Why Everyone Should Be A Blindsider

I don’t talk about my past very much on this blog for lots of reasons, mostly because it’s not all that tied to what I do now, and there tends to be a group who look down on me for my religious work, etc.  and also because I don’t really like being seen as prideful or self-aggrandizing. Promoting my work is a business responsibility that’s necessary, but promoting my personal life and such is not.

Then I rewatched the wonderful movie Blindside starring Sandra Bullock when it ran on cable, and I was reminded by that movie of values that have infused my life and that of my family and very much shape how I live and everything I do. I’m not talking about the fact that main characters in the movie are Christians like myself and my family. Nor am I talking about their rural background, although we do have both those things in common. Instead, I am referring to a concept I define as “learning to live WITH people, not just around them.”

For those unfamiliar with it, The Blind Side is the true story of a wealthy Tennessee couple who discovered a black kid from the inner city was attending their children’s private school but was homeless. As they discover him and bits and pieces about his situation, they take it upon themselves to offer help. At first, taking him in to their home for a night or two, and then eventually permanently, raising him like one of their own. They even become his legal guardians. The experience changes not just the inner city kid, Michael Oher, but also their own two children and themselves. Michael goes on to become a huge football star in high school, then college and finally is drafted into the NFL. It’s a well-acted, well written, heart-warming tale of people reaching out beyond the box in which they live and choosing to help someone else because they can, and, in the end, making a better life for all of them and their community.

The reason I call this “learning to live WITH people, not just around them,” is because most of us find it very easy to live in our own little box, worry about our own concerns and people, and not pay much attention to what’s going on beyond us. Every once in a while a tragedy or some drama occurs that calls our attention to it, but for most of us, we can go around blissfully unaware of the needs of people around us most of the time. I have had this tendency at times in my life, but then I remember how I was raised. I was raised by people who paid attention and took action, and so I jump back in when I can without hesitation. It’s a lifestyle that becomes more and more second nature to me.

I get this because of several key people. My Grandma Schmidt has been described often as the type of woman who never knew a stranger, the kind who when someone in need showed up, would drop whatever she was doing, wherever she was to help. If food got cold or her family of 7 had to wait longer to eat, it didn’t matter. If she was late to an appointment, people would have to understand. To her, this was God’s business and what she was put on Earth for and there wasn’t even a question or hesitation: she had to try and help.

My other grandmothers were also very much like this. From teaching to taking in exchange students, to feeding neighbors, helping children and more. My father is a doctor who always cared more about healing people than getting bills paid, so much so that he once fired an office manager for being too harsh about collections, and he freely donates his time, money and effort to helping others despite his busy schedule and career demands.

I could name dozens of other examples in my family but suffice it to say I grew up with people who taught me: we are put here on this Earth to help and love one another, to do whatever we can for them no matter what race, religion, politics, etc. they might have. You might be poor, but you can always give time or talents. And it was an expectation that if you were in my family, this was how you’d live.

To me, the couple in The Blind Side, Leigh Anne and Sean Tuohy embody these values, and they demonstrated in gloriously when they took in Michael Oher. Were they perfect? No. And they were more blessed with wealth than most, but more importantly, they didn’t just say they cared with money, they lived it with their actions and daily lives. That’s the kind of people who raised me, and it’s always the kind of person I’ve wanted and tried to be. I don’t always succeed, of course. None of us are perfect. And sometimes it has cost me trying — such as shunning a career path so I could stay freelance in order to get time off to travel to various places and help people as much as I could. By the time I settled down and got married, I’ve had a lot of financial struggles to overcome time and again, I have no kids as I’ve always dreamed I would, etc. In many ways, I seem far behind my peers, and yet, by going to Africa, Brazil, Mexico and other places and teaching, I’ve gotten a kind of wealth money can never provide and enjoyed a kind of satisfaction no other success can create.

When I got into science fiction, I tried to write stories that reflect these values, and as an editor, I try to employ them in not only who I invite but the stories I buy and the subject matters I pursue. I don’t do it perfectly, but I make a concerted effort, and I’ve been rewarded by developing friendships, creative partnerships and working relationships with some of my writing and editing heroes, and making some books that got great reviews and touched people. I’m pretty much a live and let live guy, in that I don’t care about your religion, philosophy, politics, sexual orientation, race, etc. If you’re a decent person, we’ll get along. I publish stories that often differ from my personal beliefs and practices, but as long as they are good stories, I choose them because I want my books to reflect the larger community they are intended to serve, and that means reaching beyond what I know and am comfortable with.

