Well, at least for me, one of the biggest Conventions of my year has arrived: Convergence, which is being held in Bloomington, Minnesota, Independence Day weekend, Thursday through Sunday July 5-8. This Con has been around for many years and now occupies multiple hotels. There are tons of invited guests, including Scott Lynch, Elizabeth Bear, Bonnie Burton, Lyda Morehouse, Tamora Pierce, Paul Cornell, Lynne M. Thomas, Ruth Berman, Steven Brust, and little old me. And yes, there are a few current Hugo nominees included there. The full schedule can be found here. But here’s my schedule. I’ll also be at the Infinite Diversity Dealer Table selling my book along with collectibles and other items. I had great hopes that this would also be the first Con at which my latest novel, The Returning, will be available, so I’m excited to launch it personally out into the world after its trying journey. But books are printing and ship Monday so it’s looking doubtful to my frustration. Don’t even have a copy to show anyone yet. Fingers crossed that I get a pleasant surprise before I leave.
Friday, July 6th, 2012
10:00-10:55 Dealer’s Room
11:00-12:00 Autograph Table-Signing
Panelists: Bryan Thomas Schmidt, Dana Baird, Michael Merriam will be available to sign their work.
12:00-1:00 Dealer’s Room
1:00-2:00 Lunch
2:00pm – 3:00pm @ BloomingtonPanel: Social Networking For Luddites Why would anyone have a Facebook account AND a Twitter account? What is Google Plus anyway and why should you care? How to use social networking as way to *actually* stay connected online. Panelists: Joan Marie Verba, Bryan Thomas Schmidt, Sharon Stiteler, Sigrid Ellis, Ted Meissner
Panel: Keeping The Next Book Fresh How do you keep your writing fresh when it is time to sit down and write the next book or story? Panelists: Bryan Thomas Schmidt, Kelly McCullough, Holly Day, Shannon Ryan, Tamora Pierce
10:00pm – 11:00pm @ Atrium 7Panel: So You’ve Sold a Novel: Now What Happens? Congratulations — you sold your novel. Now comes the hard part: rewrites, editorial comments, cover art, marketing, promotions, and making sense of the royalty statement. Come ask established novelists questions about what happens after the sale. Panelists: Bryan Thomas Schmidt, Michael Merriam, Doug Hulick, Kelly McCullough, Dana Baird
Saturday, July 7, 2012
10:00 a.m. -12 noon Dealer Room
2:00pm – 3:00pm @ Atrium 7Panel: The Importance Of Strong Heroines Damsels in distress used to be the mainstay trope of SFF but now stronger heroines are not only in demand but even common. Why is it important to avoid stereotypes in writing women characters? Are there any limitations? What are the pitfalls? Panelists: Bryan Thomas Schmidt, Catherine Lundoff, Tamora Pierce, Dana Baird, Kathy Sullivan
3:30-3:55 Dealer’s Room
3:30pm – 4:30pm @ Cabana 201Reading: Bryan Thomas Schmidt Bryan Thomas Schmidt, author of The Worker Prince reads from his own work, including his new novel The Returning.
4:30-6:00 Dealer’s Room
6:00-7:00 Dinner
8:30pm – 9:30pm @ Atrium 3Panel: The Importance of Faith In Fiction Lust, greed, anger, revenge are all common motivators seen in fiction, but in the real world, faith is often just as strong or stronger. Why is the power of belief so powerful? How do you incorporate it in worldbuilding? Panelists: Bryan Thomas Schmidt, Caroline Symcox, Emma Bull, Veronica Cummer, Steven Jones
10:00pm – 11:00pm @ Atrium 8Panel: The Evolution of Heroes Heroes have evolved from larger than life good guys who are perfect to dark, imperfect anti-heroes and somewhere in between. What brought about the changes? What kind of heroes do you like? Where do you see heroes evolving in the future? Panelists: Bryan Thomas Schmidt, Michael Scott Shappe, Kelly McCullough, Mark Stegbauer, Daren Johnson
Sunday, July 8, 2012
9:30am – 10:30am @ Atrium 8Panel: The Christian Roots Of Modern Fantasy Carroll and MacDonald were clergymen. Chesterton and Lewis were Christian apologeticists. Tolkien was a fervent Catholic and Rowling and Meyer have both discussed the role of faith in their work. What about fantasy has attracted the Christian imagination? Panelists: Bryan Thomas Schmidt, Phillip Andrew Bennett Low, Kristina Halseth, Steven Jones, Caroline Symcox
10:30-10:55 Dealer’s Room
11:00am – 12:00pm @ BloomingtonPanel: Marketing 101-From Your Room Party To Your Own Business Selling yourself isn’t easy. How do you get potential customers to want our product? It is easy but it isn’t always simple. Panelists: Bryan Thomas Schmidt, Romeo Azar, Anjila Olsen
12:00-1:00 Dealer’s Room
I have to hit the road mid-day, but I’ll stick around until early afternoon for sales, signing, etc.
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured in anthologies and magazines. He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA and is currently working on his first epic fantasy trilogy, the middle grade chapter book series Abraham Lincoln: Dinosaur Hunter, and the third Davi Rhii book.
I’ve been a fan of science fiction since I was in high school, but Green Light Delivery was my first attempt to write a novel-length work in this genre. Of course, any type of fiction is a challenge to do well. But I found that writing science fiction offers special hurdles I had not run into before.
Part of the over-arching challenge of science fiction is what a broad genre it is. When The Hitchhiker’s Guide to the Galaxy and The Gods Themselves are both placed under the same heading, you know you’re dealing with something bigger than any one definition can cover.
Green Light Delivery is humorous. It is also set in an alternative universe, meaning that there are no humans, and never have been. These decisions about its setting brought up even more specific issues I hadn’t considered before I began. And I find, now that I’m well into drafting the sequel, that these were not simply beginner’s stumbles. I’m facing all these hurdles again. Good thing it’s so much fun!
