As I revise this site and get back to blogging and regular updates (soon, I hope), I thought I could start by updating you on my various forthcoming projects and works in progress and their release dates (as I know them).
So here they are. As you can see, 2017 will be my busiest year ever as not only editor but author, too.
Forthcoming works 2016:
THE RETURNING: Author’s Definitive Edition, (Saga of Davi Rhii Book 2) (WordFire Press), August 23, 2016
“Border Time” by myself and Kate Corcino in THE X-FILES: SECRET AGENDAS, edited by Jonathan Maberry (IDW), September 27, 2016
Forthcoming in 2017:
LITTLE GREEN MEN–ATTACK!, Coedited by Robin Wayne Bailey (Baen Books), March 7, 2017 includes “The First Million Contacts” by myself and Alex Shvartsman
JOE LEDGER: UNSTOPPABLE, Coedited by Jonathan Maberry (ST. MARTINS), 2017 includes “Instince (A Ghost Story)” by myself and Claire Ashgrove
MONSTER HUNTER Anthology, Coedited by Larry Correia (Baen Books), 2017 includes “Hoffman Strikes Back” by myself and Julie C. Frost
PREDATOR: THE HUNTED (Working Title) (Titan Books), October 2017 includes a story by myself with Holly Roberds
INFINITE STARS: A Definitive Space Opera Anthology (Titan Books), November 2017
THE EXODUS (Saga of Davi Rhii Book 3) (WordFire Press), TBD
“The Greatest Guns In The Galaxy” by myself and Ken Scholes in STRAIGHT OUTTA TOMBSTONE, edited by David Boop, (Baen Books), TBD
Please welcome to my blog today on her latest blog tour, the talented Gail Z. Martin.
by Gail Z. Martin
When I was a kid, I picked my breakfast cereal by the toy surprise in the bottom of the bag. That hidden treasure mattered to me a whole lot more than the flavor of the corn flakes.
So I find it interesting that in fiction, readers are discovering the allure of a new type of ‘serial’–serialized fiction. Of course, serials aren’t new. Charles Dickens made his living writing for magazines, stretching his stories out in installments for a breathless reading public. Magazines in the nineteenth and twentieth centuries ran a lot of serialized fiction, with readers awaiting the next installment in the forthcoming issue. And for a while, ‘penny dreadful’ writers cranked out lurid pulp fiction at a brisk rate, much like episodic TV does nowadays. Back in the day, radio shows also serialized stories, so that listeners would ‘tune in again next week’ for the next thrilling segment.
With the demise of many magazines, it took the internet and digital publishing to breathe new life into serialized fiction. Podcasters were quick to embrace the idea, with folks like Scott Sigler and JC Hutchins doing very well with the concept, and others like Christiana Ellis, Tee Morris, Rich Sigfrit and PG Holyfield bringing back the dramatic multi-actor radio drama format for serialized stories.
I took the leap into doing serialized novels with my Jonmarc Vahanian Adventures ebook short stories and novellas a few years ago. The series focuses on the backstory for a favorite character in my Chronicles of the Necromancer/Fallen Kings series, someone with a dark past whom readers wanted to know more about. I began writing sequential short stories that will add up, eventually, to three full novels about Jonmarc.
The Shadowed Path, my new book from Solaris Books, is a collection of the first ten of those short stories (plus an exclusive eleventh story) that comprise the first third of Jonmarc’s story. Taken together, they form a novel with a full story arc. I’ve had a lot of fun writing the stories, and having the chance to share Jonmarc’s background, since he’s a favorite of mine, too. There are eight additional stories available in ebook beyond those collected in The Shadowed Path, with three more novellas coming later this year.
Serializing a story requires a slightly different approach from writing a regular novel, because each individual ‘episode’ has to have its own internal arc to a greater degree than do chapters in a book. The stories need to be able to stand on their own, but also link together to build a greater whole. It’s an interesting writing challenge, and I’ve been enjoying working with it.
Readers and authors get some wins with a serialized story that are also different from a regular novel, or stand-alone short fiction. Readers don’t have to wait as long for the story to unfold, but still have the anticipation of the upcoming installment, which is familiar to people who watch episodic TV. For those who prefer to binge read like they binge watch, the sequential short stories will eventually be collected into a larger, cohesive whole.
For the author, it’s nice to get feedback throughout the process instead of only at the conclusion of a full novel. Bringing out episodic work on a regular basis maintains a relationship and an ongoing connection with readers, preserving that link between books. And it’s a great way for authors who may have contractual obstacles that restrict bringing out new ‘novels’ (due to publisher right of first refusal, etc.) to be able to still create larger, cohesive works. Personally, I’m a fan of bringing out additional, sequential stories that tie into my novels because there are a lot of smaller adventures I enjoy sharing with readers that involve the characters and setting and which happen outside the full novels and which introduce secondary characters or expand on the world building.
