Conquest 45 Noir Schedule and Details Updated

Conquest 45 logoWell, for the third year in a row I am a panelist and moderator at CONQUEST 45, the local Kansas City Con on Friday May 23rd through Sunday May 25th. Well attended, with, as usual, a great lineup of guests and panelists, CONQUEST is the largest local Science Fiction, Fantasy and Horror convention. And it’s always a blast, but also always hectic for locals like me, especially those of us who are members of the local fan club KacSFFS.

This year’s Guests of Honor are Glen Cook (Author GOH), David Lee Pancake (Artist GOH), Bridget Landry (Science GOH), Ray and Barbara Van Tillburg (Fan GOH), and also Caroline Spector (Toastmistress).  Also attending (besides myself) are local professionals like Robin Wayne Bailey, Kij Johnson, Rich Horton , K.D. McEntire, Mark W. Tiedemann, Rob Chilson, Selina Rosen, Claire Ashgrove, Bradley Denton, H.G. Stratmann and Chris McKitterick. A full list can be found here.

Returning to downtown this year, CONQUEST 45 takes place at the Downtown Marriott, just off the famed Power and Light District, pretty much the center of Kansas City’s nightlife.

Room assignments are not final, but here’s the panels, panel descriptions and list of panelists in which I’ll be participating. As you’ll see, it’ll be a really hectic weekend for me. I also hope to have books on sale at Glen Cook’s dealer table, and we are working on a possible Raygun Chronicles party. When details on room assignments and the party are final, I’ll do another post, closer to the Con.

Here’s the schedule as it stands now:

Friday – May 23, 2014

Reading (Big Joe Turner A)
Friday 1400

Author/Editor Bryan Thomas Schmidt reads from his forthcoming epic fantasy series The Dawning Age.


SpecNoir (Count Basie Ballroom A)

Friday 1700

Speculative fiction and noir mix particularly well in many subgenres and forms. What is noir and what are some examples of who’s writing what and good reads out there?

Moderator: Bryan Thomas Schmidt
Panelists: Glen Cook, Mark W. Tiedemann

Raygun Chronicles Launch Party
Friday 2130 (Room 619)

Authors Todd Hunter and Robin Wayne Bailey join me to celebrate our pulp-style space opera anthology, Raygun Chronicles: Space Opera For A New Age. Party with snacks, drinks and giveaways.

 

Saturday – May 24th, 2014

Military Fantasy (Lester Young A)
Saturday 1000

What is it? Who’s writing it? How does it differ from high fantasy? What are some examples?

Moderator: Bryan Thomas Schmidt
Panelists: Glen Cook, Kij Johnson, Robin Wayne Bailey


What makes a hero/heroine? (Jay McShann A)

Saturday 1200

A discussion of what defines heroism today and what qualities we want to see in our heroes and heroines that make them heroic. And how are definitions evolving in the modern age.

Moderator: Bryan Thomas Schmidt
Panelists: Dennis Young, Gera Dean, Kij Johnson


Writing for younger audiences (Jay McShann B)

Saturday 1300

Writing for adults and writing for YA, MG and Children differ. Authors and Editors discuss the differences, the approaches, and fine examples.

Moderator: Bryan Thomas Schmidt
Panelists: Chris McKitterick, Deanna Sjolander, K. D. McEntire

 

KID’S READING: Bryan Thomas Schmidt (Big Joe Turner A)
Saturday 1500

Children’s author Bryan Thomas Schmidt reads from his chapter book series ABRAHAM LINCOLN DINOSAUR HUNTER, a humorous, action adventure, alternate history for all ages.

Self-Editing 101 For Writers With Finish The Story (Mary Lou Williams A/B)
Saturday 1600

Editorial team Bryan Thomas Schmidt and Claire Ashgrove discuss tips for basic editing of manuscripts, how to get perspective, common issues, and more.

Moderators/Panelists: Bryan Thomas Schmidt, Claire Ashgrove

Sunday – May 25th, 2014

GOH Interview: Glen Cook (Count Basie Ballroom A)
Sunday 1000

Come here me do a live SFFWRTCHT-style interview with the amazing Glen Cook. And you can ask questions, too!

Moderator: Bryan Thomas Schmidt
Panelist: Glen Cook


Editors are not  the  Enemy (Mary Lou Williams A/B)

Sunday 1100

What editors do, why it matters to writers, and why writers should consider them an asset not an enemy. An exploration of author-editor relationships.

Moderator: Bryan Thomas Schmidt
Panelists: Claire Ashgrove, Deanna Sjolander, Rich Horton, Selina Rosen


Self-Publishing — Taking the Leap! (Mary Lou Williams A/B)

Sunday 1300

Considering self-publishing your novel?  It isn’t as easy as publishing a book and reaping the royalties, nor is it for every author.  Discover pros and cons of the Indie market, tips to launching a successful book, and whether you’re prepared for the business demands.

