WriteTip: How To Navigate and Survive Those Stubborn Middles

Published on March 18, 2020March 18, 2020 by Bryan

The following is an excerpt from my book How To Write a Novel: The Fundamentals of Fiction Chapter 12: Beginnings, Middles, and Ends, the first of three parts in a series covering Beginnings, Middles, and Ends. To see part one, Beginnings, click here.

Middles

The middle of your book makes up its largest section: Act Two. It is half the book in length generally. This is often the section where writers struggle to find focus and feel bogged down. It helps if you approach your middle (Act Two) using the Syd Field paradigm we discussed in Chapter 2 on Three Act Structure, considering it two parts of a whole, divided by a Mid-Point. Everything after the Plot Point I turning point of Act One forms an Ascending arc that rises toward the Mid-Point. Everything after the Mid-Point forms a Descending arc that descends toward the climax. On a chart, it looks something like this:

The arcs represent the curve of the action, emotion and character development, which rise in the first half toward the Mid-Point and then descend after to the Climax. In her book Beginnings, Middles, and Ends, Nancy Kress writes: “The middle of a story develop’s the story’s implicit promise by dramatizing incidents that increase conflict, reveal character, and put in place all the various forces that will collide at the story’s climax.”

In the first half of Act One, it is very much a journey of discovery as the character experiences Plot Point I—a Call To Action—and responds, trying to rise above his or her weakness, overcome obstacles, and gather the clues or complete the steps necessary to be ready to face the Antagonist. The Mid-Point, as we will discuss in a moment, is the point where the Character has a revelation that changes him or her in a way that redefines the journey and sends him on a descending arc toward the final confrontation—possessed of more certainty about where she must go and what she must do and more confidence to do it. This is why the Mid-Point is so important. Although it is not always an overtly dramatic moment, it must always be an internally dramatic one.

The Mid-Point

As we discussed in my post on Three Act Structure, the Mid-Point is a key turning point where the drama goes from Ascending to Descending. Something happens that twists the story a bit, either personal revelation for your protagonist or reveal or event that changes direction and pushes him or her forward into the second half of Act Two on their drive toward the final confrontation. Although the Turning Points at the ends of Act One and Act Two tend to be larger dramatically, this event is still a significant moment. It’s the scene where the protagonist and readers stop to take stock of how far they’ve come and put together many of the pieces further revealing the map they must follow going forward.

For authors, this is the same opportunity. A chance to look back at what you’ve done so far and regroup. You’ve established your setting and significant characters. You’ve set out your arcs and written one and half acts. You’ve described many key things that are recurring themes, settings, and items throughout the story. Ask yourself what you’re missing? Did you forget anything? Is anything confusing or unclear? Is anything feeling incomplete? What do you need to do to proceed on with confidence? Then take the time to tweak a bit and revisit or at least make appropriate notes in these places before continuing, so that you can revisit them later.

One of the common occurrences during a Mid-Point that is helpful to remember is a shift in driving motivation for your protagonist. The character has changed over the course of what you’ve written so far in several ways (or should). At this point, he or she will consider all that’s happened and reevaluate the why and how of the rest of the journey. The event, reveal, or revelation that serves as your Mid-Point is a great spot for them to solidify motivation, even revise it. For now they see things more clearly, they have more pieces to the puzzle, and they can reevaluate their chosen course and make corrections. Here’s where they go from an insecure, but determined person forced to embark on a heroic quest to a more confident, deliberate acting hero. Their growth journey is not over but they are much more sure of themselves, what they are doing, and why. And they have a much clearer sight of the endgame and the stakes as well. This should make them stronger in determination, vision, and even confidence, even if they and we still have doubts about whether they can succeed in reaching their goal. From the Mid-Point on, the protagonist moves with a new drive forward, even as the antagonist becomes more threatened and desperate in efforts to thwart the hero/heroine.

One of the best ways to work out the next phase is to examine the character and how they’ve changed so far. What has led to the changes and have they and we recognized actual change in attitude, approach, confidence, etc.? If not, perhaps work on tweaks that slowly reveal the change or use the Mid-Point for a big scene where the change is made manifest and we all realize it. Go back and look at the key scenes that set up that change and then consider where they need to be at the end of the story and imagine scenes you will need to complete the arc and get them there.

You can do the same with every plot and subplot in the story, revisiting key moments for each and planning the next steps needed to carry them to the natural conclusion. And by natural conclusion I don’t mean whatever comes. I mean what you envision as the best ending for the story. If you weren’t sure before, you should have a better idea what this is by now. Go back and look at your Three Act Structure outline of your ending. Does the ending you envision still look like what you envisioned at the beginning or does it need tweaks? Remember, in Chapter 2, I said your Outline was just a guideline and could change. This is a good point to reevaluate and restate or revise your goals so you know where you’re headed; what you’re working for.