The differently-abled alien. When you create an alternative universe, you need to people it with somebody. Even if you decide there are nothing but robots on your planet, you still need to know what they look like and what they can do. I chose to make the Raralt Planetary Circle (a set of four planets) be the home for many different species. Nice, I thought. So very Star Wars, I thought. But once I got rolling, I realized that inventing a creature and using it in fiction are two very different things. As I wrote scenes, I found that I couldn’t remember what all the different characters were shaped like. I wanted one to shake hands—or does he have flippers? Or neither? I wanted one to sit down—but how tall is she, and does she bend down into the chair or climb up into it? I wanted one to talk—how many mouths does it have, and where on its body are they situated?
It wasn’t such a big deal to keep track of the main characters’ physical attributes, but the secondary folks drove me crazy. The only answer was to keep a list.
What was his name, again? A list was also essential for naming. Most experienced authors have mixed up their characters’ names at some point. They call Amy by her best friend Sue’s name for three pages in the middle of Chapter Six, and their beta reader spots it. No biggie. With an alternative universe, I wanted the names to sound other-worldly. I love making up names by gluing phonemes together. I can do that all day. But five paragraphs later, I can’t remember the new guy’s name. I mean, not a clue. And forget about asking beta readers to keep track of this stuff. These people have jobs.
Moniker confusion was a problem not only for characters, but also for places, brands, holidays, and any other element of society that might be labeled with a proper noun. I made a very big, complex list. And now that I’m writing the sequel, I keep having to refer to the Green Light Delivery list so the details are consistent.
Just how humanoid? If there are no humans, how can the reader relate to the characters?
Of course, the characters must be driven by human desires and needs, or you won’t have a story. Even if the species are extremely different from humans in both their physiognomy and psychology, they must know happiness, sadness, fear, jealously, wrath, love, lust…and I would add humor, too. It doesn’t matter if the specifics are unfamiliar to the reader, as long as the motivation makes sense.
A closely related issue is that of human-language (in my case, English) and human-concept terms for various measurements. Do you have days and weeks, or make up some other delineation of time? Do you have hours and minutes? Miles and feet? Pounds and tons? In Green Light Delivery I found myself avoiding mention of specific measurements whenever possible rather than embellish the invented culture to that degree. Asimov and Roddenberry might not approve, but I needed to complete the manuscript.
Drawing on an eclectic background that includes degrees in classical languages and musicology, Anne E. Johnson has published in a wide variety of topics and genres. She’s written feature articles about music in serials such as The New York Times and Stagebill Magazine, and seven non-fiction books for kids with the Rosen Group. Nearly thirty of her short stories, in various genres and for both children and adults, can be found in Underneath the Juniper Tree, Spaceports & Spidersilk , Shelter of Daylight, and elsewhere. The humorous, noir-inspired Green Light Delivery (Candlemark & Gleam) is her first science fiction novel. She is also a children’s author. Ebenezer’s Locker, a tween paranormal mystery novel, was recently published by MuseItUp. Her tween medieval mystery, Trouble at the Scriptorium will be released by Royal Fireworks Press in August. Anne lives in Brooklyn with her husband, playwright Ken Munch. Her website is http://AnneEJohnson.com.
Recently I’ve been copyediting The Very Best Book Of Baby Names by Barbara Kay Turner, and it’s gotten me thinking a lot about naming characters. Character naming is an important consideration for many reasons. One, you want memorable names which stick with readers for a long time. Two, you want names that are decipherable by readers’ minds i.e. names they can sound out mentally somehow. Three, you want names that make sense in the culture and world and follow some sort of decipherable pattern or at least seem to fit together as classes based on people groups, etc. Four, names can have symbolic meanings which play a role in defining characters. Sometimes the formality or informality of it is important. A character who calls another by a nickname is assume to have a closer relationship with that character than another person who uses the formal name. I’m sure I could list other considerations.
I’ve posted on naming considerations before in Write Tips here, but what a great resources this naming book has turned out to be. I highly recommend the purchase of it or one like it by all authors. Delabarre Publishing is coming out with an ebook version of Turner’s book very soon, for example.
The beauty of books like this is that they examine names based on a number of helpful factors: genetic appropriateness, tradition, popularity, cultural origins, spellings, usages, etc. They dig into how names are created and used and all sorts of considerations which many authors might not even consider in choosing names. Names can be a way to say a whole lot with very few letters: about your character, your world, etc. There’s so much to think about when writing a book. Some authors spend years considering every little detail, others make decisions quickly and move on to the work of prose. There’s no wrong or right if it works in the end, but internalizing some of this information can add depth to your choices and weapons to your arsenal which will improve your writing and the reading experience for readers of your work.