Why am I writing all this? I guess it’s to encourage others to cover the blind side of other people, too. There’s no one way to do it, but there are many needs. You don’t have to be rich or powerful, famous or even creative, all you need is time and a willing heart, and also a willingness to be uncomfortable for the sake of helping others be more comfortable and lead better lives. You might take weekends to go help a single mom on her farm, as I did this summer, or to tutor inner city kids, help build or rebuild a house, or do any number of other things. Some you’ll be good at, some you won’t (like me and farming). But it’s not about skill as much as it is effort anyway. And the effort is never wasted, no matter the results.

The best experiences in my life and career have come from these experiences, and the most precious relationships as well. People from all walks of life and cultures who are friends because we spent time together, not because of what we were doing or what we accomplished. Oh, good things were accomplished, don’t get me wrong, but success is not the primary goal, being there is. And in the process, you’ll learn new skills and new points of view, and have new experiences that infuse your life with so much richness you can’t even imagine. Try it, if you don’t believe me.

So my point in writing this is to say, be a blindsider, not a sideliner. Take time to live WITH people around you, not just walk among them doing your own thing. It won’t just make their lives better, it’ll make you a better and happier person. And it’ll give you opportunities to live in ways words can’t describe or even equal. More than waving a flag for a cause or putting money in a donation box, you’ll be actually changing the world for the better. And I promise you, that can be far more impactful than money or slogans or any amount of campaigning ever will.

For what it’s worth…

 

 

 

 

Announcing: The Tentative Table Of Contents for MISSION: TOMORROW (BAEN 2015)

Hot off the press!!

Ladies and Gentlemen, I present the (tentative) Table of Contents for Mission: Tomorrow, coming from Baen Books in 2015.

18 stories, 100,938 words of great Science Fiction. All original except Silverberg and Gunn.

Concept: Science Fiction writers imagine the future of space exploration in a world no longer dominated by NASA. What might it look like? Private or public? Stories of space exploration, travel and adventure.

“Tombaugh Station” by Robin Wayne Bailey
“Excalibur” by Jack McDevitt
“The Race For Arcadia” by Alex Shvartsman
“A Walkabout Among The Stars” by Lezli Robyn
“Sunrise On Mercury” by Robert Silverberg
“Tribute” by Jack Skillingstead
“The Ultimate Space Race” by Jaleta Clegg
“Orpheus’ Engines” by Christopher McKitterick
“Around The NEO in 80 Days” by Jay Werkheiser
“On Edge” by Sarah A. Hoyt
“Airtight” by Michael Capobianco
“Ten Days Up” by Curtis C. Chen
“Windshear” by Angus McIntyre – a story finalist in the 2014 Jim Baen Memorial Contest
“Malf” by David D. Levine
“Panic Town” by Michael F. Flynn
“The Rabbit Hole” by James Gunn
“Rare (Off Earth) Elements” by Ben Bova
“Tartaros” by Mike Resnick


Bryan Thomas Schmidt is an author and editor of adult and children’s science fiction and fantasy novels and anthologies. His debut novel, THE WORKER PRINCE, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels. As editor, his anthologies include SHATTERED SHIELDS (Baen, 2014), BEYOND THE SUN (Fairwood, 2013), RAYGUN CHRONICLES (Every Day, 2013) and SPACE BATTLES (Flying Pen, 2012) with four more forthcoming from BAEN and EDGE in 2015 and 2016. He hosts Science Fiction and Fantasy Writer’s Chat every first Wednesday at 9 pm ET on Twitter under the hashtag #sffwrtcht and is a frequent guest and panelist at World Cons and other conventions. His website is www.bryanthomasschmidt.net and his twitter handle @BryanThomasS.

GlitchCon Schedule August 1st-3rd, 2014

GlitchCon

 

Well, another Con has arrived. From Friday through Sunday, I’ll be in Springdale, Arkansas at the Holiday Inn Conference Center for GlitchCon with the lovely Claire Ashgrove, my best bud and editing partner in Finish The Story, Jonathan Maberry and David Farland and several others. Here’s a full schedule of programming. See participants at the website at http://www.glitchcon.com/

FRIDAY, August 1

3:00 – 3:50 pm Creating Comics and Graphic Novels (Jonathan M. /

David F. / Kyle / *Tommy) (Steam Room)

5:00 OPENING CEREMONIES  (John Q. Hammons Hall)

6:00 – 6:50 pm Pulp Fiction (Jonathan M. / David F. / Tommy / Bryan

100_0440
Bryan and David Farland

S. / Phillip D.)(Steam Room)

6:00 – 8:00pm Story In A Bag, lead by Dyann Love Barr & Claire A. (Anime & Cosplay)

7:30 p.m.   — David F. / Jonathan M. / Claire / Bryan to dinner

 

SATURDAY, August 2

10:00 – 10:50 — Collaboration (Sue S. / Bill A. / Brad S. / Dyann)   (Steam Room)

12:00 – 12:50 — Series Writing (Saranna D. / David F. / Jonathan

M. / Bill A. / Claire A. / Dyann LB) (Anime & Cosplay)

1:00 – 1:50 — Writing 101 (David F. / Phillip D. / Sue S. / Dyan LB

/ Claire A. /  Saranna D. / Bryan S. (MOD)) (Steam Room)
2:00-2:50 – Old School Monsters (Jonathan M.)(Steam Room)
3:00 – 3:50  pm  Horror – Then and Now (Jonathan M. / David F.

