Guest Post: Historical Research & Science Fiction by Robert L. Collins

Published on May 31, 2012March 9, 2020 by Bryan1 Comment

One of the benefits of Cons, without a doubt, is networking. You visit with old friends, discover new ones, and have a lot of fun along the way. One of those new friends from two cons this year, ConStellation Nebraska and ConQuesT, is fellow author Robert Collins. Robert’s published books include Stories Of Feminine Strength, Lisa’s Way, and True Friends. His short stories have appeared in venues like Aiofe’s Kiss from Sams Dot, Golden Visions, Pulp Empire and Tales Of The Talisman. But in addition to his speculative fiction, Robert also writes nonfiction. His works include the books: Ghost Railroads Of Kansas, Pieces of Kansas History, and Jim Lane: Scoundrel, Statesman, Kansan. So since research can be an area with which we writers struggle–how much to do, how to do it, etc.–I asked Robert if he had any thoughts he could share about research. Here’s what he sent me:

Historical Research & Science Fiction

by Robert Collins

Many Science Fiction authors know the value of researching history for their genre work. Usually they do so because they’re writing a time travel story and need to learn more about the era their characters are visiting. Occasionally, they do the research because they have the idea of, say, “the battle of Trafalgar in space” and want to make certain the plot follows the real event. However, most Science Fiction authors don’t think much about researching local history to get story ideas.

I write Kansas history as well as SF/F. I’ve done a great deal of research into the history of my home state. I’ve used that material to jump-start several of my fictional works.

One example is my biography of the “Bleeding Kansas” leader Senator Jim Lane. I found a newspaper story that claimed that Lane, in the run- up to the reelection for his Senate seat in 1865, had promised a federal post to 17 men. He made these promises to secure their support for him in the Kansas legislature come election time. Sure enough, the men came to Washington demanding Lane keep his promise to them. Lane gathered the men together one night. This is what he said, quoting from my book:

“What I did last winter, I did with the purest motives,” he asserted boldly. “I thought the state of Kansas needed me in the senate, and it was with that idea that I made those promises which I cannot now fulfill. If I have deceived you gentlemen, I believe that heaven will forgive me. But you, gentlemen, who should have voted for me from the purest and highest impulses–you were actuated only by sordid motives. You voted for me for a price and I do not think you are worthy in the sight of heaven of any recognition or consideration.” Lane lowered the boom. “I renounce all of you, and in the interest of the state of Kansas I will select an entirely new man for the position that you all covet, and have him appointed marshal.” With that Lane dismissed the men for the night.

Great, huh? But how to turn that into a story?

I chose to set my fictional version in the universe of my Frigate Victory stories. I’d already established that colony worlds are governed in a similar way to how United States territories were governed during the frontier period. All that I had to do was adjust the anecdote so that it fit into the established background. My research not only led to a story that sold, but helped me fill in details about that universe. Finding such useful material will take some effort, but you’ll can control how much. Start by checking state histories. Look for events or personalities that appear interesting yet aren’t well-known. From there you can either take what you have and build, or dig deeper. If you’re willing to look, and send out inter-library loan (ILL) requests, you should be able to locate biographies on important state figures and histories of state events, periods, and trends.

Statewide sources aren’t the only places where story and character ideas might be hiding. Most towns and counties have histories published. A local library will have their town or county history. Books on other communities can be obtained through ILL. Some states, like Kansas, have a State Library that handles ILL requests. If so that State Library will probably have a searchable website as well.

If you want to go as far as possible, consider historical newspapers. The Library of Congress has a handful of newspapers from each state digitized at their website. A few states like Colorado are doing the same with newspapers in their states. However, for most local papers you’ll have to look at microfilm. Libraries and historical museums are the first places to look for local newspapers on microfilm; state historical societies typically have all that state’s existing newspapers on microfilm.

Keep in mind that this is research for fiction ideas, not nonfiction books. Don’t get bogged down with accuracy or verification. Also remember that, when it comes to local history, there may only be one source.

One last point: there’s always a need for more books on local historical subjects. POD now makes it possible to publish a book without requiring a large print run. If an event, person, or trend interests you, writing a book could allow you to make use of your research, earn back what you spend, and maybe get you a few more readers.