My Deadly Curiosities Adventures short stories expand on the novels in my dark urban fantasy series with additional episodes featuring more cursed and haunted objects and supernatural threats. Readers get a chance to know the main and secondary characters better and spend more time in the modern-day Charleston, SC atmosphere. The first 10 of those stories with Cassidy, Teag and Sorren, are collected for the first time ever in Trifles and Folly, currently part of the Modern Magic ebook boxed set with 12 full-length books by 13 bestselling dark fantasy authors, just $1.99, only on Kindle for a limited time.
The Storm and Fury Adventures continue the Steampunk world of Iron & Blood, with Department of Supernatural Investigation agents Mitch Storm and Jacob Drangosavich fighting clockwork monsters and supernatural evil in 1898 alternate history Pittsburgh. And my Blaine McFadden Adventures will eventually provide six sequential, serialized novellas that fill a six-year gap in my novel Ice Forged. Three of those novellas are currently available, either individually or collected in King’s Convicts.
For me, the prize in the serial is the chance to tell more stories, explore more adventures, and keep readers on the edge of their seats, waiting for the next installment. So dig in!
From June 21-June 30 I’ll be doing my annual Hawthorn Moon Sneak Peek Event blog tour, and I hope readers will stop over to my website, find out what all is going on and where to find the posts, giveaways, contests and fun events. And of course, please look for The Shadowed Path at your favorite bookseller!
The Hawthorn Moon Sneak Peek Event includes book giveaways, free excerpts, all-new guest blog posts and author Q&A on 22 awesome partner sites around the globe. I’ll also be hosting many of my Modern Magic co-authors guest posting on my DisquietingVisions.com blog during the tour. For a full list of where to go to get the goodies, visit www.AscendantKingdoms.com.
An Excerpt from Raider’s Curse, part of The Shadowed Path:
Jonmarc took off running. At fifteen, he was tall, just a bit over six feet. Years of working
alongside his father in the forge had given him a strong back and muscular arms. A mop of
chestnut-brown hair hung in his brown eyes, and he pushed it out of the way as he ran.
A worn path led to the open shed that was his father’s forge. Jonmarc could hear the steady
pounding of his father’s hammer on the anvil. The sound echoed from the hills, steady as a
heartbeat. He skidded to a stop just outside the doors.
Anselm Vahanian swung a heavy hammer in his right hand while his gloved left hand turned
the piece of metal on the anvil. Sparks flew around him, landing on the long sleeves of his rough-
woven shirt, his gloves, and his leather apron. The forge smelled of coal, iron, and sweat. To one
side lay two swords Anselm had completed for a client in the village. On a table lay a variety of
farm tools—iron pots and pans, and hoops for the cooper’s barrels. Jonmarc had helped to forge
several of the pieces, though he longed to work on swords, like his father.
“Mother said to tell you to wash up for dinner,” Jonmarc shouted above the clanging.
Anselm stopped and looked at him. “I’ll eat supper later. You know I can’t stop in the middle
of something when the iron is hot.”
Jonmarc nodded. “I know. I’ll tell her to put a plate aside for you.” He paused, and Anselm
looked at him quizzically, waiting for the unspoken question.
“Have you talked to any of the fishermen lately?” Jonmarc tried to make the question sound
off-handed, but Anselm frowned as if he caught the undercurrent of concern.
“You mean the talk about raiders,” Anselm replied, and struck the iron he was working.
“Do you think it’s more than just talk?”
Anselm didn’t answer until he put the iron bar back into the furnace to heat up. He was
Jonmarc’s height, with a head of wiry dark hair and brown eyes that glinted with intelligence. A
lifetime in the forge had given him broad shoulders and a powerful physique. His profession also
showed in the small white burns that marked his hands and arms, scars too numerous to count.
Jonmarc had gained a few of those burn scars too, but not nearly as many as his father. Not yet.
“Maybe,” Anselm replied. “The real people to talk to are the traders. Their ships go up and
down the Northern Sea coast, stopping at all the villages. I always get news when I trade iron
with them.”
“Have you heard anything?”
Anselm turned the iron rod in the furnace. “Some. One of the villages on the other side of the
bay burned. Everyone was gone when the traders came. No way to know why or how. Eiderford,
down the coast, did have a run-in with raiders a few months ago.” He eyed the iron, and turned it
one more time.
“So there are raiders,” Jonmarc replied.
Anselm shrugged. “There are always raiders. But there’s less to attract them here in
Lunsbetter than in Eiderford. We’re not a proper city, and we’re as like to barter as deal in coin,
so there’s less to steal.”
Unless they want food, livestock, or women, Jonmarc thought. And there are enough people
who trade with the ships that there’s probably more coin here than anyone wants to admit.
