Review: Deadman Switch by Timothy Zahn

Timothy Zahn is one of my favorite writers and has been very influential in my own writing. Like me, Zahn writes a lot of space opera, and he’s most famous for his Thrawn series of Star Wars novels. But he’s been writing a long time and has some great other stuff as well. His Quadrail series (Night Train to Rigel, Odd Girl Out, etc), in particular, is a great read.

Recently, I heard about another of his books, Deadman Switch, which features spiritual themes. Since I use a lot of spiritual themes in my specfic, I wanted to check it out. It was published in 1988 and is out of print, but I tracked down a copy on Amazon and read it last week. What a fantastic read. I highly recommend it.

A bit more of a mystery than a space opera, the premise of the book is that the Patri, a coalition of planets, has found a rich source of minerals in the rings and moons around the planet Solitaire. There’s only one catch, the system is surrounded by a mysterious cloud which prevents ships from entering. The only way in is using the Deadman Switch — carrying a zombi along who is killed and then flies the ship through the cloud. Death Row inmates have become the zombis of choice, and when his boss buys a large conglomerate on Solitaire to get a license to travel there, Gilead Raca Benedar is sent with the boss’ son to check out the new property and tend to details.

The problem is that Gilead belongs to a Christian order called “the Watchers,”
who have unique powers of perception allowing them to read minds. His integrity and values raise objections with the Deadman Switch idea, but then he discovers that one of the zombis on their ship (they carry two — one to go in, one to get out) is a fellow Watcher, and Gilead is convinced she’s innocent. When he sets out to prove it, drama ensues.

Eventually, Gilead takes drastic steps to protect her and escapes with her to the nearby planet Spall, hoping to find Smugglers raiding the system to use as zombis instead. In the process, they discover a new form of intelligent life previously undiscovered and end up launching a huge investigation and scientific inquiry which ropes in both watchers, Gilead’s boss, local officials, and a local religious sect. When it is discovered that a large fleet is on its way to attack the system, Gilead and the others scramble to find a way to deal with the situation.

If I tell you more, you would know too much, so I’ll leave it there, but suffice it to say the ending has plenty of surprises and the book is a great read. I read 50 pages a day until the last day when I read over 100 because I just had to know what happens. I would have read more other days too but have too much going on. It’s a pageturner, in other words, and filled with Zahn’s trademark solid science, interesting and complex characters and complicated, unfolding plotting. Truly a great read, and if you can track it down, I highly recommend doing so.

The spiritual themes are used similarly to the way I use them in my work: Christian influenced characters without being preachy, so I think even those scifi fans who are agnostic or not fans of religion would enjoy it.

I put a link to Zahn’s site on my website. I highly recommend checking out his books. You won’t regret it.

For what it’s worth…

Five Reasons Science Fiction and Fantasy Are Important To Me

I’ve had a love affair with science fiction and fantasy since grade school. I will never forget the time my cousins dragged us to this film with the weird name “Star Wars.” Even at age 8, I was sure the title sounded dumb, but my cousin and best buddy, David, had seen the film several times already, and “you just have to see it,” he said.

The film did not disappoint. From its opening minutes aboard the Rebel Ship, I was on the edge of my seat. That opening scene remains one of my favorites of all time for any speculative fiction film. There’s nothing quite like the intensity of the battle between Rebel troops in blue shirts and leather vests against heavily armored storm troopers in the tight quarters of their ship. The intensity only increased when the heavy breathing dark menace, Vader, enters through the hole in the hull.

“Star Wars” blew me a way and opened my mind to possibilities I had never considered before. Always creative, always a dreamer, suddenly my wildest fantasies, fueled by my fascination with NASA’s space program, became real possibilities for me – maybe not for today, maybe not for tomorrow, but some day. I wanted to walk on the moon, launch in a space ship, float among the stars, visit alien planets. Even in other activities, my dreams filled my mind. When I went gliding in the alps on the engine-less glider plane, floating silently on air as we descended back down to the pad where we’d launched into the air on a giant bungee, my thoughts were of space. Was that what it would feel like on a space ship with silence all around? Was the abruptness of the launch similar to what it would be like to ride a rocket?

In high school, I had the opportunity to visit the Kansas Cosmosphere in Hutchinson and see actual NASA craft, experience astronaut training simulations, touch moon rocks and buy NASA souvenirs. The brief NASA Adopt-An-Astronaut Program allowed me to communicate with the first shuttle pilot, read about their mission, and feel personally involved. When astronaut Steve Hawley, formerly married to Sally Ride, visited my high school, his family ties to my church youth pastor allowed me closer contact and the thrill of shaking an astronaut’s hand and asking the silly questions he’d heard dozens of times that I wanted to hear answers for with my own ears.

