Author: Bryan

Why I’m Not A Fan of FanFic

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My take on fan fiction:

This past week I saw a blog post where someone pointed to “the real canon of Harry Potter.” Now, I’m not a Rowling fan. I have yet to read any of her books, although I’ve seen a couple of movies based on them. I have heard many people criticize the Rowling books for various reasons, and, in a nation of free speech, that’s your right, of course. But this particular situation took it too far and really riled me up. They implied this fanfic was better than Rowling’s version, the only true version. It was a complete alternate history of HP, told by this fan, who explained herself with diatribes about her issues with it. Boy, do I have an issue with that. And then a few days later, I saw a post about writer whose entire book had been plagiarized almost word for word and posted as fanfic by a person who changed the character names and then even went as far as to make up posts about their challenges during the writing process.

I have never written fanfic and I long ago stopped even attempting to read it. Like many, I sought out fan fiction as a way to get more time with characters and in worlds I’d fallen in love with. My hopes were high for a new escape and recapturing all the emotions I felt when I read the original. Unfortunately, I found that most fanfic is a poor imitation. Are there talented writers writing fanfic? Yes. But it’s not my point that no talent exists in the pool. Some even practice their craft and develop it writing that. I get it. But from quality and style to plotting and other factors, a majority of it, in my experience, just isn’t the same, and, frankly, all too much of it was just not good at all.  But on top of that, I always had doubts because of an inner belief that it’s not legitimate. And although I’ve not written anything popular enough to inspire such imitation, I’ll respond as if I had, because this is pretty much how I’d feel if it happened that way.

Basically, in my mind, fanfic is someone else ripping off a creator’s world and work and twisting it in whatever way they see fit. And that’s not freedom of speech, it’s copyright infringement, plain and simple. Fanfic might be said to be a form of flattery or mockery or criticism, but to me the latter two are more applicable and neither justifies it. You want to critique, write a review. What gives you the right to take a world I or someone else created and make up your own alternate history for the characters? Don’t get me wrong, I’d be flattered if anyone liked my world enough that it inspired them to create. But the flattery stops when they publish something using my intellectual property. It’s mine, not yours. For you to go in and mess with the plots, characters or worlds is disrespectful to my vision along with being illegal use of my intellectual property. Okay, maybe you don’t like how I write it. I don’t care. It’s mine, not yours. And I reserve the right to take whatever legal action necessary to shut you down. No, I don’t care if that alienates you.  Go make your own world and characters. Sell them. Get rich. Get popular. Great. But leave mine alone. You may be a talented writer, but if all you’re doing is writing about someone else’s characters without their permission the implication is you lack the creativity to create your own world.

That being said,  I have a couple of friends who got their start through fanfic.  Both are talented writers, but I respect them on the merit of their own original work, not their fanfic. One is even a bestselling novelist now. I understand fandom and the attachment one can feel to certain properties. I feel that way about Star Wars, Star Trek (to a lesser degree), Majipoor, Narnia, and Middle Earth. I love visiting them over and over and imagining them. I love wondering about characters and various aspects. It can be wonderful fun. But no, that doesn’t change my mind at all. I don’t like fanfic. It’s not a legitimate use of someone else’s intellectual property and never will be. The sole exception is cases where an author sets up a fanfic site and encourages it. Then permission to play is implied by the site’s creation and the official authorized publication. But that fanfic still is just fans playing, not creating canon. And yes, I know it’s established in fandom. So is selling drugs on street corners, which doesn’t make it legal. The established existence of patterns does not make the pattern less of a violation. If I joined a cult and the cult leader was sleeping with young girls and I objected, should I accept his argument that it’s their tradition and I am just ignorant of their ways? And don’t give me the argument about the damage caused by sex v. fanfic. I’m talking about the morality of violating one law v. another. Both are equally violations regardless of consequences even if the law treats them differently in sentencing.

I would think that if you write fanfic on my world and characters, you obviously are impressed with me. You may not like what I did with it, but it’s my right with my property, not yours, plain and simple fact.  I won’t read it, honor it, or in any way attempt to recognize its legitimacy or allow it to influence my writing, worldbuilding or plotting. I will ignore it as if it never existed. If I violate it in every way, I won’t care if you complain your is better. It’s not better. It’s a bastard distortion of the real property I created. It has no bearing on canon. It’s not even related to canon. It’s not real. It’s not true. It’s lies. It’s someone’s attempt to piggyback on my hard work without putting in their own sweat.  I never bothered to invest myself in Star Wars, Star Trek, or other fanfic (I am not talking about tie-in books) because I knew all this already and believed it. So what if it’s good? Why emotionally or mentally invest myself in something Roddenberry or Lucas could turn around and undo in a month? They have the right to decide what happens, and only they do. I want the real story, whether it turns out how I expect or like. Whether they revise it and change it so much it loses its power or not. Yeah, Lucas did a crappy job with 1-3. Yeah he made some changes to the originals I wish he hadn’t. His property. His right. I’ll cherish the memories I have of the original versions. Even save the VHS’ and DVD’s so I can watch them that way. That’s my right. But at least the person whose blood, sweet and brain power originated it is doing what they want. I salute them. If on the other hand, an author, such as S.M. Stirling, chooses to encourage fanfic, that’s their right. I respect that.

I respect fans. I honor their passion. I honor their desire to see more of the characters and worlds they love and their desire to be creative. But at the same time, I think a line is all too often crossed. And their time would be better spent pooling that creative energy and passion into creating stories like they’d like to read with their own characters and worlds than by copying someone else. Oh, I know many will disagree with me, but if they have not sold or written their own works, they really are missing a key point of reference to understand where I’m coming from. So, I’ll give notice, if my work ever actually gets that popular (which seems unlikely, yes, now that I’ve alienated a bunch of fans), keep this in mind: Don’t piss in my pool. Consider the sign posted.

NOTE: After careful thought and consideration, I have decided not to allow comments on this post. I rarely see comments on my blog anyway, despite getting 1500+ hits this month. And given the vitriol with which all too many express their opinions about this volatile topic, I don’t want to get into a situation of fighting off trolls or arguing. While certainly good debate is healthy, in this case, I am posting my personal opinion on a topic I feel strongly about and about which I prefer not to debate. You and other authors can have your opinions, I respect that. But I have formed this opinion since I first discovered fanfic twenty-four years ago in college and believe me, you’re not going to change my mind.

Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, the collection The North Star Serial, and has several short stories forthcoming in anthologies and magazines. He’s also the host ofScience Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.