“There’s a garrison of the king’s soldiers beyond Ebbetshire,” Jonmarc replied. “Can’t they
stop the raiders?”
Anselm shrugged. “They can’t guard every village along the coast,” he said. “And they’d
have to know for certain when a raid was planned.” He shook his head. “No, we’re on our own.”
He paused.
“Don’t worry yourself about it,” Anselm said, drawing the rod out of the furnace and placing
it on the anvil. “We’ve doubled the patrols, and the fishermen are on alert.” He grinned. “And
tomorrow, those swords are going down to the constable and the sheriff. We’ll be fine. Pump the
bellows for me. The fire’s grown cold.”
Anselm stood in front of a large open furnace filled with glowing coals. Jonmarc pumped the
bellows that were attached to the back of the furnace, and the coals flared brighter, flames licking
across their surface. Anselm lifted his hammer to strike the iron. “Now get back up to the house.
Your mother’s waiting. Just save some for me.”
“I’ll make sure of it,” Jonmarc replied. The clatter of the hammer drowned out anything else
he might have asked. He stepped out into the cool night, and started back up the path to the
house. His stomach rumbled and he fancied that he could smell the stew. But the worry he felt
when he went to the forge had not lifted; if anything, his father’s comments increased Jonmarc’s
concern than the warnings about raiders were not mere tales.
If father says the men are keeping their eye out for trouble, then that’s the end of it, he
thought. Naught I can do. But he remembered his comment to Neil about keeping the axe
sharpened, and on the way back to the house, he detoured into the barn. Thanks to his father’s
craft, they were well-stocked with farm implements.
He walked over to the space his father used to butcher meat. Butchering wasn’t a pleasant
job, but it was necessary, and a task with which Jonmarc was well acquainted. He had learned
the craft from his father, practiced enough that it no longer made him lose his dinner to be awash
in blood and entrails. His father had taught him to strike swiftly and cleanly, to block out the
death cries of the terrified livestock, to go to a cold place inside himself until the job was done.
He had even learned a few tricks of the trade, like how to hamstring a panicked animal that was
likely to kick or buck. But nothing about how to fight men.
On the wall hung an impressive variety of knives. He selected a large butcher knife with a
wicked blade as well as a smaller boning knife, and made his way around to the back door,
hiding the knives among his mother’s herbs before going in for supper. Tonight, when everyone
was in bed, he would come back for them—one for him, and one for Neil. Just in case the men
were wrong.
If you want to see more stories about Jonmarc Vahanian, check out The Chronicles of the
Necromancer series and The Fallen Kings Cycle books, as well as the Jonmarc Vahanian
Gail Z. Martin is the author of The Shadowed Path (Solaris Books), Vendetta: A Deadly Curiosities Novel in her urban fantasy series set in Charleston, SC (Solaris Books); Shadow and Flame the fourth and final book in the Ascendant Kingdoms Saga (Orbit Books); and Iron and Blood a new Steampunk series (Solaris Books) co-authored with Larry N. Martin.
She is also author of Ice Forged, Reign of Ash and War of Shadows in The Ascendant Kingdoms Saga, The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven, Dark Lady’s Chosen); The Fallen Kings Cycle (The Sworn, The Dread) and the urban fantasy novel Deadly Curiosities. Gail writes three ebook series: The Jonmarc Vahanian Adventures, The Deadly Curiosities Adventures and The Blaine McFadden Adventures. The Storm and Fury Adventures, steampunk stories set in the Iron & Blood world, are co-authored with Larry N. Martin.
Her work has appeared in over 30 US/UK anthologies. Newest anthologies include: Robots, The Big Bad 2, Athena’s Daughters, Heroes, Space, Contact Light, With Great Power, The Weird Wild West, The Side of Good/The Side of Evil, Alien Artifacts, Cinched: Imagination Unbound, Realms of Imagination, Gaslight and Grimm, Baker Street Irregulars, Clockwork Universe: Steampunk vs. Aliens.
My friend Lawrence Schoen’s latest novel and big publisher debut, Barsk: The Elephants’ Graveyard, from TOR Books had sold out its first printing before it even released. It is about sentient animals who have survived the self-destruction of human beings and now rule the galaxy. I asked him to talk on the blog about how to write animals as main characters of a novel.
How do you approach writing animals as characters? Do you anthropomorphize or avoid it?
I treat animal characters much like I treat alien characters, which is to say, I write them as characters first, and then add in the other bits (animal, alien, or both).
I start by asking myself a few basic questions like, “Who is this character? How does he see the world? How does he see himself? What does he want?” and then as these basics start to sketch out, I drop the character into the setting that further shapes those answers.