So the first of my five reasons why science fiction and fantasy are important to me is that they opened my life to possibilities which had only seemed far fetched before I discovered them. They made me believe the hope of possibilities was a viable thing to dream about and affirmed my sense of wonder.

One of the few movies and televisions shows my father and I could enjoy together was the 1978 animated “The Hobbit,” based on J.R.R. Tolkien’s novel which had exploded in the 1970’s with its release to mass market paperback. Where as the “Star Wars” books were my first science fiction reads, “The Hobbit” became my first fantasy read. I devoured the book, even though I was so young I couldn’t grasp a lot of it. Soon I was reading fan magazines, checking out other books, and making up my own stories.

I became a fan of Alan Dean Foster because his “Splinter Of The Mind’s Eye” allowed me to revisit the Star Wars universe between films in a book almost like the movies. Since then I have read many more of his movie adaptations and original books, and he continues to be one of my favorite writers.

I discovered Robert Silverberg and Orson Scott Card, my two top favorites, when family members gifted me “Lord Valentine’s Castle” and “Ender’s Game” and insisted I read them. Having never heard of them, I was reluctant at first. I’d always been a picky consumer, wanting to feel confident of the likelihood I would enjoy a book or movie before investing time in it. Both books blew my mind, and since I’ve bought almost everything I can get a hold of from both authors and devoured each the same. I’ve reread both those books and experienced that thrill of first discovery all over again, then shared them with friends so they could experience it, too.

The second reason why science fiction and fantasy are important to me then is the bonds they’ve allowed me to create with friends and family. They’ve helped bring our dreams and lives together in exciting, unexpected and enriching ways, allowing us to share our wildest dreams and celebrate our future hopes.

In working in television and film and as a writer in my adulthood, I’ve heard many stories about how science fiction and fantasy have influenced not only writers of other genres, but even the development of technology. NASA once sent experts to the set of the original “Star Trek” series to discover how the producers made the doors slide open and shut when actors entered and departed rooms. The producers actually had a crewman behind the doors manually sliding them over, but today there are many doors designed to do just that in everything from office buildings to vessels. Are they exactly like the “Star Trek” doors, no, but they are modeled after the possibility. Seeing the “Star Trek” creator’s view of future possibilities inspired others to dream of how they could bring those possibilities to life and changed our world, the third reason why science fiction and fantasy are important to me.

I will always remember the first time I turned to the Sci-Fi Channel and discovered the new “Battlestar Galactic.” I had certainly heard of it, but like many fans of the original, had not liked what I’d heard about the “reinvention” and changes made by the new writers. To my great dismay, I loved it. It was darker and more serious than the original had ever strived to be, but it also provided an amazing commentary on our times, examining political and moral issues being faced at this moment in countries around the world. Like the original “Star Trek,” under the guise of “science fiction,” the new “Battlestar” was able to confront issues head on which most writers would never dare to.

The result was a compelling and inspiring television series, and one of the most respected and admired speculative fiction series ever created. So my fourth reason why science fiction and fantasy are important to me is that they can speak to issues in our own world and cultures in ways that contemporary works cannot, forcing us to think about things in a new light and consider possibilities we would never accept if they weren’t presented as “other world” instead of our own.

The final reason why science fiction and fantasy are important to me is that without the possibility of dreams and imagination, my life would have been unhappy and incomplete.

My dreams and imagination have taken me from a small Kansas town to the tribal villages of Africa, from the slums of Rio De Janeiro to the cobblestone streets of Europe and everywhere in between. Without being a dreamer, I would have never lived the life of risks I have lived in the thirty-two years since I discovered “Star Wars.” I would never have worked in film and television, written stories and scripts, released three CDs and a national single, or toured the world to speak, teach and sing. Some of those dreams had never occurred to me in Kansas, while others were the same ones my colleagues and classmates laughed at and mocked when I first mentioned them.

Ironically, at our 10th High School reunion, they all seemed to know where I’d been and what I’d been doing and instead of laughter, offered their admiration. I’d lived the life I said I’d wanted to. I chased my dreams and even caught some of them. None of that would have happened, if science fiction and fantasy hadn’t taught me to dream. And there are many others just like me.

Favorite Speculative Fiction

For those curious or just looking for good reads, here are some of my speculative fiction favorites in no particular order:

Robert Silverberg, Majipoor Books (Lord Valentine’s Castle is one of my all time favorites but there are 6 more and numerous short stories from this master)

Stephen R. Donaldson, Chronicles of Thomas Covenant (the first three thrilled me in high school. I have yet to read the latest but I have them in my queue)

David Eddings, The Elenium and Tamuli books (3 of each and great storytelling)

Robert Jordan, Wheel of Time (Just getting started on this one but a great read so far, 12 total)

Terry Goodkind, Sword of Truth series (12 total, just getting started as well, but the basis of one of my favorite TV Shows “Legend Of The Seeker”)

Orson Scott Card, Ender series (still catching up on the latest ones, but great reads and highly influential)

Timothy Zahn, Thrawn series (5 books, great Star Wars reads; almost like watching a movie, a better movie than Lucas’ last three)

Timothy Zahn, Quadrail series (4 books from a master of space action, suspense)

Ken Scholes, Psalms of Isak (5 total, 2 are out. I can’t wait for the others)

Jay Lake, Clockwork Earth series (3 books so far, good steampunk adventures)

George RR Martin, Song of Ice and Fire (4 so far, but more coming. Great read)

If you are a fan of specfic, I’d be surprised if you didn’t enjoy any of those on this list.