NOVEL EXCERPT: The Worker Prince Chapter 11

Published on by Bryan

In this scene, Davi and his Squadron of worker pilots take on the Boralian Alliance forces on their own soil, fighting for their freedom against the oppressive regime. One of several battle scenes from the last part of the book, although there are action sequences throughout.

Davi pushed the joystick forward and his his VS28 fighter dove out of the cloud cover to rejoin the rest of his squadron. As he slid into the pole position, he glanced over at Tela in position off to his right. She smiled and waved.

“Imagine seeing you here,” he said over the comm-channel with a smile.

He heard Tela laugh as the squadron formed up around them, doing so without the usual chatter. Davi knew they were all as tired as he was.

His comm-channel beeped. “Squadron One, commander,” he answered.

Uzah’s yelling voice came through, struggling to be heard over at the explosions and laser blasts in the background. “Squadron One, we request immediate response. We have enemy forces pinned down on the east edge of the government complex. Please intercept vehicle traffic.”

The Alliance had been making use of Shuttles and Floaters to launch attacks and move troops around. His pilots strafed enemy launch sites as well as ground craft.

Davi keyed the comm-channel transmit button. “Roger, Ground Leader, ETA six minutes.” Davi ran down the pilots’ various skill levels and successes, devising a strategy he hoped would work. It all depended on the actual positions and activities of the enemy once they arrived.

The fighters glided over the tops of the buildings at close range, staying low to confuse the radar and maintain good line of sight with the ground. Davi divided the squadron into two groups of six fighters, assigning Tela to head the second group. “You go after ground weaponry emplacements first. We’ll try and take out any vehicle traffic.”

“Roger,” she said. They exchanged one last look before steering their craft apart as their assigned groups formed up around them.  Then each group vectored off toward their target areas.

A few minutes later, the government center came into view. Two columns of large Floaters moved up parallel corridors, attempting to flank the WFR forces. Their dark blue coloring made them hard to spot through the smoke on the ground but the shiny Alliance emblems reflecting light on both sides gave them away.

“Dru and Virun, form behind me. We’ll take the group to starboard. The rest of you form behind Jorek and take the group to port.”

“Roger,” the pilots responded in unison as they split into subsquads.

Davi smiled, remembering when Jorek and Virun had pulled him aside after the air raids on the enemy starports.

“We owe you an apology,” Virun had said.

“We’re sorry we gave you such a hard time,” Jorek said. “It was just hard to believe we could trust you.”

Since then, they’d become two of his strongest leaders.

“Go for their weapons capabilities first,” Davi instructed.

“Ah come on, boss! Total destruction is much more satisfying,” Jorek said over the comm-channel.

“You can destroy them after you’re sure they can’t fire back,” Davi said, knowing that despite his enthusiasm, Jorek’s focus never waivered.

“You got it,” Jorek responded, not big on comm-channel protocol.

Both squads executed the plan perfectly, swooping in on the Floaters from above, strafing them with laser fire. Outside his cockpit, multiple flashes appeared followed by booming explosions as Davi’s blasts disabled the front vehicle in the column. The next Floater in line swerved to avoid it, but the driver misjudged his position, running over troops fleeing the first Floater to seek cover, before crashing into the third Floater in line.

“Three down with one shot, not bad,” Davi said to himself. He adjusted his targeting and fired again, this time aiming for the laser cannons on the three Floaters. He shifted in his seat as the VS28 vibrated with each blast. The cockpit started feeling stuffy as the temperature rose along with his excitement and adrenaline.

Laser bolts flashed outside his blast shield. Spotting rooftop snipers, he didn’t even bother to dodge. Blasters wouldn’t do much good against the VS28’s shields even at close range. He circled around and watched Dru and Virun dispatch laser cannons on four more Floaters. Several more bright explosions boomed before the Floaters split up onto separate corridors in an attempt to avoid their fire.

“They’re trying to keep it interesting for us, boys,” Davi said over the comm-channel.

“Good. Moving targets are so much more fun,” Dru responded. To Davi’s amazement, Dru had become one of the better target shooters among the pilots.

Davi and three others swooped down in tight formation and fired. Laser blasts exploded around the Floaters again. Davi’s and Dru’s blasts hit their marks, taking out more laser cannons. Virun’s missed, but he aimed again and blasted the Floater’s engines, bringing it to a sudden stop.

Troops jumped clear, seeking cover as Virun chuckled over the comm-channel. “That had to hurt.”

Virun’s fighter rocked with an explosion and orange flashes appeared on its port wing. “What the—”

Davi looked over to spot a laser cannon zeroing in on him again from the top of a nearby building. “Laser cannon, top of the Acron Industries building. I’m on him,” Davi said over the comm-channel. G-forces slammed him back against his leather seat as he put his VS28 into a steep turn and dove down, targeting the rooftop of the office complex.

Jorek’s voice came over the comm-channel. “Keep your eyes out for laser cannons on the rooftops.”

“How’d we miss those?” Dru wondered aloud over the comm-channel.

“Keep your eyes peeled for others. He really did some damage,” Virun warned them.

Davi’s targeting computer lit up as it locked on the target. Lining up visually on the guides, he strafed the rooftop. Alliance soldiers dove to each side as the laser cannon exploded. “One cannon down.”

“Thanks, boss,” Virun replied as Davi steered into position above Virun and to the right.

Virun’s starboard wing had black burn marks from the impact and a tear in the metal. “The damage doesn’t look unmanageable from here. Can you still control her?”

“I’m not out of this yet,” Virun replied turning the fighter for another run.

Davi and Dru both maneuvered into formation around him. Without further chatter, knowing what to do, they took out the laser cannons on the four remaining Floaters, and then targeted their engines.

As they circled around, Davi glimpsed Jorek’s squad making similar runs. In a few more minutes, the remaining Floaters had been disabled and the squadron reformed around Davi, heading to assist Tela’s team. Davi brushed his clammy brow against the sleeve of his flight suit.

They arrived at the government center to find charred remains of more laser cannons and Alliance equipment. One of the barracks was smoldering. In the beginning, the WFR had hoped to preserve as much infrastructure as possible, but Alliance resistance had made it so difficult they’d decided to do what must be done and worry about it later. They could always rebuild.

“Leave anything for us?” Jorek said as they circled Tela’s team.

“We were about to ask you the same question,” Tela responded as she joined their formation. The rest of her team formed up behind her.

A squadron of seven Alliance VS28 fighters appeared heading straight for them with laser cannons blazing. “Heads up, here they come!” Tela called into the comm-channel.

Davi spun his fighter into a dive as two laser blasts exploded off his starboard wing. “We need to capture that starport.”