With the anthropomorphic animal (or as I like to call them, “raised mammals”) characters in Barsk, there were additional factors. The easiest of these was to build on the physiological differences from the source animals, and play with how that then affects the more basic characteristics and questions. This is particularly important for the reader, because she’s looking for something familiar to glom onto, something that can be assessed at a glance, be it an elephant’s trunk or the graceful gait of a cheetah or the relative lethargy of a sloth. These are signals to a reader that say, “oh, okay, it’s like a human being, only not, because it’s also like X.”
After the broad strokes of an animal character is done, the real fun begins. The bits that act as Easter eggs for more savvy readers. Little pieces from research into what ethologists and other scientists have learned about these species which when dropped into sapient characters inform their culture and worldview. As one example, we know that among elephants, after a certain age, the males all go off on their own solitary way and only return to mate, leaving the females behind to form groups of adults and children of both sexes. Take this one datum and apply it a planet of uplifted elephants and you get a society where you have households of adult females — mothers and sisters aunts and cousins, like something out of H.M.S. Pinafore — taking responsibility for all child rearing, and males who spend their adult lives as peripatetic bachelors — never settling down for long, always moving on. And from there you get to ask how this all manifests in routine things that you probably won’t actually look at in the book, but which has to exist in the back of your mind because it all influences the way the characters walk through their own world. Questions like, “What does this do to the housing market? What’s the impact on job security? What happens to individuals who don’t fit smoothly into the society’s normative roles?”
The characters in an anthropomorphic novel need to have the same quality of breadth and depth and variety that ordinary human characters enjoy and/or endure; it’s all just filtered through the specialized animal traits that is their due as well. Because at the end of the day, you’re using them to tell human stories, and while they may be furry or horned or bat-winged or something else, they must also project a basic humanity, one to which the reader can relate. In the end, the thing we always remember about the best alien or anthropomorphic characters isn’t how much they differ from us, but how human they were.
Lawrence M. Schoen holds a Ph.D. in cognitive psychology and psycholinguistics. He’s also one of the world’s foremost authorities on the Klingon language, and the publisher of a speculative fiction small press, Paper Golem. He’s been a finalist for the John W. Campbell Award, the Hugo Award, and the Nebula Award. Lawrence lives near Philadelphia. You can find him online at LawrenceMSchoen.com and @KlingonGuy.
Still time to order copies of my books for that special someone. I have copies of all of my titles. Tell me which one you want and if you want it personalized too or just signed.
Email me at bryan at bryanthomasschmidt.net. I will tell you how much to paypal and then priority mail the bubblewrapped, signed books wherever you want.
Typically I charge $15 per trade paperback plus $5 priority mail but international I’d have to calculate. This helps me. It helps your loved ones and friends by giving them good materials. And it helps you save time shopping. A 3-way win.
Today, my friend Gail Martin stops by on her Days Of The Dead blog tour for a talk about writers and research. – BTS
By Gail Z. Martin
I love research. In fact, sometimes I almost think the book is an excuse to do the research. Almost.
Okay, I was a history major, so I came into this predisposed to be nosy about other people’s business. History is the best reality show. Forget the structure artificially imposed on history by textbook authors. History—the rise and fall of kingdoms, the great explorers, the conquest and colonization—was done by people who, on closer inspection, make the Kardashians look well-adjusted and the Mafia seem morally upright.
It’s really the story of grifters, grabbers, con men, connivers, liars, manipulators, opportunists and truly dysfunctional people who clawed their way to notoriety less from noble purpose than from unresolved psychological issues. And those are often the good guys.
Seriously, when you delve into real history—the letters and diaries by historic figures and the people who knew them and the contemporary records—you get a juicy, scandal-laden, slugfest that rivals any Jerry Springer episode. We like to make our historical figures into cleanly-delineated heroes and villains, but they weren’t—they were real people, no different from us today, no more noble or evil. A few people were in pursuit of a higher cause, but don’t cha know it, that cause usually included some benefit to them and theirs. People lied, cheated, stole, played politics, rigged the game, and had hissy fits. They also loved, grieved, wanted revenge, sought forgiveness, pondered the meaning of life, wondered if it was all worth the cost, tried to do the right thing, and occasionally rose above human nature to do something really heroic and awesome.
I write epic fantasy, urban fantasy and steampunk, so there’s a lot of research involved. Some of it is tactical, like double-checking just how far a trebuchet can throw something, or when an invention was patented, or when a word came into usage. But along the way, you stumble down more rabbit holes than Alice, finding unexpected and wondrous tidbits you can use in your story, historical oddities that add realism and interest, quirky or intriguing facts about people and situations that you can borrow and twist for your fictional universe. That’s when research is the coolest, most fun thing in the world.