Moderator: Claire Ashgrove
Panelists: Karin Gastreich, Bryan Thomas Schmidt, Brett Williams

 

Hope to see some of you there. Be sure to come by and say hello!


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut science fiction novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels The Returning and The Exodus (forthcoming). His children’s books include 102 More Hilarious Dinosaur Jokes For Kids and Abraham Lincoln: Dinosaur Hunter–Land Of Legends. Schmidt has edited edited anthologies Space Battles: Full Throttle Space Tales #6Beyond The SunRaygun Chronicles: Space Opera For a New Age and, with Jennifer Brozek, coedited military high fantasy original anthology, Shattered Shields. Several more anthologies are under contract and forthcoming. Schmidt hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

Mission: Tomorrow Coming To Baen in 2015 — My Latest SF Anthology Sale

Well, it’s been a really busy month, and so I have not managed to blog as intended. But it’s for good reasons. I’ve been booking SFFWRTCHT’s final six months, as it’s regular weekly Twitter incarnation will be ending this Fall. I have been working on lots of editing and packaging anthologies, and I sold two anthologies–one I can’t yet announce details on, and the other of which I will detail here. I already announced on Facebook but here’s the details for those who missed it.

My fourth science fiction anthology will be my second anthology for Baen, my first as solo editor there.  Inspired again by my grandmother’s and my shared passion for NASA’s space program, this one caught the interest of some amazing talents. I have fourteen headliners attached here, and thirty other people vying for the remaining six to eight slots. There will be two reprints, both by Grandmasters, and the rest will be original to this project.

Toni Weisskopf bought it within a few days of receiving my pitch. Ironically, I had so many proposals on her desk, I had been pitching it elsewhere for six months before finally trying her. Perhaps from now on I should just go to Baen first. Contractually, given the options, I rather have to. In any case, it’s been a great experience working with Baen so far, and I look forward to a long and healthy relationship there.

So here’s the scoop:

MISSION : TOMORROW – A NEW CENTURY OF EXPLORATION

Edited by Bryan Thomas Schmidt

Mission: Tomorrow is a pro-paying anthology of 95,000 words in which Science Fiction writers imagine the future of space exploration in a world no longer dominated by NASA. What might it look like? Private or public? Stories of space exploration, travel and adventure. Coming from Baen Books in 2015.

Headliners: Catherine Asaro, Robin Wayne Bailey, Gregory Benford, Ben Bova, Michael Capobianco, Brenda Cooper, David Farland, Michael F. Flynn, James Gunn, Sarah A. Hoyt, Jack McDevitt, Mike Resnick, Robert Silverberg, Jack Skillingstead

Yep, so a mix of hard and soft science fiction for this one, adventure and real science blended to make for some interesting near future tales of space exploration. Silverberg’s reprint is a story about the exploration of Venus, and Gunn’s is about exploring a wormhole. Ben Bova has written a new Sam Gunn story that features a Chinese female astronaut as the protagonist encountering Sam Gunn. Beyond that, I am waiting to see what comes in, but with the people involved, I’m quite excited about it.

You can find it on Goodreads here: https://www.goodreads.com/book/show/21023216-mission

Meanwhile, I sold a Young Adult anthology, a mix of science fiction, fantasy and horror, all reprints except for three new stories, but filled with huge names, to a foreign publisher, my second non-US sale, after Raygun Chronicles. I’ll release details once contracts are signed, as it’s all verbal now, but expect to see it and Mission: Tomorrow both released in 2015.


Bryan Thomas Schmidt is an author whose debut novel received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction of 2011. He’s written novels, children’s books and short fiction and edited several anthologies, including two for Baen, Shattered Shields, coedited by Jennifer Brozek (November 2014) and Mission: Tomorrow( forthcoming Fall 2015).

For Immediate Release – SFFWRTCHT on Twitter Will End in 2014

Sffwrtcht-flat

Update: SFFWRTCHT has always been a celebration of community: what unites us, not divides us. Although I can’t keep up with the weekly grind any more, given other obligations, we will continue with twice monthly chats beginning in early 2015 after a brief hiatus. More details to come. 

160 shows, 165 guests, hundreds of thousands of hits–when I started SFFWRTCHT (Science Fiction and Fantasy Writer’s Chat), I did it for two reasons: 1) I wanted to network and learn from so many awesome writers and editors who were using twitter, and 2) I wanted to contribute to my new SFF community and family in a positive way. I never expected how successful it would become, not how time consuming it would be. But I don’t regret a minute.

