This review is from: The Worker Prince (Paperback)
This book was a bit of Moses’ story set in space minus the direct supernatural intervention of God. The Worker Prince was both creative and imaginative taking a Biblical story and reworking it into a similar but not identical plot. The author kept the idea of a people belonging to God, but took the spiritual aspects down a notch by placing his slave raised prince character at the center of the conflict, rather than making God the primary character.
Overall, I enjoyed the book. It wasn’t a “keep me up at night can’t put it down” novel, but it was good. As with many new authors I found that I never lost the narrative voice of the author so I never truly lived inside of the story. This left me feeling as if I was watching it unfold from the outside and it made me consider whether this book wouldn’t have made a better movie than a novel. I personally think that visualization on screen would do much to help the sometimes flat and dictionary life descriptive explanations come alive.
I did think that the author did an excellent job of helping his readers understand the background and motivation of his characters. I also appreciated the fact that I never lost track of the plot line as the author kept it moving steadily forward.
As I mentioned above, the religious elements of the story were toned down so that if you weren’t familiar with the story of Moses you might never guess that this story drew heavily from a Biblical narrative. I did find it disheartening that the author used a phrase that took God’s name in vain twice, just pages from where he spent a couple of paragraphs contrasting the personal God of the workers to the gods that he grew up with. I know that it is a commonly occurring phrase in our culture and many people may not take notice of the exclamation, but I personally was still saddened to find it in this novel.
Star Rating:
Characters: 5
Plot and pace: 5
Descriptive Voice/Writing style: 3
Overall rating: 4 stars
I am certain that the author will continue to develop his writing style as he receives feedback from his audience and I look forward to seeing how he will grow as a novelist as he continues to gift us with further creative and imaginative tales like The Worker Prince.
I received a free digital copy of this novel in exchange for my honest opinion.
It rarely happens. While NetGalley is a goto place now for reviewers and others to get advanced looks at forthcoming books, it’s also expensive and thus, dominated primarily by bigger publishers and authors who have the cash to spend on it. Color me surprised when, in July, I was given a special one time opportunity to get my debut novel, The Worker Prince, listed there. While the listing is for around a month only, it’s a great chance to have a book named Honorable Mention by Barnes & Noble Book Club’s reviewer Paul Goat Allen on his Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 out to more reviewers and, thus, more readers.
Within five minutes of the listing going live, we had five requests already. The listing can be found at http://netgalley.com/PopupHandler.php?module=catalog&func=galleyTitleDetails&projectid=19576 and is available in various ebook formats from .mobi and .epub to pdf and palm. Members of NetGalley simply need to search for it by name, click the More Info or Read Now links and then request their copy. It’s that simple. And as soon as my publicist sees it, she’ll approve it and you’ll be allowed to download it and read it. Of course, we’re hoping you love it, but regardless, please review it. Not just at NetGalley but at Amazon, Barnes & Noble, Goodreads and Library Thing. Why? Not just because I’m asking or out of guilt for a free copy, but because without reviews, authors and books like me and mine won’t survive. The number of reviews increases the number of people who find the book in searches, and also let’s them know a lot of people are reading it, giving them some idea of outside perspective on what it’s about and whether it’s worth their time, and that word of mouth, above all, is what sells books.
So, if you enjoy reading and free books, won’t you please consider taking advantage of this unique opportunity? The Worker Prince has been frequently compared to Star Wars: A New Hope. People say it captures the feel of the original Star Wars. It’s been compared to pulp and classic old fashioned space operas like Heinlein’s Starship Troopers or the Jason January tales. And it’s garnered praise from authors like Brenda Cooper, Maurice Broaddus, Mike Resnick, David Lee Summers and more.
Here’s the teaser:
What if everything you thought you knew about yourself and the world turned out to be wrong?
For Davi Rhii, Prince of the Boralian people, that nightmare has become a reality. Freshly graduated from the prestigious Borali Military Academy, now he’s discovered a secret that calls into question everything he knew about himself. His quest to rediscover himself brings him into conflict with his friends and family, calling into question his cultural values and assumptions, and putting in jeopardy all he’s worked for his whole life. One thing’s for sure: he’s going to have to make decisions that will change his life forever…
It’s a space western fantasy, epic space opera with great action, space battles, family drama, political scheming, and a bit of romance. Based in part on the Moses story, but also original and takes off from that story into different directions. It’s family friendly and has been enjoyed by 8 year olds and readers in their 70s. It’s 326 pages, trade paperback at $14.95. Released October 4, 2011 from Diminished Media.
I think this is an exciting opportunity for us both. I hope you’ll agree. And if you like it, book 2 is out, too.
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and several short stories featured in anthologies and magazines. He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.
Okay, this isn’t the usual steps process for sure, but I still think it’s appropriate for a write tip. A few months back I posted about the power of diligence quoting from a Steve Martin interview with Charlie Rose where the comedian/actor talked about how importance diligence has been to his success. Pretty much everyone in the entertainment/media business I’ve met who’s had a career of more than a decade has mentioned the importance of diligence to me, and, in an age where e-publishing has become the rage and feeds our cultural fixation with instant gratification, I think a reminder about diligence is important. In fact, the key lesson is in bold later in this post, but first a little about how diligence has paid off for me.
