I have basically been unable to even look at my website since I switched laptops at the end of July. I was locked out. 403 errors if I tried to either pull up the main URL or the login URL. Today, Jamie Todd Rubin swoops in and tells me how to fix it in 30 minutes or less. One shot of tequila and that man is a genius.
And also, Better WP Security plugin was the culprit. Be very careful with that one folks. I was using it to make it harder for trolls and spammers to access my site but in the process, I wound up being unable to access it myself. The culprit were changes to the .htaccess file, which, once reset to default, made the problem go away.
But it was a frustrating and perplexing month that basically left me blogless. I was so busy with deadlines and other issues, I let it go. Until I got locked out of sffwrtcht as well. Thank goodness Jamie responded to my tweets.
We wound up with typical attrition of 20-40% of writers not coming through with stories. Luckily I had some name writers who asked to contribute but weren’t on my original list so we wound up with a stellar TOC.
You can click the link to see the full thing but in addition to our headliners: Silverberg, Kress, Resnick and Rusch, we also had names like Sanford, Fulda, Broaddus, Rambo, Torgersen, Brozek, Rubin and Johnson. Very exciting!
In case you haven’t heard, I finalized a deal last week with Patrick Swenson for Fairwood Press to release Beyond The Sun next summer. Going into their 13th year, Fairwood has released titles by authors such as Nina Kiriki Hoffman, Michael Bishop, Laura Anne Gilman, Daryl Gregory, Jay Lake, Ken Scholes, Jack Skillingstead, Louise Marley, Paul Melko, William F. Nolan, Patrick O’Leary, Ray Vukcevich, Devon Monk, Tom Piccirilli, James Van Pelt, Ken Rand, Alexei Panshin, James C. Glass, Mary Rosenblum, and Bruce Taylor and I’m humbled and honored to join their ranks (as editor at least). Stories from Fairwood publications, which included the semi-pro zine Talebones, have been nominated for major awards. Scheduled for July 16 release, Beyond The Sun should debut at ReaderCon and World Con next year and I have no doubt some of the awesome authors will be in attendance at one or both. So far authors include: Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick, Nancy Kress, Jamie Todd Rubin, Jennifer Brozek, Jason Sanford and Autumn Rachel Dryden. The cover is done by Mitch Bentley, who did the Davi Rhii covers, and Sarah Chorn is assisting me with edits. Expecting some great stories to come in for this now through the January 15 deadline and I’ll be posting updates.
In other news, I have signed with Every Day Publishing to edit SAGA: Space Age Golden Adventures from Ray Gun Revival, an anthology collecting the best of stories from the former space opera ezine with new stories by headliners. Signed up so far are Allen Steele, Sarah A. Hoyt, Mike Resnick, Paul S. Kemp and Robin Wayne Bailey, with more invitations awaiting responses. Doing the cover is artist Writer’s Of The Future winner Paul Pederson. The deadline is May 2013, so this one won’t be available until Fall 2013. But it’s going to be quite fun and thanks to Peter J. Wacks for the perfect title! Every Day Publishing publishes the zine Every Day Fiction as well as Every Day Poetsand Flash Fiction Chronicle, anthologies and novels. They are Vancouver, BC Canada based. I’m very pleased to be collaborating with them on this with the support of Ray Gun Revival‘s founding Overlords.
Beyond that, gearing up for Abraham Lincoln: Dinosaur Hunter “Lost In Legends'” holiday release. This first in what Delabarre Publishing and cocreator Jeff Rutherford and I hope will be a series of chapter books to help get boys excited about reading again is one of my more fun projects this year. Looking forward to starting a second book soon.
Lots of stuff going on. For more projects and a Works In Progress report, click here.
Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press, headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, a Ray Gun Revival Best Of Collection for Every Day Publishing and World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, all forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.
Welcome to the Beyond The Sun Anthology Project. Launched Monday, September 17, 2012 at Kickstarter! It ends Wednesday October 17, and we have some sneak peeks at artwork stories and even one more big name headliner coming if everything goes well! Please join us!