Here are some examples of charts which could be useful from Turner’s book:
Traditional Boys’ Names (Western world)
Aaron
Adam
Alan, Allen, Albert
Alexander
Andrew, Drew
Anthony
Arthur
Benjamin
Bradley
Brian, Bryan <—- For some reason, I’m really attached to this one
Bruce
Carl, Karl
Charles
Christopher
Colin
Craig, Greg, Gregory
Curtis
Daniel
David
Dennis
Derek
Donald
Douglas
Edgar, Edward, Edwin
Eric, Erik
Ethan
Eugene, Gene
Evan
Frank, Francis
Gabriel
Garrett
George
Gerald
Grant
Henry
Ivan
Jacob
James
Jared
Jason
Jeffrey
Jeremy
Joel
John, Jonathan
Jordan
Joseph
Joshua
Julian
Justin
Keith
Kenneth
Kevin
Lawrence
Louis
Luke
Mark
Martin
Matthew
Michael
Mitchell
Nathan
Nathaniel
Nicholas
Oscar
Patrick
Paul
Peter
Phillip, Philip
Preston
Randall
Raymond
Richard
Robert
Rodney
Roger
Ronald
Ross
Russell
Ryan
Samuel
Simon
Spencer
Steven, Stephen
Stuart
Theodore
Thomas
Timothy
Trent
Victor
Vincent
Walter
Wayne
William
Zachary
Traditional Girls’ Names (Western world)
Abigai
Adrienne
Alexandra, Alexis
Alice, Alison, Allison
Amanda
Andrea, Ann, Anna, Anne
Barbara
Brenda
Brooke
Candice, Candace
Carol, Carole
Carolyn, Caroline
Catherine
Christine, Christina
Claire
Claudia
Cynthia
Danielle
Deborah, Debra
Denise
Diana, Diane
Elizabeth
Emily
Erica, Erika
Evelyn
Gabrielle
Hannah
Helen
Irene
Jane, Janet
Jessica
Joanne, Joanna
Josephine
Judith
Julia
Justine
Karen
Katherine, Kathryn
Kristen, Kristin
Lara, Lora, Laura, Lauren
Linda
Lindsey, Lindsay
Margaret
Marie, Maria, Mary
Martha
Mercedes
Melinda
Miranda
Natalie
Nicole, Nichole
Olivia
Pamela
Patricia
Priscilla
Rachel, Rachael
Rebecca
Renee, Renae
Roberta
Ruth
Sarah, Sara
Sharon
Stephanie
Susan
Sylvia
Teresa, Therese, Theresa
Veronica
Victoria
Virginia
Okay, those are pretty standard for those of us in the Western World, but they are recognizable and probably frequently jump to mind. What if you want something more exotic or a better mix? How about international names with variant spellings? Some were included on the above list and some were not:
Henry, Einri (English, Gaelic); Henri (French); Enrique/Enrico (Spanish/Italian); Hendrik/Heinrich (Scandinavian/German); Henrik (Slavic)
James, Jacob, Seamus (English, Gaelic); Jacques (French); Jaime/Giacomo (Spanish/Italian); Jakob (Scandinavian/German); Yakov (Slavic)
John, Sean, Shaun, Shane, Ian (English, Gaelic); Jean (French); Juan/Giovanni, Gianni (Spanish/Italian); Jon, Johan (Scandinavian/German); Jan, Ivan (Slavic)
Joseph, Ioseph (English, Gaelic); Josephe (French); Jose/Giuseppe (Spanish/Italian); Josef (Scandinavian/German); Josef, Jozef (Slavic)
Nicholas, Nicol, Nicolas (English, Gaelic); Nicholas (French); Nicolas/Niccolo (Spanish/Italian); Niklas, Nikolaus (Scandinavian/German); Nikolai (Slavic)
Paul, Pol (English, Gaelic); Paul (French); Pablo/Paolo (Spanish/Italian); Poul, Pavel (Scandinavian/German); Pavlo, Pavlik (Slavic)
Okay, not exotic enough? How about some African names then:
African Names for Girls
Ada (Nigerian) “First daughter.”
Adanna (Nigerian) “Her father’s daughter.”
Aisha, Aysha, Ayeisha (Swahili/Arabic) “Life.”
Alika (Nigerian) “Most beautiful.”
Ama, Ami (Ghanese) “Saturday’s child.”
Amadi (Nigerian) “Rejoicing.”
Amina (Swahili/Arabic) “Trustworthy.”
Ashia (Somali) “Life.”
Aziza (Swahili/Arabic) “Precious.”
Chika (Nigerian) “God is supreme.”
Chinara (Nigerian) “God receives.”
Dalila (Swahili) “Gende.”
Deka (Somali) “Pleasing.”
Folasade (Yoruban) “Honor confers a crown.”
Jamila (Swahili) “Chaste, holy.”
Jina (Swahili) “Name.”
Kalifa, Kalifah (Somali) “Chaste, holy.”
Katifa (Arabic) “Flowering.”
Layla (Swahili) “Dark; born at night.”
Lulu (Tanzanian) “Pearl.”
Marjani (Swahili) “Coral.”
Nadja (Uganda) “Second born.”
Neema (Swahili) “Born in prosperity.”
Ola (Nigerian) “Precious.”
Rasheedah (Swahili/Arabic) “Righteous.”
Sade, Sharde (Yoruban) Short form of Folasade.
Safiya (Swahili) “Pure.”
Shani (Swahili) “A marvel; wondrous.”
Zahra (Swahili) “Flowering.”
Zalika (Swahili/Arabic) “Well-born.”
African Names For Boys
Abdalla (Swahili) “God’s servant.”
Ajani (Yoruban) “Struggles to win.”
Aren (Nigerian) “Eagle.”
Chike (Nigerian) “God’s power.”
Ekon (Nigerian) “Strong.”
Faraji (Swahili) “Consolation.”
Haji (Swahili) “Pilgrim to Mecca.”
Hasani (Swahili) “Handsome.”
Jabari (Swahili) “Valiant.”
Kato (Uganda) ‘Twin.”
Mongo (Yoruban) “Famous.”
Nuru (Swahili) “Born in daytime.”
Omari (Swahili) “God the highest.”
Rashidi (Swahili) “Counselor.”
Salim (Swahili) “Peace.”
Tau (African) “Lion.”
Still not enough? Oh man you people are demanding. Okay, how about creating your own names? Here’s some tools which can help you create names that sound common even if they aren’t:
Basic Name Endings
a, i, ee, ie, y, ye, ia, ea, ae, an, en, in, ian, ien
ann, anne, ana, ahna, anna, ani, anni, anee, ianne, ianna
een, ene, ena, enna, ienne, ine, ina, inda, ita
ele, ell, elle, ella, iel, iell, ielle, iela, iella
ess, esse, essa, eesa, eece, iesa, iessa, isha, icia
ette, etta, iette, iara, iera, ille, ila, ilia
iss, isse, issa, ise, isa, ice, ica, icka, ika oni, onie, ona, onna, iona, ionna, ionne
Name Endings Plus Consonants
bel, bell, belle, bella
chel, chelle, chele, chella
ceen, cine, cene, cina, cinda, coya, cacia
da, die, dee, del, dell, delle, della
dine, deen, dina, dene, dena, dean, deane, dona, donna
I hope this is helpful. Love to hear suggestions in the comments below. For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured in anthologies and magazines. He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.
You know, things don’t always go the way that we expect them to when publishing a book. This week is one of those times.