It is also important to examine the Antagonist and any main supporting characters the same way. How have they changed? What led them there and where are they going the rest of the story? Having in your mind a clear sense of what is going on with your story and characters is key to feeling unstuck and prepared to write your second half. Mid-Points can often be points where a writer feels stuck and confused about where to go next. So thinking through all these key aspects is a great exercise for escaping that trap and being renewed in vision and confidence to continue on with a sense of direction.

What clues and key questions were asked and answered that provided the suspense and plot twists so far? Which are still unanswered that compel you and readers forward? And how will you answer them and in what order? Do you need to rethink any of them? Do you need to add or subtract any?

Take our earlier example of Star Wars, Luke Skywalker has now rescued the princess with Han and finds himself trapped in the Death Star Detention block with his companions, fighting against incredible odds. They must find or make a way out and get back to their ship. And then hope Ben Kenobi has disabled the tractor beam. From this point on, Act Two becomes a chase with Han and Chewie and Leia and Luke separately fighting their way back toward the Millennium Falcon to escape, while C3PO and R2D2 do their best to lend whatever aid they can and Kenobi reaches and disables the tractor beam then faces a confrontation of his own.

Looking at this famous story it is easy to identify a lot of key moments: from R2D2 revealing Leia’s message to Luke finding Ben to meeting Han to arrival at the Death Star which all led up to where they are now. Their goal remains clear: to get the plans and the princess back to the Rebel Alliance. And Luke has also learned many skills of the Jedi and how to fight and has gained confidence as a leader and hero that he never had in the beginning. He’s never embarked on such an important and dangerous quest before and he is actually pulling it off. He moves forward with a sense of drive and direction stronger than he had before. This is what good Mid-Points should do in a story.

Getting Through and Staying Unstuck

Middles are places a lot of writers get stuck. I used to find this a problem, until I started focusing on the throughline—a film industry term for the main plotline, the one that focuses on what happens between the protagonist and antagonist in the story. Since the middle is the core journey wherein the protagonist and antagonist prepare to confront each other and fight out their opposing goals, keeping this in focus can give your middle a sense of direction. Everything that happens should feed this storyline taking plot and characters toward that ultimate confrontation. In the first half, on the ascending arc, the focus is on preparing the character to know how to confront the antagonist and believe he or she is capable to do so. The second half, the descending arc, focuses on final preparations and moving directly and determinedly toward that final showdown as all the necessary pieces are put in place and final preparations taken. If you keep these two goals in focus, it should help shape your middle and allow you push through any uncertainty that blocks your writing.

Additional space in the middle is made up of the various subplots and the scenes required in their arcs. But again, every scene must serve character or plot growth. Every single scene. So before you write a scene, figure out what it accomplishes toward the throughline and the character growth necessary to get the protagonist and antagonist to that final confrontation. Knowing that will help you write the scene well and also give you a sense of its belonging in the story. If you have a scene you can’t answer this question about, don’t write it. It probably doesn’t belong yet, though it may be relevant later. You may just be trying to put it in the wrong spot.

Ultimately, if you are blocked, the problem is always internal, not external. Think of it like your character’s journey. You have flaws and obstacles to overcome. So to get past it, you should ask yourself some questions about why you are stuck. Is it fear—fear of failure, fear of success? Is the scene not a good fit for the advancement of plot or character at this point in the story? Have you answered all the questions in your story that led to this scene or is something missing? Make a list of the next few scenes you envision needing to advance your story and then consider whether they are in the right order or need to be adjusted. Does the present scene need to shift within that rough outline? That could also be why you are stuck. Your mind may know subconsciously you are not ready to write the scene you sat down to write and you need to go elsewhere first before you can make it work. Another trick is to think through the plots and subplots and ask to which the current scene contributes. Perhaps you have not revisited a certain plotline for a while and need to take a detour there before you can continue with the story or perhaps a certain scene can contribute to the advancement of multiple plot or character arcs and writing it that way will free up your mind so you can get to work.

