group co-Director Randy Streu says, “We’re committed to our values as a family business and a family-friendly market, and while male nipples don’t come with the controversy of their female counterparts, we believe it’s best avoided altogether.”
“I might add that I call on authors of all genres to join me in this important movement,” Schmidt said, “especially in the face of recent revealing photos posted by authors like Jim C. Hines at their websites. There are just some things our readers don’t need to know about us.”
Mothers everywhere, surveyed by the reporter, express great relief. Some even expressed renewed hope and faith in a Higher Being.
Recent press coverage of Bryan, The Worker Prince, and the free signing from 1-4 pm on Saturday, February 4th, 2012 being held at Hastings, 1900 W. 23RD, Lawrence, KS 66046, can be found at lawrence.com. For directions to Hastings on Google Maps, click here.
For press and media inquiries including interviews and guest blogging requests, you can contact Bryan at: bryan at bryanthomasschmidt.net.
Links to recent interviews can be found here. Information on Bryan and his books can be found at his author website www.bryanthomasschmidt.net. Bryan’s books can be purchased online at Amazon.com, BarnesandNoble.com and other retailers.
Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog. Bryan is an affiliate member of the SFWA.
Okay, it’s an old topic, I know, but discipline is so vital to your writing success. And if I’ve learned anything about discipline over the years, it’s that to be disciplined in any area of life, you need good discipline in all areas of life.
There’s nothing that bleeds from one area of life into others faster than lack of discipline. If you want to succeed at your work as a writer, you have to dedicate time to it regularly. Whether it’s an hour a day, fifteen minutes a day or five hours a day, you have to set aside time and do the writing. If you miss a day, it’s easier to miss another day and so on. If you’re only going to write five days a week, okay, fine, if that works for you. But don’t take off an extra day. It’ll be that much harder to get back to your regular schedule after.
When you diet, you can’t have a cheat day. One cheat can blow the whole week’s diet. When I lost 66 pounds in ten months on Weight Watchers in 2003, I didn’t have cheat days. I couldn’t. I counted calories every day and if I wanted a special treat, I just had to compensate with low calorie foods for the other meals that day or the next two days, period. Cheat days just made it harder to get back into the discipline, and, early on, I discovered without that discipline, my diet wouldn’t succeed.
For me, this is true in other areas of life.
The times I’ve been successful with exercise have been times when I’ve made it routine. Four to five days a week, forty-five minutes to an hour every day, period. No excuses. Once I start skipping days, pretty soon I just stop exercising. It’s happened time and time again. I find a similar thing with writing. One reason blogging helps me so much is that I am forcing myself to make content daily. I am doing my warm ups for other writing, in essence. I blog twice a week at least for my blog, but then I do guest posts for other sites on other days. Sometimes I blog in advance and save them up (Saturday I wrote my Valentines Day post), but by blogging almost every day (I skipped Friday for example), I get my writing chops working automatically and it’s easier to do other writing I need to do for the day. Similar perhaps to warming up before a jog or a game.
I do the same thing with my reading time for SFFWRTCHT, dividing a book into daily goals by page count to make sure I get the books read. Sometimes I fail because I often have more than one book to read at a time. And some books are longer than others. But I still push myself to meet the goal, and most weeks I succeed. It’s why I’ve read so many books in the past year, per my 2011 reading post.
When it comes to writing, I have to set clear goals. Without goals my discipline waivers. For me it’s a word count of 1200-3000 words a day, when I’m working on other jobs and 3-5000 words a day when I’m not. I also set goals to do a certain number of scenes or a chapter each day. Sticking to it, the work gets done. Not sticking to it, and pretty soon I’ve gone weeks with no output.
It’s ironic that the fun part of writing isn’t the task of putting words to paper. Editing and polishing is a lot more fun for me, but the really joyful part is the daydreaming when I think up ideas. I could sit and do that all day, couldn’t you? But making those daydreams work on the page is tough sometimes. Yet in 2008 I decided to write a novel and by the end of 2009 I’d written two. By the end of 2011, I had my first published novel and I already know that by the end of 2012 I’ll have two more published. Imagine what will come in 2013 if I keep working?