Thanks, Robert, for those helpful tips. For what it’s worth…

Guest Post: Writer Confidence—Too Much or Too Little?

Published on February 6, 2012March 9, 2020 by Bryan3 Comments

by Patty Jansen

Let’s presume for a moment, that there is a writer called Leon. Leon doesn’t exist, of course, and I picked the name because I don’t actually know anyone by that name. Leon, however, embodies a number of characteristics I’ve seen in workshops and on writer sites.

Leon has written a novel, has self-published it ‘because so much crap gets published by mainstream publishers’, and is now frequently, and loudly, complaining about the lack of reviews, about the idiocy of ‘legacy’ publishing and about how everybody else should be self-publishing, too. But, you know, it is the first novel he’s ever written and to be honest it’s–uhm–not very good.

Let’s presume there is another writer called Frederica. Same deal as Leon–I don’t know anyone by that name. Frederica has dwelled in writer workshops for yonks, and enjoys ‘helping absolute n00bs out’. She has had some minor short stories published, and has submitted to publishers and agents. She’s had a few requests for the manuscript, but she hasn’t submitted anything for a while now. Which is a pity, because she writes quite well and has some lovely ideas.

Now consider that horrible thing: writer confidence. It’s that little voice in your head that says ‘This is total rubbish’ when you’re writing something. It is the insidious feeling that makes you cringe when reading your own manuscript, and makes you think twice about submitting to anywhere that pays top rates because ‘it’s not good enough’ and will never be so.

Leon clearly has too much confidence, and Frederica too little. Both are crippling. Leon would benefit from spending more time learning his craft and listening to people who have read his work. Frederica would benefit if she didn’t consider any criticism as euphemism for ‘I’m no good’ and if she could be made to submit her stories. At the root of their problems, both are probably afraid of rejection. Leon takes rejection as an insult and becomes defensive. Frederica takes rejection as a rejection of her person and feels hurt.

It would of course be ridiculous to suggest that writers aren’t–and shouldn’t be–affected by rejection, but neither defensiveness or crawling in one’s shell are productive reactions. We need to learn to write to a standard that publishers will buy, and the only way we’ll know that is to submit to markets. It does not help a new writer to withdraw from this market-testing for whatever reason, even if you intend to self-publish.

Note that in the above paragraph, I never said ‘we need to learn to write well’. What constitutes publishable writing is a fluid concept. The parameters of what is good writing are ill-defined and subject to taste, namely, that of the editor where you send your submission. Contrary to popular belief, an editor is a human being, with preferences and likes and dislikes, and with the style of a magazine or publishing house to consider. An editor is not the same person as the next editor. Therefore, if an editor says no, that doesn’t mean that the next editor will also say no. Similarly, if an editor says no, it doesn’t mean that the editor is an idiot. It means that the editor had no need for the material, nothing else.

A writer with too much confidence gets hung up about rejection. A writer with too little confidence gets hung about rejection. A writer with the right amount of confidence may feel down for a bit, but will send the submission somewhere else. This writer will think ‘I’ll show ’em’. And you know what? Sooner or later, you will indeed.

Patty Jansen lives in Sydney, Australia, where she spends most of her time writing Science Fiction and Fantasy. She publishes in both traditional and indie venues. Her story This Peaceful State of War placed first in the second quarter of the Writers of the Future contest and was published in their 27^th anthology. Her story Survival in Shades of Orange will be published in Analog Science Fiction and Fact.

Her novels (available at ebook venues) include Watcher’s Web (soft SF), The Far Horizon (middle grade SF), Charlotte’s Army (military SF http://www.amazon.com/dp/B005OOFFPC ) and books 1 and 2 of the Icefire Trilogy Fire & Ice and Dust & Rain (post-apocalyptic steampunk fantasy).

Patty is on Twitter (@pattyjansen), Facebook, LinkedIn, goodreads, LibraryThing, google+ and blogs at: http://pattyjansen.com/

Write Tip: How To Get The Most Out Of Your Book Sell Sheets

Published on January 16, 2012March 9, 2020 by Bryan

In our previous Write Tips post, we talked about Why Your Book Needs A Sell Sheet How To Make One. This time, let’s focus on how to use the Sell Sheets once you have one.