/ Brad S./ Saranna D.)

4:00 – 4:50 — The Fantasy Allure (Jonathan M / David F. / Bryan S.

/ Brad S. / Claire A. / Saranna (MOD))(Steam Room)

7:00 – 7:50 — World Building (Sue S. / Bill A. / Dyann LB / Bryan

S. / Claire / Saranna, John W.) (Steam Room)

Bryan & Claire
Bryan & Claire

 

 

SUNDAY, August 3

10:00 – 10:50 – Story In A Bag Winners Announced

3:00-4:20 – CLOSING CEREMONIES (John Q. Hammons Hall)

Why I Am An Editor

Shattered Shields coverI became an editor for three primary reasons: 1) I love reading stories; 2) I love working with and discovering new writers; 3) I like helping others. For me, editing combined all these loves, so it seemed a natural fit. After all, I could get a chance to work with my heroes and legends as well as up and coming and new writers who are legends yet to be, and in the process, have fun and make some really interesting books, giving great, diverse stories life.

I’ve interviewed a lot of editors, and I think most of them said some combination of the above as well.

But for me, it also stems from years spent working with nonprofits to help artists from different backgrounds and cultures come together and create art and be heard. There’s no greater gift you can give an artist than a chance to share their voice, I think. And it’s such a joy helping them polish and refine their work, giving them a venue and audience, and watching them shine. I found it very addictive. So addictive that when one camp I was working with moved cross country, I created my own nonprofit and started doing the work in other ways, taking it across the world to Ghana, Italy, Mexico, Brazil, and other places, usually places where such training is too expensive or too elite for the poor, and focusing our work on artists denied those opportunities. Doing that work was life changing and has forever shaped by beliefs, my life, my goals, and my art, and I continue to long to find ways to do more of that work in the future. So anthologies and editing had natural appeal.

Beyond The Sun revised coverAnd the first anthology opportunity proved to be a challenge for sure, but also a whole lot of fun. It’s as much of a challenge sometimes attracting writers to trust a new editor as it can be for writers to get a shot, and I wound up short on submissions and thus late on deadline, but this did give me a chance to work with some writers to improve their stories. There were at least three that made into into the final book after such collaboration. Space Battles: Full Throttle Space Tales #6, the end result is a book I’m proud of. It’s not as good as the books that followed in some ways, but the reviews have been solid and it’s a fun read, and above all, when creating anthologies, I want to create fun reads. For me, reading should be fun. Science Fiction and Fantasy should be fun. Above all other concerns.

So creating opportunities for authors has been a huge part of what I got into this to do, thus, when I didn’t have the editorial credibility quite yet, I looked toward Kickstarter and put together Beyond The Sun, somehow being lucky enough to get four of my writing heroes as headliners. That experience proved yet another great one and shortly after that Kickstarter, friends from a Canadian small press approached me with the idea for Raygun Chronicles: Space Opera For A New Age, and so a few months later, we Kickstarted that with even more big names. That was my biggest anthology yet.

Again, the highlight of both of these was working with writers. Even as the fanboy in me thrilled at getting to work with Silverberg, Rusch, Kress, and more, I enjoyed seeing the up and coming writers’ eyes light up and the chance to be in a book with such luminaries as well. I enjoyed working with them to develop stories, polish them, and assembling the books, etc.

Then Baen bought an idea I had come up with and recruited Jennifer Brozek to co-edit, the military high fantasy anthology Shattered Shields. Like Raygun,  we had a full on professional budget and this time we were buying all originals. So I had the chance to work for a major publisher for the first time, again, an incredible experience. And despite our different tastes, Jennifer and I wound up agreeing on almost all the stories, the exception being a couple, and, of course, she liked some more than I did and vice versa. Still, a great creative partnership. What a talented lady!

RaygunChronicles front displayAnd having such opportunities to partner with great people is the highlight of being an editor. I just really appreciate that. It’s why I don’t want to work with people that don’t share a mutual respect. Time’s too short. I want to be able to enjoy working together. After all, collaboration should be fun, I think. And it’s why I keep pitching and developing anthologies of various types. It’s also why I wanted to use my credibility to reach out to new voices in projects that might be tougher to find publisher homes for like World Encounters and Enabled, but which still have important subject matters which deserve to be explored.