Whatever the answer to these questions, the best approach is to always think in terms of the short term, not the overall when sitting down to write. Don’t think about sitting down to write the whole story but the scene at hand. Putting the rest of the task out of mind allows clarity of focus and single minded attention on the scene at hand, which can unclog any blockage or confusion or at least help reveal answers to the questions that are causing uncertainty. It also can be helpful to set word count goals and mini deadlines for yourself. Most professional writers write whether they feel like it or not and are prepared to completely toss aside a day’s output if warranted. They know that the act of writing is like exercise and doing it every day is key to progress, even if the usefulness of the output isn’t as equal some days as others. Often the very act of writing can get you over the hump and clear your thoughts, allowing you to regain focus. Sitting and stressing over a blank mind is not the helpful way. The only way to get more story is to write. Sometimes a trigger helps, and can be provided by reading another novel as your work. Something in the subgenre you are writing perhaps or something so different it completely takes your mind in different directions. The goal is to unclog your mind and regain clarity and focus. Whatever route works best to get you there is a good route to take.

Some writers use rewards to spur them to write, disciplining themselves to deny the rewards when they don’t reach word count or page number goals. Some writers research to break free of the fog, finding it stimulates new ways of thinking and various ideas that can open the mind and free it to write. Many find that discipline is key. For me, when discipline in one area drops, I find it bleeds into others. If I get lazy with exercise, I get lazy with writing, diet, bill paying, and so much more. So having focus in one area affects the others and it is key to my writing therefore to maintain a lifestyle of discipline in many areas. Certainly taking breaks to walk my dogs or exercise is a very good way to unblock by getting my mind on other things and pondering the scene and the questions I need to answer to be able to write. It will be different for every writer, so until you find the best method for you, experimentation may be necessary. But all of this is part of finding the way to write that works best for you.

Whatever you wind up doing, it may also help to have some idea of the climax you are working toward to write the middle that leads there. This is why the structural outlines I suggested in Chapter 2 can be good road maps to help you write. After all, knowing the goal and the destination is often the best way to sort out how to get there. And in fulfilling the promise of a satisfying climax, it is helpful to know where you’re going so you can set it up properly with foreshadowing, character growth, plot twists, clues, and the various pieces it will take for everything to fall in place that allow the climax to satisfy us both mentally and emotionally.

Next week, in Part 3, we will consider the Ending of your story—especially the Climax.

New Blurbs and Reviews For My Newest Anthology Babies — Raygun Chronicles & Beyond The Sun

Published on October 2, 2013March 9, 2020 by Bryan

We have four blurbs in for my soon to be released pulp space opera anthology so far:

“RAYGUN CHRONICLES breathes supercharged life into the space opera genre with exciting and inventive new tales by a superb line-up of writers. This is why science fiction will live forever!”—Jonathan Maberry, New York Times bestselling author of PATIENT ZERO.

“RAYGUN CHRONICLES is an impressive anthology with an impressive list of contributors, a real showcase of the color and scope of what science fiction can be.”—Kevin J. Anderson, New York Times bestselling author of the Saga of Seven Suns

“Wonder, adventure, romance, humor–space opera delivers all of these, and this anthology brings together some of the finest talent in the business. Strange new worlds await. So lower your shields, engage your thrusters, and prepare to jump to warp speed!” — Dave Wolverton, New York Times Bestselling author of Star Wars: The Courtship of Prince Leia

“These stories bring the reader back to the days when we dreamt of blasters and flying cars. Golden age space opera fun with a strong Western feel.” — Alex Shvartsman, Editor Unidentified Funny Objects and Official Ken Liu Hugo bearer

Now I just have been mailing out review copies for Raygun Chronicles. It takes a while, but those efforts for Beyond The Sun have landed us two major reviews and a major podcast appearance this month. The two major reviews are out this week in LOCUS’ October 2013 issue which is THE industry zine and thus a huge boost for us. These are also my first Locus reviews EVER. The first comes from Gardner Dozois, year’s best editor, award winning anthologist and writer:

There’s nothing really exceptional in Beyond the Sun, a mixed original/reprint anthology edited by Bryan Thomas Schmidt, but it is a fun read, with some solid core SF work, although a similar concept was explored better last year by Jonathan Strahan’s Edge of Infinity. The theme appeals to me, as stories of exploration and adventure in space beyond the bounds of Earth remain one of the foundation stones of SF, but don’t expect to find hard science and rigorously worked-out physics here, as this isn’t that kind of book. Instead, it belongs to the old Pulp Adventure school, where spaceships flit between planets in days and sometimes even hours, and there are lots of exotic alien races to interact with and/or battle with. The best of the original stories here is probably Nancy Kress’s ‘‘Migration’’, a compelling look at the power instinct can hold over even the most rational minds, but also good are Brad R. Torgersen’s ‘‘The Bricks of Eta Cassiopeiae’’, Jaleta Clegg’s ‘‘One-Way Ticket to Paradise’’, and Nancy Fulda’s ‘‘A Soaring Pillar Of Brightness’’. There is also solid work by Kristine Kathryn Rusch, Cat Rambo, Mike Resnick, and others, as well as good reprint stories by Robert Silverberg and Jason Sanford.

