Update: SFFWRTCHT has always been a celebration of community: what unites us, not divides us. Although I can’t keep up with the weekly grind any more, given other obligations, we will continue with twice monthly chats beginning in early 2015 after a brief hiatus. More details to come.
160 shows, 165 guests, hundreds of thousands of hits–when I started SFFWRTCHT (Science Fiction and Fantasy Writer’s Chat), I did it for two reasons: 1) I wanted to network and learn from so many awesome writers and editors who were using twitter, and 2) I wanted to contribute to my new SFF community and family in a positive way. I never expected how successful it would become, not how time consuming it would be. But I don’t regret a minute.
However, after a lot of soul searching, I have decided the time has come to end the weekly live twitter chat that is SFFWRTCHT. Much of this is selfish, I admit. I spend 25 hours a week, including reading time, question and guest prep, booking guests and more per episode. And as I get busier professionally, that is coming to feel more like a chore than the delight it once was. It’s hard to find time to read for fun or to research for my own projects. I am locked to home or at least a place with good Wifi every Wednesday night. And trying to keep it fresh requires me to search for guests who are new, not just repeats, so that I am not asking the same stuff of the same people over and over. In the beginning, with my being out of work with plenty of free time, this was easy. And the industry embraced it which made booking guests easy. But as I’ve burned through the most active Twitter users, and become an almost full time editing professional, it’s more and more work to find time for SFFWRTCHT, a volunteer effort, which, while rewarding in its own way, requires a serious time commitment to do right.
When our original host site for the cleaned up interviews shut down for similar reasons to my own expressed here, SFSignal welcomed us. But I also find myself competing with their interviews with the same people, and that makes my interviews less useful and relevant, and less helpful as promotional tools for our guests. I don’t think repeating what someone else is doing is a compelling use of my time or our guests.I’ve toyed with recruiting help. But even my regulars, who are delightful and whom I adore, have their own lives and no one has jumped up to volunteer. I toyed with cutting back some, but then how would people know when to look for us or where?
So, in the end, it seems best to back off the weekly grind of live interviews and instead convert to regular email interviews. Whether this will be weekly or monthly, I don’t know. Where they will appear, I don’t know. But I have several month’s worth of past transcripts I can start with cleaning up and posting, and as I plan to continue to December in present format, I’ll have even more by then to give me time to sort all of this out.
In the meantime, I express my thanks for the kind support and regards of the Science Fiction, Fantasy and Horror writing and publishing industry and fandom. It’s a pleasure being a part of the family and I appreciate the opportunity to contribute positively to community building. I hope to do so in the future in new ways. I know many books have been purchased and many writers encouraged and even taught through SFFWRTCHT. I’m humbled an honored by that.
In the meantime, you can still find transcripts, links, reviews, etc. on our website, which I will be maintaining here. I look very much forward to what the future brings.
Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with coeditor Jennifer Brozek for Baen, Mission Tomorrow: A New Century of Exploration, also for Baen, Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.
UPDATE: Sad to say I quit this project due to the unprofessionalism and lack of integrity shown by the publisher. I’ve never looked back. BTS
FOR IMMEDIATE RELEASE
Bram Stoker and Black Quill award nominated editor Maurice Broaddus and editor Bryan Thomas Schmidt are teaming with Steven Saus and Alliteration Ink for Streets Of Shadows, an urban fantasy crime noir anthology headliner by New York Times Bestselling authors Kristine Kathryn Rusch, Kevin J. Anderson, Glen Cook, Tim Lebbon and Seanan McGuire. Other contributors committed include Alex Bledsoe, Nina Kiriki Hoffman, Diana Pharoah, Adrian Phoenix, and Chuck Wendig.
One of the most popular genres of speculative fiction today, urban fantasy involves stories in urban settings, usually with a dark feel much like crime noir settings, which include fantastical elements. It’s similarities make it a natural fit to combine with the long popular crime noir detective story. Streets of Shadow’s stories will include stories set in popular universes like Glen Cook’s Garrett PI, Alex Bledsoe’s Eddie LaCrosse, and Kevin J. Anderson’s Dan Shamble, P.I. along with new settings by other authors.