I expected the print release of my second novel in the Davi Rhii series, The Returning, to be the real highlight of my week. Those plans have now been pushed back a bit because somehow the book’s layout got messed up during the file transfer from my publisher to Lightning Source, our printer and distributor. An attempt was made to quickly correct that but there was not enough time to get it fixed by June 19th for the official release. It appears Barnes & Noble cancelled all pre-orders for print due to this error. The buy links for print copies aren’t up on either Amazon or B&N but the ebook version is up and available for your Nook or Kindle. I heartily apologize for this inconvenience.
I really have been excited to see this book released. I worked hard on my end to come up with a story that you’ll love. It has a great cover by Mitch Bentley, one of his best ever. It got blurbs from some great people like Mike Resnick, Paul Kemp, and Howard Andrew Jones. The reviews have mostly been great. The official online blog tour started May 29th and will run until mid-July. So much work and so many hands have been involved in the process of bringing this book to you and now technology seems to have gotten in the way. It hiccuped in a big, bad way.
I really want readers to have a shot at this book. But I also want it right. It’s important. It matters because you, as a reader, matter. Please know that I want to provide the best quality product possible and am as anxious as anyone to get this out into the world. The print copy should be up and running by Friday, June 29th at the absolute latest. Ebook versions are up now if you enjoy that instead. In the meantime, I have decided to extend the 33% off sale on copies purchased from me here. I appreciate your understanding and patience and your patience shall be rewarded. You will have a good looking, properly produced book. I can promise you that.
As a bonus, copies ordered from me will be signed personally either on the paper copies themselves or via Kindlegraph and can be personalized at your request. In addition, I will send signed bookplates or Kindlegraph signatures to anyone who requests them that buys the books at any other venue as well and this will be done at no charge for buyers of all formats, including Nook.
We appreciate your understanding and patience and look forward to your response to the book very soon.
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and has several short stories featured in anthologies and magazines. He edited the new anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. His children’s book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing. As a freelance editor, he’s edited a novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.
All right, I’m skipping the Write Tip this week because, well, it’s been a long week. Other than having a new book out this week, it’s really pretty much been awful. BUT I did just finish a great read, and I decided it’s so good, I just had to share it with you. In fact, there are several in the same subgenre I recently discovered and want to recommend. So here goes, for whatever it’s worth.
If you’re not familiar with space opera, Max Pax and I discuss it here. And Moses Siregar and I discuss what makes stories epic here. The new series I am so excited about are all epic stories. Several are space operas. A couple more are epic fantasies. These are the kind of books that just grab you and won’t let go. Several were so engaging, I had a hard time pulling myself away to write and live life. They’re that good. So if you’re looking for great summer reads, look no further if you like epic stories.
1. The Expanse by James S. A. Corey. Book 1, Leviathan Wakes, is fantastic. The story of an ex-cop and an ex-military officer who uncover a plot to introduce a dangerous alien protomolecule amongs humans in our solar system, a plot which winds up starting a war between the Outer and Inner Planets with the two men caught in the middle. You want larger-than-life? You get it in handfulls here. From the characters to the setting to the stakes, the authors amp up the adrenaline to give us an edge-of-your-seat action-packed ride that keeps you turning pages, all 561 of them. It’s no wonder this book is up for a Hugo Award this year. One of the best space opera reads I’ve found in ages. And Book 2, Caliban’s War, comes out next week. So the thrill ride is far from over. In fact, one of the two authors (James S.A. Corey is a pseudonym for Daniel Abraham and Ty Franck) told me tonight that there will be six novels. I can’t wait!
2. The Quadrail Quintet by Timothy Zahn. Anyone who knows me knows that Zahn is one of my writing idols. I own all but six of his books, have read half of them so far, and model my action sequences frequently off his own. In fact, I just got to interview him, a real thrill, and that will be posting next week Ray Gun Revival in my ongoing Space Opera SFFWRTCHT interview series there. Zahn is known for single-handedly reviving the Star Wars tie-in novel line and founding the Expanded Universe (in essence) with his Thrawn Trilogy of the 90s, which read like watching Star Wars films all over again (the good ones, the originals). His stuff is so good, he’s been asked back time and again to write more novels and continues to do so. What you may not know is that Zahn had a successful space opera and military science fiction writing career before Star Wars and continues to write excellent stuff in those genres. His Quadrail series is a fine example. Five books about agent Frank Compton and his partner Bayta as they uncover an alien plot to control the universe with mind control. Starting with Night Train To Rigel , the plot they uncover grows more and more complicated and the stakes higher and higher until the last two books, The Domino Pattern and Judgement At Proteus are really almost one book, so linked are their ties. Domino ends on a huge cliffhanger that sweeps us right into Proteus and the series ends with a real bang. Larger-than-life, great action, great world-building, told through Compton’s noirish first person narrative voice, this one is old fashioned space opera for the modern age. NOT to be missed.
3. Michael Flynn’s January Dancer series, which begins with the novel of the same name, took a bit to get into. For one, he uses a medieval storytelling form in a space opera novel, making it a big complex and unusual in structure in ways that took a while to get used to. But once I got used to it, the story captured me with all of its layers. There’s action here as well, but more than that, this story is about political scheming. People are not what they seem, and there are many surprises along the way. January Dancer launches the series with a tale of a mysterious object of power that everyone in the universe seems to want. Up Jim River and the recent In The Lion’s Mouth continue the complex tale. It’s not simple escapism and definitely takes focus and concentration to enjoy fully, but this is rich stuff with rich, well developed characters and a complex world and cultures all coming together in fascinating ways.
4. Alex Cavanaugh’s Cassa series began with Cassa Star and continued in Cassa Fire this past Spring. It’s old fashioned with similarities to Battlestar Galactica, Star Wars and more. The books are connected by character and setting but take place with many years between. Cavanaugh offers plenty of action and intrigue here as well with good space ships, aliens and settings. Not as deep or in depth in some way as far as characters and settings as the others, it’s easy to pick up and get into and thus a really great beach read. This is not meant to belittle or criticize it. I think the goals are different here and the scope reflects that. Plus, unlike the other authors, Cavanaugh is a new author and this is his first series so he’s just getting started and his growth between books is apparent. These books continually get best seller ranking on Amazon and his publicist has cards being handed out in packets all over the place at Cons (I keep running into them). Cavanaugh started out to just write a single book and is now working on the third due to the series’ success. Good, solid escapism fun.