Whenever I get stuck on what needs to happen in a story to get from where I am to where it needs to go, I research. Every time, I’ll find something either by design or serendipity that provides exactly the imagination fodder to get me around where I’m blocked. Often, this means poking around on the internet, following links from one site to another until the right bit of information appears. Sometimes, I go to my library and see what I can find in my books, where my memory can be jogged about a cool detail I’ve forgotten about that is perfect for the situation. Or I’ll go watch something on the History Channel, usually on military tactics or equipment. Maybe I’ll watch a movie with good fight scenes and pay attention to what happens for ideas. Research is better than WD-40 for getting you unstuck.
Research is also how you ground a story in its time and place. My urban fantasy series, Deadly Curiosities, is set in modern-day Charleston, SC. The steampunk series I co-author with my husband, Larry N. Martin, is set in an alternative history Pittsburgh, PA. A lot of the research we do—both online and by visiting the cities—helps to impart a sense of place and make the setting one of the characters. When you set a story in a specific place, ideally it becomes so much an outgrowth of its location that you (and readers) couldn’t imagine it being anywhere else. Even if you’ve lived in a city or region, you don’t know everything about it. In fact, sometimes we know less about places we’ve lived because we never even take a tourist’s view and do the landmarks, let alone a scholar’s view. Once you start digging, you’ll find tidbits of history, important historical figures, old controversies and buried incidents that provide great mental fodder.
One of the most valuable things research does for me is to take historic figures out of their wax-museum frozenness and the myths that have been built up around them and reveal their humanness, good and bad. (Read the bitter campaign feuding between Founding Fathers John Adams and Thomas Jefferson if you don’t believe me.) While many of these figures were well-known in their own time, they had achieved nothing near the mythic stature we’ve given them since then. Some were actually dismissed or overlooked in their own time because the ramifications and importance of what they did was not yet clear.
By returning historic figures to human scale, I gain perspective as an author on how to create fictional characters who change the world. One thing I learned is that aside from a few megalomaniacs like Napoleon, most of these larger-than-life historical figures were pursuing their own personal agendas, not obsessing over their historic legacy. They were trying to solve a problem or gain an objective, beat a rival or win a prize. That their actions would leave ripple effects throughout the rest of history wasn’t on their minds. They were—as we frequently are now—oblivious to the fallout from their actions, at least in the grand scheme of things. So a general might want to win a battle, and have no clue that by doing so, the stage is set for a disastrous insurrection fifty years later that will topple the very empire he represents. A person in a position of power won’t countenance a new idea because it threatens his ego, and the ultimate advantage goes to his rival, changing the course of history.
Research makes the writing world go ‘round. It’s not only the font of ideas, it’s also entertaining in a guilty pleasures sort of way, like reading tabloid headlines in the grocery line. Just remember to bring popcorn!
My Days of the Dead blog tour runs through October 31 with never-before-seen cover art, brand new excerpts from upcoming books and recent short stories, interviews, guest blog posts, giveaways and more! Plus, I’ll be including extra excerpt links for my stories and for books by author friends of mine. You’ve got to visit the participating sites to get the goodies, just like Trick or Treat! Details here: www.AscendantKingdoms.com
Book swag is the new Trick-or-Treat! Grab your envelope of book swag awesomeness from me & 10 authors http://on.fb.me/1h4rIIe before 11/1!
More Halloween loot! Read an excerpt from “Coffin Box,” one of my Deadly Curiosities short stories http://bit.ly/SDCIjx
About the Author
Gail Martin, Dreamspinner Communications
Gail Z. Martin is the author of the upcoming novel Vendetta: ADeadly Curiosities Novel in her urban fantasy series set in Charleston, SC (Dec. 2015, Solaris Books) as well as the epic fantasy novel Shadow and Flame (March, 2016 Orbit Books) which is the fourth and final book in the Ascendant Kingdoms Saga. Shadowed Path, an anthology of Jonmarc Vahanian short stories set in the world of The Summoner, debuts from Solaris books in June, 2016.
Other books include The Jake Desmet Adventures a new Steampunk series (Solaris Books) co-authored with Larry N. Martin as well as Ice Forged, Reign of Ash and War of Shadows in The Ascendant Kingdoms Saga, The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven, Dark Lady’s Chosen) from Solaris Books and The Fallen Kings Cycle (The Sworn, The Dread) from Orbit Books and the urban fantasy novel Deadly Curiosities from Solaris Books.
Gail writes four series of ebook short stories: The Jonmarc Vahanian Adventures,The Deadly Curiosities Adventures, The King’s Convicts series, and together with Larry N. Martin, The Storm and Fury Adventures. Her work has appeared in over 20 US/UK anthologies. Newest anthologies include: The Big Bad 2, Athena’s Daughters, Realms of Imagination, Heroes, With Great Power, and (co-authored with Larry N. Martin) Space, Contact Light, The Weird Wild West, The Side of Good/The Side of Evil, Alien Artifacts, Clockwork Universe: Steampunk vs. Aliens.