The project will be crowdfunded on Kickstarter in January and release in late Summer 2014 in trade paperback and ebook editions. Open submissions will be accepted for one month after the Kickstarter in March 2014, with stories also due in March from an invited list of top names and up and coming writers.
Maurice Broaddus has written hundreds of short stories, essays, novellas and articles and had fiction published in numerous magazines and anthologies including Asimov’s, Cemetery Dance, Apex Magazine, Black Static and Weird Tales. He coedited the Bram Stoker and Black Quill award nominated Dark Faith anthologies for Apex Books, several stories from which were honored with mentions in annual Year’s Best anthologies. He also authored the urban fantasy series Knights of Breton Court from Angry Robot Books.
Bryan Thomas Schmidt’s first novel, The Worker Prince, received Honorable Mention on Barnes and Noble’s Year’s Best Science Fiction Releases of 2011. His short fiction has appeared in Tales of The Talisman magazine and anthologies like Triumph Over Tragedy, Wandering Weeds and Of Fur and Fire. His anthologies as editor include Beyond The Sun (Fairwood Press), Raygun Chronicles: Space Opera For a New Age (Every Day Publishing), and the forthcoming Shattered Shields, coedited with Jennifer Brozek (Baen, 2014) and Gaslamp Terrors coedited by Tim Marquitz (Evil Jester Press, 2014). Three of these have been funded using Kickstarter and picked up by small presses.
Alliteration Ink is a small press specializing in speculative fiction which has published anthologies like The Crimson Pact 1-3, Sidekicks, Dangers Untold, from editors like Paul Genesee, Jennifer Brozek and more.
DC Comics artists and acclaimed editors Bryan Thomas Schmidt and Tim Marquitz are partnering in 2014 for Gaslamp Terrors, a steampunk horror anthology from Grant-Day Media to be released through their Evil Jester Press Imprint. The project will be an anthology of prose stories with illustrations by comic book artists, not a comic or graphic novel.
One of the most popular subgenres of speculative fiction going today, steampunk is as much an aesthetic as a genre, and involves stories set in the Victorian Age in which science and steam power go hand in hand. With top authors from science fiction, fantasy and horror, Schmidt, Marquitz and company will be presenting stories of the terrors that haunt the streets, stalk the shadows, and lurk in alleys. Headliner by New York Times bestselling authors Jonathan Maberry and Kristine Kathryn Rusch, Gaslamp Terrors will also include stories by Weston Ochse, Jody Lynn Nye, John Skipp, Esther M. Freisner and Mike Resnick, amongst others.
Bryan Thomas Schmidt’s prior anthologies include Space Battles: Full Throttle Space Tales 6 for Flying Pen Press in 2012 and the critically acclaimed Beyond The Sun (Fairwood Press, August 2013) and Raygun Chronicles: Space Opera For a New Age (Every Day Publishing, December 2013) as well as a forthcoming anthology for Baen Books. Schmidt’s prior Kickstart anthologies have received good reviews in Locus and Analog, amongst other sites. Tim Marquitz’s anthologies include Fading Light, Manifesto and the Kickstarter success Kaiju Rising (forthcoming). His anthologies and work have gotten frequent mention in Ellen Datlow’s The Best Horror of the Year anthologies. Both editors have had prior Kickstarter successes between them and both are also successful authors.
The editors and Owners of Grant-Day Media, Charles Day and Taylor Grant will be crowdfunding the project on Kickstarter in February and March 2014 with the goal of releasing both hardcover and trade paperback editions in Fall 2014. We will be showcasing and selling this at many of our conferences and venues throughout the country. Rewards will include signed editions, signed artwork, multiple copies and more. Details to come.