5. The Demon Cycle by Peter V. Brett is one of the most amazing fantasy cycles I’ve encountered in a while. The Warded Man, book 1, had me riveted. I absolutely couldn’t put it down. And I was reading it simultaneously with Leviathan Wakes so that’s really saying something. I was so torn! Brett takes what could have been classic tropes and gets inventive not just with his fantasy settings but his magic system and cultures. He also leaves a lot of unknowns, focusing instead on characters, which leaves questions unanswered and places unvisited for future novels. This series is planned at five books and he’s working on the third. The Desert Spear follows Warded Man, so there’s plenty more to discover. Really powerful, dynamic storytelling from a new author who breaks out of the gate like an old pro.
Okay, so there you have 5 great new epic series, 3 space opera, and the last epic fantasy, which would make great summer reading. If you haven’t discovered them yet, what are you waiting for? You will not be disappointed. And when you finish those, my own old fashioned space opera epic, The Saga Of Davi Rhii, has gotten Barnes & Noble Book Club’s Year’s Best mentions and some really great reviews, including blurbs from Star Wars author Paul S. Kemp, Hugo- and Nebula-winner Mike Resnick and more. I’m told those make great summer reads as well, but as with all of these series, I’ll let you decide for yourselves!
For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured in anthologies and magazines. He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.
There’s something about the release of a second novel that’s really special. Despite having edited an anthology this year, adding another book to the roster, especially in the same series and another original just makes you feel like you’ve proven yourself all over again. Not just a one book wonder, so to speak, but here to stay, it says. And so, with pride, I welcome another paper baby into the world.
Book 2 in my Saga Of Davi Rhii, The Returning follows The Worker Prince in sequence and yet improves on it in many ways. It’s not the coming of age story of the first book, but an all new story with unrelenting action and a thriller feel.
My beta readers all said it was better. And I’m very proud to have three good friends’ endorsements: Mike Resnick, Paul S. Kemp and Howard Andrew Jones as well as positive reviews so far from Functional Nerds, Odd Engine, and more.
Welcome to the world, paper baby number two. I hope your adventure and life takes you places I’d never imagined and I hope we both can enjoy the ride!
For full book info including review links and blurbs, click here.
340 pp · ISBN 978‐0‐9840209‐4‐2 ·Trade Paperback · $14.99 tpb $7.99 Ebook · Publication: June 14, 2012
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured in anthologies and magazines. He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.
Well, this is very hard to write. I hate being anything but positive in energy, and more than that, I hate asking for help. I was raised in a family that helps and gives to others, not the other way around. We’re mostly very lucky and blessed and have always had a lot of blessings some others don’t have.
But the situation is dire. As depression goes, today is one of those days where you feel like you could lay down, go to sleep, and never wake up and the world would be a better place. It’s been a long time since I had a day like this, despite being on depression meds for almost eighteen months. But the burdens of the moment feel so overwhelming.
For those who don’t know, in May 2010, I was laid off/fired from my technical writing job. There were excuses made about work being adequate but no great and not having enough for me to do, but no one could or would provide concrete examples. Up to that point I’d been praised for my work. Some clients friends did some checking and found that the company had financial issues and one of them was providing health insurance, as a small business for their fifteen or so employees. Since my wife’s mental illness issues were flaring and she was on a lot of meds, in and out of the hospital, and having lots of medical appointments, I began to suspect it was more about that liability than my performance. Never had enough to prove so I had to let it go but I was offered a six month severance package and asked to sign a termination agreement to not sue the company now or in the future for anything. This just made me more suspicious.
In any case, I went on unemployment and began honing my resume and looking for work. As of this date, I am still unemployed. Three times I have reached third interview and had the company apologetically tell me they had a last minute hiring freeze. None of those freezes, to my knowledge, have yet been lifted. Twice I was a final candidate and told someone else had a slight edge and was chosen. I worked with many “resume” excerpts through this 26 months on various resumes and kept trying.
In the midst of this, my 18.5 year old cat died. She’d been with me half my life. I’m still getting over it and feeling like I lost both child and best friend.
Then my part time job decided since I was looking for work out of state, they couldn’t wait to see what happened and replaced me. About this time, misfiled paperwork from the full time job messed up unemployment in a cycle that cost us all income from November 2010 through February 2011. Just as we got it reinstated, my wife’s mental illness flared again and she spent the next six months in and out of the hospital. I was forced to commit her against her will multiple times and to file several thousand dollars worth of legal actions to get guardianship just so I could oversee her care. Although she did finally get the treatment needed and turn around, she also decided to divorce me as much for taking away her rights as anything else.
So I spent more money for a divorce and, finally, last Fall, relocated back to Kansas to be near family who could help with the dogs, etc. and to have cheaper cost of living. After going through 2.5 years of hell with very little close support (new city, new friends, not enough established ties so people mostly walked away or kept emotional distance), I finally came back where I at least had strong shoulders to lean on. But try as I have, and I apply to jobs constantly, revise my resumes again as I have, I am still getting nowhere on jobs.
To their credit, Grail Quest Books and Delabarre Publishing have given me some opportunities to both edit, copyedit, and to write kids’ books, etc. This has been good to have, but it’s not enough to get me back to financial stability and it’s also case-by-case, not steady. I still carry the burden of web costs for SFFWRTCHT’s website as well as related materials when the publishers don’t provide them. This includes postage and packaging for giveaways, etc. (You’ll notice we’ve been having less). I do this without complain because I love what I do and am proud to help the SFF community and other authors. But there are costs involved like anything.
This weekend I went to Con-tamination in Saint Louis. They offered me a free dealer table. I stayed with family. I ate most meals free. Just had to pay for gas. Sales were slow and paltry but I did make connections. But I also arrived to discover that somehow my digital camera LCD had been damaged. Then, driving home my engine somehow burned out and has to either be replaced or I may have to get yet another car. This car was bought in February with help from my parents.
My dad and mom are retired. They have been helping us now for 2.5 years and carrying an incredible burden. Several hundred a month to over a thousand when things came up. I was left with significant debt in the divorce, a portion of which they paid to refinance for me. I’ve so far made no payments on that but instead have had to pay on other debt, student loans, etc.