However, after a lot of soul searching, I have decided the time has come to end the weekly live twitter chat that is SFFWRTCHT. Much of this is selfish, I admit. I spend 25 hours a week, including reading time, question and guest prep, booking guests and more per episode. And as I get busier professionally, that is coming to feel more like a chore than the delight it once was. It’s hard to find time to read for fun or to research for my own projects. I am locked to home or at least a place with good Wifi every Wednesday night. And trying to keep it fresh requires me to search for guests who are new, not just repeats, so that I am not asking the same stuff of the same people over and over.  In the beginning, with my being out of work with plenty of free time, this was easy. And the industry embraced it which made booking guests easy. But as I’ve burned through the most active Twitter users, and become an almost full time editing professional, it’s more and more work to find time for SFFWRTCHT, a volunteer effort, which, while rewarding in its own way, requires a serious time commitment to do right.

When our original host site for the cleaned up interviews shut down for similar reasons to my own expressed here, SFSignal welcomed us. But I also find myself competing with their interviews with the same people, and that makes my interviews less useful and relevant, and less helpful as promotional tools for our guests. I don’t think repeating what someone else is doing is a compelling use of my time or our guests.I’ve toyed with recruiting help. But even my regulars, who are delightful and whom I adore, have their own lives and no one has jumped up to volunteer. I toyed with cutting back some, but then how would people know when to look for us or where?

So, in the end, it seems best to back off the weekly grind of live interviews and instead convert to regular email interviews. Whether this will be weekly or monthly, I don’t know. Where they will appear, I don’t know. But I have several month’s worth of past transcripts I can start with cleaning up and posting, and as I plan to continue to December in present format, I’ll have even more by then to give me time to sort all of this out.

In the meantime, I express my thanks for the kind support and regards of the Science Fiction, Fantasy and Horror writing and publishing industry and fandom. It’s a pleasure being a part of the family and I appreciate the opportunity to contribute positively to community building. I hope to do so in the future in new ways. I know many books have been purchased and many writers encouraged and even taught through SFFWRTCHT. I’m humbled an honored by that.

In the meantime, you can still find transcripts, links, reviews, etc. on our website, which I will be maintaining here. I look very much forward to what the future brings.

Kind regards,

Bryan


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with coeditor Jennifer Brozek for Baen, Mission Tomorrow: A New Century of Exploration, also for Baen, Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.

Website/Blog: www.bryanthomasschmidt.net
Twitter: @BryanThomasS
Facebook: https://www.facebook.com/bryanthomass?ref=hl
Goodreads: https://www.goodreads.com/author/show/3874125.Bryan_Thomas_Schmidt

My Agenda: OryCon 35 Nov. 8-10, 2013

OryCon 35 Launch party CoversWell, I’m off to Portland Thursday. My first time in Oregon. And I’m looking forward to it. While I was disappointed to not be included in ORYCON programming for the first time ever at a Con in three years, I do have two key events I’ll be a part of.

BOOK LAUNCH – Brenda Cooper/John A. Pitts/Bryan Thomas Schmidt

Saturday, November 9th @ 8:00 pm SUITE 1569, Portland Doubletree Presidential Suite

Brenda Cooper, John A. Pitts and I combine forces with publisher Patrick Swenson for a 3 book launch, THE party of Saturday night at OryCon. Beer, wine and snacks will be served. We will launch Brenda’s “The Diamond Deep,” book two of her terrific “Ruby’s Song” Scifi trilogy from PYR Books, John’s collection “Bravado’s House of Blues” from Fairwood (who published Beyond The Sun) and “Raygun Chronicles” my third anthology as editor, contemporary space opera in retro pulp style.

Join us if you dare!

THEN, on Sunday:

SCIFI AUTHORFEST 7 – Portland, OR

Sunday, November 10th @ 4:30pm Powell’s Books at Cedar Hills Crossing
3415 SW Cedar Hills Blvd. (800) 878-7323

A starfleet of science-fiction and fantasy authors descends for one galactic booksigning event. Attending authors include:
Camille Alexa
Claude Lalumiere
Alma Alexander
Patricia Briggs
Brenda Cooper
Diana Pharoah Francis
Jay Lake
David Levine
Louise Marley
Andy Mangels
Devon Monk
Mike Moscoe/Shepherd
Phyllis Irene Radford
Kristine Kathryn Rusch
Dean Wesley Smith
Ken Scholes
Brent Weeks
Daniel H. Wilson
Anne Bishop
J.A. Pitts
Kay Kenyon
Rhiannon Held
Eldon Thompson
Adrian Phoenix
Nina Kiriki Hoffman
Lilith Saintcrow
Ian Doescher
Steve Perry
Bryan Thomas Schmidt
Jason Hough
and the Cloud City Garrison of the 501st Imperial Legion

So  come on out and join us!