Also from October Locus, Karen Burnham reviews BEYOND THE SUN for Diverse Hands:

KAREN BURNHAM Beyond the Sun, Bryan Thomas Schmidt, ed. (Fairwood Press 978-1-933846-38-5, $17.99, 296pp, tp), August 2013. Cover by Mitchell Davidson Bentley. [Order from Fairwood Press, <www.fairwoodpress.com>.]

There are many reasons people may want to settle out beyond our solar system: religious freedom, economic opportunity, exploration, contacting other life, or simply the desire to be left alone. A little bit of all of these can be found in Bryan Thomas Schmidt’s broadly themed anthology Beyond The Sun. There are aliens, religious fanatics, soldiers, and plenty of people just trying to get by in this diverse volume.

One story about going to the stars in search of a simpler life is ‘‘Respite’’ by Autumn Rachel Dryden. In it a more-or-less Puritan couple are trying to reach the main settlement by wagon while the wife is in labor and the local fauna is about to launch into a feeding frenzy. Ann’s internal perspectives on events gives us a wonderfully dry take on a very tense story, and the troubles between her and her husband are deftly sketched. What I found particularly interesting is that the story ends up admiring a particular view of father- hood that is directly critiqued in the anthology’s strong opening story, ‘‘Flipping the Switch’’ by Jamie Todd Rubin. Rubin uses a trope similar to Joe Haldeman’s classic The Forever War to describe a father who is providing for his family but is fundamentally detached from them. The story effectively portrays the increasing tension the man feels as he drifts farther and farther away from his loved ones.

Returning to religious themes, Jean Johnson’s ‘‘Parker’s Paradise’’ depicts a colony that’s been vastly oversold by its religious leader; the acerbic perspective of a soldier tasked to protect the first contact group makes me want to go read some of her military SF, because this was hilarious. Jason Sanford’s ‘‘Rumspringa’’ gives us the space Amish, with a team of post-humans looking to manipulate an Amish colony through one of their own that went out into the world and came back. ‘‘The Far Side of the Wilderness’’ by Alex Shvartsman depicts a man driven by religious faith to hijack a ship and try to find Earth; his single-minded pursuit leaves him dissatisfied with a most amazing journey. Maurice Broaddus’s ‘‘Voice of the Martyrs’’ gives us an interesting blend of military, religion, and colonization – no easy answers in this one.

There’s one final story that features a religious colony: ‘‘The Dybbyk of Mazel Tov IV’’ by Robert Silverberg. Unlike most of the stories, which are original to the anthology (there are two other reprints, both from the 2000’s), this is a reprint from 1973. This is the second anthology I’ve read this year that has done this: taking a solid selection of contemporary stories and adding in a cherry-picked story from many decades past. Inevitably, the reprint by an old master (it was a Le Guin story the last time, I recall) blows the others away. Robert Silverberg’s story seems fresher, livelier, and more three dimensional than so many of the stories here – not that any of them are bad, but simply that they don’t get over a bar set that high. Some of them do; I would put Rubin’s story in that category along with Cat Rambo’s ‘‘Elsewhere, Within, Elsewhen’’ (a lovely tale of alien contact that literalizes the metaphor of being trapped in a shell of bitterness and resentment). But it really seems unfair to most of the authors involved. I understand the incredible temptation when you’re offered a Silverberg or Le Guin reprint that perfectly suits your theme, but in a mostly-original anthology I wish the editors would stop and reconsider.

That said, there are plenty of solid and enjoyable stories here. Various forms of libertarianism feature in Nancy Kress’ ‘‘Migration’’ and Brad Torgersen’s ‘‘The Bricks of Eta Cassiopeiae’’. Massive miscommunications with and about aliens feature in Simon C. Larter’s ‘‘Inner Sphere Blues’’ and Jennifer Brozek’s ‘‘Dust Angels’’. Jumping to conclusions is ill-advised in Nancy Fulda’s ‘‘A Soaring Pillar of Brightness’’. Luckily, aliens can be just as quick to misjudge a situation when Mike Resnick depicts them examining our television broadcasts in the concluding story ‘‘Observation Post’’.