Okay, I am going to Los Angeles for Stan Lee’s Comikaze Comic Con, a place I lived for 7 years and have not visited in 19. Excited to see old friends and see how the city has changed. I will also be hanging out with some very cool people, both at the WordFire Booth #1342, on panels and at the Con generally, including stars from Star Wars, The Flash, Star Trek TOS, 2001: A Space Odyssey, and more. Come join us. I will have early release copies of both my novel, The Worker Prince and my Baen hard SF anthology, Mission: Tomorrow. Here’s where to find me Friday through Sunday at the Los Angeles Convention Center:
Friday Panels 10/30/15:
4:00 – 4:50 pm Writing Existing Worlds
A panel of authors and editors discuss writing media tie-ins, comics and more in popular franchise from Star Wars to X-Files and more
Genre: Sci-Fi / Fantasy
Panelists: Kevin J. Anderson, David Farland, Jody Lynn Nye, Peter J. Wacks, Neo Edmund
Panel Moderator: Bryan Thomas Schmidt
Room: 505
Saturday Panels 10/31/15:
11:00am-11:50pm Worlds of WordFire
Publisher Kevin J. Anderson and several authors discuss existing and forthcoming titles from WordFire Press, a small up and coming small press publisher whose authors include New York Times Bestsellers like Frank Herbert, David Farland, Jody Lynn Nye, Todd McCaffrey, Alan Dean Foster, and More
Genre: Sci-Fi / Fantasy
Panelists: Kevin J. Anderson, Peter J. Wacks, David Farland, Jody
Lynn Nye, Bryan Thomas Schmidt, Neo Edmund, Rebecca Moesta,
Quincy Allen
Panel Moderator: Kevin J. Anderson
Room: 502A
#
4:00pm-4:50pm Publishing Unlimited: The Many Paths to Worldwide
Publication for Writers
E-Books. Digital Comics. Newsletters. Blogs. Print on demand. For those of us
with a passion for telling stories through the written word, there are now
limitless opportunities to publish, produce, and distribute our work. Of
course, with so many options, it can be a brain scrambler to know which path
is best suited for a particular project. Write it as a book? A Screenplay? A
comic? Is it better to go indie or seek out a traditional publisher? Join this
awesome panel of professional writers and story editors, and story editors as
they discuss the many paths they’ve taken to get their work published and
produced.
Genre: New Media
Panelists: Kevin J. Anderson, Bryan Thomas Schmidt, Peter J. Wacks, Rebecca Moesta
Moderator: Neo Edmund
Room: 502A
Sunday Panels 11/01/15:
12:00pm-12:50pm Iron Author:
Like Iron Chef except with writers. Each person Includes subject and a
“secret ingredient”. The audience judges the winner
This year, Claire Ashgrove, my Finish The Story editing partner and I are guest speakers at the Longview Literary Festival in Lee’s Summit. Here’s our schedule for the day, which is Friday, October 23, 2015.
TIME
CAC 114 – READINGS
CAC 116
CAC 118
BLACK BOX THEATER
10:00 a.m.
Editing 101: A Workshop by Claire Ashgrove and Bryan Thomas Schmidt
11:00 a.m.
Panel Discussion: Working with Small Press: D.L. Rogers, Sean Demory, Marshall Edwards, Bryan Thomas Schmidt
12:00 p.m.
Closed for Keynote Speaker
Closed for Keynote Speaker
Closed for Keynote Speaker
Keynote Speaker – Claire Ashgrove –Writing Contest Winners Announced
1:00 p.m.
Closed for Featured Speaker
Closed for Featured Speaker
Featured Speaker – Bryan Thomas Schmidt
2:00 – 4:00 p.m.
Bryan and Claire at Vendor Table
4:00 p.m.
Panel Discussion: Editors are NOT the Enemy: Claire Ashgrove, Bryan Thomas Schmidt, Sara Lundberg
5:00 p.m.
Bryan and Claire at Vendor Table
6:00 p.m.
Closed
Closed
Closed
Closing Remarks – Announcement of Winners of Contests Occurring at The Festival
Today, my friend, Howard Andrew Jones, one of my favorite writers, shares with us about his writing process. His latest Pathfinder Tales novel, Beyong The Pool of Stars, is out now from TOR and Paizo. But I’ve enjoyed his previous Pathfinder and original novels very much as well. Check them out and enjoy his wise words.
A writing career is a work in progress. I’m always striving to better my writing process.
I suppose I still live in hope that I’ll produce 5k or more of workable prose every day like some of my friends do. And it happens for me, sometimes. More often, though, I’m a 2k to 3k guy. And I’ve decided that might just be the way it works for me, so more and more I’m trying to make sure that the 2 or 3 thousand words I produce are useful ones.