New Blurbs and Reviews For My Newest Anthology Babies — Raygun Chronicles & Beyond The Sun

RC Arc Front coverWe have four blurbs in for my soon to be released pulp space opera anthology so far:

“RAYGUN CHRONICLES breathes supercharged life into the space opera genre with exciting and inventive new tales by a superb line-up of writers. This is why science fiction will live forever!”—Jonathan Maberry, New York Times bestselling author of PATIENT ZERO.

“RAYGUN CHRONICLES is an impressive anthology with an impressive list of contributors, a real showcase of the color and scope of what science fiction can be.”—Kevin J. Anderson, New York Times bestselling author of the Saga of Seven Suns

“Wonder, adventure, romance, humor–space opera delivers all of these, and this anthology brings together some of the finest talent in the business. Strange new worlds await. So lower your shields, engage your thrusters, and prepare to jump to warp speed!” — Dave Wolverton, New York Times Bestselling author of Star Wars: The Courtship of Prince Leia

“These stories bring the reader back to the days when we dreamt of blasters and flying cars. Golden age space opera fun with a strong Western feel.” — Alex Shvartsman, Editor Unidentified Funny Objects and Official Ken Liu Hugo bearer

Now I just have been mailing out review copies for Raygun Chronicles. It takes a while, but those efforts for Beyond The Sun have landed us two major reviews and a major podcast appearance this month. The two major reviews are out this week in LOCUS’ October 2013 issue which is THE industry zine and thus a huge boost for us. These are also my first Locus reviews EVER. The first comes from Gardner Dozois, year’s best editor, award winning anthologist and writer:

There’s nothing really exceptional in Beyond the Sun, a mixed original/reprint anthology edited by Bryan Thomas Schmidt, but it is a fun read, with some solid core SF work, although a similar concept was explored better last year by Jonathan Strahan’s Edge of Infinity. The theme appeals to me, as stories of exploration and adventure in space beyond the bounds of Earth remain one of the foundation stones of SF, but don’t expect to find hard science and rigorously worked-out physics here, as this isn’t that kind of book. Instead, it belongs to the old Pulp Adventure school, where spaceships flit between planets in days and sometimes even hours, and there are lots of exotic alien races to interact with and/or battle with. The best of the original stories here is probably Nancy Kress’s ‘‘Migration’’, a compelling look at the power instinct can hold over even the most rational minds, but also good are Brad R. Torgersen’s ‘‘The Bricks of Eta Cassiopeiae’’, Jaleta Clegg’s ‘‘One-Way Ticket to Paradise’’, and Nancy Fulda’s ‘‘A Soaring Pillar Of Brightness’’. There is also solid work by Kristine Kathryn Rusch, Cat Rambo, Mike Resnick, and others, as well as good reprint stories by Robert Silverberg and Jason Sanford.

Also from October Locus, Karen Burnham reviews BEYOND THE SUN for Diverse Hands:

Beyond The Sun revised coverKAREN BURNHAM Beyond the Sun, Bryan Thomas Schmidt, ed. (Fairwood Press 978-1-933846-38-5, $17.99, 296pp, tp), August 2013. Cover by Mitchell Davidson Bentley. [Order from Fairwood Press, <www.fairwoodpress.com>.] 

There are many reasons people may want to settle out beyond our solar system: religious freedom, economic opportunity, exploration, contacting other life, or simply the desire to be left alone. A little bit of all of these can be found in Bryan Thomas Schmidt’s broadly themed anthology Beyond The Sun. There are aliens, religious fanatics, soldiers, and plenty of people just trying to get by in this diverse volume. 

One story about going to the stars in search of a simpler life is ‘‘Respite’’ by Autumn Rachel Dryden. In it a more-or-less Puritan couple are trying to reach the main settlement by wagon while the wife is in labor and the local fauna is about to launch into a feeding frenzy. Ann’s internal perspectives on events gives us a wonderfully dry take on a very tense story, and the troubles between her and her husband are deftly sketched. What I found particularly interesting is that the story ends up admiring a particular view of father- hood that is directly critiqued in the anthology’s strong opening story, ‘‘Flipping the Switch’’ by Jamie Todd Rubin. Rubin uses a trope similar to Joe Haldeman’s classic The Forever War to describe a father who is providing for his family but is fundamentally detached from them. The story effectively portrays the increasing tension the man feels as he drifts farther and farther away from his loved ones. 