Sum it up by saying, I’m in big trouble here. I am living as frugally as I can. But I can’t cover this car replacement or repair nor a camera and my parents are really overburdened.
So I find myself asking if anyone knows of work or financial aid or anything that might help. It really hurts to ask. But the economy is not getting better. Unemployment benefits may well run out again because I’m on my last extensions. And I’m feeling lost and hopeless as to how to change anything. In any case, if you pray, I appreciate prayers. But if anyone call beyond that bryan.thomas at anchoredmusic.com is my PayPal. Or you can send by Dwolla at yaornw at yahoo.com. It sucks to be in this position but I’ve kept busy doing SFFWRTCHT and helping others promote books, writing, freelance editing, and volunteering even as I search for work. If I was paid for the hours I put in it would be full time. This crisis, unfortunately, is one too many. My second novel releases tomorrow. And I’m getting ready to cancel the next two cons etc. if I can’t get past this and maybe even if I can. I just can’t go on like this. We’re waiting on the final estimate but for a new engine or car it would run $2-4,000. My camera can wait, as I have a film one that functions, but I’ll have to spend $100-150 for that, too, at some point.
Anyway, thanks all for listening. I have nothing to give back other than time and friendship beyond what I already do. There are stories free on my website but I am mid-novels with nothing new to offer as an extra, so I count on your good hearts.
Here’s the cover to the next issue of Tales Of The Talisman, and I got a mention. This is the third short story I ever wrote. Quite excited about it. Very much influenced by my time in El Paso. Editor David Lee Summers is a close friend and I’m excited and honored that he liked it enough to publish it. He as rejected stories from me before and since. “La Migra” is about two cousins from deep in Mexico who cross the U.S. Border at El Paso and get abducted by what they think are border patrol. But then they start to have questions about things going on. And it turns out, they were taken by aliens. It’s a humorous culture clash tale. Written with input from friends on both sides of the border, including Mexicans and an actual Border Patrol agent. Lots of local color in descriptions. Anyway, excited about it and wanted to reveal the cover. Really looking forward to it. Tales has published some great stuff by some great people, including friends like Jaleta Clegg, Jennifer Brozek, and more. Proud to be a part of that family.
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured in anthologies and magazines. He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.
Today’s guest is one of my favorite people, a local friend who’s talented and writes both mystery and speculative fiction as well as poetry. Her debut mystery novel Every Last Secret was published this Spring by Thomas Dunne and tells the story of a college police chief and Cherokee Indian investigating a murder on a college campus. Linda agreed to join us today to talk about writing suspense in Science Fiction and Fantasy. Recently I did a guest post for www.sfsignal.com identifying 15 Science Fiction and Fantasy Thrillers That Are Worth SFF Fans’ Time and mentioned that my second novel,The Returning, book 2 in my space opera epic The Saga Of Davi Rhii, is written like a Ludlum thriller in pacing and surprise plotting, so her topic seems particularly appropriate.
Writing Suspense in Fantasy and Science Fiction
by Linda Rodriguez
Suspense is not only the province of thriller writers, and some of our techniques can be useful to science fiction and fantasy writers. Every novel needs suspense elements to keep the reader turning the page. At its simplest, suspense consists of making the reader want to know what happens next. At its best, suspense is making the reader worry that his beloved protagonist will never reach his overpowering need or goal and what on earth is going to happen next! You will find this kind of suspense in all kinds of good novels. Will Atticus Finch be able to save innocent Tom Robinson’s life in To Kill a Mockingbird? Will Scarlett O’Hara save Tara in Gone with the Wind? Will Paul Atreides be able to become the Kwisatz Haderach to defeat the evil Harkonnens and the Emperor in Dune? There are a number of ways to provide suspense in a story. I say “provide” rather than “insert” because the suspense needs to be integral to the story and not just something added on.
One of the most important ways to increase suspense is to make it clear to the reader at the beginning of the story just what is at stake. It must be something that threatens to devastate the protagonist’s self-image, life or world, and he must be willing to make any sacrifice and go to any lengths to keep this from happening. However, another fine way to keep the reader wanting to know what happens next is to open your story or book deep in the action and explain it later. Although these strategies seem contradictory, they can be combined to add powerful elements of tension and apprehension to the reader’s experience of the book. If you start in the middle of some strong action scene, and then in the next scene or chapter, establish the background of your characters and the situation, you can delineate the high stakes that are involved for your protagonist here. These combined strategies can be used in almost any kind of story.
An alternative to this kind of two-part opening can be a first scene or chapter that establishes the protagonist within her everyday world but buries hints of impending change or danger within these ordinary moments. This is foreshadowing, and it has been misused often, but when the hints are subtle enough (while still being apparent to the attentive reader), foreshadowing can build excellent suspense. Movies have it easier here because they can use the background music to warn the audience that something wicked this way comes. Writers must try to create that same kind of atmosphere with sharp dissonant details and atmosphere.
One of the key ways to ensure that your book has the kind of suspense that keeps the reader saying, “Just one more page,” is to offer the reader the viewpoints of both the protagonist and the antagonist. This way the reader can see the problems the antagonist is planning for the protagonist long before the protagonist is aware of them. The reader can see what the protagonist cannot—that he’s on a collision course with disaster. This is a very powerful tool for suspense in all genres of novels, but is unavailable to those of you with a first-person protagonist-only viewpoint.
In the case of the first-person protagonist viewpoint, you can avail yourself of some of that reader foresight of disaster by stealing a trick of the traditional mystery writer. In the traditional mystery, as opposed to the suspense novel or thriller, the reader is in the dark and trying to figure out what happened and who the villain is at the same time as the protagonist does. Write in details that plant questions in the reader’s mind about the various characters, about what really happened in the past, and about what might happen in the future. Mystery writers call these “clues” and “red herrings.” Clues are actual evidence of what has happened or might happen, while red herrings are false harbingers, leading the protagonist and the reader in the wrong direction. Either of these can increase the reader’s need to know what’s going to happen. All characters have some secrets, even from themselves. Something that reveals one of these secrets, perhaps one that someone has lied about, will build suspense. When using clues and red herrings to increase suspense, keep the ratio of clues to red herrings high in the favor of real clues to keep from annoying the reader.