“Let’s knock these boys out of the sky!” Brie said over the comm-channel.

Davi chuckled. She’d come a long way from the lost teenage girl he had known in training. Davi glanced over to see one of his fighters crashing into the top of another office building, as the Squadron divided itself into pairs and began targeting the enemy fighters.

“We lost Kinny,” Tela said over the comm-channel.

Davi pounded a fist into the side of his fighter. Kinny was an experienced pilot who had joined after the initial attack. “Wingmen, cover your leaders!” They didn’t really need the reminder, but losing one of his pilots switched him into teacher mode again.

Tela lined up on an Alliance fighter and unleashed a burst of fire from her cannons. The enemy fighter exploded, spiraling toward the ground. Tela let off a victory yell, “One down!”

Davi lined up another in his sights, firing several sloppy blasts through its wing. It spun out of control. “Make it two.”

An enemy fighter swooped in from above, firing on Dru at close range. Explosions rocked the hull of his fighter.

Smoke trailed from it, and Davi could see the damage out his blast shield. “You okay, Dru?”

Dru sounded rattled. “She’s a little shaky but I can still fly her.”

Davi and Tela both dove in to provide cover, blasting in unison at the enemy fighter trying to escape. It disintegrated with a bright flash.

Dru’s voice rose in excitement. “He won’t do that again! Thanks, guys!”

“Don’t mention it,” Tela said.

“Let’s clean this mess up!” Jorek said.

Davi watched as the enemy fighters retreated. “They’re running,” Nila said.

“Jorek, take the squadron and chase them down if you can. We’re escorting Dru back to base,” Davi said.

“You got it, boss,” Jorek said.

“Don’t let them lead you too close to the starport. They might launch reinforcements,” Tela warned.

“Don’t worry. We’ll be okay.” Jorek said as the others formed around him and peeled off after the enemy fighters, leaving Tela and Davi flanking Dru.

“I don’t know about the rest of you, but I’m hungry,” Dru said.

Davi heard Tela’s laugh over the comm-channel as he keyed the transmitter. “Let’s go home.” They flew in formation back toward the WFR base.

326 pp · ISBN 978‐0‐9840209‐0‐4 ·Trade Paperback/Epub/Mobi · $14.95 tpb $3.99 Ebook  · Publication: October 4, 2011  · Diminished Media Group
Available now for 20% off on preorders!!!

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 EPUB or MOBI — please specify in notes on order

The Worker Prince: Book 1 In The Saga of Davi Rhii

Write Tip: 12 Essentials For A Successful Author Website

Published on by Bryan22 Comments

I’ve spent a lot of time studying and designing websites the past ten years. I’ve done so for Fortune 500 companies, small businesses, non-profits and individuals. I’ve done it for myself. With the rapidity of change on the World Wide Web, there are constant lessons to be learned. But my author website has grown in a little over a year from 10 hits a month to over 1000. Sure, I have a long way to go. But that kind of growth shows I’m doing something right, doesn’t it? It’s taken some work, goal setting and dedication. And now it seems to be paying off. There are a few key essentials I’ve discovered which can make the difference between a successful and unsuccessful site for authors. So I’m presenting them here to help any of you who might still be sorting out your sites:

1) Your Photo. Readers what to connect with you, that’s why they visit your site. So the proper balance to capture is a mix of professional with personal touches. Your site needs to look professional, have professional design and layout and data. But also allow personal connection, in particular, through your contact pages and blog. But even more than these, it needs an author photo. Whether the photo is informal or formal is your call. Most people I’ve talked with recommend something in between. Torn cutoffs, a t-shirt and a beer in your hand probably isn’t the best message. Nice looking jeans and shirt, relaxing with a dog is ok. In part, it depends on how you want to connect. Do you want to befriend readers or be in contact but keep them at a distance?

2) Contact Information. Make it easy to contact you by providing a contact page with a text entry form to email you, links to your Twitter, Facebook, Google+, etc. and an address for press inquiries or sending books for autographs, etc. You don’t have to give out your personal address and phone number or email. In fact, I recommend you just don’t. But don’t make it impossible to contact you either. Plenty of add-ons are available to use a generic email that forwards to your private email, etc. You can protect yourself well, but readers want to connect with you and you should enable it, not make it a challenge.

3) List Of Works. In the past, this was always called the ‘Bibliography’ page, but more and more that term is being regarded as old fashioned and people are listing their works under ‘Works’ or separated by categories like ‘Books’ and ‘Short Stories.’ How you choose to label it is up to you but list them, the date of publication, where they appeared, and whenever possible provide links to anything readers can access online. Not just purchase links, mind you, but links to read your work and get to know you. Your work itself is your greatest marketing tool. If they read it and like it, they’re more likely to buy more. And list them in order of release so people can read the books of your series in correct order.

4) Biography. Who are you? Readers want to know. Don’t tell them too much but do tell them enough to give them some hint of you as a person. Where do you live? Just the state is fine, but feel free to mention the city if you’re comfortable. Are you married? Do you have kids? Do you work full time? Have pets? What are your hobbies? Give them a taste of the real you so they get a clue as to what makes you tick and can connect with you as a real person, not just some name on books they read or buy.

5) Favorite Authors. Part of telling readers who you are is letting them in on how you’re inspired, how you developed as a writer, where you came from. This happens in not just you Biography but also by mentioning some of your favorite authors. Every writer has such influences and often they run deep and permeate our worker. Readers may already have guesses as to who those are. Let them in on it. It’s yet another way they can feel connected. After all, they may well like some of those authors, too, and, if not, you may help them discover new favorites.

6) A Blog. It’s best to incorporate the blog right into your site, but if not, have a direct link that takes them there. Your blog is where you share your heart–your writing process, a little about life events, what you care about. It’s where readers dialogue with you through not only reading and emotional responding but also with comments. This is where you build those relationships and friendships. Fellow authors and other professionals will stop by too.

7) Links. Don’t just mention your favorite Author or websites, link directly to them. This way visitors to your site don’t have to work hard to visit those places, they just click and go.  It’s the way of the World Wide Web, and believe me, it’s a distinguishing mark of a professional website. People appreciate that you provide resources and make them easy to get to. They get frustrated when you make it hard. And you don’t want your comments streams filled with dialogue about that, believe me. So make it easy and thus a pleasure to visit your site. This includes, as previously stated, making it easy to follow you on Twitter, Facebook, Google+ and wherever else you are active with social media and online.