I love reading. Reading has changed my life. It’s made my world bigger. It’s made me a better person. And it’s opened up possibilities I could have never imagined. As reading amongst new generations decreases in popularity, I also want to create books parents and kids can read and enjoy together, that will provoke discussion and nurture a love of reading and genre. That’s why I always push for an educational accessibility aspect in all my guidelines and books, and why I try and keep content PG13 at worst, so it can reach the largest audience. And my background with diversity and cross cultural encounters makes me desire to include writers of diverse backgrounds and beliefs in every project. Sometimes you are limited by who’s available and who connects with the concept, but I try nonetheless. And I have had some great successes.

In any case, just a few thoughts on why I love being an editor and why I wanted to be one. I admit, I’m hooked now, and I hope I get to continue doing this for a long time to come.

For what it’s worth…


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books (forthcoming).  He is currently working on Gaslamp TerrorsMission Tomorrow: A New Century Of Exploration (BAEN), Galactic Games (BAEN), Enabled, and several others.  He hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

ConQuest 45 A Success

100_0611Well, ConQuest 45 – Noir has come and gone, and I am calling it a great success. This is the one Con I try to make annually, because it’s local and put on by my local fan group, which is a great group of people. Glen Cook has been attending as a dealer for years, but this year we also honored him as Guest Of Honor, and that was a blast. I panelled with Glen several times including a Spec Noir panel with Mark W. Tiedemann (shown), a live GOH interview which neither of us wanted to end but did, and a military fantasy panel also featuring Kij Johnson and Robin Wayne Bailey.

On Friday night, Robin Wayne Bailey, Todd Hunter and I threw an impromptu launch party for Raygun Chronicles: Space Opera For A New Age, which released last December after funding on Kickstarter the previous March, and which features stories by Todd and Robin as well as many others, including Seanan McGuire, David Farland, Brenda Cooper, Sarah A. Hoyt, Allen M. Steele, and A.C. Crispin. The party was hopping for several hours and a Who’s Who of the Con stopped by, later voting us Best Party at the Closing Ceremonies. I also sold out of copies, for the first time ever, selling 19 and giving away 2. So I had to order more for the next Con. I call that a success./

Once again, the Basic Editing 101 For Writers panel that my editing partner Claire Ashgrove and I initiated last year was a hit with really strong attendance, including Artist GOH David Lee Pancake, who told me it was the best, clearest panel he’d seen on basic issues like passives, telling vs. showing, etc. I hadn’t encountered David yet, due to my busy schedule, so afterwards I headed down to the art show and wound up buying one of his beautiful works.

I also did a panel on Heroes and Heroines with Kij Johnson and others, a Writing For Young Audiences panel with Chris McKitterick and K.D. McEntire, and several others. Only my Abraham Lincoln Dinosaur Hunter reading drew interest as my first reading was Friday night during check in time, so I got an extra hour of rest pre-Con.

100_0615An Editor’s Are Not The Enemy panel with Selina Rosen, Deanna Sjojander and Rich Horton was lively, and brought up interesting issues about publishing traditional vs. self-publishing vs. small press which I hope were helpful.

The Con Suite, which I made extensive use of this year, unlike last year, was also well stocked and managed and I relied on it for most of my meals outside a Friday dinner with Dennis and Diane Barr and Saturday dinner with Rich and MaryAnne Horton.

Altogether, a delightful time and well worth attending, even though I arrived tired and not sure I was not sure I was ready. I quickly slipped into a different frame of mind and really enjoyed myself. Thanks to the Con Comm, and the party group especially for helping make this such a delightful experience.

After the Con, I came home and announced an upcoming Kickstarter anthology I’ve really been looking forward to. And I know it’s going to be a real special and fun project to complete. A fitting way to close the Con, with inspiration.

 


Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press,Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books (forthcoming).  He is currently working on Gaslamp Terrors and Mission Tomorrow: A New Century Of Exploration.  He hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter,

 

WriteTip: Advice On Why No Is Rarely Personal – Handling Rejection For New Writers

WriteTips-flatYesterday at ConQuest, a panel discussion led to talks about editors and writers and how much editors love discovering new writers and great new stories. And in the midst of it, I got reminded how intimidated writers often are by editors, especially writers who don’t know any personally. I’ve experienced this myself as a writer and as an editor. So I wanted to offer a little perspective.

The most important advice is this: “NO” is almost never personal. The only times it is personal, you’ll know it because the person will make it obvious. And this is very rare. Seriously. The reality is that hearing “No” is just part of being a writer. And saying “No” is part of being an editor. Editors take no more glee in saying it than writers do in hearing it. Unless, of course, you’ve pissed the editor off. So don’t do that.