Returning to religious themes, Jean Johnson’s ‘‘Parker’s Paradise’’ depicts a colony that’s been vastly oversold by its religious leader; the acerbic perspective of a soldier tasked to protect the first contact group makes me want to go read some of her military SF, because this was hilarious. Jason Sanford’s ‘‘Rumspringa’’ gives us the space Amish, with a team of post-humans looking to manipulate an Amish colony through one of their own that went out into the world and came back. ‘‘The Far Side of the Wilderness’’ by Alex Shvartsman depicts a man driven by religious faith to hijack a ship and try to find Earth; his single-minded pursuit leaves him dissatisfied with a most amazing journey. Maurice Broaddus’s ‘‘Voice of the Martyrs’’ gives us an interesting blend of military, religion, and colonization – no easy answers in this one. 

There’s one final story that features a religious colony: ‘‘The Dybbyk of Mazel Tov IV’’ by Robert Silverberg. Unlike most of the stories, which are original to the anthology (there are two other reprints, both from the 2000’s), this is a reprint from 1973. This is the second anthology I’ve read this year that has done this: taking a solid selection of contemporary stories and adding in a cherry-picked story from many decades past. Inevitably, the reprint by an old master (it was a Le Guin story the last time, I recall) blows the others away. Robert Silverberg’s story seems fresher, livelier, and more three dimensional than so many of the stories here – not that any of them are bad, but simply that they don’t get over a bar set that high. Some of them do; I would put Rubin’s story in that category along with Cat Rambo’s ‘‘Elsewhere, Within, Elsewhen’’ (a lovely tale of alien contact that literalizes the metaphor of being trapped in a shell of bitterness and resentment). But it really seems unfair to most of the authors involved. I understand the incredible temptation when you’re offered a Silverberg or Le Guin reprint that perfectly suits your theme, but in a mostly-original anthology I wish the editors would stop and reconsider. 

That said, there are plenty of solid and enjoyable stories here. Various forms of libertarianism feature in Nancy Kress’ ‘‘Migration’’ and Brad Torgersen’s ‘‘The Bricks of Eta Cassiopeiae’’. Massive miscommunications with and about aliens feature in Simon C. Larter’s ‘‘Inner Sphere Blues’’ and Jennifer Brozek’s ‘‘Dust Angels’’. Jumping to conclusions is ill-advised in Nancy Fulda’s ‘‘A Soaring Pillar of Brightness’’. Luckily, aliens can be just as quick to misjudge a situation when Mike Resnick depicts them examining our television broadcasts in the concluding story ‘‘Observation Post’’. 

Overall, this is a collection of solid stories in the somewhat neglected outer space exploration genre of science fiction. Post-humans are rare and garden variety humans occupy center stage, which feels a bit unusual these days. I worry that it seems that aliens in this volume are so difficult to communicate with: it often takes personal sacrifice to do so, or something improbably hand-waving to do with biology and telepathy. Compared to Silverberg’s 1973 story, in which communication with aliens is not terribly more fraught than communication with a rival human religious sect, this anthology seems a little discouraging about the real potential for relating to and communicating meaningfully with the Other. 

Nonetheless, these are enjoyable tales with serious themes, worth the time spent reading them.

Lastly, several authors, the cover artist and publisher gathered with me in San Antonio at World Con for Hugo-nominated SFSignal’s podcast as well, and you can find that here: http://www.sfsignal.com/archives/2013/09/the-sf-signal-podcast-episode-204-2013-live-worldcon-panel-with-the-authors-editor-and-publisher-of-beyond-the-sun/ So lots of new stuff to enjoy.


View More: http://emilymeganphotography.pass.us/bryanBryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012), Beyond The Sun (Fairwood, July 2013), and Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and is working on Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

Announcing My Schedule For Archon 2013 in St. Louis, October 4-6

100_3440This weekend, I will be attending ARCHON 37 in St. Louis, my first time there. I had to cancel last year due to unforseen circumstances and despite living in St. Louis from 2000-2009, this will be my first time attending. (I know, for shame, for shame.) Once you get over booing me, there are some very cool guests coming including:

Writer GOH: David Weber
Aritst GOH: Donato Giancola
Toastmistress: Lee Martindale

And such SFF luminaries as: Glen Cook, Angie Fox, Laura Resnick, Dr. Charles Gannon, Michael Z. Williamson, Rich Horton, Sharon Shinn, Mark Tiedemann and my favorite artist collaborator Mitch Bentley and friends Sherry Dean, Allison Stein and Guy Anthony DeMarco, amongst many others. Full list here.

ARCHON 37 is taking place at Collinsville Convention Center, just over the river in Illinois from downtown Saint Louis at Gateway Center Drive – Collinsville, IL – 62234 with a few events, as noted on the schedule here, at nearby hotels.

I’m doing a number of panels, and I hope local folks will come say hi, as my schedule is lighter than usual and I’ll be hanging out a lot. Glen Cook will also have my books on sale in the dealer room, so I’ll likely be hanging with him a l0t.