Right off the bat, here are some ways you can put Sell Sheets to work:

1) Market To Bookstores — When given to bookstores and libraries, Sell Sheets help get your books on their shelves. That’s their purpose. And by creating one for each book and describing the book in context of your qualifications and publishing experience, you are selling yourself along with your book. It’s about credibility. And professional marketing materials add a lot to credibility. Every bookstore that I approached with Sell Sheet in hand was willing to discuss ordering my books and doing signings. I have yet to encounter one who didn’t take me seriously after seeing my Sell Sheet for The Worker Prince. They knew I was professional and taking it seriously and those are the kind of authors they want to do business with.

Adonna spoke with a bookstore manager to get an opinion from the other side of the counter for us. “According to a large independent bookstore manager that I interviewed for this post, he felt that the sell sheet gave him something in hand to refer to later when he had the time to consider whether or not to carry the book. Remember, the employees can be busy doing any number of things when you walk in and may not have half an hour to discuss your title with you. *You*, however, came prepared because you have in hand the very thing they will need later when making their purchase decisions – all of the information about your title on a neat and handy little paper. The manager stated that the first two things he looks for are the book’s cover (attractive? appealing? sellable?) and if the book would be available through his current book distributors (Ingram, etc.). Overall, he felt that unknown books that had a sell sheet with all of the pertinent information on it received more consideration than ones that did not.”

2) Market To Libraries — As mentioned by Librarian John Klima in our write tip on How To Get Your Book Noticed By Librarians Or Not, getting a library to buy your books is tough. Sell Sheets are a great tool to make them aware of your books value for them and their community. They’re something you can give to them as you stop by to introduce yourself and offer to do events if they ever need local authors. And something you can leave behind to remind them when they’re thinking about making the next book order. Remember, don’t hand them the book itself. Don’t ask them to evaluate it on the spot. As John told us, if you make them aware of the reviews and other information in a non-pressure way, it’s much more effective. Your word isn’t enough. Your being nice isn’t either. And it’s even better if you can do it at a ALA meeting or outside the library. Because they get way too many authors walking in trying to get libraries to stock their books already and most of them are crap. Don’t throw on the sales pitch either. Talk to them like a person. Relate to them. Share their love of books. Find out what they like in books. Find out what they like in having authors visit the library. But be subtle. Not pushy.

3) Increase Author Appearances — You can use Sell Sheets to get more opportunities for readings, book signings, lectures and other author appearances. Sell Sheets can showcase your qualifications and experiences to conference planners, event organizers, stores and media and that gets you noticed when those people are looking for speakers and presenters. Make sure that if you are available for those that you explicitly say so on the sheet and remember to put your direct contact info.

According to Adonna, “Go ahead and ask the bookstore manager when you talk with them about your book (with sell sheets and a copy of the book in hand of course) if they currently allow book signings in their store. Find out what requirements they have for those and how far out they are booked up. If they do let you have a signing, expect to help promote it in within your community and on local event calendars and such. In any case, make sure that you leave a copy of your sell sheet behind with the employee that you spoke with.”

4) Sell More Books To Readers – Many authors attend fan cons, book conventions and author events every year but what do you do when the people that are passing by your table aren’t ready (for whatever reason) to buy your book at that time? Adonna suggests: “Hand them your sell sheet while you tell them about it. Flip it over and write something on it that relates to what they have discussed with you (perhaps another book or con that you’ve recommended, the name of a section on your website they may be interested in, etc..) People have a tendency to hang on to things that have human (that’s you) writing on them. See there? Your autograph is good for something important already!”

Note: Take the time to reformat your sell sheet beforehand to remove book distributors, etc. as this wouldn’t apply to marketing directly to readers.

5) Sell Products and Services — If you’re not just an author but an editor or teacher, etc., Sell Sheets are quite cost effective ways to get the word out. You can print them as you need them, customize them for specific markets/audiences, and you can distribute them across a broad base by carrying them with you wherever you go.