Review: Spellwright by Blake Charlton

If you haven’t met Nicodemus Weal, you should. He’s the kind of character that will touch your heart and change your perspective.

A brilliant debut by a talented writer, Spellwright‘s story is all the more intriguing because it parallels the author’s own struggles with dyslexia. The story of Nicodemus Weal, a dyslexic apprentice wizard who becomes hunted by several factions when it’s thought he could be the long awaited Halcyon, who will bring unity and power to defeat the dark forces threatening their world. Others fear he could instead be the storm Petrel who will bring destruction. So Nicodemus finds himself on the run, wondering who he is and who to trust.

Spellwright takes place in a well crafted and interesting world where words are not just communication but a force to be reckoned with. They can be harvested as weapons or shields by those with the gift of magic who learn to control them. The journey of Nico and his mentor, Magister Shannon, grabs hold of you and never lets go, taking you on a fascinating and compelling ride.

The background of author Blake Charlton (http://www.blakecharlton.com/) is as unique and interesting as that of his main character. On his own website he writes:

As a child, severe dyslexia placed me in special education for most of elementary school. Only with the support of my saintly parents did I improve enough to be mainstreamed into a normal fourth-grade classroom. I was still pulled out for remediation in half of the classes. Each year, I just barely advanced to the next grade. At twelve years old, I still couldn’t read a book by myself.

But his parents were persistent and began reading fantasy to him: Robert Jordan, Terry Brooks, Tad Williams… As his interest grew, they began to read to Blake less and less, faking sore throats or other ailments, but always leaving the books behind. Blake writes:

I became obsessed with fantasy. I snuck Robert Jordan and Robin Hobb paperbacks into special ed study hall and read them under my desk when I was supposed to be completing spelling drills. My grades improved only marginally, but my height increased exponentially. The football coach at a local high-powered private academy noticed this and helped me get into his school. About that time I started reading science fiction (Frank Herbert, Orson Scott Card, etc.) and discovered more classical fantasy: Grandpa Tolkien, John Gardner, Ursula K. LeGuin, and Mary Stewart. Suddenly school wasn’t so bad: I discovered that Shakespeare and Spenser weren’t so different from Tolkien, chemistry not far off from alchemy, physics the closest thing to magic. Though I still loved football, I began to live to put my nose in books.

But this dyslexic child went on to graduate from Yale Summa Cum Laude, Phi Beta Kappa, with distinction in the major and Trumbull College awarded him the John Spangler Nicholas Scholarship. His fascination with reading fantasy and science fiction, soon fed his creativity and he began writing. A college dean encouraged him to take time out upon seeing an early draft of Spellwright. And in 2006 Tor, seeing promise in Spellwright, offered Blake a three-book deal. Stanford Medical School, seeing the value of a career in writing and medicine, offered him admission.

Since then, Blake’s completed the preclinical years of medical school and taken the US Medical Licensing Examination. During that time, he twice rewrote Spellwright, while Stanford provided financial support in the form of a Medical Scholars Research Fellowship to write fiction.

But overcoming his own disability still wasn’t enough. In addition to his desire to help people through medicine, Blake has been an English teacher, a learning disability tutor and a football coach. His passion for learning disabled kids is part of his inspiration for Nicodemus Weal and Spellwright‘s story of the power to overcome any struggle and succeed.

Blake is preparing his draft of the followup Spellbound to turn into the publisher shortly and it should be out by the end of year. Maybe he’ll give me an early review copy, if not, I know I’ll be waiting outside the story.

A great read, a unique world, a fun adventure. Spellwright is highly recommended.

Sharks in Publishing

I just got an exciting email this past week: an anthology wanted to publish one of my own favorite short stories. Having not yet made a professional sale in fiction (so far I have had fiction work only appear in ezines) and given that he was paying the professional rate, I was naturally excited. Until he broke the terms out. He wants me to hand over the copyright to DE (his company) and that’s for life. He wants to have his editor rework my story to meet his needs with no input from me (I did negotiate and finally got him to agree to give me approval), and he wants to restrict my sale of the story in the future unless he gets paid.