My agenda:

Friday, October 4, 2013

5:00 PM GATEWAY CENTER Illini Author Readings A trio of Authors give a short reading and allow for comments and questions. (In order) Lee Martindale, Mark Tiedemann, Bryan ThomasSchmiDoubleTree Hotel
8:30 PM GATEWAY CENTER West Hallway Autographs Please restrict your requests to three items at a time. Thank you. Laura LeHew, Van Plexico, Bryan Thomas SchmiDoubleTree Hotel

Saturday, October 5, 2013

11:10 AM

GC

Marquette A

Writers Workshop

Closed to Public. Open only for those who sent in manuscripts. Mark Tiedemann, R.J. Carter, Kristin Bailey, Bryan Thomas Schmidt

3:50 PM

GC

Mississippian

The Future of Space Opera

Are today’s stories enough to make a series? How has space opera changed over the decades? What might it’s future look like? Bryan Thomas Schmidt (m), David Weber, Charles Gannon, Rich Horton

5:00 PM

GC

Mississippian

Editors are not the Everything (Enemy)

The collaboration between editors and writers. Bryan Thomas Schmidt (m), Charles Gannon, Rich Horton

Sunday, October 6, 2013

I’ll hang around the dealer room and common areas for part of the day and take off mid-afternoon to be with family.

Well, that’s where you can find me. If you plan to be there and want an extra way to reach me, message me for my cell number. I promise not to lose it this time (fingers and toes crossed).

Look forward to seeing everyone. I will have sneak peek copies of Raygun Chronicles: Space Opera For a New Age available if you want a peek.


Beyond The Sun revised coverBryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012), Beyond The Sun (Fairwood, July 2013), and Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and is working on Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

 

 

Statement on Quitting Blue Shift Magazine

blueshift_minicover2013I’ve been delaying this for a month but the time has come to clear my slate.

In August, I resigned as editor of Blue Shift after several frustrating circumsatances.  First, while I and several contributors were paid, in some cases more than we were due, others were not. Ad payments only came after I asked twice about them. I was reassured five times that people were paid. I even provided a detailed pay sheet with who got paid for what and how they wanted to be paid as well as their addresses for contributor’s copies.

When the magazine published in August, I anxiously awaited copies. None came. So I went online and paid for one. That money went to waste. Repeated inquiries brought excuses and then no responses.

I have not had a response from White Cat owner Rick Ferrell Moore in weeks.

Now, Rick was good to me, and his goals are admirable. He even gave me a free laptop, shipped at his expense from Detroit to Kansas, when my laptop died.

But Rick also tried to launch way too many zines at one time, despite several advisors warning against it. And he is a freelance consultant in a very busy industry. Every time his regular business had a crisis, he disappeared. When his managing editor had a life threatening illness, instead of hiring someone else, he decided to do it himself, but it wasn’t getting done. And despite the fact that I like him as a person, I felt forced to draw the line. Because I am a professional. I’ve worked hard to get good writers involved, even big names, and my reputation is at stake when people don’t get what’s due to them.

I enjoyed editing a magazine. So much so that I am planning to launch my own zine soon, details to be revealed at the appropriate time. I enjoyed discovering new writers and working with them. But it must be done professionally and run well, or I can’t be a part of it. And so I regretfully tendered my resignation. I have not heard from Rick since other than one email to say he’d be in touch to wrap up lose ends. I’m still waiting.

I hereby release officially all stories for issue 2 to contributors with apologies for those who wrote specific items for this. I’m sure the stories can find other homes, and I will do my best to find homes for the others. But in the meantime, I felt I had no choice but to part ways and move on to better endeavors, and I hope everyone will understand.

Integrity has always been important to me, and I continue to strive daily to practice it. That includes a philosophy of treating people the way I want to be treated. I got into editing with a desire to help others, in the process not only creating new opportunities for me but for 0thers and getting the chance to work with writers and artists I admire. I plan to continue doing so. My fourth anthology, Shattered Shields, coedited with Jennifer Brozek, will be turned in to Baen soon. And I have more projects in the works with Mike Resnick & Pierce Watters, Cat Rambo, Tim Marquitz, Maurice Broaddus, and Jennifer Brozek. As well as on my own. But for now, my relationship with White Cat Publications is over.

I do hope they can get things together and wish them well. And I thank them for the opportunity to try editing a magazine. I hope to edit more.