8 ) Post Regular Updates. Don’t just set up your website and leave it to rot. Update it. This should be done at least once a week, and the more the better. Post blog entries on regular days. My main blog posts go up every Monday and Thursday. Anything I post in between is extra but my readers know they can come to my blog those days every week and find new content. That makes it easy for them to know when to check in. You should make it easy, too.  Reply to comments in a timely way. It shows your readers you care and thanks them for their interest. Update your news, Works, and anything else as required. Make sure things are as up to date as possible. People stop checking websites when they sit static too long with nothing new and no updates. And once they stop, they may not come back.

9) Feeds. If possible have links to your RSS feeds, Twitter feeds, etc. right on the site–on every page. Make it easy for people to click and then follow updates. It will help hold their interest. There are lots of authors with sites. You want to keep them coming back. The more ways you provide for them to stay connected, the better.

10) Appearance Schedule. People connect with you then they want a real face to face connection. Let them know where they can meet you.

11) Determine Your Boundaries First & Stick To Them. How much personal v. professional information are you comfortable sharing? Where are your boundaries? Know before you start to avoid issues later. Do not mistake blogging for anything but public sharing, so be sure you want everyone to know before you post it.

12) An Easy To Remember URL. Okay, this probably should be number one, because it’s the most important of all. But after doing all the other stuff, if people can’t remember your website address, they won’t come. The easiest way to do it is to use your name but if you have a famous property like Robert Silverberg’s Majipoor, then that might work, too, but it needs to be something readers know widely and always think of you. After all, you need to pick something you can live with forever. It’s not that you can’t change your web address, people do. But changing it makes it likely someone will not be able to find you again. So you want to start with and maintain a URL you can live with forever if possible. Choose wisely.

Think of any I didn’t mention? Feel free to list them in comments. There’s certainly a lot more one can do with an author site than what I’ve mentioned. Links to buy your work, links to interviews and reviews, etc. Sometimes these are included in your blog or news feed and sometimes you want them separated to their own pages, like I’ve done. It’s your call. But provide them so people can find them somewhere. I do know that these basic bits will get your website up and running and working well from day one. You can always expand and fine tune it later, but starting strong is very important. I wish you success with your websites and hope this is helpful.

For what it’s worth…

Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, the collection The North Star Serial, and has several short stories forthcoming in anthologies and magazines. He’s also the host ofScience Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.

Lucy: Tribute To A Companion

Published on by Bryan3 Comments

 This is an essay I wrote after my 18.5 year old cat died. I got her in college and she was with me almost half my life. I was devastated by the loss and timing and I still miss her and think about her every day. I never sold this but gave it to my vet and they shared it with people because they loved it so I thought maybe I should share it here. Animals are special, can become like children to us. I am thankful for the time I had Lucy in my life. It was precious and I cherish every memory. She died February 8, 2010. Five days before my birthday.

Would it surprise you if I told you I learned the true meaning of God’s unconditional love from a cat?

I’ll always remember the day she came home to live with me – so small she could sit inside my open hand, so cute I just wanted to cuddle and never let go.  From day one, she was a talker, always interacting with me using her various Meows and other sounds.  I loved the uniqueness of her tortoise-shell fur, the sincerity in her brown eyes, the way she followed me around like a puppy would.

From that day on, we were inseparable.  Wherever I was, she wanted to be.  She’d sit on the edge of the bathtub while I bathed or showered.  That lasted until she got hit by water one day and decided she didn’t like water and began staying away.  One day, while I showered, the answering machine went off.  She stood in the hallway meowing as she looked back and forth between the machine and me, as if to ask:  “How can daddy’s voice be there, when he’s over here?”  It was amazing how human she could seem sometimes.

She slept beside me from the beginning.  One day, early on, I woke up to muffled meows and realized I’d rolled over on her.  That was the first of a series of guilty accidents for me, when I first saw that look she’d give me as she shook her legs one at a time.  It said:  “I can’t believe you did that!  Grow up!”  Lucy always seemed more adult than I ever felt.

That was her name – Lucy, after the Peanuts’ character because she was so stubborn.  I carried her around on my shoulder, as I drove, bought groceries, etc.  She was so cute that we both got lots of attention, and she was fun to play with and have around.

For many years, while I was single and working long hours, Lucy was my closest companion.  She greeted me with purring as she rubbed against my leg when she came home.  She’d hop into my lap and curl up or meow for me to pet her.  She scolded me when I left her alone too long – avoiding eye contact and keeping her distance to let me know she wouldn’t tolerate that kind of behavior from me again.
In all honesty, she changed my life forever.  My first sole pet after moving out of my parents’ house, Lucy was like my child.  I had to feed her, change her litter box, give her attention, etc.  In some ways, I spoiled her too much.  She was never that comfortable around other people.  It had just been the two of us so often, she’d never gotten used to others being around.  My sneaking up and surprising her made her skittish.

I taught her tricks, too – things people assured me cats could never learn.  I taught her to kiss my finger when I held it in front of her face.  She learned to shake and hold my hand, to give me five, and to put both hands in mine and “dance with daddy.”  Sometimes, she liked the dancing so much, she would put her hands back after I let go and bite me if I didn’t let her do it again.  I taught her to speak and to jump, delighting in her intelligence, her personality, her spirit.

Lucy taught me a lot, too.  She taught me about friendship and how to learn to live with another despite their imperfections and irritating habits (mostly mine, not hers).  She taught me about parenting, serving as my first experimental child – both playful and stern as the moment required.  She taught me about forgiveness.  There were the times I stepped on her tail or smashed her foot.  The time I awoke from a dream to find myself swinging her by her feet (I’ve never felt so guilty in all my life).  There were times I left her for international trips or forgot to fill her water or waited too long to change her litter.  Each time she’d give me that same old look as she shook her legs one at a time, then come back a few minutes after to curl up next to me and purr, kissing my finger to let me know she’d forgiven me and life could go on as it had always been.

What she taught me above all was unconditional love.  I had learned about unconditional love in church – the love of God for us, the love of a Savior – but I’d never truly seen it manifest until Lucy came along.  She always wanted to be with me, wherever I was, whatever I was doing.  She didn’t always demand my attention, content to lie nearby where she could see me, or just hover on the periphery.  When she needed attention or food or something else, she let me know, but most of the time it was enough to just be near me.  Until I got married, I’d never known another person I felt that way about.  No matter how ugly I was when I woke up, how stinky I was until I showered, no matter how unfashionable my clothes, or how scruffy my hair, she loved me.  I was her “daddy,” and none of it mattered as long as we could be near each other.  Who couldn’t appreciate a love like that?  If you’re like me, you probably wish there were more of it.