6) To Inform The Media — Adonna had some advice for us here. “If you do approach the media regarding your title, a copy of your sell sheet is a great thing to send to them along with a handwritten thank you note for taking the time to speak with you. It will help them to remember your title and more importantly – YOU – for the next time that you are in touch with them. Never underestimate the power of reaching out the old fashioned way, especially in the digital age.”

Additional Tips:

** Book Sell Sheets are best delivered by hand. YOU are part of what helps to sell a buyer on an unknown book: your very own sales force and book cheerleader.

** Try posting them on bulletin boards on college campuses. College students read a lot and if the book looks appealing, they might just pick one up, especially if you modify your Sell Sheet to let them know where to find it.

So get those Book Sell Sheets together and let people know about them. Good luck! We hope these tips were helpful. Big thanks to Adonna Pruette for her help and advice and be sure and remember to check out her special offer below. And please post links to your finished Sell Sheets in the comments so we can all learn from you and see how you did, ok? For what it’s worth…

Exclusive Offer:

Adonna has agreed to a special offer exclusively for the visitors here.
PR Quick Check $35 – Adonna will check your current sell sheet offering general guidelines as well as give you tips for how to revise and improve it yourself to increase it’s marketing value for bookstores.
PR Sell Sheet Review – If your sheet needs more than just a few tips, she can fix it up for you for a range from $50 – $150 depending on how much work is needed. You will be given a quote before any work is completed.
Custom Book Sell Sheet – Created for your book from scratch for $200 (which is $100 off of the normal fee for this type of detailed service). Contact her at [email protected] to get started. From DIY help to full service PR, there’s something for everyone in there. You must mention this site in your email to her to get these discounts! Enjoy!

Bio:

Adonna Pruette is a freelance professional publicist that works with fiction authors and publishers to create digital PR as well as traditional media outreach. Her clients range from well known writers like urban fantasy author Faith Hunter (www.faithhunter.net) to debut authors such as Lillian Archer (Twitter: @LilliansBooks). Her online home at TheAuthorPro.com (http://www.TheAuthorPro.com) is her current WIP. You can contact her at adonna AT theauthorpro.com or connect with her on Twitter @PassionMuse.

Contact details:

Website: http://www.theauthorpro.com

Facebook: http://www.facebook.com/authorpro

Twitter: @PassionMuse https://twitter.com/#!/passionmuse

Google +: http://bit.ly/Ar7hzi

Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SF Signal, he can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎ Bryan is an affiliate member of the SFWA.

4 5-star & 11 4-star reviews THE WORKER PRINCE $3.99 Kindlehttp://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

Write Tip: Why Your Book Needs A Sell Sheet & How To Make One

Published on January 11, 2012March 9, 2020 by Bryan5 Comments

Book sell sheets are a key component of publicity for books in traditional publishing. Having a professional sell sheet can help distinguish your book from thousands of others and really help it get noticed. It’s important that it stand out from the crowd, because a mid-size bookstore can receive a hundred or more sell sheets a year. For your book to get noticed, you need to distinguish yourself and your book from the crowd. A professional presentation, careful selection of items to include, and proper placement of wording can make all the difference in the hands of the bookstore’s buyer on the other end.

Although you can do one book sell sheet for whole series, typically a sell sheet exists for each book you release.

Professional book publicist Adonna Pruette explains: “When you are making efforts to promote your new novel, you want to walk into the bookstore with at least two things in hand – your books (buy some to take with you!) and your sell sheet. You want to be able to hand the manager, owner, or book buyer an attractive sheet that will act as an actual sales piece after you leave. It’s wise to spend some time reading up on the basic rules of effective sales copy to make sure that your sell sheet makes the grade. You want to present your book (and yourself) well on paper so that your book can get it’s foot in the door at that bookstore.

“Please remember while you are designing your sell sheet to try and make it as quickly scannable as possible. You aren’t trying to bog them down with a full page of paragraphs. Use color, lists, and boxes where possible and effective to make it a quick read with all of the info that the store needs. The person that you hand this sheet too will read it just as you would – they are going to quickly scan it from top to bottom with their eye stopping briefly on focal points on the way down.”