View More: http://emilymeganphotography.pass.us/bryanBryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012), Beyond The Sun (Fairwood, July 2013), and Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and is working on Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

My World Con Schedule 2013

LoneStar 3 Con Schedule – Bryan Thomas Schmidt

Thursday, August 29

Arrival: 1:30 p.m. on Southwest then scramble to get to hotel, check in, unpack, drop books at dealer room and make:

Thu 17:00 – 18:00 Autographing: Taylor Anderson, Paul Herman, Bryan T. Schmidt, Sharon Shinn (Autographing) (Participant), (Convention Center)

Friday, August 30

10 a.m. – Breakfast with Toni Weisskopf/Baen (private) 

Fri 12:00 – Fri 13:00 Panel: My Favorite Dinosaur (Science, Panel), 007B (Convention Center)

Panelists:

  • Elizabeth Bear
  • G. David Nordley
  • Spring Schoenhuth
  • Takayuki Tatsumi
  • Bryan T. Schmidt (M)

1:30-3:00 p.m. – Lunch With Lezli Robyn (private)

Afternoon free

Fri 18:00 – Fri 19:00 Panel: Do SF Stories have Fewer Happy Endings Now? (, Panel), 007A (160) (Convention Center)

Panelists:

  • Grant Carrington
  • David Nickle
  • Jessica Reisman
  • Bryan T. Schmidt (M)
  • Martha Wells

Dinner with J. Kathleen Cheney, Chris Kastensmidt and whomever is around

Saturday, August 31

 Morning Free

Signing (off-site at Viva), Sat. 12:30-2:30

Panelists:

  • Django Wexler
  • Maurice Broaddus
  • Bryan Thomas Schmidt
  • J.M. McDermott

 

Intricate Worlds (, Panel), Sat 15:00 – Sat 16:00, 007A (160) (Convention Center)

Panelists:

  • Gail Carriger
  • Amanda Downum
  • Robin Hobb
  • Bryan T. Schmidt (M)

Evening Free

Sunday, September 1

 7:30 a.m. – Breakfast with Robert Silverberg (private)

Sun 10:00 – Sun 12:00 Writers Workshop O (Writers workshop), Conference 4 (Rivercenter)

Panelists:

  • Linda King
  • Bryan T. Schmidt

2:30-3:30 – Podcast Recording: SF Signal

Beyond The Sun panelists:

  • Bryan Thomas Schmidt
  • Patrick Swenson
  • Jean Johnson
  • Jamie Todd Rubin
  • Cat Rambo
  • Alex Shvartsman
  • Maurice Broaddus

Hugo Prep/Pre-Reception/Hugo Ceremony

I leave at 9 a.m. Monday morning on Southwest. So hope to see some of you during some of these times. My books will be on sale in the Dealer’s Room at Book Universe. They’ll be signed but find me to personalize. Bar Con is a good bet when none of the above.

Rumors, Scandals and Other People’s Drama, oh my!

I went through a lot of drama in my former marriage due to my wife’s mental illness. I didn’t realize until recent events how much that changed me. For one, I have a very low tolerance for other people’s unnecessary drama these days. There are things worth drama and things that are blown out of proportion. I see this a lot these days. Rumors, scandals and drama abound. People assume, get angry, start hurling insults, and it just escalates into real nastiness from there.  In the midst of such overwrought drama, real issues, real problems that deserve the attention get lost. People lose interest because they hate conflict and drama. Change doesn’t occur.

There are a few things I have learned that I wish a few others would learn about these kinds of situations. Here they are:

1) Freedom of Speech does not just apply to those you like and agree with.  People these days are quick to demand that those they find offensive shut up. So much for freedom of speech. Apparently it only applies to those who say the right things. Unfortunately, a little document called the United States Constitution would take issue with that.

2) People have a right to an opinion of their own. Even if it’s not the same as yours. That’s a founding principle for democracy, folks. And it should be treasured and respected.

3) When someone is offended by something because of their assumptions and background, not specific words, they are not due an apology. Happens a lot these days. Someone writes something and people interpret it as offensive. They demand an apology. Others line up to support them. But what the author owes them is: nothing. Common courtesy would suggest a clarification might be prudent even polite. And if the words themselves were clear and inherently offensive, then an apology would be appropriate. But if the complainers takes meaning not inherent in the words, they are choosing to be offended by interpreting the words a certain way. It’s not them to whom an apology is due. They owe one to the author. Especially if a clarification was offered and they refuse to accept it.

4) Sensitivity and Respect go both ways.  If you want people to be sensitive to your feelings, etc. or those of others around you, you cannot be dismissive of theirs. Impugning anyone with whom you disagree is no more appropriate or acceptable than anything you might accuse them of saying. If the response is just as or more offensive than what provoked it, you are also just as wrong. Bullying in the name of anti-bullying is still bullying, folks. Bigotry in the  name of anti-bigotry is still bigotry, too.

