Titan released the cover of my next anthology, releasing November 5th I hardcover, at the Barnes and Noble blog today. The follow up to my bestselling Infinite Stars, this is another collection of the best space opera and military science fiction, a big, thick book titled Infinite Stars: Dark Frontiers.
Again, it features 27 stories, 15 of them brand new, including authors writing in some of their most famous and bestselling universes alongside some of the genres most award-winning and classic tales. A complete list of contributors follows. Names marked with an asterisk have contributed new stories exclusive to this anthology.
George R.R. Martin
*Susan R. Matthews
*Orson Scott Card
E.E. “Doc” Smith
*Curtis C. Chen
*Sharon Lee and Steve Miller
*Larry Niven and Steven Barnes
Alan Dean Foster
Kristine Kathryn Rusch
*Kevin J. Anderson
Arthur C. Clarke
This series is designed to be a must have for space opera and military science fiction fans or anyone looking for a good survey of the sub genres as well as libraries and educators wishing to teach on the topic. I was able to get a few stories I hadn’t managed for the prior volume, including the only known short piece from E.E. “Doc” Smith’s Lensmen series. Considering he is regarded as the grandfather of the space opera sub genre, I am immensely pleased to finally include him. There’s another new Ender tale from Card, as well as a new Wayfarers from Becky Chambers, the newest star to space opera, alongside a number of other key writers (and franchises) not previously represented.
As you can see, Julia Lloyd’s cover is quite stunning as well.
With pleasure, we announce the final table of contents for the first anthology of stories written by others set in the New York Times bestselling Joe Ledger universe created by Jonathan Maberry. This will be released from St. Martin’s Press in 2017 (cover and details pending).
JOE LEDGER: UNSTOPPABLE
Edited by Bryan Thomas Schmidt & Jonathan Maberry
TABLE OF CONTENTS
Foreword by Tony Eldridge
Introduction by Jonathan Maberry
The Honey Pot by Steve Alten
Confusion by Nicholas Steven
Target Acquired by Christopher Golden and Tim Lebbon
Vacation by Scott Sigler
Banshee by James A. Moore
Red Dirt by Mira Grant
Black Water by Weston Ochse
Instinct by Bryan Thomas Schmidt and G.P. Charles
No Guns at the Bar by Aaron Rosenberg
Strange Harvest by Jon McGoran
No Business at All by Javier Grillo-Marxuach
Ganbatte by Keith R.A. DeCandido
White Flame on Sunday by James Ray Tuck
Wet Tuesday by David Farland
Prince of Peace by Jeremy Robinson
Rookie by Joe McKinney
Three Times by Jennifer Campbell-Hicks
Psych Eval by Larry Correia
Crash Course by Dana Fredsti
Atoll by Jonathan Maberry
In addition to the numerous New York Times bestsellers writing stories here, we have crossovers with Sigler’s Nocturnal, Tuck’s Deacon Chalk, McGoran’s Doyle Carrick, Robinson’s Chess Team and Fredsti’s Plague World novels. The anthology has a foreword by Ton Eldridge, the Hollywood producer developing Ledger for film and by Grillo-Marxuach (Lost, Charmed, Middleman) who wrote a previ0us Ledger pilot film.
With pleasure, I announce the final table of contents for the first anthology of works by other authors set in Larry Correia’s New York Times bestselling Monster Hunter International universe. This will release from Baen Books sometime next year (cover and details pending).
THE MONSTER HUNTER FILES
Edited by Larry Correia & Bryan Thomas Schmidt
TABLE OF CONTENTS
INTRODUCTION by Albert Lee, MHI Archivist
“Thistle” by Larry Correia
“Small Problems” by Jim Butcher
“Darkness Under The Mountain” by Mike Kupari
“A Knight Of The Enchanted Forest” by Jessica Day George
“The Manticore Sanction” by John C. Wright
“The Dead Yard” by Maurice Broaddus
“The Bride” by Brad R. Torgersen
“She Bitch, Killer of Kits” (a Skinwalker Crossover Tale) by Faith Hunter
“Mr. Natural” by Jody Lynn Nye
“Sons Of The Father” by Quincy J. Allen
“The Troll Factory” by Alex Shvartsman
“Keep Kaiju Weird” by Kim May
“The Gift” by Steve Diamond
“The Case of the Ghastly Specter” by John Ringo
“Huffman Strikes Back” by Bryan Thomas Schmidt & Julie Frost
“Hunter Born” by Sarah A. Hoyt
“Hitler’s Dog” by Jonathan Maberry
The stories involved not just Owen Z Pitt and his usual team, but Agent Franks and lesser known monster hunters from history, including stories set in the Revolutionary War and World War I periods as well as a crossover with Faith Hunter’s New York Times bestselling Skinwalker series.