Bit by bit, tweak by tweak, I’ve come to my current method, and it’s served me well for Beyond the Pool of Stars as well as for the book that immediately preceded it and the two books currently on my hard drive. I’ll detail it for you in the hopes you’ll find it useful.
First, three steps I have to take once I have the germ of the novel’s idea:
It probably goes without saying that you have to know your characters. Develop principal characters – and keep that number small – that fascinate you. If you don’t find them interesting no one else will.
Find out what their goals are, then find a way to keep them away in an entertaining way.
Know your villain and what she wants. And make her interesting as well, or you’ll be just as bored as your readers whenever your characters interact with her.
Once I have those pieces I set to work on the outline. I block it out loosely, imagining important scenes. I try to take my characters to fascinating places. Why not create backdrops of wonder with a few lines of description it would take a film company millions to create?
Once I have a basic feel for beginning, middle, and end, I get to plotting chapter by chapter and scene by scene, and my current favorite trick is to block it out like a play.
I write entire scenes with just dialogue and occasional stage direction. It might be that I can perfectly picture the tone of voice or even a moment of description, and if I do, I go ahead and drop it in even during this rough “stage draft.” There aren’t any hard and fast rules for what I can or can’t do at any stage, after all, and if I picture something I really like I try to get it down, even if it’s just a few quick notes.
Once I get the scene working I can either move on to the next section, or punch away at it, getting the dialogue just right. If the scene’s working properly then the more I work on dialogue, the better I can picture it… and the more solid the scene or chapter becomes as I polish. I add detail as I work until that dialogue is surrounded by useful prose and the stage descriptions of what characters are doing transforms into fluid actions.
A stage draft enables me to experiment with the dialogue and flow without investing a whole lot of energy into finessing metaphor and getting into a character’s internal thoughts. If something doesn’t work and the scene goes off the rails, I haven’t wasted hours polishing fool’s gold. And believe me, I’ve done that before.
Neither this method nor any other can work for every writer. If a method worked perfectly for everyone, there wouldn’t be so many writer self-help books out there.
I think it’s been successful for me because I’ve always found that dialogue comes easily. You should always be aware of your weaknesses and work to overcome them. But during the initial composition stages, whatever methods you, try to play to your strengths.
Howard Andrew Jones is the critically acclaimed author of The Desert of Souls, The Bones of the Old Ones, and Pathfinder novels Plague of Shadows, Stalking the Beast and the hot off the presses Beyond the Pool of Stars. A former Black Gate Editor, he also assembled and edited 8 collections of historical fiction writer Harold Lamb’s work for the University of Nebraska Press. He can be found lurking at www.howardandrewjones.com. Follow him on Twitter @howardandrewjon
It’s time again for my trip to Collinsville, IL, almost an annual event, for the great Midwest Con ARCHON. This year’s incarnation is number 39. Guests of Honor include Jacqueline Carey and Esther Freisner, as well as special guest Harlan Ellison. Below are the panels in which I will be participating. Larry Smith will be selling my books so I will also hang around his table between panels and probably in the table area outside LaSalle at the end of Bookseller’s Row when I am not in the Dealer’s Room.
My schedule for next weekend at @Archon 39 in St. Louis:
Fri 5:00p Marquette A Networking: Building Contacts for Writers (M) – Bryan Thomas Schmidt (Moderator), Robin Wayne Bailey, Elizabeth Donald, Jack Snyder
Fri 7:00p Marquette A Author Reading with Bryan Thomas Schmidt (30 min) Reading from THE WORKER PRINCE: Author’s Definitive Edition (WordFire Press)
Sat 12:00p Signing Table Author Signings with Bryan Thomas Schmidt and Julia S. Mandala
Sat 2:00p Salon 4 The Art of Anthologies (M) Bryan Thomas Schmidt (Moderator), Rich Horton, Harlan Ellison, Esther Friesner
Sat 4:00p Salon 4 Editors Are Not the Enemy (M) Bryan Thomas Schmidt (Moderator), Claire Ashgrove, Jacqueline Carey, Robin Wayne Bailey, Selina Rosen
Sun 12:00p Cahokian Reflections of Ourselves: The Need for Diversity in SF – Bryan Thomas Schmidt, Lacie Carmody, Kasey Mackenzie
Sun 1:00p Marquette A Then He Said: Writing Dialogue (M)
Bryan Thomas Schmidt, Claire Ashgrove, Sara M. Harvey
Well, I said I was going to do it, and so here I am. At present, I don’t do general open calls because I just can’t read through all that would come in for the 3-4 anthologies I do a year. But one reason I got into anthology editing was to create opportunities not just for me, but for other writers, so instead I have decided to offer two week annual submissions periods for basically earning your way onto my invite list. So that first period will begin Monday and run two weeks, through September 21st. Here are the parameters:
1) Send your best story in RTF, DOC or PDF format. Make it easy on me to read your work. If I can’t open the file, I won’t read it.