“I couldn’t be more excited to partner in this endeavor with such a great team as Charles and Taylor,” Schmidt said. “Their enthusiasm is infectious and their love of genre unparalleled. They have the experience to really make a great book, and we have a ton of experience to bring them great stories. It’s the perfect combination.”
“We look forward to working with them closely,” Marquitz added, “And hope this is the first of many collaborations to come.”
“Ever since I was a child, I’ve dreamed about exploring the stars. What’s out there? What strange planets and beings might we encounter?” Schmidt said. As he watched NASA’s budget downsized and space travel, at least in the United States, get turned over to private enterprise, he recalled sitting on his grandmother’s lap as a child and looking at scrapbooks she’d kept of all the NASA clippings. “We used to dream together, to imagine. It fascinated both of us, and it was so fun to just speculate about what it might all mean or bring about.”
Space colonization has been a popular topic for science fiction writers. From Orson Scott Card’s Enderand Shadow series to Frank Herbert’s Dune and more, authors have written millions of words imagining the possibilities. Kim Stanley Robinson (Mars series), Allan Steele (Coyote series), Robert Silverberg (Majipoorseries), Mike Resnick (Kirinyaga and Chronicles Of A Distant World series), and many more novels and stories have been inspired by the subject.
“I love the ideas people come up with, and I wanted a chance to fill the need left by NASA’s downsizing to inspire that sense of wonder in future and present generations,” Schmidt said.
Such was the inspiration for his anthology project Beyond The Sun. “Beyond The Sun is going to feature stories by some amazing legendary science fiction writers, some established writers and some new writers on the subject,” he says. His headliners are all Hugo and Nebula winners: Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress. All have written novels and stories on the topic before and look forward to exploring it further. Joining them are familiar names such as Cat Rambo, Jason Sanford, Jennifer Brozek, Brad R. Torgersen, Jean Johnson, Erin Hoffman, Jamie Todd Rubin and Guy Anthony DeMarco.
“The writers included are some of my writing heroes and good friends,” Schmidt says. “It’s a thrill to have the participation of such notables as well as giving new writers the opportunity get more exposure for their own work by appearing alongside others with such respected reputations. Plus, you can just tell from the list of names how amazing the anthology is going to be!”
Just between them, the four headliners have 12 Hugo Awards, 5 Nebulas and a slew of other awards. Several other invitees have nominations and awards as well. Schmidt has even lined upaward-winning artist Mitchell Davidson Bentley to do the cover as well as several experienced and up and coming artists to add images for the stories themselves. “It’s rare these days to have artwork inside books, but I think it inspires the imagination,” Schmidt says. “I know that, as a writer, it’s intriguing to see what artists get as inspiration from my own work.” With the project aimed at being family friendly and applicable for educational use, Schmidt also thinks this will add value and interest.
“What better way to get future generations not only reading but excited about science and science fiction than by creating something teachers can use as a resource to stimulate dialogue, discussion, and imagination?” Schmidt explains. “I would have loved to get to read something like this for class as a kid. And I hear from teachers and parents how much they wish they had more quality stories with age appropriate content they could share with their kids.”
Schmidt’s previous anthology as editor, Space Battles: Full Throttle Space Tales 6, which also featured stories by several authors involved with Beyond The Sun, including a headline story by Mike Resnick & Brad R. Torgersen, has garnered positive reviews and steady sales. Schmidt says, “That publisher has been very supportive, but most small presses struggle to find the money to pay writers pro-rates for stories. On top of that to pay artists and editors. With the Kickstarter, we can package those costs in advance and allow the publisher to put their resources into producing a really good quality, edited, copyedited and laid out final product. Several small presses have already expressed interest. But the project has to happen first.”
If all goes well, Beyond The Sun will be released in late Spring 2013 and available at all major online retailers as well as local bookstores. A number of great incentives from signed art to signed books and even personalized thanks yous and tuckerized names are available to backers via the Kickstarter.
“Mostly I’m doing this because I love the concept and I love helping and working with other writers,” Schmidt says. “What better way than to offer them a great concept and good pay to do what they love?”