Eighteen years later, as I ponder our life together, facing the end, it’s hard to believe I now have to live without her.  At forty years old, I’ve known her almost half my life.  We’ve been together through eight moves, across four states, and too many apartments and houses to name.  She’s hung with me through job changes, frustration, depression – even times when we were broke and didn’t know where the next meal might come from.  She’s bore the indignity of a new dog joining the family, of being displaced from her usual position on the bed by my wife, and all sorts of other challenges.

Above all else, she’s loved me and adored me, and I have loved and adored her.  Her love is the closest love on Earth I’ve found to the love of God the Father for you and me — unfailing in its strength, undeserved in its power, and unwavering in its hope.  Even as her kidneys failed, her hearing decreased, and her walk became more strained, she loved me still, and I love her, and somehow I know we always will.  If there’s a heaven for animals, I’m sure she’s there at the feet of the Father right now, delighting Him the way she delighted me for so many years.

Write Tip: 10 Tips For Doing A Good Interview–As Both Interviewer and Subject

Published on by Bryan

Interviews are a fact of life for successful people–especially entertainment people like writers. At some point, you’ll be asked to do an interview about your work. How do you prepare? How do you stay calm and fight nerves? How do you overcome introversion or shyness? Interviews require different things from an interviewer and an interviewee. I do both, so here’s some suggestions to help you in whichever role you find yourself.

As INTERVIEWEE:

1) Be Yourself. The interview was requested because of a desire by readers and the interviewer to know the person behind the stories. So don’t let them down. Be you. Yes, you should try not to be you at your most obnoxious, but don’t overdo it either. Relax, take a deep breath, and be honest.

2) Ask To See The Questions In Advance. Most interviewers will happily supply a list of potential questions in advance. If they don’t, don’t assume they’re out to trip you up or embarrass you. They may just be unorganized. But if they do, go over them, think through and practice potential answers, trying to smooth out the rough edges so you can give them good soundbytes. Public speaking takes practice and even if the interview takes place in private or by email, it will be published in a public foreign so practice makes perfect.

3) Practice. As I started to say above, practice is a vital part of your preparations. Ask someone you trust–your agent or a friend or spouse–to interview you. Sit down like you would in a real interview and field questions. When you stumble, stop, and do it again. Get used to talking about yourself. It’s something many of us are not good at and never comfortable with. That’s okay but you should at least be able to exude confidence and calmness. And that may take practice.

4) Be Prepared To Say No.  You don’t have to talk about anything that makes you uncomfortable. Sort out in advance where your boundaries are and stick to them. Personal and professional can and should be separated for your own mental health. Some people are more comfortable sharing things than you might be. That’s fine. Being yourself means knowing where to draw line and not being afraid to do so.

5) Have Fun. Interviews are more fun both to participate in and read if you have a sense of humor. Don’t be afraid to use it. Figure out the things you like about what you do and share them with a healthy dose of humility. People like those who can laugh at themselves. And your attitude goes a long way in helping you fight off nervousness and relax.

6) Keep It Short. Don’t ramble on and on. Be as concise as you can in answering questions. It’s the interviewer’s job to ask follow up questions if he or she needs or wants to know more. Besides, holding back leaves you with more to talk about later in the interview. Don’t use all you’ve got on the first few questions.

7) Know The Audience. Who’s the interview for? Fellow writers? Talk about how you write, why you write, what your writing day and approach to craft are like. Readers? Where’d the ideas come from? What are the themes and how did you develop them? Who are these characters and why did you write them the way you did? Etc. Knowing who will be the target audience for the interview will help you comfortably shape your answers to  keep them interested.

8 ) Dress Comfortably.  It’s not a job interview. So don’t dress to impress. Dress to be comfortable so you can just relax. If you like wearing a tie, wear one, but if you don’t leave it at home. Don’t dress hot. Don’t dress cold. Be yourself but look presentable so neither you nor the interviewer are distracted by other issues. You’re there to relax and have a conversation. Make that easy on yourself.

9) Arrive Early. Don’t put the pressure on yourself of running late if you can help it. You don’t want to be disheveled or out of breath. You want to be able to relax. So arrive a few minutes early to give yourself a chance to get comfortable with the location and the interviewer before you get down to business.

10) Bring Bottled Water. Many interviewers will provide this for you. Sometimes your publicist will. Don’t be afraid to ask in advance and, if you forget, ask when you arrive. Have cool water to drink when your throat gets dry. Skip the soda or juice or other thick liquids which coat your throat or cause belching or otherwise inhibit smooth speech. Just have water so you can stay lubricated when you need to.

There’s 10 Tips to help you as subject of an interview. Now here’s 10 more for conducting one.

As INTERVIEWER:

1) Do Your Research. Research not just the subject, but read their books. Read past interviews they’ve done. Talk with people who have met them. Get to know how they talk, their speech cadence, typical vocabulary, hobbies, marital status and anything else which can help you. The more knowledgable you are, the more comfortable they’ll be. Know which subjects to avoid, too. Unless you’re working for a tabloid, your goal should be to make both yourself and the subject look good.

2) Prepare Your Question In Advance.  Don’t wing it. Follow-up questions can be done on the fly but your main questions should be written down and refined before you show up. Whether you memorize them or read them off a cue sheet is up to you but have them ready. Know what the intended audience wants to know so you can word your questions appropriately. Also know what the interview subject most wants to discuss so that you can be sure and ask about that. Be prepared.

3) Dress Appropriately. Like the subject of your interview, things will go better if you’re relaxed, but don’t show up looking like you just got out of bed. Be well groomed and well attired. It doesn’t require wearing a suit and tie, just not dirty or torn clothes and shoes. Look professional, even if it’s casual. So the interviewee feels respected and takes you seriously. A confident interviewee is a better interview.

4) Practice. Just like the interviewee needs practice so do you. Once your questions are prepared, run through them. Practice enunciating and talking slower than you might normally so that you articulate well and can be understood. Think up follow up questions which might need to be asked based on various answers the subject provides. Get comfortable with your wording so that you can avoid confusion and stay in control.

5) It’s Your Job To Set The Tone. If you’re relaxed, the subject will feel more relaxed. If you’re tense, so will the other person be. So be prepared to set the appropriate tone. People who are relaxed and comfortable talk more freely and longer.  Make it like a conversation between friends, not a police interrogation and you’ll have more success not only getting through interviews but scheduling the next one.