2) Send me the best thing you have, published, unpublished, etc. I am NOT BUYING. All my current projects are full, BUT I am starting to pitch for anthologies in 2017 and 2018, so I will need writers when they sell, which means, I want to see what you can do. If I like your voice, craft, and style, then I will put you on my list.
3) Expect to wait a while. I am going to read through what I get, but it will take a while to read it because other ediitng and reading priorities must come first. The good news is, you can go about submitting elsewhere and living your life, because I am not buying right now so I don’t need exclusivity.
4) Please use standard manuscript formatting. I.E. double spaced, serif font, 12 point type, italics instead of underlining, wordcount and contact info above title on front page, etc. Also, NUMBER PAGES so if I read offline and drop one, I can easily find where the pages go and in what order.
5) If you story is over 7500 words, please contact me first.
6) If I have already bought stories from you or you know I own your books or stories, you just need to ask to be included. Please feel no need to submit pieces to this call. I will have enough to read already.
That’s it. That simple. Send these files to bryan at bryanthomasschmidt.net starting Monday with the subject: OPEN CALL (story name).
I will read and let you know if you’re invited to my list.
Oh, a couple notes on taste:
I like adventure stories more than lesson stories, but if you can do both, I will be awesomely impressed and pleased. I like character driven stories. I like heroes I can admire, but if the story is strong enough, of course, any of this won’t matter. I also do not like overuse of foul language or gratituitous sex and violence, so keep in mind that since I do PG themed anthologies mostly, your story samples should fit those parameters as much as possible. Beyond that, I like all kinds of genres, but I am not a huge vampire or zombie fan, just a warning.
I do reserve the right to just say no. I don’t owe you a slot, nor do I owe you an explanation. Unfortunately, this has to be said given the nature of the www world today, sot here it is. It is not that I plan to just arbitrarily say no without some kind of explanation, but I probably don’t have time to give long notes on every story. I don’t promise to read the whole thing either. If I don’t like it, I will treat it like any other slush. Time management is key. It is not personal. It is subjective and ruled by my personal taste, yes. I am open to people of all beliefs, lifestyles, ethinic backgrounds, cultures, etc. In fact, I strongly seek it out and don’t get enough from POC and non-western writers, so by all means, let me see what you’ve got.
I appreciate the opportunity to look at your work and your patience through this process, and I look forward to working with many of you in the future.
Bryan
Bryan Thomas Schmidt is an author and Hugo-nominated editor of adult and children’s science fiction and fantasy novels and anthologies. His debut novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels. As editor, his anthologies include Shattered Shields (Baen, 2014), Beyond The Sun (Fairwood, 2013), Raygun Chronicles (Every Day Publishing, 2013) and Space Battles (Flying Pen Press, 2012) with two more forthcoming from Baen Books and St. Martin’s Griffin in 2015 and 2016. He is also developmental editor for WordFire Press, owned by New York Times Bestselling author Kevin J. Anderson and Rebecca Moesta. Books he’s edited include The Martian by Andy Weir, My Big Fat Demonslayer Wedding by Angie Fox, The Outpost by Mike Resnick, A Game Of Authors by Frank Herbert and more. From December 2010 to earlier this year, he hosted Science Fiction and Fantasy Writer’s Chat the first Wednesday of every month at 9 P.M. ET on Twitter under the hashtag #sffwrtcht and is a frequent guest and panelist at World Cons and other conventions. His website is www.bryanthomasschmidt. Twitter: @BryanThomasS
THE RETURNING: Author’s Definitive Edition, (Saga of Davi Rhii Book 2) (WordFire Press), August 23, 2016
“Border Time” by myself and Kate Corcino in THE X-FILES: SECRET AGENDAS, edited by Jonathan Maberry (IDW), September 27, 2016
LITTLE GREEN MEN–ATTACK!, Coedited by Robin Wayne Bailey (Baen Books), March 7, 2017 includes “The First Million Contacts” by myself and Alex Shvartsman
JOE LEDGER: UNSTOPPABLE, Coedited by Jonathan Maberry (ST. MARTINS), 2017 includes “Instince (A Ghost Story)” by myself and Claire Ashgrove
PREDATOR: THE HUNTED (Working Title) (Titan Books), October 2017 includes a story by myself with Holly Roberds
of historical fiction writer Harold Lamb’s work for the University of Nebraska Press. He can be found lurking at www.howardandrewjones.com. Follow him on Twitter @howardandrewjon