Editors say “No” for lots of reasons, many of which have to do with factors besides simply elements of your story and certainly besides who you are. If they have a similar story already, you’ll hear “N0.” If they have too many stories with a particular theme, setting, etc., it’s “No.” If they have budget issues because of length of stories they bought–especially with the headliners whose name cache helps sell the books– then it will be a “No.”  And so on and so forth.

The only things you can do to lessen the likelihood of rejection are to:

a) respect and follow the guidelines. Doesn’t matter if they are annoying or sound stupid. Just do it. You can be rejected simply for ignoring them, because you are saying, “I’m an exception and my story’s so good you won’t care.” Well, wrong. We do ask for guidelines for a reason, and you’re not going to be that exceptional.

or b) Write an awesome story.

c) Submit early in the open reading period. This will make it more likely that if similar stories come in, yours was chosen first and you won’t be rejected for the other reasons mentioned above.

Those are the best ways to avoid rejection, honestly. Beyond that, it’s a matter of timing, luck, and finding the right market. Just like everyone tells you.

People who reject you for personal reasons almost always reveal that in some way, from comments to a later post or off the cuff comment, etc. But most professionals leave that stuff aside when choosing stories. Because all we care about is that the story is awesome and whether we can work with you in a respectful relationship. Don’t be an asshole and the rest won’t matter. If you’re an asshole to the editor, it tells them you don’t respect them and likely wouldn’t take edit notes. And it’s not worth the bother for them. It’s that simple.

So how do you respond to a “No?” Don’t email them to criticize their taste. Don’t badmouth them on social media. Don’t even graciously thank them in an email for considering the story. Chances are they are overwhelmed with emails already and won’t want to have to sort through another.

Instead, send the story elsewhere or polish based on any suggestions offered that you find useful and then send it out.

Write another story and submit to them again.

And the cycle repeats. Seriously. There’s no magic trick here. Persistance, Politeness, Professionalism — these are the keys to success. Ask successful writers.

Short but sweet, but I hope it’s helpful. Seriously. It will also help your self-confidence and morale to remember this: “No” is rarely personal, it’s just part of the process.

Now, go write more stories! And good luck!


 

Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press,Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books (forthcoming in November).  His first YA anthology CHOICES will be out from EDGE Science Fiction and Fantasy in 2015. He is currently working on Gaslamp Terrors, Mission: Tomorrow (BAEN) and Galactic Games (BAEN), amongst others. He has also edited novels, including the New York Times Bestseller The Martian by Andy Weir.  He hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

Conquest 45 Noir Schedule and Details Updated

Conquest 45 logoWell, for the third year in a row I am a panelist and moderator at CONQUEST 45, the local Kansas City Con on Friday May 23rd through Sunday May 25th. Well attended, with, as usual, a great lineup of guests and panelists, CONQUEST is the largest local Science Fiction, Fantasy and Horror convention. And it’s always a blast, but also always hectic for locals like me, especially those of us who are members of the local fan club KacSFFS.

This year’s Guests of Honor are Glen Cook (Author GOH), David Lee Pancake (Artist GOH), Bridget Landry (Science GOH), Ray and Barbara Van Tillburg (Fan GOH), and also Caroline Spector (Toastmistress).  Also attending (besides myself) are local professionals like Robin Wayne Bailey, Kij Johnson, Rich Horton , K.D. McEntire, Mark W. Tiedemann, Rob Chilson, Selina Rosen, Claire Ashgrove, Bradley Denton, H.G. Stratmann and Chris McKitterick. A full list can be found here.

Returning to downtown this year, CONQUEST 45 takes place at the Downtown Marriott, just off the famed Power and Light District, pretty much the center of Kansas City’s nightlife.

Room assignments are not final, but here’s the panels, panel descriptions and list of panelists in which I’ll be participating. As you’ll see, it’ll be a really hectic weekend for me. I also hope to have books on sale at Glen Cook’s dealer table, and we are working on a possible Raygun Chronicles party. When details on room assignments and the party are final, I’ll do another post, closer to the Con.

Here’s the schedule as it stands now:

Friday – May 23, 2014

Reading (Big Joe Turner A)
Friday 1400

Author/Editor Bryan Thomas Schmidt reads from his forthcoming epic fantasy series The Dawning Age.


SpecNoir (Count Basie Ballroom A)

Friday 1700

Speculative fiction and noir mix particularly well in many subgenres and forms. What is noir and what are some examples of who’s writing what and good reads out there?

Moderator: Bryan Thomas Schmidt
Panelists: Glen Cook, Mark W. Tiedemann

Raygun Chronicles Launch Party
Friday 2130 (Room 619)

Authors Todd Hunter and Robin Wayne Bailey join me to celebrate our pulp-style space opera anthology, Raygun Chronicles: Space Opera For A New Age. Party with snacks, drinks and giveaways.