Right now I have two half manuscripts to complete and one that is ready for second draft. If I get all of those done this year, and that’s a goal, I will have three more books to sell for 2013 but in addition, I need to write the finale to my Davi Rhii saga which is due to be published in 2013. So I could end up with as many as four books coming out in 2013. That would be doubling my publication output every year. Pretty cool, huh? Even if it doesn’t happen, what a worthy goal, right?
In 2012 I have Davi Rhii book 2, The Returning, coming out, along with 102 More Dinosaur Jokes For Kids, the anthology Space Battles: Full Throttle Space Tales 6, which I edited for Flying Pen Press, and the episodic novel based on a flash fiction series The North Star. I have stories coming out in Tales Of The Talisman and the anthologies Space Battles and Wandering Weeds: Tales Of Rabid Vegetation.
None of this would be possible without the discipline of regularly sitting down to write.
Am I rich yet? No. But in 2010 and 2011 I spent more on writing than I made. In 2012, I have already made 50% of what I spent on writing last year and I still have a bunch of stuff to come out and advances, etc. to receive with only a month gone in the year. That’s what I call progress, the good kind. It can only get better.
This year I am disciplining myself to eat better regularly and exercise at least four days a week. I am getting a used elliptical machine to make sure I have no excuse to not do it. It’ll be staring me in the face and with my e-reader, I can read while I do it. I am reorganizing my grocery shopping to plan healthier meals. Cutting out some of my unhealthy snacking and replacing it with healthier choices. All of this discipline will help me keep discipline high in my writing and other areas of my life. I’m sure my reading goals will be easier met, too. And I’ll bet I can meet that 2013 goal.
So when you think about your writing, ask yourself about your discipline. How does your discipline or lack of it contribute to your writing success? In what ways can you do better? In what ways are you already doing well? Where have you made progress? Where does progress need to occur? Adjust your goals and discipline accordingly. Don’t forget to look at other areas of your life.
I wouldn’t be where I am if I hadn’t started disciplining myself, but I know I can do better. What about you? How’s your discipline? For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog. Bryan is an affiliate member of the SFWA.
I like to post things which are interesting on my Twitter, Facebook, GooglePlus, etc. I do it because they made me think and perhaps others will think, too. I hang with a lot of writers and smart people who like to think, so my assumption is, maybe they’ll find this interesting. Just because I post it doesn’t mean I want to get in a long drawn out debate. GooglePlus allows you to disable comments, a feature I really like. Facebook doesn’t. You just have to block people. So I recently posted something and stated: posting this to make you think. I don’t want to debate it. What happens? Someone takes me on immediately.
Now, ironically, this happened on GooglePlus and I hadn’t turned off comments. I figured, why should I have to? People should respect each other. Well, they don’t. And you know, that’s pathetically sad. It indicative of a general cultural problem which has divided our country and our world.
Why do people feel the need to attack everyone they disagree with? I have friends who cross the spectrum of beliefs from gay to straight, religious to Atheist to Agnostic, African to American to Mexican to Brazilian, none of whom are the same and none of whom believes exactly as I do. I don’t go attacking them every time they post something. I respect their right to disagree. If they want to disagree, fine. But personal attacks are so common. Why? I thought we treasured free speech and individualism in this country? Why is everyone so threatened?
I’m not asking why everyone is angry. I’m furious at being constantly disrespected for what I believe. I am furious at being called a bigot and all kinds of things by people who stereotype a group some of my beliefs align me with and generalizing that I must be like the most extreme members of said group. They don’t know but they assume. And it’s infuriating. It’s insulting. I feel bullied. I have always marched to a different drummer. I resent being told I’m just like everyone else because, frankly, I try really hard not to be. I work at it.
So why do we have such a hard time respecting other people today? I don’t have the answer, but I can tell you this much: it often seems like civil conversation is impossible these days and it’s unpleasant to live in a world like that. I think we can do better. I think we should do better. I think it’s worth the effort. And I wish more people agreed and would make the effort. Because the guy who did this to my post tried to force a discussion I said I didn’t want to have. And although I like and respect this person, I feel beaten up and disrespected by his actions. I feel bullied. And that’s not a good feeling.
Recent press coverage of Bryan, The Worker Prince, and the free signing from 1-4 pm on Saturday, February 4th, 2012 being held at Hastings, 1900 W. 23RD, Lawrence, KS 66046, can be found at 