Another way to use clues is to plant some detail that brings uneasiness but is made to seem innocuous at the time. Later, this detail will turn out to be an important harbinger of some violence or problem. This stems from Chekhov’s gun on the wall which must go off before the play is over, or Brian Garfield’s famous dictum—“Plant it early. Pay it off later.”
A great technique to ratchet up tension in a book or story is to use a deadline. Time becomes the enemy and is working for the villain in this technique. The bomb is ticking and our heroine must find it and disarm it while that clock on it is inexorably ticking down to explosion and other obstacles are thrown in her way inevitably slowing her down. It needn’t be an actual clock or bomb, and it needn’t be minutes counting down to disaster. It could be years if we’ve been given a large enough view and long enough timeline at the beginning of the book, perhaps with a genetic time bomb ticking away.
Suspense is always present when the reader knows the protagonist is fighting seemingly overwhelming odds. The reader wants to see him stretched to the breaking point as he tries to prevent the feared disaster (remembering that this is a disaster in the protagonist’s eyes, not necessarily a “blow-up-the-world” disaster). Your character must learn new skills, access new abilities, overcome old flaws in ways he never thought he could in order to save the day. This kind of determination will keep the reader turning pages to find out what happens to him next.
We’ve seen how important the protagonist’s character is to reader suspense. He or she has to be earning the reader’s backing. But the antagonist’s character is just as important for true suspense. The antagonist must be worthy of the hero and capable of providing clever and devilish problems for the hero that will really stretch the protagonist. Unless you’re doing first-person narration by the protagonist, allow the reader to know the antagonist’s motivation and make it strong, so the reader will believe that he’s dedicated to what he’s doing to undermine or destroy the protagonist. If your story is a first-person protagonist narrative, once again you can attempt to let the reader know the villain’s motivation through dialogue overheard or another character telling the protagonist or some other bit of news that will tell the reader why the antagonist is determined and just how very determined he is.
An important but often overlooked way to ratchet up tension and suspense is to allow daily life to throw extra obstacles in the protagonist’s way. She’s trying to get to the old house where her child’s been left by the bad guy before the flood waters drown the kid, but it’s rush hour and there’s a huge accident and traffic jam, or she runs out of gas on the deserted creepy road to the house, or the flood waters have brought out alligators or poisonous snakes, or the street she needs to take has been blocked off for road repairs, or her ratty old car that she can’t afford to replace refuses to start, or… None of these are things the antagonist did, but they impede her nonetheless. This technique also has the positive effect of increasing reader identification with the hero. The reader knows what it is to be in a hurry to get somewhere important and encounter a traffic jam or blocked-off road. It also helps with the writer’s most important goal—verisimilitude. We all want to make our story-world become so real to the reader that he will never wake from the story-dream.
Suspense is a technique every writer can use. It’s a matter of creating a steam engine with no whistle, so that the steam builds in pressure, and at any time there could be an explosion. As a writer, in a thousand ways, great and small, your job is to keep turning up the heat under that engine.
In my own mystery-suspense novel, Every Last Secret, I can show some of these techniques right in the jacket copy. I’ll bold them. Marquitta “Skeet” Bannion fled a big-city police force and painful family entanglements for the peace of a small Missouri college town and a job as chief of campus police. Now, the on-campus murder of the student newspaper editor who traded in secrets puts Skeet on the trail of a killer who will do anything to keep a dangerous secret from being exposed. While Skeet struggles to catch a murderer and prevent more deaths, a vulnerable boy and ailing father tangle family responsibilities around her once again. Time is running out and college administrators demand she sweep all college involvement under the rug, but Skeet won’t stop until she’s unraveled every last secret. Secrets, high stakes, motivated and strong antagonist, overwhelming obstacles, everyday difficulties, a deadline, and dedicated protagonist.
You might take your book’s synopsis/summary and try bolding or underlining all the various techniques of suspense you find in yours. If you only find one or two, perhaps you’ll want to rethink your story so it will include more elements of suspense to keep your readers turning the page.
Thanks, Bryan for having me here today. I’ll be happy to answer any questions anyone might have. Suspense is one of those fundamentals with lots and lots of different applications.
Linda Rodriguez’s novel, Every Last Secret, won the Malice Domestic Best First Traditional Mystery Novel Competition, was a Barnes & Noble Mystery Must-Read, and was a selection of Las Comadres National Book Club. Julia Spencer-Fleming, New York Times bestselling author, said, “Every Last Secret is a triple crown winner; superb writing, hell for leather plotting and terrific characters.” Criminal Element said, “Every Last Secret by Linda Rodriguezis a dark, twisty, turny tale of love, lies, loss, and murder on a quiet college campus.” Publishers Weekly said, “Fans of tough female detectives like V.I. Warshawski and Kinsey Millhone will be pleased.” As a poet, she has won the Thorpe Menn Award for Literary Excellence, the Elvira Cordero Cisneros Award, and the Midwest Voices and Visions Award. She blogs about books and writers at www.LindaRodriguezWrites.blogspot.com, reads and writes everything, including science fiction and fantasy, and she spends too much time on Twitter as @rodriguez_linda. Every Last Secret can be obtained at http://www.amazon.com/Every-Last-Secret-A-Mystery/dp/1250005450.
Since I am doing a guest Write Tip at Elizabeth Spann Craig’s Mystery Writing Is Murder Blog today, I didn’t want to post another Write Tip here. I’ll have a new one Thursday instead. But I did invite Leah Petersen to guest with a funny post on Punctuations and Personality! Her follow up post to this on Grammatical Error Personality Types can be found at her blog here.
Your Punctuation Personality Type
by Leah Petersen
A recent (totally made up) scientific study analyzed what your favorite punctuation mark means about you. Every writer, every person, over-uses and abuses at least one punctuation mark. Here’s what your particular weakness means about you:
Period (.): Type A personality. You are decisive and clear. You have no difficulty with setting limits. Often a stodgy person that no one else thinks is any fun to hang out with. You tend to be good with technology and have the latest gadgets.