Slated to include 20 stories, only 3 of which would be reprints, backing Beyond The Sun is possible through October 17th at the project’s Kickstarter Page, which includes a project video and regular updates. A native of Salina, current resident of Ottawa, and former resident of Kansas City and Olathe, Schmidt is an active convention speaker and instructor. He has had four books published in print and several in ebook as well as short stories featured in magazines and online, all in the last two years. A freelance editor, he regularly edits books and stories for small presses and authors. He also is a regular contributor to blogs at Hugo winning www.sfsignal.com, www.adventuresinsfpublishing.com, www.tobereadbooks.com and www.graspingforthewind.com as well as running his own blog and hosting the live Twitter interview series SFFWRTCHT (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 p.m. ET. More information can be found on Schmidt’s blog here. And you can also find him onFacebook or follow him on Twitter. He can be contacted at 314-781-9120.
Our recent Write Tip on 9 Free Ways To Market Your Book has been popular but people have asked me how NOT to use those techniques, so I thought it appropriate to do a follow up post. First, here’s a refresher on the 9 Free Ways which are:
The previous post goes over how to use those, so I won’t cover that here. Here’s how not to use them:
1 ) Author Site/Blogs — The goal is to create a relationship with readers and other interested parties, but primarily readers. Don’t use your blog and author site to self-aggrandize and totally for sales. Use it instead to reveal yourself. You don’t have to just lay it all out there transparently. In fact, that, in and of itself, may be a big mistake. You have a right and need for privacy. Determine up front where the lines must be drawn and stick to them. A couple areas you might avoid are religion and politics. I rarely blog on these. They only lead people to be offended and possibly lose interest who might otherwise enjoy your books. Unless your books promote your political and religious views, you don’t really need to go there and you’re better off if you don’t. You also don’t want to lambast people. Flame wars may draw traffic but they don’t do it because you’re winning fans. People stare at car wrecks not because they envy those involved but because it’s just hard not to stare. The same is true of flame wars. Don’t get in nasty arguments and back and forth with people. Avoiding controversial topics can help avoid drawing those kinds of comments in the first place.
2 ) Author Profiles/Blog Interviews–Don’t reveal spoilers in your interviews or profiles, unless the book has been out a very long time and you are discussing aspects of craft where it’s relevant. And try and stick to authors and topics where an audience who’d be interested in your book and its genre/topic might find you. It’s okay to reach out to new readers but, seriously, you shouldn’t be on a Christian romance authors blog promoting your paranormal erotic romance, okay? It’s just a waste of time. And don’t lie either. Be honest. At the same time, try and hold back some in interviews. Don’t tell everything to everyone. And find a new way to answer the same old questions. Keep it fresh if you can. You’ll be answering a lot of the same questions again and again at various places. It’s boring for you but it’s all the more so for fans, so try and find new ways to say the same thing and reveal new tidbits with each interview if you can. It’s hard, so hold some things back and give a little each time.
3 ) Goodreads/Library Thing–Great for giveaways and networking with book lovers and fellow authors but these communities tend to give back what you put into them, much like Twitter. They are the most successful giveaway sites, in my experience, for spreading interest and generating reviews. Not so successful, in my experience, for their ads or for generating huge sales numbers. They are a tool to be used with lots of others for spreading the word. It’s important to remember they are about “community.” Door to door salesman are as welcome on Goodreads and Library Thing as anywhere else. Goodreads has the easier interface but both are popular. Approach them as opportunities to share yourself, your love of books, and review and discuss books, genres, trends. Author interviews so far don’t generate a lot of interest in my experience. It’s more about communicating through observing what people do and their observing what you do and say about what you read. Approach them accordingly in both time dedicated to them and how you use them.