This is a labor of love for myself and a bunch of fellow dreamers, including Robert Silverberg, Mike Resnick, and Nancy Kress, our headliners, along with up and comers like Jason Sanford, Jamie Todd Rubin, Autumn Rachel Dryden and more. Submissions are coming from people like Cat Rambo, Jennifer Brozek, Matthew Cook, Brad R. Torgersen, etc. All the details can be found on this video and at the Kickstarter. The mock cover by artist Mitch Bentley is looking pretty cool, too!
Check back here for regular updates!
Beyond The Sun
Edited by Bryan Thomas Schmidt
Assistant Editor: Sarah Chorn
Colonists take to the stars to discover new planets, new sentient beings, and build new lives for themselves and their families. Some travel years to find their destination, while others travel a year or less. Some discover a planet that just might be paradise, while others find nothing but unwelcoming aliens and terrain. It’s not just a struggle for territory but a struggle for understanding as cultures clash, disasters occur, danger lurks and lives are at risk.
20 stories of space colonists by both leading and up and coming science fiction writers of today. Mike Resnick revisits the Hugo, Nebula and Homer winning universe of his Africa stories. Grandmaster Robert Silverberg examines Jews who left the contention of a wartorn holyland to settle on their own planet when faced with a dybbuk (spirit) and asking whether aliens can be allowed to convert to Judaism. Autumn Rachel Dryden has colonists threatened by alien animals which burst out of shells on the ground like piranhas ready to feed on flesh. Jason Sanford has Amish colonists on New Amsterdam finding their settlement and way of life threatened by a comet and the English settlers who want to evacuate them. And a new story from Hugo and Nebula-winner Nancy Kress. A fourth big name female headliner has agreed to come aboard when we reach funding.
These and 15 other writers join author-editor Bryan Thomas Schmidt for tales of action, humor, and adventure amongst the stars.
Length: approximately 92,000 words
Estimated Date of Publication: Summer 2013
Like most of my work, this anthology will be family friendly in focus. I want it to be something people of all ages can read, enjoy and discuss. Remember when space exploration filled you with awe? Do you remember sitting around dreaming about what it might be like if you too could go to the stars? That’s the sense I’d like to capture with these stories. I’m deliberately choosing writers with diverse backgrounds, interests and styles with the hopes of getting a diverse selection still united around a common theme.
Authors invited to submit: Hugo and Nebula nominee Brad R. Torgersen, Jean Johnson writing in her Philip K. Dick Award nominated novel universe, Jamie Todd Rubin, Cat Rambo, Jennifer Brozek, Matthew Cook, Erin Hoffman, Jason Sanford, Patrick Hester, Sarah Hendrix, Anthony R. Cardno, Johne Cook, Simon C. Larter, Grace Bridges, Jaleta Clegg, Anna Paradox, Gene Mederos, Dana Bell, Anne-Mhairi Simpson, Selene O’Rourke, Mike Resnick, Nancy Kress, Autumn Rachel Dryden and Robert Silverberg.
Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Books For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Lost In A Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers and developing another project with co-editor Rich Horton, both forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.
This post originally ran on Jamie Todd Rubin’s blog as part of my blog tour for The Worker Prince. Jamie gave me permission to rerun it here so more of you can find it.
Bryan Thomas Schmidt: Well, Jamie, thanks for inviting me to your blog. I am a big fan of Golden Age Science Fiction, as are you, and I enjoy your updates as you take your nostalgic trip back through the pulp zines of old. In particular, I am a huge Leigh Brackett fan, but, of course, I’ve also been influenced by Robert Silverberg, who started out in the pulps, Ray Bradbury, Isaac Asimov, James Blish, Henry Kuttner, Edward Hamilton…so many. So much so, in fact, that when I wrote my space opera novel, I wanted to capture some of the magic feel I found in the pulp stories. Good v. evil, with clear cut bad guys, larger than life heroes, sidekicks, interesting aliens, space guns, space fighters, and also that good clean family fun. So many of those stories were meant to be read by fans of any age, and I wanted the same for The Worker Prince. If people can get lost in my world and escape into some fun for a bit, I’d feel very successful with it.