As I revise this site and get back to blogging and regular updates (soon, I hope), I thought I could start by updating you on my various forthcoming projects and works in progress and their release dates (as I know them).
So here they are. As you can see, 2017 will be my busiest year ever as not only editor but author, too.
Forthcoming works 2016:
THE RETURNING: Author’s Definitive Edition, (Saga of Davi Rhii Book 2) (WordFire Press), August 23, 2016
“Border Time” by myself and Kate Corcino in THE X-FILES: SECRET AGENDAS, edited by Jonathan Maberry (IDW), September 27, 2016
Forthcoming in 2017:
LITTLE GREEN MEN–ATTACK!, Coedited by Robin Wayne Bailey (Baen Books), March 7, 2017 includes “The First Million Contacts” by myself and Alex Shvartsman
JOE LEDGER: UNSTOPPABLE, Coedited by Jonathan Maberry (ST. MARTINS), 2017 includes “Instince (A Ghost Story)” by myself and Claire Ashgrove
MONSTER HUNTER Anthology, Coedited by Larry Correia (Baen Books), 2017 includes “Hoffman Strikes Back” by myself and Julie C. Frost
PREDATOR: THE HUNTED (Working Title) (Titan Books), October 2017 includes a story by myself with Holly Roberds
INFINITE STARS: A Definitive Space Opera Anthology (Titan Books), November 2017
THE EXODUS (Saga of Davi Rhii Book 3) (WordFire Press), TBD
“The Greatest Guns In The Galaxy” by myself and Ken Scholes in STRAIGHT OUTTA TOMBSTONE, edited by David Boop, (Baen Books), TBD
Well, I said I was going to do it, and so here I am. At present, I don’t do general open calls because I just can’t read through all that would come in for the 3-4 anthologies I do a year. But one reason I got into anthology editing was to create opportunities not just for me, but for other writers, so instead I have decided to offer two week annual submissions periods for basically earning your way onto my invite list. So that first period will begin Monday and run two weeks, through September 21st. Here are the parameters:
1) Send your best story in RTF, DOC or PDF format. Make it easy on me to read your work. If I can’t open the file, I won’t read it.
2) Send me the best thing you have, published, unpublished, etc. I am NOT BUYING. All my current projects are full, BUT I am starting to pitch for anthologies in 2017 and 2018, so I will need writers when they sell, which means, I want to see what you can do. If I like your voice, craft, and style, then I will put you on my list.
3) Expect to wait a while. I am going to read through what I get, but it will take a while to read it because other ediitng and reading priorities must come first. The good news is, you can go about submitting elsewhere and living your life, because I am not buying right now so I don’t need exclusivity.
4) Please use standard manuscript formatting. I.E. double spaced, serif font, 12 point type, italics instead of underlining, wordcount and contact info above title on front page, etc. Also, NUMBER PAGES so if I read offline and drop one, I can easily find where the pages go and in what order.
5) If you story is over 7500 words, please contact me first.
6) If I have already bought stories from you or you know I own your books or stories, you just need to ask to be included. Please feel no need to submit pieces to this call. I will have enough to read already.
That’s it. That simple. Send these files to bryan at bryanthomasschmidt.net starting Monday with the subject: OPEN CALL (story name).
I will read and let you know if you’re invited to my list.
Oh, a couple notes on taste:
I like adventure stories more than lesson stories, but if you can do both, I will be awesomely impressed and pleased. I like character driven stories. I like heroes I can admire, but if the story is strong enough, of course, any of this won’t matter. I also do not like overuse of foul language or gratituitous sex and violence, so keep in mind that since I do PG themed anthologies mostly, your story samples should fit those parameters as much as possible. Beyond that, I like all kinds of genres, but I am not a huge vampire or zombie fan, just a warning.
I do reserve the right to just say no. I don’t owe you a slot, nor do I owe you an explanation. Unfortunately, this has to be said given the nature of the www world today, sot here it is. It is not that I plan to just arbitrarily say no without some kind of explanation, but I probably don’t have time to give long notes on every story. I don’t promise to read the whole thing either. If I don’t like it, I will treat it like any other slush. Time management is key. It is not personal. It is subjective and ruled by my personal taste, yes. I am open to people of all beliefs, lifestyles, ethinic backgrounds, cultures, etc. In fact, I strongly seek it out and don’t get enough from POC and non-western writers, so by all means, let me see what you’ve got.