5) Your views can be just as offensive as those of your opponents. Especially for those watching you shove them arrogantly down everyone’s throats. In fact, I know many people who agree in principle with the loud voices who wouldn’t stand up and be counted because they don’t want to “act like that.” The harshness of the behavior does more harm than good to the cause. You won’t convince anyone to change by chasing them off with rudeness and insults.  If you are so aggressive that people shut up and walk away, you have lost, not won. You have defeated your cause. You have not been heard.

6) Just because a group someone belongs to was guilty in the past or has currently guilty members does not make all members of said group responsible. This is a big one. “You are a priveleged white male, so you are guilty of racism, sexism, etc. by being a white male.” This is just one common example. Sorry, but no dice. I am not responsible for the sins of my ancestors. I am responsible for my own sins and actions. If you can’t separate the two, the problem lies with you. This article on Kafkatrapping and Logical Fallacies addresses how ridiculous these claims really are. And I think we should judge people as individuals not classes, groups, etc. Isn’t that what eliminating discrimination is all about?

If more people remembered these things, I think the internet and society would be more pleasant. Certainly Science Fiction and Fantasy as a community could benefit, but I believe that’s just a reflection of broader culture. I need to remember these things.  I hope my readers will as well. Most of all, I hope some will learn to do them. Productive and effective communication doesn’t occur well in the irrational environment of inflamed emotions. But it can occur in productive, reasoned dialogue. As I said before, I’ll say it again, stopping the insult hurling and talking is the better path.

For what it’s worth…


Beyond The Sun revised coverBryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012) and Beyond The Sun (Fairwood, July 2013) and is currently editing Raygun Chronicles: Space Opera For a New Age (Every Day Publishing, November 2013) and Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also edits Blue Shift Magazine and hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website at www.bryanthomasschmidt.net or Facebook.

Guest Post: Genre Mashups by Michael J. Martinez

Daedalus Incident coverI love a good genre mashup. Elves in the 1940s? Awesome. Cybernetic werewolves? Bring it. Steampunk dragons? You bet. Horatio Hornblower in space?

…actually, I wrote that, more or less. Crashed a frigate into Mars and everything. Anyway.

Take your favorite sci-fi and fantasy subgenres, critters and tropes, write them on 3×5 cards and shuffle the deck. Chances are, when you draw two, you’ll end up with a whiz-bang clash of genre goodness. Unfortunately, turning that pairing into a setting, let alone a piece of fiction, isn’t quite so easy.

When you combine different genres, you have as much potential for an unholy mess as you do for greatness. It may sound good (“Dude…cybernetic werewolves!”) but I would suggest that it’s harder in some ways to create a mashup than to stick to one particular genre and make it your own.

Readers, I’ve found, are exceptionally and, at times, annoyingly perceptive. When something doesn’t make sense, their antennae twitch. Some can’t keep suspending their disbelief and have to put down the book. Others will keep reading, but look for more errors along the way, and may even take issue with stuff you’ve meant to put there. Two (or more) disparate genre elements can create a lot of potential for twitchy antennae.

Thus, genre mashups may start with an “ah-ha” moment and an aura of geeky awesomeness, but getting them to stand on their own requires discipline and diligence. This is where traditional world-building techniques come into play, but with special attention to the mashup elements. So you have cybernetic werewolves…OK, awesome. What happens to the hardware when they change? Do they have the mental capacity to use advance tech in their wolf-man state? Who, exactly, had the insane notion of rigging up a werewolf (a ’ware-wolf?) in the first place?

When I created the settings for The Daedalus Incident, I asked a ton of questions like those, often with answers leading to multiple additional questions. And as I wrote, I was careful to note other problems and disconnects as they arose, so they could be dealt with all together, at the same time, so that there’s a continuity of setting.

Now, I would say perhaps only 50% of that fully fleshed-out setting is in the book…but I’ve plenty of fodder for the next ones.

And of course, setting is only part of it. One of the mistakes I see in some genre mashups is that it’s enough to have a very cool mashup setting…sometimes at the expense of plot and character. Of course, any good book needs to have strong characters and a well-developed, well-executed plot. The mashup can’t serve as a crutch to prop up the other two.

Likewise, the plot and characters need to interact with the setting organically. You can certainly overlay a noir detective plot over an urban fantasy setting, but that’s not entirely original, now is it? How do the particulars of your mean-street faeries and vampires feed into that noir plot?

The point is, you have to stand strong against the geeky aura and do the hard work. People will expect a lot from a genre mashup – either because they love the idea, or because they think it’s a gimmick and it’s up to you to prove them wrong. The intensity and depth of your world-building after your ah-ha moment – and your plot and characters – will determine whether or not it turns into something great.


MJ MartinezMichael J. Martinez is the author of The Daedalus Incident, coming this summer from Night Shade Books, and is serializing his novella, The Gravity of the Affair, on his blog at michaeljmartinez.net