Jamie Todd Rubin: Let’s see, I’ve encountered Brackett, Asimov and Kuttner so far in my Vacation, but of course, I’ve read Silverberg, Blish and Bradbury elsewhere. One of the things that I find interesting is that these writers were, for the most part, at the beginnings of their careers. I’ve read 2 Brackett stories so far, and they haven’t been great, but over time you can actually see the improvement. You talk about stories that are meant to be read by fans of any age, and “good clean family fun.” I’ve often thought that at its heart, science fiction needs to entertain first and foremost, because how else can you expect to do anything else if you aren’t entertaining your reader? I’ve been criticized for this, but I still think it’s true and it sounds like that is what you are going for in The Worker Prince; something that anyone can pick up, start reading, and enjoy. That is not as common today as it was 70 years ago. There are some writers still doing this, but a lot of science fiction and fantasy writers are writing darker pieces, perhaps reflecting the time. I’ve listened to you interviewed and I know that The Worker Prince is more than just entertainment value. I wonder if you see part of it as a reaction to some of the darker fiction being published today?
BTS: It is interesting to see the development of writers like Brackett, Silverberg and others which you most certainly can over the course of their writing. I would say that I am reacting to the darkness of modern fiction, yes. I don’t personally enjoy over the top sex, foul language and violence. For me, it really has to serve the story and so often I think it’s there for shock value or a writer wanting to prove they reject “moral police” or something. It’s not even surprising anymore, that’s how over used it is. But more than that, in a time when we have faced so much darkness in the real world, where’s the inspiration stories of hope? Anti-heroes have, in a sense, become the new heroes. But the old fashioned heroes of old have disappeared. I remember when Captain America was ended because he had no flaws. He was too good for them to continue it. What is that? When did that become an issue? With moral problems in our politicians, celebrities and others being more and more front page news, perhaps our expectations have been forced to lower. But I still believe admirable heroes exist and that kids and adults both need them. Because they are so inspiring. Thirdly, I fell in love with science fiction as a kid and so much of that market today is questionably appropriate for kids below teenage and maybe even young adult. At least, parents should be aware of the content and involved in decision making. Call me old fashioned, I still believe parents screening exposure to some things for their kids is their responsibility and also healthy. I did some studies in college on the effects of content and they do influence people. I doubt that’s changed much twenty years later. So I wanted to write stuff like the pulps that kids and adults could both enjoy, something they could discuss as a family. Nothing preachy, per se, as I’ve mentioned on the podcasts, but something that inspires hope and a belief in heroism like so many Golden Age stories did. You have kids. How much do you monitor the content their exposed to and when would you stop wanting to?
JTR: It seems to me that this “shock value” was mostly (but not entirely) absent from Golden Age fiction in part because writers didn’t have television to compete with. I don’t watch much TV any longer (no time) but it seems to me that with rare exceptions, shows are aiming for shock value over storytelling. That said, there was a reaction to John Campbell’s notions of good fiction–what today we call “new wave” science fiction. But even the new wave stories didn’t seem gratuitous for the sake of being gratuitous. If anything, they were attempting to follow literary trends outside of science fiction to better legitimize the genre. Your question about suitability for kids is one that I am particularly interested in. I do have kids, but both of them are at this point too young to understand most of what appears in science fiction. I have, however, thought about how I would monitor what my kids were exposed to. I was fortunate. In my own case, my parents got me a library card and let me read whatever I wanted, telling me that if I had questions, I could come and ask them and we could discuss them. I think I’d want to do the same with my own kids. I don’t want to hem them in, but I want them to understand what it is they are reading, and be there for them to address any questions they might have about what they’ve chosen to read. Of course, as a science fiction writer and a big fan, I could certain urge them in the direction of works that I admire. But even this, I’d hesitate to do for the same reason that I try not to overtly make my boy into a New York Yankees fan: I don’t want him to rebel from it just because it is something I like.
It does raise a question in connection with your novel, however. As you’ve said, much Golden Age fiction was read by kids and adults alike. Do you find it difficult to write for such a wide audience? Or perhaps is the story clear enough for anyone? I recall Isaac Asimov writing that he never “talked down” when writing to children. The only change he ever made in his writing style was to take care with his vocabulary when writing for particularly young audiences. How is it that you write something that is accessible to both adults and youngsters?