6) Choose A Good Location. You need a location where both of you can sit comfortable and relax with minimum distractions. If you’re interviewing a celebrity of any level, you don’t want fans interrupting for autographs every five seconds. You don’t want tons of friends hollering ‘hellos’ across the room at either of you. The best location would be somewhere quiet and out of the way, not public. Follow Hollywood’s example and scout the location, even if it’s an hour before. Give yourself time to adjust what needs adjusting, even the location itself.

7) Don’t Be Late. The Subject can be late but you can’t. Keeping somebody waiting whom you’ve scheduled for an interview is not just unprofessional, it’s rude. They are giving you their time out of a probably busy schedule. Any time you miss, will be time you lose, if they have somewhere else to be right after. Also, you’ll want time to relax and feel prepared so be on time. Early even.

8 ) Bring Liquids. Don’t let yourself or your subject suffer from dry throat. Have bottled water or a pitcher of water and cups ready to help lubricate your throats as needed. Don’t even let them ask. Just have it there where they can see it and help themselves. Your preparedness is part of setting the right tone to help them be comfortable as quickly as possible. And your consideration will go a long way in helping a stranger feel like you’re a friend.

9) Make Small Talk. Before you jump right in, make sure the person is comfortable with you. If you’ve met before, it may require only a few quick greetings, but if not, a bit of small talk goes a long way. Ask them about their day, offer water, make sure their happy with their chair, etc. Set a the relaxed tone with your attitude of treating them with respect and care and they’ll assume you’ll do that through the interview and feel much more at ease quickly.

10) Get It Right. Don’t put words in their mouths. If something’s missing or unclear as you review the interview notes or recording after, call or email to follow up. Clarify. Don’t assume. One of your goals is to capture their voice, so be sure it’s them, not you. On the other hand, take out any pauses or stutters or stumbles. Fix obvious bad grammar. Make them look and sound good. They’ll be pleased with you and both they, their publicist, and their friends will be more willing to interview with you in the future.

Well, those are 10 Tips For Conducting Interviews from a guy who has done a lot of them. I hope all 20 tips in this post are helpful. If nothing else, you can understand the responsibilities and concerns of both sides of the interview. Going in informed is always helpful. Have other tip? We’d love to hear them in the comments. Don’t be shy. We’re here to help each other.

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My latest project:

For what it’s worth…

Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, the collection The North Star Serial, and has several short stories forthcoming in anthologies and magazines. He’s also the host ofScience Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.

Works In Progress

Published on by Bryan2 Comments

I don’t know that I have a big following really but lots of other writers do it, so here’s an update on what I’m working on right now.

My primary focus at the moment is two projects:

“The Returning: Book 2 In The Saga Of Davi Rhii,” which is at 65840 words out of 90000 planned. I have outlined the next several chapters, have the ending, now I really need to get back on the stick tomorrow and write a bunch of it. Finishing another Chapter by Monday would still mean I’m behind but at least keep me on track.

“Space Battles: Full Throttle Space Tales 6,” is my first gig as an anthology editor for any press. So far I have bought a story from Mike Resnick & Brad Togersen, an original as my headliner, and have several other stories in from Sarah Hendrix, David Lee Summers, Dana Bell, and Jaleta Clegg, amongst others. Tomorrow I have to read a bunch and see where I stand on this first batch before more come in, which they will be. We need 18-19 total. I also have to write my own story for it, which I have started, and which is a sequel to The Worker Prince, or actually, book 3 of that saga, but which actually has to be written to make it into the book.

Other projects:

Novels in the works:

“SANDMAN” — novel 1 in an epic fantasy trilogy. First draft completed except final two chapters but stopped due to wife’s medical crisis and need to polish The Worker Prince for publication. Lots of notes on worldbuilding and other changes. Needs a second draft and the ending written then out to betas. Will start this sometime this fall.

“THE EXODUS: Book 3 Of The Saga Of Davi Rhii”— This one is outlined and will complete the trilogy. I imagine it will be easier to write than book 2 has been, a) because the crises in my life are dying down and b) because it’s simpler in many ways. But it will wait until January or February as I try and get the North Star short stories and epic fantasy saga polished and on to their next phases.

“NOVO RIO”— my future steampunk story about an entrepenuer whose carbon cleaning toaster sized home machine revolutionizes the Brazilian city and becomes the object of industrial espionage, lawsuits, etc. Can’t wait to write this but lots of research needed. Will be a standalone but not sure if I can fit it in before Book 3.

Short Stories in the works:

BRASILIA — a tale of colonists starting their Brazilian utopia and discovering its harder than they thought it would be. Growing lengthy and may become my first novella. Only partially done.

THE DAY BOBBY BONNER WOKE UP STRIPED — comedic science fiction story about a failed college chemistry experiment which I got notes on and need to polish and rewrite the ending of.

THE NORTH STAR SERIAL Episodes 14-25 — these are outlined and commissioned and a book deal for all 25 stories pending. Now I just have to sit down and write them so Digital Dragon Magazine can continue running the serial. This will be a priority when “The Returning” is done.

DUNCAN DERRING AND THE STOWAWAY — comedic science fiction story originated because I loved the character and noir style I created in writing a story for the “Wicked Weeds” anthology my friend and fellow novelist Jaleta Clegg is editing, but also because Jennifer Brozek was doing SPACE TRAMPS and invited me to submit. But this one has only just gotten started and needs work. I missed that deadline.

THE HAND OF GOD (Worker Prince)— sequel story after the events of the WP trilogy which I am writing for “SPACE BATTLES” and which will be a priority over the next two months before I have to turn that anthology in.

THE UPRISING (Worker Prince)— prequel Xalivar story about the famous Delta V incident which haunts him throughout the WP trilogy and explaining what happened in that historical event. Needs to be written.

ESCAPE TO FAIRYLAND–one of my favorite stories which has gotten compliments from some professionals but still failed to land a home and really needs to be polished, reexamined and then out there submitting again. Story of an enslaved girl who escapes her captor while flashing back to how she got where she is.

 

There are a few more short stories in various stages but these are the main ones on my mind. At least it gives you an idea of where I am with major projects and what I have coming. Hope it’s of interest to at least a few of you.

For what it’s worth…

The Worker Prince: The Genesis Of A Saga

Published on by Bryan2 Comments

A lot of readers are curious after reading books about where the idea came from. So I thought I’d share with you here a bit about the story of “The Worker Prince, Book 1 of The Saga Of Davi Rhii.” I have stated often that the genesis occurred when I was 15 years old. I don’t remember exactly but I know it was while I was in early high school, and I’m 42 now. It’s a long time ago. The kinds of movies and books I was into then were Star Wars, Star Trek: The Original Series, Planet Of The Apes, Space 1999, Superman — noticing a pattern here? I liked my genre stuff and I liked it larger than life with good v. evil and heroes who were clearly good v. bad guys who were clearly bad. As a young kid, raised in a Christian home, listening to Sunday sermons and Sunday school stories, reading the bible, and reading these books, I dreamed of grand adventure. I wanted to be the dashing hero. I wanted to save the world. That was the start of it.