Comma (,): The peacemaker. You like to help others, and you get along with everyone. You like to make sure people understand each other. You like clarity as much as the Period type, but, unlike him, you don’t subscribe to the “less is more” theory. You believe more information is better than not enough. For this reason you sometimes confuse others and can become tiresome. But, in general, you’re fun, or at least tolerable, to be around. If not, you can make people think you are.
Exclamation point(!): You are excitable and anxious. You don’t self-censor well and think that your opinion always matters. You use italics a lot in written communication. You get nervous easily and are often too loud. You’re either an overly-affectionate or a mean drunk. You’re fun at parties.
Question mark (?): Indecisive and uncertain. You over-analyze. You may be shy and have low self-esteem. People usually have no idea you’re there.
Colon (:): You like things to be well-delineated. Much like the Period type, you like order. You make lists. People always know where they stand with you. You usually get asked to organize the office parties and school functions.
Semi-colon (;): You’re well-read and urbane. You knew where this was on the keyboard before it became part of the winky emoticon. You’re more easy-going than Colon or Period types, but you’re still put together and usually organized. People are comfortable around you and tend to like you, though they may not be able to say exactly why.
Hyphen (-): You like having fun. You are often creative and are very social. You like throwing parties, though you may call on your Colon type friends to organize them. You’re more likely to be impulsive and throw unlikely things together. No one would be surprised that your decor is shabby-modern or artsy-classic.
En-dash (–): If you knew this was a different mark than the hyphen, you are way too into punctuation. You’re either an editor or a schoolteacher, or else no one likes you. At all.
Em-dash (—): You’re stuck up and pretentious. You correct people’s grammar and complain about how stupid kids are these days. You like to show off. You made good grades in school and perform well at work. Your boss loves you, even if your co-workers don’t.
Parentheses ( () ): You’re scatterbrained. You throw things together at the last minute. You’re often hopping back and forth between different tasks and think you’re multi-tasking. You tend to bore people with your stories because you think every detail is important and you repeat yourself. You are often sarcastic but are good at making other people laugh, often at someone’s expense. (Including your own.)
Ellipses (…): An indecisive and flighty person. You lose your train of thought easily. You are a follower and like to let other people take the risks. You often misplace your keys or spend ten minutes looking for the glasses you’re already wearing.
Apostrophe (‘): You’re casual and carefree. You’re always the one who has random things in your purse or glove compartment that no one else would think to carry around but somehow you end up in situations where it’s a good thing you had that thumb-tack on you. You have lots of friends, usually without really trying. People just like you.
Quotation Mark (“): You aren’t very original. You tweet famous quotes a lot. You are nosy and like to gossip; mostly because you don’t have anything of substance to add of your own. People like to hang out with you for a coffee break but don’t really consider you a friend.
Slash (/): You’re a complicated and complex person. You can be secretive and have a hard time trusting people. You like to keep your options open. You’re the respectable housewife your friends will be shocked to see coming out of the S&M club.
Brackets ([ ]): You are snobbish and self-important. You are likely to use these to add “[sic]” to other people’s comments. You have no friends and probably have a “kick me” post-it on your back right now.
Asterisk (*): Nothing is ever final with you. You can justify anything and have an excuse for everything. You would make a good lawyer. People either find you entertaining, or really boring, because you know lots of random trivia.
Ampersand (&): You like stuff. You collect things and are a packrat. You’re friends with everyone, whether they know it or not.
At symbol (@): You’re very social, sometimes overly. You’re the one who always takes a phone call in the middle of a conversation. You also spend way too much time online. Go get some fresh air. Taking your iPhone out on the porch doesn’t count.
Hash/pound (#): Much like the @ type, you’re online too much, but, unlike @ types, in real life you have few friends and are reclusive. Before the internet, you called customer service lines just to have someone to talk to.
Bullets (•): You have OCD.
Leah Petersen lives in North Carolina. She does the day-job, wife, and mother thing, much like everyone else. She prides herself on being able to hold a book with her feet so she can knit while reading. She’s still working on knitting while writing. Her first novel, Fighting Gravity, a science fiction romance with same sex themes is available now from Dragon Moon Press. The story of Jacob Dawes and his relocation from the ghetto to the Imperial Intellectual Complex, where he is expected to benefit the Empire with his genius, the book examines social structure and personal improvement as much as the unpredictable human heart. You can read the YA Report review at SFWRTCHT here and an SFFWRTCT interview with Leah here. She’ll be the live chat guest at SFFWRTCHT on 6/27/12. She can be found on Twitter at http://twitter.com/LeahPetersen, via Facebook at http://www.facebook.com/LeahPetersenAuthor, on Goodreads at http://www.goodreads.com/leahpetersen, via Google+ at http://profiles.google.com/leahpetersen or at www.leahpetersen.com.
Well, at least for me, one of the biggest Conventions of my year has arrived: Convergence, which is being held in Bloomington, Minnesota, Independence Day weekend, Thursday through Sunday July 5-8. This Con has been around for many years and now occupies multiple hotels. There are tons of invited guests, including Scott Lynch, Elizabeth Bear, Bonnie Burton, Lyda Morehouse, Tamora Pierce, Paul Cornell, Lynne M. Thomas, Ruth Berman, Steven Brust, and little old me. And yes, there are a few current Hugo nominees included there. The full schedule can be found here. But here’s my schedule. I’ll also be at the Infinite Diversity Dealer Table selling my book along with collectibles and other items. I had great hopes that this would also be the first Con at which my latest novel, The Returning, will be available, so I’m excited to launch it personally out into the world after its trying journey. But books are printing and ship Monday so it’s looking doubtful to my frustration. Don’t even have a copy to show anyone yet. Fingers crossed that I get a pleasant surprise before I leave.
Panel: The Evolution of Heroes
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured in anthologies and magazines. He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited a novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA and is currently working on his first epic fantasy trilogy, the middle grade chapter book series Abraham Lincoln: Dinosaur Hunter, and the third Davi Rhii book.