BTS: My approach was similar to what Asimov described. I didn’t write down but I did watch my vocabulary. And I tried to be clear. I also tried to have a variety of strong characters, besides the leads, to connect with. And I found ways to incorporate elements in my world building which tie well to modern issues so people could recognize commonalities and connect, even kids. I avoided four letter words, sex and graphic violence and focused on descriptions which might stimulate the reader to fill in the gap. If you say “Xalivar cursed,” for example, every reader will fill in their own favorite curse word for you. I don’t have to explicitly state it. And the sophistication of the words will vary by age and other factors, of course. But I think that’s a great way to help readers become a part of the story, to draw them in. And I loved books that did that when I was younger. I can understand where you’re coming from about your kids, and certainly as one with no kids, I have limited experience. But I’ve read a lot of studies on how various contentaffects people and I certainly don’t want to be the one to negatively impact anyone so I tend to feel great responsibility for anything I put out there. And I also would likely want to oversee what my kids read at least to a certain age. I’d also follow your example and try not to push anything but also leave the dialogue open. That’s important. And my effort to write for a broader audience came from a desire to stimulate dialogue. I remember discussing The Hobbit with my dad and other stories as a family and how fun it was, how much I learned. I wanted to create an experience similar to that for readers through my book.
And I agree one hundred percent about the impact of television and movies. I think shock value is a selling point these days. And I think people are so used to more dark or gratuitous content and thus it’s become commonly accepted, even considered normal for good storytelling. But I do find that it often distracts because it can be done poorly in many cases. Not all, by any means. But I find that I work harder when trying to create tension and character and drama without using those shock tactics. I have to be more creative and that makes me a better writer.
JTR: There were some big works that emerged from the Golden Age. There were two Lensman novels by E. E. “Doc” Smith, for instance, published by the end of 1941. Between 1942 and 1950, Isaac Asimov published all of the stories that make up his original Foundation trilogy. Robert Heinlein published most of his Future History. For whatever reason, this established a pattern that lingers even today: science fiction lends itself to continuing story-lines and sequels. Indeed, in today’s market, it seems difficult to sell a standalone novel to a publisher, although often times, I find stand-alone novels enjoyable because there is less of a commitment–or perhaps because there is a deeper commitment to a single work. From the Golden Age, I think of L. Ron Hubbard’s Final Blackout as a fine example of a stand-alone. Today, a book like Robert J. Sawyer’s Rollback comes to mind. What are your plans with regard to The Worker Prince? Do you see this as a stand-alone novel, or is this a world that you want to revisit? Either way, where do you go next?
BTS: Well, I wrote The Worker Prince to feel like a standalone, although certainly strands remain which can obviously be explored further. The antagonist is still alive. And as I finished it I realized that there was more I could do, so it became a trilogy and I began to mentally map that out. I am almost finished with Book 2. Another polish pass and work on the ending. It’s called The Returning. Then Book 3, The Exodus will wrap things up. But if there’s demand, I’d love to do a prequel YA series of the adventures of Davi Rhii and his friends in their younger years. And then, after that, as is the trend, I’ll go back and change stuff I don’t like in the original trilogy to make them better, of course. (Just kidding).
I’m with you on standalones. Especially with the Chihuahua killing size of so many books these days. It’s just a real investment to ask a reader to make. Being not only a new writer but one who’s had that experience, I worked hard to keep my novel a smaller size and the sequels will follow that pattern. I also have an epic fantasy series which should be shorter than average and an urban fantasy series as well. I have a standalone steampunk book and a future steampunk book in the works as well. So much to write, so little time.
Jamie Todd Rubin is a science fiction writer and blogger. His fiction has appeared in Analog, Apex Magazine, and Orson Scott Card’s InterGalactic Medicine Show, and most recently through 40K Books. He writes the Wayward Time Traveler column on science fiction for SF Signal, as well as the Vacation in the Golden Age column on his website. Jamie attended James Gunn’s online fiction writing workshop in 2008. He is a member of the Young Gunn’s writers group, the Codex writers group, and the Arlington Writers Group. He is an active member of the Science Fiction and Fantasy Writers of America.
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
The Worker Prince is the story of a prince who discovers he was born a slave. When he raises objections about the abusive treatment of slaves, he finds himself in conflict with both friends and families. After a tragic accident, involving the death of a fellow soldier, Davi Rhii winds up on the run. He then joins the worker’s fight for freedom and finds a new identity and new love. Capturing the feel of the original Star Wars, packed with action, intrigue and interweaving storylines, The Worker Prince is a space opera with a Golden Aged Feel.