 

Saturday – May 24th, 2014

Military Fantasy (Lester Young A)
Saturday 1000

What is it? Who’s writing it? How does it differ from high fantasy? What are some examples?

Moderator: Bryan Thomas Schmidt
Panelists: Glen Cook, Kij Johnson, Robin Wayne Bailey


What makes a hero/heroine? (Jay McShann A)

Saturday 1200

A discussion of what defines heroism today and what qualities we want to see in our heroes and heroines that make them heroic. And how are definitions evolving in the modern age.

Moderator: Bryan Thomas Schmidt
Panelists: Dennis Young, Gera Dean, Kij Johnson


Writing for younger audiences (Jay McShann B)

Saturday 1300

Writing for adults and writing for YA, MG and Children differ. Authors and Editors discuss the differences, the approaches, and fine examples.

Moderator: Bryan Thomas Schmidt
Panelists: Chris McKitterick, Deanna Sjolander, K. D. McEntire

 

KID’S READING: Bryan Thomas Schmidt (Big Joe Turner A)
Saturday 1500

Children’s author Bryan Thomas Schmidt reads from his chapter book series ABRAHAM LINCOLN DINOSAUR HUNTER, a humorous, action adventure, alternate history for all ages.

Self-Editing 101 For Writers With Finish The Story (Mary Lou Williams A/B)
Saturday 1600

Editorial team Bryan Thomas Schmidt and Claire Ashgrove discuss tips for basic editing of manuscripts, how to get perspective, common issues, and more.

Moderators/Panelists: Bryan Thomas Schmidt, Claire Ashgrove

Sunday – May 25th, 2014

GOH Interview: Glen Cook (Count Basie Ballroom A)
Sunday 1000

Come here me do a live SFFWRTCHT-style interview with the amazing Glen Cook. And you can ask questions, too!

Moderator: Bryan Thomas Schmidt
Panelist: Glen Cook


Editors are not  the  Enemy (Mary Lou Williams A/B)

Sunday 1100

What editors do, why it matters to writers, and why writers should consider them an asset not an enemy. An exploration of author-editor relationships.

Moderator: Bryan Thomas Schmidt
Panelists: Claire Ashgrove, Deanna Sjolander, Rich Horton, Selina Rosen


Self-Publishing — Taking the Leap! (Mary Lou Williams A/B)

Sunday 1300

Considering self-publishing your novel?  It isn’t as easy as publishing a book and reaping the royalties, nor is it for every author.  Discover pros and cons of the Indie market, tips to launching a successful book, and whether you’re prepared for the business demands.

Moderator: Claire Ashgrove
Panelists: Karin Gastreich, Bryan Thomas Schmidt, Brett Williams

 

Hope to see some of you there. Be sure to come by and say hello!


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut science fiction novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels The Returning and The Exodus (forthcoming). His children’s books include 102 More Hilarious Dinosaur Jokes For Kids and Abraham Lincoln: Dinosaur Hunter–Land Of Legends. Schmidt has edited edited anthologies Space Battles: Full Throttle Space Tales #6Beyond The SunRaygun Chronicles: Space Opera For a New Age and, with Jennifer Brozek, coedited military high fantasy original anthology, Shattered Shields. Several more anthologies are under contract and forthcoming. Schmidt hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

Mission: Tomorrow Coming To Baen in 2015 — My Latest SF Anthology Sale

Well, it’s been a really busy month, and so I have not managed to blog as intended. But it’s for good reasons. I’ve been booking SFFWRTCHT’s final six months, as it’s regular weekly Twitter incarnation will be ending this Fall. I have been working on lots of editing and packaging anthologies, and I sold two anthologies–one I can’t yet announce details on, and the other of which I will detail here. I already announced on Facebook but here’s the details for those who missed it.

My fourth science fiction anthology will be my second anthology for Baen, my first as solo editor there.  Inspired again by my grandmother’s and my shared passion for NASA’s space program, this one caught the interest of some amazing talents. I have fourteen headliners attached here, and thirty other people vying for the remaining six to eight slots. There will be two reprints, both by Grandmasters, and the rest will be original to this project.

Toni Weisskopf bought it within a few days of receiving my pitch. Ironically, I had so many proposals on her desk, I had been pitching it elsewhere for six months before finally trying her. Perhaps from now on I should just go to Baen first. Contractually, given the options, I rather have to. In any case, it’s been a great experience working with Baen so far, and I look forward to a long and healthy relationship there.

So here’s the scoop:

MISSION : TOMORROW – A NEW CENTURY OF EXPLORATION

Edited by Bryan Thomas Schmidt

Mission: Tomorrow is a pro-paying anthology of 95,000 words in which Science Fiction writers imagine the future of space exploration in a world no longer dominated by NASA. What might it look like? Private or public? Stories of space exploration, travel and adventure. Coming from Baen Books in 2015.