4 ) Press Releases–Don’t just copy someone else’s and don’t write blind. There’s an art to this and the goal is give them a ready to print article about you, your book, etc. You want to minimize the work for them so they’ll jump on the opportunity for an easy to prep story. And that takes practice and careful thought and editing. If you can afford it, write the first few drafts, then pay a publicist to fine tune it. There are plenty of independent publicists, like Matt Staggs or Adonna Pruette, who would be happy to assist and charge reasonable fees. Once you’ve done several and get the format and style down, you may be able to work on your own but I know from experience, your first several press releases will not get the results you need without a professional touch. The difference is startling.
5 ) PSAs–Public Service Announcements are a funny thing. They aren’t as common as they once were but they are indeed true to their name: Public Service. It’s not about sales. It’s about making the public aware of an event which might be of interest/benefit. Stations can be very selective about the kinds of events which qualify. They make income from selling ads, after all. Library and school events, for example, are far more likely than bookstore events to be accepted. After all, both imply educational content. And both libraries and schools are publicly funded to serve the public. Still, it’s worth checking these out but you will have to write and time the text yourself and be very careful with wording. Again, don’t self-aggrandize and don’t sell. Just inform. If the radio or tv station does you a favor, you need to make it easy and worth their time. If you make them mad or offend, you’ll alienate them from not only PSAs but also other potential opportunities for you.
6 ) Signings–Don’t expect to sell hundreds of books. The average signing is 4-6 from everyone I talk to, unless you’re a bestseller with multiple books. Signings are as much about letting people know you exist and cultivating valuable relationships with bookstores as they are about actually signing and selling books. I’m sure it varies from author to author but especially new and unknown authors need to approach Signings as opportunities to put their best foot forward and network more than selling books. The signings I have done so far have all sold at least 4 books. The most I sold was 11. All of them brought stores who carry and promote my book for me. And all of them brought publicity opportunities in the community I wouldn’t have gotten otherwise. I also sell other people’s books. My goal at signings is for people to buy something from that store and to make customers feel welcome. Hopefully they buy my book or at least talk to me. But if not, at least I helped the store and the store will want to help me in return.
7 ) Appearances–Appearances are hand-in-hand with signings as networking opportunities. Especially when you get the chance to read or be on a panel, you get the opportunity for people who didn’t know your name or the titles of your book to remember you and learn of your expertise (or at least ability to b.s. really well in public). The goal is to make a good impression on as many people as you can. You don’t do that by aggressively selling. You do it by being personable, knowledgeable and respectful. You do it by smiling a lot and being warm and friendly. If you can do that while waving a copy of your book subtly in front of yourself, all the better. But high pressure pushy tactics will not bode well for you.
8 ) Book Clubs–These are groups of book lovers who offer two advantages: 1. They go through a lot of books. 2. If they love it, they’ll buy more, recommend it to people and otherwise spread the word. The disadvantage is that some are quite picky and blunt in their response. Do offer to visit or otherwise interact with the group. Do offer group discounts if you can. Free books to group leaders are a good idea if you can afford it, but these are book buyers, so free books aren’t essential to win both interest and loyalty. The most important thing here is to write a good book. If they enjoy it, they’ll take it from there with very little effort on your part. Again, selling is less important than personal connection. Cultivate this as networking for word of mouth, more than an opportunity to sell multiple copies. If it works out, you’ll get both.
9 ) Reading Group Guides–Do not SPOIL. Do not SPOIL. Repeat after me. Reading Group Guides are for Book Clubs and others to stimulate thought and conversation, PERIOD. You do not repeat your story in intimate detail. Do not preach on your themes or message. Your goal is to get them to read thoughtfully and interact on what they’ve read. Help them enjoy the reading experience in a way which will likely result in their wanting to read more and spreading the word.
Well, those are some tips on how NOT to use the 9 Free Ways To Market Your Book, I’d love to hear your thoughts on other cautions, etc. as well as your successes. For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog. Bryan is an affiliate member of the SFWA.
Ottawa, KS, January 31, 2012–Author Bryan Thomas Schmidt today announced there would be no revealing of his or other nipples at his book signing at Hastings Books in Lawrence, Kansas this coming Saturday or any other public appearances on his agenda.