Also in the midst of this, I struggled with being adopted. Being adopted challenges your sense of belonging by forcing you to ask: why didn’t they want me? The irony of this, of course, is that the adoptive parents who love you chose you and wanted you. But somehow your mind and heart just dwell on the rejection part and tend to gloss over the other, at least for a while. Add to this sense of unwantedness my sense of being an outcast amongst my peers as a geek, a Christian, and a kid who wasn’t afraid to follow his own drumbeat, then you have someone whose life was and has often remained focused on questions of: who he is and where he belongs. So those elements combined into the Davi Rhii coming of age story and his quest, upon discovering his own adoption, to figure out who he is.

The movie The Ten Commandments ran on TV annually back then on the big networks, and I often watched it. I have always loved Charlton Heston despite his annoying association with the NRA.  The movie was so well made and the saga so dynamic. It seemed to lend itself well to the large stage of space opera as I loved it. I dreamed up the saga, then titled The Exodus, as a huge miniseries involving a group of slaves breaking free and fleeing from their captors much as the Israelites did in the biblical story. I came up with the father of the main character, a man named Sol, and the antagonist, an evil ruler named Lord Xalivar. I even wrote the first line of the novel: Sol climbed to the top of the rise and stared up at the stars in the heavens — later changed during editing to: Sol climbed to the top of the rise and stared up at the twin suns as they climbed into the sky. I made pages and pages of notes and story outlines and dreamed of the day I could go further and write the story.

Then I went off to college and life happened and somewhere along the way those notes got lost–or at least buried in a box where I have yet to find them. But the names Sol, Xalivar, that opening line, and the basic plotline stayed with me, gestating mostly in the closets of my mind, but occasionally popping out for air. I did continue to read Science Fiction and Fantasy whenever I could and revel in the way they stimulated my imagination.

In the Fall of 2008 I made my first attempt at a novel–a love story a la Nicholas Sparks which I still hope to write some day–written without any knowledge of craft and little of the genre. I finished it around 60000 words, then prompting rewrote it several times before discarding it as crap and me as unfit as a novelist and began studying my craft. I bought various books, read author interviews, got into On Writing by Stephen King, etc. I also returned to reading novels, a habit I developed as a preteen and continued for years but then dropped after college in favor of nonfiction and other research and rarely revisited. Over the next year as I read, I suddenly rekindled my passion for science fiction and fantasy. And, of course, the Davi Rhii story came back to me again and again. I practiced my craft, studied it in novels I read, and then, finally, in August of 2009, sat down and wrote those words: Sol climbed to the top of the rise…

From August 15 through November 15, I wrote 89000 words, day after day, sometimes writing as much as an entire chapter in a day, sometimes only a few scenes. I wrote every morning, first thing when I woke up for a couple hours. Then worked my telecommute job for the day, wrote a little at lunch, and then did more writing in late afternoon before dinner. I was cooking along, despite restarting Chapter One over after realizing I’d started it in the wrong spot. The story just flew out of me with very little planning–pantsing all the way, being as surprised as I hoped my readers would one day be. Despite my wife’s hospitalization for mental illness by a judge and all the ensuing stress, I wrote every day, the only time I got stuck being on the final chapter, Chapter 13, which somehow took me three weeks to write. Finally, I wrote the quick Epilogue in one day and wrote: The End.

Then, following the encouragement of author Ken Scholes, whom I’d met and talked with on Facebook, I set about to write short stories while I let the first draft gestate a while. For a month, I wrote around 2 stories a week. Then I went back and read The Worker Prince again, finding it wasn’t half as crappy as I expected it to be. In fact, it might actually be good. The draft that comes out October 4th is probably around number 18 or 19–counting even partial drafts or drafts to eliminate -ly adverbs–but I did it. The book went from 89000 down to 85000 and back up to the 89700 it is now along the way.

The story developed in the process. I added a lot of political intrigue, a story of divided belief systems which reflects our own U.S. culture today, I added subplots, twists, and even various characters, and I somehow divided my original idea into three books, even though I wasn’t sure what the other two would be yet. All I knew was, there was no exodus in the book I’d come up with so I had to find a new title. The slaves being called workers, the hero being a prince born a worker, I then devised the title and I was set. I found fascinating the way belief systems and cultures interact and cause clashes and wanted to write a more realistic world than is often depicted in stories with Christian characters by Christian novelists because I thought this story was one which would appeal across belief lines and from the feedback I get from early readers, I hope I’ve accomplished that.

The Worker Prince is not a Christian novel in my mind, even though it has characters in it who engage with that belief system. I made a conscious effort never to stoop to proselytizing because I don’t like to be proselytized either. And I have as many or more non-Christian characters as Christians in major roles. It was the milieu of conflicting beliefs which fascinated me as a setting for a space opera which I have not seen explored and which led me to write it.

The journey of the idea to publication is an altogether different story, and at some point, when it’s been out a while, I may break down the nuances of the various plot lines, twists, and motifs which ended up there, but for now, that’s a summary of how The Worker Prince and Saga Of Davi Rhii came about. It’s an incredible accomplishment in my life. My greatest writing success, and I am truly grateful to that 15-year-old kid for having such a great idea, and also grateful for life keeping me from trying to write it until I had the depth and wisdom to do it right. I could have log ago tried, failed, ruined it and given up, then where would I be now. It would be sad if no one got the chance to read this story because so far, people love it. So here I am on the cusp of my debut novel which had quite a journey, grateful for every step.