Let’s cover the basic information suggested or expected, look at some examples, and then talk about how to make your own, okay?

This is the sell sheet for my novel The Worker Prince. It’s probably easier to just click on it and open a separate screen so you can view it as I go through the elements. I have marked them on the sheet for visual reference. But here’s a breakdown:

1. Book title. Make it big, use the font from the cover and put it at the top. The title of your book is the most important thing on the page. Try the squint test. Look at your sell sheet and squint. Can you see the title really well? Make sure the font is very readable. If not, try adding spacing between the letters o u t just a bit. If that still doesn’t help, then change the font to something similar but more readable than what is on the cover of your book.

2. Sub-title (if you have one). Not as large as the title though.

3. Next, a brief book teaser description. Two paragraphs max. Don’t tell the whole story. Keep it open ended so they want to find out what happens. Leave them with questions they just have to get answered! Get a friend or fiction loving neighbor to read over your description and see if they want to know more about your book after reading it. Do they start to ask you questions about it? That’s a good tip off for you that it is “just right”.

4. Basic data: book categories, include the number of pages, ISBN (this is super important), all formats available, pricing per format, and publication info. (Stores will use this to look it up right away.)

5. Special honors, especially national ones come next, followed by blurbs or excerpts from reviews which demonstrate your book’s quality or appeal. Use the more well known reviewers or larger book blog review snippets toward the top of your reviews section. You will bold the reviewer’s name or site name to make it stand out more than the review itself usually. This practice will make your sell sheet a much more scannable read.

6. Which book distributors can your book be ordered from, if any? Two of the largest are Ingram Book Company (http://www.ingrambook.com ) and Baker & Taylor ( http://www.btol.com ). Adonna says that the store will want to know if your book can be ordered along with the normal book order that they place to their suppliers. If not, make sure that complete ordering info is on your sell sheet: Publisher’s name, web address, phone number, and email.

In cases of nonfiction, you may wish to bullet point your platform and what you offer as a speaker and expert here. Why should you be chosen? What do you offer which no one else can? What distinguishes you?

7. CALL THEM TO ACTION: Ask them to order copies and give them the info to do it NOW!

8. Sell yourself, not just the book, with a brief bio and contact info, including 1 or 2 (max) social media accounts. Make it easy to go directly to you. You’re the one with whom they want a personal relationship. Not just an order desk.

9. If you can’t give them an ARC (they cost money, of course), then tell them how to get a peek inside right now. Tell them where they can read an excerpt in big, bold, colored letters that say FREE. This also gives them a good reason to hold on to the sell sheet. If they’re intrigued by all of the rest, they’ll look into it.

10. Always include the publisher’s logo, if you have one, and the book cover shot and your photo. Be professional. If your book is traditionally published, even by a small press, this helps it to stand out as gatekeepers have approved it.

Here are links to sample sell sheets. One covers a series, the others individual books.

http://www.iuniverse.com/uploadedFiles/iUniverse/Expert_Advice/Selling_Your_Book/Make_a_Sell_Sheet/iU_LoveWhatYouDo_Sell%20Sheet%208%2028%202009.pdf — Here’s one for a Nonfiction book from iUniverse.

http://www.captainwrite.com/SalesSheet.pdf — This series one was created by my friend, graphic designer Jeana Clark (@jeana_with_a_j on Twitter.)

http://www.beaverspondpress.com/assets/files/Johnson_Sellsheet.pdf — another nonfiction example

http://www.beaverspondpress.com/assets/files/sickbug_sellsheet.pdf — this is fiction

You can create these Sell Sheets in Microsoft Word or Microsoft Publisher fairly easily. Having a publicist create your sell sheet isn’t a necessity but it can be helpful if you still feel lost or unsure about your sell sheet. In my case, publicist Adonna Pruette looked mine over for tweaks after the fact. She also suggested this alternate layout as yet another option:

My version was created using Publisher and Adonna’s using Word. Either way, text and photo boxes and other tools, it’s fairly easy to create one.