“I just wanted to join Madonna right now in refuting any accusations of public nudity,” Schmidt said. “Just as with Madonna’s Super Bowl Halftime Show, absolutely no nipple sightings will occur either now or in the future at my author events and I believe that’s a policy we’ll plan to continue well into the future.”
MAPN (Mothers Against Public Nipples) put out this statement upon hearing the news: “We are relieved to know that family values still means something in this day and age. Exposure to nipples is something every parent should be able to mediate for their children in the comfort of their own timing. Respect for parents’ rights is too often absent in this day and age.”
From Bryan’s publisher: Diminished Media Group co-Director Randy Streu says, “We’re committed to our values as a family business and a family-friendly market, and while male nipples don’t come with the controversy of their female counterparts, we believe it’s best avoided altogether.”
“I might add that I call on authors of all genres to join me in this important movement,” Schmidt said, “especially in the face of recent revealing photos posted by authors like Jim C. Hines at their websites. There are just some things our readers don’t need to know about us.”
Mothers everywhere, surveyed by the reporter, express great relief. Some even expressed renewed hope and faith in a Higher Being.
Recent press coverage of Bryan, The Worker Prince, and the free signing from 1-4 pm on Saturday, February 4th, 2012 being held at Hastings, 1900 W. 23RD, Lawrence, KS 66046, can be found at lawrence.com. For directions to Hastings on Google Maps, click here.
For press and media inquiries including interviews and guest blogging requests, you can contact Bryan at: bryan at bryanthomasschmidt.net.
Links to recent interviews can be found here. Information on Bryan and his books can be found at his author website www.bryanthomasschmidt.net. Bryan’s books can be purchased online at Amazon.com, BarnesandNoble.com and other retailers.
Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog. Bryan is an affiliate member of the SFWA.
September is cross promotion month and we are teaming up with Adventures In Science Fiction Publishing Podcasthttp://www.adventuresinscifipublishing.com/ for a month of special guests and cross promotion. For those unaware, AISFP is a great podcast which interviews industry people regularly on important topics. Led by Shaun Farrell, it also features contributions from Author Moses Siregar III, Brent Bowen, Brenda Cothern, Matt Hughes, D.T. Conklin and Steven Klotz. So we’ll be talking with some of them as well as a couple of authors who will be guests on their show.
Here’s the September line up:
9/07/11— Greg Van Eekhout
9/14/11— Daniel Polansky
9/21/11 — Moses Siregar
9/28/11 —ASFP Podcast/Shaun Farrell
Los Angeles native Greg Van Eekhout writes books for kids and adults. He has worked as an ice cream scooper, a political fundraiser, a comic book store clerk, a bookseller, a bookstore assistant manager, an educational multimedia developer, and a college teacher (of English and of multimedia development), among other things. His books are titled: The Boy At The End Of The World, Kid Vs. Squid and Norse Code. He can be found online via his website at http://writingandsnacks.com or via Twitter and Facebook.
Baltimore native Daniel Polansky is a new author whose book Low Town releases from Doubleday in August. He can be found online via his website http://www.danielpolansky.com/us/ or on Twitter as @DanielPolansky and on Facebook.
Shaun Farrell, Editor-in-Chief and Co-Host, started Adventures in Scifi Publishing because he loves speculative fiction. Plain and simple. He has written articles for Strange Horizons, Clarksworld Magazine, and Far Sector SFFH. Some of his favorite writers are Ray Bradbury, Dan Simmons, Kay Kenyon, Frank Herbert, Ursula K. LeGuin, and Tobias Buckell, to name a few. In addition to loving great literature, Shaun is an aspiring novelist and actor. He recently completed principle photography in his first major role in a feature film, Death Dress, to be released in 2011. Shaun lives in Northern California with his beautiful and supporting wife, Brenna, and two children. You can follow Shaun on Twitter. He is on facebook as well.
To learn more about Adventures in Scifi Publishing Podcast, please check out this promo. And Join us in September for an exciting month of conversations.