Headliners: Catherine Asaro, Robin Wayne Bailey, Gregory Benford, Ben Bova, Michael Capobianco, Brenda Cooper, David Farland, Michael F. Flynn, James Gunn, Sarah A. Hoyt, Jack McDevitt, Mike Resnick, Robert Silverberg, Jack Skillingstead

Yep, so a mix of hard and soft science fiction for this one, adventure and real science blended to make for some interesting near future tales of space exploration. Silverberg’s reprint is a story about the exploration of Venus, and Gunn’s is about exploring a wormhole. Ben Bova has written a new Sam Gunn story that features a Chinese female astronaut as the protagonist encountering Sam Gunn. Beyond that, I am waiting to see what comes in, but with the people involved, I’m quite excited about it.

You can find it on Goodreads here: https://www.goodreads.com/book/show/21023216-mission

Meanwhile, I sold a Young Adult anthology, a mix of science fiction, fantasy and horror, all reprints except for three new stories, but filled with huge names, to a foreign publisher, my second non-US sale, after Raygun Chronicles. I’ll release details once contracts are signed, as it’s all verbal now, but expect to see it and Mission: Tomorrow both released in 2015.


Bryan Thomas Schmidt is an author whose debut novel received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction of 2011. He’s written novels, children’s books and short fiction and edited several anthologies, including two for Baen, Shattered Shields, coedited by Jennifer Brozek (November 2014) and Mission: Tomorrow( forthcoming Fall 2015).

For Immediate Release – SFFWRTCHT on Twitter Will End in 2014

Sffwrtcht-flat

Update: SFFWRTCHT has always been a celebration of community: what unites us, not divides us. Although I can’t keep up with the weekly grind any more, given other obligations, we will continue with twice monthly chats beginning in early 2015 after a brief hiatus. More details to come. 

160 shows, 165 guests, hundreds of thousands of hits–when I started SFFWRTCHT (Science Fiction and Fantasy Writer’s Chat), I did it for two reasons: 1) I wanted to network and learn from so many awesome writers and editors who were using twitter, and 2) I wanted to contribute to my new SFF community and family in a positive way. I never expected how successful it would become, not how time consuming it would be. But I don’t regret a minute.

However, after a lot of soul searching, I have decided the time has come to end the weekly live twitter chat that is SFFWRTCHT. Much of this is selfish, I admit. I spend 25 hours a week, including reading time, question and guest prep, booking guests and more per episode. And as I get busier professionally, that is coming to feel more like a chore than the delight it once was. It’s hard to find time to read for fun or to research for my own projects. I am locked to home or at least a place with good Wifi every Wednesday night. And trying to keep it fresh requires me to search for guests who are new, not just repeats, so that I am not asking the same stuff of the same people over and over.  In the beginning, with my being out of work with plenty of free time, this was easy. And the industry embraced it which made booking guests easy. But as I’ve burned through the most active Twitter users, and become an almost full time editing professional, it’s more and more work to find time for SFFWRTCHT, a volunteer effort, which, while rewarding in its own way, requires a serious time commitment to do right.

When our original host site for the cleaned up interviews shut down for similar reasons to my own expressed here, SFSignal welcomed us. But I also find myself competing with their interviews with the same people, and that makes my interviews less useful and relevant, and less helpful as promotional tools for our guests. I don’t think repeating what someone else is doing is a compelling use of my time or our guests.I’ve toyed with recruiting help. But even my regulars, who are delightful and whom I adore, have their own lives and no one has jumped up to volunteer. I toyed with cutting back some, but then how would people know when to look for us or where?

So, in the end, it seems best to back off the weekly grind of live interviews and instead convert to regular email interviews. Whether this will be weekly or monthly, I don’t know. Where they will appear, I don’t know. But I have several month’s worth of past transcripts I can start with cleaning up and posting, and as I plan to continue to December in present format, I’ll have even more by then to give me time to sort all of this out.

In the meantime, I express my thanks for the kind support and regards of the Science Fiction, Fantasy and Horror writing and publishing industry and fandom. It’s a pleasure being a part of the family and I appreciate the opportunity to contribute positively to community building. I hope to do so in the future in new ways. I know many books have been purchased and many writers encouraged and even taught through SFFWRTCHT. I’m humbled an honored by that.

In the meantime, you can still find transcripts, links, reviews, etc. on our website, which I will be maintaining here. I look very much forward to what the future brings.

Kind regards,

Bryan


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with coeditor Jennifer Brozek for Baen, Mission Tomorrow: A New Century of Exploration, also for Baen, Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.