I appreciate the opportunity to look at your work and your patience through this process, and I look forward to working with many of you in the future.
Bryan Thomas Schmidt is an author and Hugo-nominated editor of adult and children’s science fiction and fantasy novels and anthologies. His debut novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels. As editor, his anthologies include Shattered Shields (Baen, 2014), Beyond The Sun (Fairwood, 2013), Raygun Chronicles (Every Day Publishing, 2013) and Space Battles (Flying Pen Press, 2012) with two more forthcoming from Baen Books and St. Martin’s Griffin in 2015 and 2016. He is also developmental editor for WordFire Press, owned by New York Times Bestselling author Kevin J. Anderson and Rebecca Moesta. Books he’s edited include The Martian by Andy Weir, My Big Fat Demonslayer Wedding by Angie Fox, The Outpost by Mike Resnick, A Game Of Authors by Frank Herbert and more. From December 2010 to earlier this year, he hosted Science Fiction and Fantasy Writer’s Chat the first Wednesday of every month at 9 P.M. ET on Twitter under the hashtag #sffwrtcht and is a frequent guest and panelist at World Cons and other conventions. His website is www.bryanthomasschmidt. Twitter: @BryanThomasS
For two years, my editing partner and I have been attending Cons and doing our panel Editing 101 for Writers to great success. We continue to do so, but I wanted to offer a different version of that panel as a class online for writers who might be interested in improving their self-editing skills. I am a Hugo-nominated editor and author with anthologies under contract or published by Baen Books and St. Martin’s Griffin, amongst others. I also am a Junior Editor for WordFire Press, the small press founded by Bestselling authors Kevin J. Anderson and Rebecca Moesta. I have been a professional editor since 2015 and worked extensively with writing and copyediting as a technical and non-fiction writer for a decade before that. But now my focus is fiction, specifically Science Fiction, Fantasy and Horror for children and adults.
This Self-Editing class with cover topics such as passive vs. active tense, showing vs. telling words (intruder words), compound sentences, flow and pace, and more. It will be held via either Skype or Google Hangouts (whatever works best for the attendees and myself.) I am taking the first 10 applicants and the fee is $35 per person paid via PayPal. It will be at 12 noon CDT on Saturday, July 25, 2015 (90 minutes) so people from all coasts should be able to participate. Attendees will also be allowed to send me 5 pages of a story or novel to edit so we can discuss your personal weaknesses and areas on which to focus. To sign up or for further questions, contact me here. I look forward to helping you grow.
As most of you know, I am a very busy anthologist, with 8 projects in various stages of contract and development through 2017. Most of these have their allotment of writers already, but as I develop new projects, I hope to expand my stable. Because of budget and busyness, my reading time is limited and so slush is just not something I can manage at the moment, however, I have come up with an option that will appeal to some of you.
I am ending Science Fiction and Fantasy Writer’s Chat in August. This is because of sheer exhaustion from four years, fading enthusiasm from me and regulars, and also needing time to read for both fun and work that I can’t find anywhere else. Interviewing people, even twice a week, and reading one of their books to do so, is a tremendous time commitment. I have had to put in 20 hours a week to it since starting in 2010. I just can’t keep up with that and slush, and I can’t read novels by friends or colleagues for fun, blurbs or more. Add to that my work in Acquisitions and Development for Wordfire as a Junior Editor, and I just am falling further and further behind. I hate that, so something had to give.
So the solution is that I will be doing an open submission period of two weeks, starting this Fall (September 1 through 15) where writers can send me their best work. The idea is to give me a chance to get to know your work–voice, style, etc. for consideration toward future projects with openings. I am not going to buy these stories. So send your best, whichever speculative genre you want. The sole exception is erotica. I don’t publish or buy it so it won’t be the best sample for me. I don’t promise quick turn around. It may, in fact, take me months to get through the submissions. But if you are professional quality in your writing, you will be considered for invites to future anthologies. You will be in the door. I will limit the word count, probably 6k words and under, but those details shall be announced when the Fall comes. And I will limit to one piece per writer as well. I need to be able to see an end game here if I ever hope to do it again. Published work is fine. I will be flexible on format as well. I will make it easy for you, so please do the same for me.
Further details will be announced when the submission time gets closer. But since many busy anthologists just don’t have time and resources to do many open calls, consider this a great chance to get into projects that may interest you in the future. If you are put in my pool, I will notify you and invite you to appropriate future projects. You also have the right to ask about openings when I announce projects you want to be invited to. Yes, people do that anyway, but if I don’t know your work, I almost always say no. Just a practicality. In any case, get those submissions ready. Reading stuff I’ve edited for taste might be a great way to see what I like in the meantime. I look forward to discovering new colleagues to work with.
Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with co-editor Jennifer Brozek for Baen, Mission: Tomorrow, Galactic Games, Little Green Men–Attack! and Monster Hunter Tales (with Larry Correia) all forthcoming also for Baen, Joe Ledger: Unstoppable with Jonathan Maberry for St. Martin’s Griffin (forthcoming 2017), Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.
So I got nominated for a Hugo for Short Form Editing. Wow. Found out two weeks ago and it surprised but thrilled me. I didn’t campaign. A group of people deemed me worthy and nominated me. Since nominating people you think are worthy is how the system works, I didn’t say a thing, except thank them for their confidence and wait to see what happened. I know I was nominated by people who are not Sad Puppies because they told me. Several, in fact. Some were Sad Puppies, but most who told me were not. The only thing I know is I have worked very hard and this is a major achievement and career moment, and it is unfortunate some people are choosing to attempt to spoil that. I just discovered April 8 that I am was on a slate called Rabid Puppies. I would have demanded removal had I known but I didn’t know it existed until nominations and had no clue who was on it. I don’t associate with the person running that campaign and am deeply disappointed by how he conducts himself and his presence on the slate. I deeply regret this but there is nothing I can do.
Thing is: forever on I am a Hugo nominated editor. The only change. I will do what I’ve always done: strive to make the best books possible. From the beginning I have worked hard to do so, by picking the best new and old pros I can find to write stories, seeking diversity in the pool from right to left, white to POC, LGBT to straight, etc. With a diverse pool in place, I then pick the best stories and hope what I get reflects that well. So far, I think it has. It has varied, of course, but that is the way it goes for every editor. Still, when you want to make books with broad appeal to a broad and diverse readership, that is the only way to do it right. I have always believed that, no matter what some detractors may say. Taking someone’s ambiguous statements and twisting their interpretation does not make them fact.
A few figures of my anthologies so far:
11 male writers
7 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
6 Conservative or independent (that I know of)
BEYOND THE SUN
9 male writers
9 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
7 Conservative or independent (that I know of)
14 male writers
11 female writers
3 LGBT (that I know of)
Not sure of the political alignments but some each stripe
1 female co-editor
10 male writers
7 female writers
3 LGBT (that I know of)
10 Progressive (that I know of)
7 Conservative or independent (that I know of)
And none of this reflects the content itself which includes diverse subject matter and stories.
Don’t believe me? Go check the Tables of Contents posted online. Research it yourself. 3 of these were edited solely by me. I made all decisions. The last was co-edited by my fellow nominee Jennifer Brozek. We made decisions jointly in full. She has written about it on Locus.
The stats on my 9 forthcoming anthologies are not finalized so I can’t post them but these are the works that got me to where I am. The last is the one that qualifies me for a nomination.
I have spent a good portion of my life working with the disadvantaged from poor to non-westerners to LGBT. I have friends I love of all stripes. Anyone who actually knows me will tell you I do not discriminate. I also avoid kerfluffles unless I am dragged in. And even then I try to be gracious. My philosophy is treat others how you want to be treated. Help people when you can. And live and let live.
I take pride in having accomplished all these things. A number of writers have made first sales to me, including Anthony Cardno, who is gay, for example. Many have gotten to find new audiences and appear alongside their writing heroes. I love that I can make that happen. Getting to work with my heroes is part of the thrill of doing this as well.
I love diversity. Don’t believe the critics. I always have and I seek it out. It is the single best gut check I know for keeping me honest and widening my point of view to see outside the box in which I live. That’s so important that I seek it out. I don’t have to agree with everyone to listen to them. But hearing how they see the world makes me see it bigger. Makes me better.
From day one, it has been a privilege to make books and I only seek to serve the SFF community as best I can. It’s such an honor to be a part of it (most days). And I really am humbled that I get to do what I love. If I get rewarded for that with awards, that will be mindblowing. But make no mistake. I did not campaign for awards. I just try and do good work. And I will continue to do so, hoping people will give it a fair chance.
To the nomination voters, thank you for your confidence in me. Sorry for the uproar. Don’t let it spoil the moment if you can. You made me part of science fiction history. It’s so amazing, and I am truly grateful. Now, may the best person win, whomever they are. I leave it to the works.
Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books with nine more forthcoming, including Gaslamp Terrors, Mission Tomorrow: A New Century Of Exploration (BAEN), Galactic Games (BAEN), Speculations KC, and several others. A Junior Editor for Wordfire Press, he acquires and develops books of all kinds. He also hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.