Adonna has some final thoughts:

“Your sell sheet is an actual marketing piece. It’s not just a piece of paper that you should throw together haphazardly. After you’re gone, a store employee may see it on the counter three hours later, check out your book info, read it, and then ask the manager to order in a few. This is marketing material will be used over and over again to sell your book to the book buyers. Take your time pulling your sheet together. Make sure it looks really nice. No typos! Color printed (if color adds to your layout). Attention to detail matters here and it just may sell you quite a few books.”

Ok, once you have a Sell Sheet, what do you do with it? Well, that’s what we’ll talk about Monday in Part 2: How To Get The Most Out Of Your Book Sell Sheets. So meantime, get to work on those Sell Sheets. OMG Blogging guy just gave me homework! Why yes, yes, I did.

For what it’s worth…

Additional Resources:

Here’s what Absolute Write says about Sell Sheets: http://absolutewrite.com/novels/sell_sheets.htm. Independent Book Publisher’s Association offers another resource: http://www.ibpa-online.org/publishers/flyer.aspx. Check http://www.fedex.com/us/office/templates/sellsheets.html for templates.

Exclusive Offer:

My latest project:

Bio:

Contact details:

Website: http://www.theauthorpro.com

Facebook: http://www.facebook.com/authorpro

Twitter: @PassionMuse https://twitter.com/#!/passionmuse

Google +: http://bit.ly/Ar7hzi

4 5-star & 11 4-star reviews THE WORKER PRINCE $3.99 Kindlehttp://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

For further help, please see https://bryanthomasschmidt.net/write-tip-how-to-get-the-most-out-of-your-book-sell-sheets/How To Get The Most Out of Your Sell Sheets.

Blog Roundup: 2011 Posting Highlights

Published on December 31, 2011March 9, 2020 by Bryan

The switch to WordPress in late May has really seen the blog grow. We have had 13205 hits since then (as of 11 pm 12/30/11 that is) and average over 2000 a month, or 70 hits a day. Thanks for that support and interest. I wanted to take a look back at the highlights of the blog this past six months since the move. Several posts have gonna pretty viral by my standards so perhaps people would like to visit them who haven’t or even revisit them again. Here’s the top 20 posts. Please feel free to revisit this stories but also please consider leaving comments about what you like about this website and suggestions for how we can improve. We’re doing our best to serve you well and anything you can offer us as feedback just helps us do it better.

Thanks again for your support of me and this site!

Bryan

10 Mistakes SFF Writers Make With Research – 670

12 Essentials For A Successful Author Website – 557

9 Tools For Character Development – 470

18 Holiday Themed Science Fiction And Fantasy Stories – 454

To The Woman I Fell In Love With – 341

The Worker Prince – 341

Top 10 Reasons You Should Go To SFF Conventions – 296

Why I’m Not A Fan of FanFic – 291

70 Most Memorable Science Fiction & Fantasy Books I’ve Read (to date) – 275

7 Tips For Being A Good Beta Reader – 264

10 Tips For Writing Good Action Scenes – 258

Guest Post: Space Opera The Junction Between Worlds by John H. Stevens – 192

Guest Post: Can You Really Tell Within A Few Paragraphs If Something Is Good? by Patty Jansen – 191

Guest Post: Defining Sword & Sorcery by Howard Andrew Jones – 190

10 Tips For Doing A Good Interview–As Both Interviewer and Subject – 190

10 Tips For Planning A Blog Tour – 183

Write Tip: Get In Late, Get Out Early – 182

A Letter To Bipolar Disorder – 181

How To Get Your Book Noticed By Librarians Or Not by John Klima – 178

Write Tip: Making Perfect Bound ARCS With Create Space – 167

Sadly but unsurprisingly, the least popular were some passion posts about things I really care about but not really writing focused, and the Links of the Week posts, generally, just didn’t excite anyone, so I stopped bothering to compile the links I tweeted each week but if anyone’s curious, you can click the links below.

Tribute to my Beloved Cat: Lucy, 18.5 years old, died Feb. 2010

Links Of The Week, Vol. 2 Issue 10

I Celebrate Our Differences and Commonalities In Calling You Friend

Dialogue: How Golden Age SF Influenced The Worker Prince

Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎

4 5-star & 11 4-star reviews THE WORKER PRINCE $3.99 Kindlehttp://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.