For what it’s worth…

To read a synopsis of book 1, The Worker Prince, click here: https://bryanthomasschmidt.net/2011/01/22/the-worker-prince-synopsis/

To read excerpts of The Worker Prince, click here: https://bryanthomasschmidt.net/tag/excerpt/

Blurbs so far:

“Bryan Thomas Schmidt’s “The Worker Prince” will appeal to readers of all ages. Bryan deftly explores a world where those who believe in one God labor against oppressors, and a single man may have the power to change their situation for the better. But will he be able to rise above all that his powerful uncle has taught him?” — Brenda Cooper, Author of “The Silver Ship and the Sea” and “Mayan December”

“I found myself thinking of stories that I read during my (misspent) youth, including Heinlein juveniles and the Jason January tales, as well as Star Trek and Star Wars.” 
— Redstone SF on “The Worker Prince” series (Book 1 forthcoming, October 4,  2011, Diminished Media)

 

 

 

 

 

 

 

 

 

 

 

10 Top Tools For Improving Your Blog

Published on by Bryan

So you’re a blogger, but you’re a bit new to how to make your blog the success you want it to be. How do you grow your audience? Improve searchability? Find images you can legally use? Promote your blog? How do you connect with the right audience? Here’s 10 Top Tools to assist you with these tasks and more. In two months, using these tools,  my blog has doubled in hits from 688 in June, 966 in July to over 190o so far this month. Maybe they’ll work for you, too.

1) http://tools.dynamicdrive.com/favicon/ — Favicons are those little icons which appear to the left in browser address bars next to the sites. Adding one gives your blog better branding and this site is an easy way to make your own.

2) http://www.aweber.com/ Connecting with your audience and potential customers is vital. This site helps with email marketing to follow up.

3) http://www.stumbleupon.com/ a great site which people use for searches based on their interests which really feeds traffic to your blog. One person adding a post of mine here has done as much to grow my blog as anything else I’ve tried. And you can add your own posts, too.

4) www.twitter.com Tweeting your blog posts a couple times a day to Twitter and Facebook is a great way to drive traffic to your blog. The people you’ve build relationships with through Social Media are the first ones who’ll take interest and if they like what they read, they’ll spread the word.

5) www.goodreads.com A reader and author oriented social media network is the perfect place to set up your author page and link your blog posts in a feed. Readers will find you there and take interest in your blog posts and traffic will find your blog.

6) http://w.networkedblogs.com/ Available on its own site or through Facebook, this site links your blog to many others and help drive traffic to the registered blogs. Registering is free and the traffic begins as soon as you sign up. Also a great way to find blogs and bloggers to network with in supporting each other.

7) www.klout.com Rather than driving traffic, Klout helps you an analyze your impact on it. Is your message focused? Whom are you influencing? How well is your message being spread? A great tool for analyzing and focusing your efforts.

8 ) http://cliche.theinfo.org/ Run your posts through this handy search engine and avoid those pesky cliches. It searches your text and highlights any suspects. Very handy. You can do it bit by bit with your manuscript too, if you’d like.

9) http://en.wikipedia.org/wiki/Wikipedia:Public_domain_image_resources There are two kinds of learners: verbal and visual. Stimulate both by adding both text and images to your blog. This tool provides all kinds of free images you can use without worrying about cease and desist letters or other copyright concerns. Potentially invaluable. Not quite free but still invaluable is the http://www.flickr.com/creativecommons/ search engine where you can find images available for use as long as you abide by the creative commons license requirements.

10) http://www.google.com/webmasters/ An essential tool for those who care about helping people find their blog in searches. There’s a site map tool to help you correct meta data and other information as well. Set your blog up so it shows as a top entry in google searches related to your content and tags.

Well, there are my 10 top internet tools for improving your blog. Hope at least a few are new to you. What are your favorites? Be sure and share them in the comments. I’m always looking for more.

For what it’s worth…

Write Tip: 10 Tips For Finding Time To Write

Published on by Bryan

One issue writers who work around dayjobs face is finding time to write. From job demands to family demands to everything else, it can be a real challenge. So how do you do it? Here’s some suggestions:

1) Write When You Can. Carry your laptop or notebook with you and write whenever you get a free moment. Whether it’s five or fifteen, such moments can add up and you’ll get more words than if you wait for the elusive big chunk of writing time which may never come.

2) Set Goals. It seems obvious but if you just write when you feel like it, you’re unlikely to be as productive as when you actually set goals. If you have a word count to meet, you have motivation to write. So set goals and work hard to accomplish them.

3) Treat Your Writing Like A Job. Can’t find time to write? What if you tried telling your boss that? If you’re serious about writing, you have to treat it like a job. Especially if you aspire to a career as a writer. That means setting aside time somehow and sticking to a schedule. It means being disciplined. It may require you to get family members on board so they won’t interrupt you during this time or will at least respect your goals for it. It will certainly require you to act like that time is work time and be productive.

4) Make A Time Budget. A time budget is a spreadsheet of your entire week, 24 hours a day, where you record all the ways you use your time. Some items have set times, like work hours, which must be blocked off. Others are more flexible. Start by blocking out what you absolutely must do, then see how much time is left and start blocking in other things you’d like to accomplish. If writing and reading are important, make time for them, then stick to it. Even if writing time isn’t an issue for you right now, making a time budget might be a good exercise. You’ll be surprised how much time you waste every week which could be put to better use.

5) Write With Others. Google+ has reminded many writers how productive peer group writing can be. You not only get to network and fellowship a bit, but the pressure of hearing clicking keys during writing time is a great motivator. Even greater is the encouraging support when you check in about word counts. Writing in a group setting like this can really be quality time.

6) Submit Your Work. Okay, you have to write it first yet, but the greatest way to encourage yourself to keep writing is to get positive feedback, especially when you sell a story. When someone else actually thinks what you’re doing is good enough to publish, it’s a huge motivation to set aside time so you can write more.

7) Use Beta Readers or Critique Groups. Unlike submitting your work, where you might get form rejections instead of feedback, working with beta readers and critique groups gets you guaranteed feedback. Some may be negative, but inevitably some will be positive too, and just knowing someone enjoyed what you did tells you you’re on the right track and motivates you to keep going. Finding time to write is easier when you know someone appreciates the results.

8 ) Hang Out With Writers. Even hanging out with writer friends without any specific writing time group goals is a great motivator to write. Hearing about their projects and accomplishments makes you want to have some of your own. After all, who wants to be the only one without a great new brag to share?

9) Learn To Say ‘No!’ One of the biggest obstacles to writing time is overcommitting yourself. Don’t do it. Learn to say ‘no,’ one of the first words most babies learn. If you don’t leave time for your writing, you can’t write. Set priorities and make writing one of them.

10) Reward Yourself For Success. If you meet your word count goal or writing time goal, reward yourself. It may be an ice cream cone or buying that special book you’ve been craving after a period of success. Whatever the prize, find ways to reward yourself as positive reinforcement for sticking to your goals. Ultimately, the greatest reward will come in other ways but you have to finish the book or story first. 

There they are, 10 Tips For Finding Writing Time. I hope these help you with your writing goals. What are some ways you find time to write? Please add to the list in the comments below.

F0r what it’s worth…