I became an editor for three primary reasons: 1) I love reading stories; 2) I love working with and discovering new writers; 3) I like helping others. For me, editing combined all these loves, so it seemed a natural fit. After all, I could get a chance to work with my heroes and legends as well as up and coming and new writers who are legends yet to be, and in the process, have fun and make some really interesting books, giving great, diverse stories life.
I’ve interviewed a lot of editors, and I think most of them said some combination of the above as well.
But for me, it also stems from years spent working with nonprofits to help artists from different backgrounds and cultures come together and create art and be heard. There’s no greater gift you can give an artist than a chance to share their voice, I think. And it’s such a joy helping them polish and refine their work, giving them a venue and audience, and watching them shine. I found it very addictive. So addictive that when one camp I was working with moved cross country, I created my own nonprofit and started doing the work in other ways, taking it across the world to Ghana, Italy, Mexico, Brazil, and other places, usually places where such training is too expensive or too elite for the poor, and focusing our work on artists denied those opportunities. Doing that work was life changing and has forever shaped by beliefs, my life, my goals, and my art, and I continue to long to find ways to do more of that work in the future. So anthologies and editing had natural appeal.
And the first anthology opportunity proved to be a challenge for sure, but also a whole lot of fun. It’s as much of a challenge sometimes attracting writers to trust a new editor as it can be for writers to get a shot, and I wound up short on submissions and thus late on deadline, but this did give me a chance to work with some writers to improve their stories. There were at least three that made into into the final book after such collaboration. Space Battles: Full Throttle Space Tales #6, the end result is a book I’m proud of. It’s not as good as the books that followed in some ways, but the reviews have been solid and it’s a fun read, and above all, when creating anthologies, I want to create fun reads. For me, reading should be fun. Science Fiction and Fantasy should be fun. Above all other concerns.
So creating opportunities for authors has been a huge part of what I got into this to do, thus, when I didn’t have the editorial credibility quite yet, I looked toward Kickstarter and put together Beyond The Sun, somehow being lucky enough to get four of my writing heroes as headliners. That experience proved yet another great one and shortly after that Kickstarter, friends from a Canadian small press approached me with the idea for Raygun Chronicles: Space Opera For A New Age, and so a few months later, we Kickstarted that with even more big names. That was my biggest anthology yet.
Again, the highlight of both of these was working with writers. Even as the fanboy in me thrilled at getting to work with Silverberg, Rusch, Kress, and more, I enjoyed seeing the up and coming writers’ eyes light up and the chance to be in a book with such luminaries as well. I enjoyed working with them to develop stories, polish them, and assembling the books, etc.
Then Baen bought an idea I had come up with and recruited Jennifer Brozek to co-edit, the military high fantasy anthology Shattered Shields. Like Raygun, we had a full on professional budget and this time we were buying all originals. So I had the chance to work for a major publisher for the first time, again, an incredible experience. And despite our different tastes, Jennifer and I wound up agreeing on almost all the stories, the exception being a couple, and, of course, she liked some more than I did and vice versa. Still, a great creative partnership. What a talented lady!
And having such opportunities to partner with great people is the highlight of being an editor. I just really appreciate that. It’s why I don’t want to work with people that don’t share a mutual respect. Time’s too short. I want to be able to enjoy working together. After all, collaboration should be fun, I think. And it’s why I keep pitching and developing anthologies of various types. It’s also why I wanted to use my credibility to reach out to new voices in projects that might be tougher to find publisher homes for like World Encounters and Enabled, but which still have important subject matters which deserve to be explored.
I love reading. Reading has changed my life. It’s made my world bigger. It’s made me a better person. And it’s opened up possibilities I could have never imagined. As reading amongst new generations decreases in popularity, I also want to create books parents and kids can read and enjoy together, that will provoke discussion and nurture a love of reading and genre. That’s why I always push for an educational accessibility aspect in all my guidelines and books, and why I try and keep content PG13 at worst, so it can reach the largest audience. And my background with diversity and cross cultural encounters makes me desire to include writers of diverse backgrounds and beliefs in every project. Sometimes you are limited by who’s available and who connects with the concept, but I try nonetheless. And I have had some great successes.
In any case, just a few thoughts on why I love being an editor and why I wanted to be one. I admit, I’m hooked now, and I hope I get to continue doing this for a long time to come.
For what it’s worth…
Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books (forthcoming). He is currently working on Gaslamp Terrors, Mission Tomorrow: A New Century Of Exploration (BAEN), Galactic Games (BAEN), Enabled, and several others. He hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.