I have submitted to a lot of professional fiction and nonfiction markets. This is the first time I was ever asked to give up a copyright. I sent out the question to three groups I am involved with, including American Christian Fiction Writers. The combined membership of the groups is easily several hundred. Of the fifty responses I got within an hour, only one person had ever been asked to give up copyright and she had refused. Another friend told me it is unethical to even ask.

DE’s reasons were to protect his investment in the anthology he was creating. He wanted total control so he could market it. When I offered him First Serial Rights and Electronic Rights, he told me that was archaic and the way of the past. He was working in the way of the future. If he’s able to foretell the future, that is indeed impressive, but every fiction market I research online still asks for the rights I offered, never copyright. Not even book publishers ask for that. So I guess he’s the only one who’s really hip and ahead of his time then.

I pulled the story and refused to agree unless he changed terms, so I lost a nice pay check and a chance to be published. It made for a depressing day, but imagine what would happen if one of my favorite stories was suddenly in demand by Hollywood for a film or TV production and I didn’t own it. If I wanted to someday do a collection of my short stories (if I ever do sell any and become respected enough) and couldn’t use this one. Imagine if someone wanted to give me an award and include it in their award anthology and I couldn’t allow that?

DE justified this additionally by saying he was buying stories from Indian writers for $10 each and was offering me thirty times that, so he was treating me more fairly and helping me get exposure. Well he’s exploiting the Indians and he wanted to exploit me, because this is his first publication venture. He has no track record, no distribution and isn’t even sure which stories he’ll end up using and whether it will be print or ebook. The more we emailed, the more I realized he doesn’t know what he’s doing, and that made me even more convinced I’d be a fool to turn over my intellectual property rights to him.

To all you writers out there, it sucks to lose a sale. I get that, believe me. But don’t get so desperate you lose your self-respect and sell out. It’s not worth it, and it will come back to haunt you. Take my advice and those of lawyers and others and stand up for yourself. I hope someone else buys this story, because I really like it. But at least if they buy it, it will be from me and not someone else.

Wouldn’t you prefer it that way with your stories?

For what it’s worth…

Review: Lamentation by Ken Scholes


One of the things I want to do from time to time is review books by other authors which I have really enjoyed.

The first such entry is Lamentation, Book 1 in the Psalms of Isak, by my friend Ken Scholes.

A mix of fantasy and science fiction, Lamentation tells the story of the Named Lands, home to the survivors of a great destruction. When the great city of Windwir is suddenly destroyed, and the Named Lands’ library and repository of knowledge with it, the leaders of the provinces find themselves on the brink of war. Accusations fly about who caused the destruction. While some seek retribution, others seek restoration, and still others just want to make sense of what’s happened. Across the miles, they initiate their plots, each seeking to protect him or herself and her people and their lands.

This is epic fantasy at its finest but no sorcery or dwarves or elves. Scholes has created his own world and people, one that we’ve never seen before, and populated it with characters like us. They draw us in and capture our hearts, making us care deeply about what happens to them.

Scholes uses a variety of points of view throughout, with short, tight scenes that keep the pace compelling. I found his voice unique and his story compelling. His prose is haunting and captures you, pulling you along with it for the ride. His world building and characterization are also top notch. In fact, it was difficult to pick a favorite: Rudolfo, leader of the famed Gypsy Scouts from the Ninefold Forests; Petronus, the former pope who faked his own death and disappeared; Jae Lin Tam, faithful daughter who’s sacrificed her body and spirit in the service of her father’s political goals; Neb, illegitimate son of a monk, who watched Windwir explode and his father and whole world with it. Or perhaps it would be Isak, the metal man, keeper of the last remnant of knowledge, and possessor of a dark secret about the destruction of Windwir. Each have their own arc and history, compellingly brought together in conflict and friendship by the events which unfold.

The book has drawn impressive praise, too. New York Times bestselling speculative fiction author Orson Scott Card wrote: “This is the golden age of fantasy, with a dozen masters doing their best work. Then along comes Ken Scholes, with his amazing clarity, power, and invention, and shows us all how it’s done.” Card liked it so much, he participated in a reading of the book voicing characters.

Analog calls Scholes “one of the best writer’s you’ve never heard of,” and Editor/Publisher Jonathan Strahan said “it has the chance of standing as an important book in the evolution of the epic fantasy form…a delight…a book that readers are very likely to take to heart. it’s one of the best fantasies I’ve read in some time.”

Two of the books are out, and I’ve read them both, and I can’t wait until Antiphon comes out this fall. I wish they’d hurry up and get the others out. My only complaint is that Scholes needs to write faster or maybe just concentrate. I told Ken I am jealous of his first readers. But he’s not talking, I have to wait like everyone else lucky enough to have discovered Scholes’ saga with baited breath!

If you have tired of high fantasy or other forms you’ve seen done time and again, no matter how well, give Ken Scholes’ series a try. It’s fantastic and well worth the effort. I can’t recommend it enough.