I started writing fiction prose in summer 2008 with a love story about a divorced couple who fall in love again. My first novel started as a novella then grew. I finished it at around 65k words but it sucked. Or at least, it was’t ready for prime time. So, I went back to school, reading, studying craft, learning, practicing, and about a year later, I started writing my first science fiction book–a Moses-inspired space opera I’d dreamed up as a teen. The Worker Prince, as it’s called, was my debut novel, released in October 2011 and made Honorable Mention on Barnes & Noble Book Club’s Year’s Best SF Releases of 2011, quite an honor for a micropress book. Sales are steady but slow and I’ve earned back my advance or am close at around 650 copies. Book 2, The Returning, came out last month and now I’m writing Book 3.
But those novels are far from the only thing I”ve had going on. In 2008, when I started writing fiction, I knew no one writing books besides an old friend, a historian named Leon C. Metz. Now Leon is no slouch. He’s published over 20 books on history, his most famous being a biography of John Wesley Hardin, famous gunfighter. But I didn’t know anyone in science fiction, had never been to a convention, had not taken writing workshops and no one knew who I was.
Now, to be fair, I had been writing nonfiction, screenplays and plays for twenty years, since high school. I’d had some limited success with a script in development at Disney that never got made and a couple of co-written produced plays. I’d sold some nonfiction articles to magazines and such. And I’d had devotionals published. But still, I was unknown in most regards, particularly in the area of fiction books and especially in science fiction and fantasy.
But as I met writers, Ken Scholes being one of the first and I met him on Facebook after reading his wonderful Lamentation, they always talked about how important it was to write every day. If you get stuck, write anyway. If you’re frustrated, try something else i.e. switch projects for a bit or give yourself permission to write crap just to get words down and exercise the writing muscles. As my friend and fellow novelists John A. Pitts says: “Concert pianists at the height of fame have to practice every day, why shouldn’t writers?” And that’s the truth of it.
So I wrote. I worked on a few novel ideas. I wrote a lot of short stories. And I rewrote The Worker Prince, also starting two fantasy novels, including Duneman, which is in beta reading right now and will hopefully land me an agent and traditional publisher later this year. The main thing was that I wrote, continued studying craft, read a lot, and started going to Cons to meet writers and others. Now, I have a huge network of contacts and friends, and looking at my Goodreads and Amazon author pages, there are 7 titles listed. By the end of the year, there will be 8 and maybe 9. Of those, only 2 are self-published: The North Star Serial, Part 1, which collects a series of flash fiction episodes I wrote for Digital Dragon Magazine and Rivalry On A Sky Course, which is an ebook only release of a prequel story to The Worker Prince which first sold to Residential Aliens before I released it as an ebook. Everything else has been paid for by a publisher and put out, including the anthology I edited and others in which I have stories appearing. (Wandering Weeds comes out any time now.)
What’s my point? Well, I’ve dedicated a lot of time to writing. I’ve treated it like a job, even though it doesn’t pay the bills yet. And I’ll tell you that my total income for writing expenses last year was close to $2000 when you add print cartridges, Cons, travel, paper, supplies, postage, etc. But this year, my expenses are going to be less, but my income should be close to $3000. It remains to be seen and that estimate encompasses four book advances (two pending) and some sales income (still coming in), as well as a few sales, but it’s definitely progress in the right direction. And last year I only attended 3 Cons and 1 Workshop. This year I have attended 4 Cons with 2 more planned, done 4 signings so far and have 4 more planned–all of which involved at least some travel (shortest 10 minute drive, longest airplane, including a couple 6+ hour drives). What’s my point?
I am acting like a full time writer even though I am not one. I am also spending several hours a week on blogging, social media marketing, networking, promotion and reading and running #sffwrtcht (Science Fiction and Fantasy Writer’s Chat, Wednesday at 9 pm EDT on Twitter). I typically spend 2-3 hours a day writing, 2-3 editing (mostly for other people) and 2-3 on blogging and social media, plus any other work I need to do. (I am seeking full time employment and do freelance gigs from time to time.) Once I get a full time job, my goal will still be to do the 6-9 hours a day devoted to my writing career.
Why? Because I am getting somewhere, not just with the earning income progress but with the amount of material published. My third Davi Rhii book will come out sometime next year and I hope to sell a couple more novels, including Duneman. My first kid’s chapter book is going to come out this Winter (late 2012 or early 2013). I just got asked to do more joke books after my first released today which means nice advances, and I have a celebrity bio contracted, two half novels done, and several short stories, including 10 more North Stars to finish the cycle left to write.
constant and earnest effort to accomplish what isundertaken; persistent exertion of body or mind.
So if your passion is writing, storytelling, etc., be diligent. Make the effort to do what you love and follow your passion. Treat it like work, without discipline it won’t happen. But know that if you have the talent and you apply the work to it, things will happen. After all, talent is like 2×4 boards, it takes some tools, nails, effort, etc. to build something with it. But it can be done and will be done if you’re diligent. You may not get rich. You may not become that famous. But you will become very satisfied and you will have a body of work that shows you’re more than just a person who dreams of being a writer. You’ll be a real, published writer, and whether that ever pays my bills fully or not, to me that’s saying something.
For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and several short stories featured in anthologies and magazines. He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. As a freelance editor, he’s edited novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.