Website/Blog: www.bryanthomasschmidt.net
Twitter: @BryanThomasS
Facebook: https://www.facebook.com/bryanthomass?ref=hl
Goodreads: https://www.goodreads.com/author/show/3874125.Bryan_Thomas_Schmidt

Write Tip: 8 Tips For Getting Blurbs From Name Authors

WriteTips-flatThis week’s Write Tip addresses a question I get a lot. I have been fortunate enough to get blurbs on my books from many well known authors, and people want to know how I manage it. So here are some tips for getting blurbs from name authors.

1) Ask. — It sounds really obvious but it’s the truth. If you don’t ask, you won’t succeed. When it comes to asking for blurbs, you just target the desired authors, and politely ask if they’d consider reading for a blurb. Authors won’t put their name on something they don’t feel good about, and not every author who agrees to read the project will blurb it, but getting them to take a look is the first step. So ask.

2) Pick Appropriate Authors. — This one may be less obvious to some of you. Don’t just ask your favorite authors. Ask authors who are known for writing the genre in which your book falls. These will be people who typically enjoy reading books like yours. They will also have names familiar and most enticing to your targeted readers. There’s no point putting a blurb on your book from someone who might not be considered informed on the topic and genre. Unless it’s a meganame like Stephen King, having inappropriate blurbers may not add any benefit at all.

3) Give Them Time. — If you can get permission from your publisher, the time to ask for big name blurbs is after the book is turned in to the editor or goes to copyediting. Don’t wait for galleys. By the time most galleys show up, your turn around time is usually very short. By starting early, you can offer several months to potential blurbers which gives them a lot more flexibility to work such an obligation into their own very busy schedules and makes it more likely they’ll agree to take a look. For our Baen anthology Shattered Shields, Jennifer Brozek and I got permission from Toni Weisskopf to ask for blurbs just after we turned in our manuscript. This gave us the opportunity to ask people like Mike Resnick, John Marco, Catherine Asaro, and Ken Scholes for blurbs. All four said yes, and before we even have copyediting marks to review, three of them have sent us great blurbs for the book.

4) Pick People You Have a Relationship With. — In the age of social media, building relationships with authors you admire is simpler than ever. All you have to do is engage smartly. Strike up a conversation. Encourage. Ask thoughtful questions. And soon you’ll find yourself in dialogue with them. Over time, this can develop into a familiarity and even friendship that will make requesting blurbs not only much easier but much more likely to be well received by them. It’s not like they don’t have to do the same thing themselves. But if they don’t know your work, knowing you are cool and likeable will make them much more willing to both help you and to assume you’re not sending them crap.

5) Be Grateful. — Whether they say “yes” or “no,” be grateful that they considered it. Graciously thank them either way, and consider it a positive that you even got to interact. You never know what possibilities that may present in the future. Even if they say “no,” they may see you at a con later and ask how things are going with your book. That opens a door to dialogue and building a relationship which might lead to a future “yes.”

6) Do Not Abuse The Privilege. — Don’t over ask. Don’t ask people constantly for help. Be careful who you ask and how often. This shows consideration for both the level of your relationship and their own busy schedules. They have deadlines of their own, and those come first. Whenever you’re asking someone to take time out from those and help you, be respectful of the fact that they have limited time to do such things. They have to make choices. They are more likely to choose you, if you are considerate and don’t over impose.

7) Offer To Return The Favor. — Okay, if you’re not a known author yourself, your blurbs are likely meaningless for them. But what you can offer is to proof or review their books on Amazon, Goodreads, etc. and authors are almost looking for help with that. You can’t repay them. You shouldn’t pay them, as it’s really not standard and it violates most people’s ethics. But you can offer to do them a favor in return.

8 ) Send Them Quality Projects. — This tip may seem obvious but I guarantee it’s not. The better quality your project, the more likely the askee is to agree to consider a blurb. Make sure the manuscript is clean, copyedited, and formatted professionally. If you are self-publishing or working with a small press, this is especially important. Authors know the Big Five New York houses will clean up the manuscript to make it professional. Small presses and self-publisher are less reliable. If their name is going on it, they want to be sure it’s worthy, and besides content, that means presentation, so send them a quality project with quality presentation and they are more likely to say “yes.”

Well, there you have 8 tips for getting blurbs from name authors. Remember, they’re doing you a favor. So “no” is never personal. A “yes” is always a gift. And treat them accordingly. If you follow these guidelines, use good common sense, and are professional, you’ll likely have a good chance of getting blurbs from known authors in the future. Maybe not for every project, but then again, if you follow these tips, you won’t send them every project. Regardless, these tips have worked well for me.

For what it’s worth…


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (2012), Beyond The Sun (2013), Raygun Chronicles: Space Opera For a New Age (2013) and coedited Shattered Shields (Bean, 2014) with Jennifer Brozek and is working on Monster Corp.A Red DayMission Tomorrow, and Gaslamp Terrors, among others. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.