Overall, this is a collection of solid stories in the somewhat neglected outer space exploration genre of science fiction. Post-humans are rare and garden variety humans occupy center stage, which feels a bit unusual these days. I worry that it seems that aliens in this volume are so difficult to communicate with: it often takes personal sacrifice to do so, or something improbably hand-waving to do with biology and telepathy. Compared to Silverberg’s 1973 story, in which communication with aliens is not terribly more fraught than communication with a rival human religious sect, this anthology seems a little discouraging about the real potential for relating to and communicating meaningfully with the Other.

Nonetheless, these are enjoyable tales with serious themes, worth the time spent reading them.

Lastly, several authors, the cover artist and publisher gathered with me in San Antonio at World Con for Hugo-nominated SFSignal’s podcast as well, and you can find that here: http://www.sfsignal.com/archives/2013/09/the-sf-signal-podcast-episode-204-2013-live-worldcon-panel-with-the-authors-editor-and-publisher-of-beyond-the-sun/ So lots of new stuff to enjoy.

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012), Beyond The Sun (Fairwood, July 2013), and Raygun Chronicles: Space Opera For a New Age (Every Day Publishing, November 2013) and is working on Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

7 YA Series Adults Will Enjoy With Their Kids

Published on February 26, 2013March 9, 2020 by Bryan1 Comment

As host of SFFWRTCHT, I am exposed to authors from all different publishers, genres and styles, and recently have been getting a chance to see more and more Young Adult books. As a non-regular reader of YA, I was hesitant. Will I relate to this? Is this for me? Is it going to be a bunch of teen angst and drama? Instead, so far, I have found very interesting, well developed real people as characters with interesting plots and stories to go with. Since I often get exposed to books before they take off, here are 7 YA reads I recommend to readers of all ages. In fact, adults, enjoy them with your kids if you dare!

1) Darwen Arkwright by A.J. Hartley — Admittedly marketed as Middle Grade, this series has enough to it to appeal far beyond. It has a set up and characters which remind me of Harry Potter, but it’s very unique. The British protagonist enrolls in a new school in the U.S. and finds a door to a fantasy dimension that winds up involving him in plots and schemes by monsters and magic to take over the world. Entertaining, with great worldbuilding, this would be a worthy follow up for Potter fans.

2) Flash Point by Nancy Kress — A standalone by a top writer, this compelling story has a teen cast in a near future reality TV show where producers create events to get a reaction by surprising their cast, but things get far more dangerous and complicated than anyone expected, and you’ll find the journey as compelling and fascinating as I did.

3) Jumper by Steven Gould — Admittedly, these are hits, but I just recently read Impulse, the third, after missing the middle book, and it was amazing. You can read them as standalones or as a series, but they tell the story of David Rice and his wife and daughter, hunted for their gift of Jumping through time and space to locations they can remember in various ways, this series is compelling and interesting with real situations and characters interwoven with fantastic elements. Forget the movie, Jumper. Whether you liked it or not, this is the original canon and well worth the read.

4) Coin Series by EC Myers — PYR sent me Fair Coin to interview the author and it was a real page turner. The story of a boy who finds he has a coin with the power to time travel, it unfolds like a mystery-thriller and keeps you guessing to the end. The three central characters are well drawn and appear in varied versions as the protagonist travels. The story of the coin and their lives turns out far more complicated and surprising than expected.

5) Lightbringer Series by K.D. McEntire — I’ve read all three of these, and, full disclosure, the author is a friend. But this is just interesting urban fantasy about a young girl who discovers, after her mother’s death, that she can send spirits to eternal rest or destroy them, depending on circumstances, and finds herself hunted and chased by them as a result, turning her world upside down. Interesting world building, great characters. Darker, but still hopeful and well worth the read.

6) Starters and Enders by Lissa Price — Lissa sent me a copy when she was booked on a World Con panel I was moderating and this one knocked my socks off. I had no idea what to expect but it was one of my favorite reads of 2012. The sequel, Enders, is in the works and I guarantee it’ll be among your favorite reads too! The story of a time when youth is undervalued, with society run by older, Enders, who survived an epidemic, a young girl finds herself renting her body as a vacation body for older people, only to discover the company she works for is part of a larger, evil plot and her life is on the line. Lightning pacing, great characters, a real page turner.

7) Magnificent Devices by Shelley Adina — This is a fun, yet short, series of YA Steampunk adventures set in Victorian England about a girl coming of age and striving to defy mores and make her own way in life after her father’s suicide and family bankruptcy. The setup may sound depressing, but the character is so delightful you’ll quickly move on and enjoy the action, adventure, well drawn characters and great use of London settings.

Those are some great reads you might want to discover with kids, for what it’s worth… Meanwhile, I’d love to hear about your favorites in comments.

Bryan Thomas Schmidt is the editor of Blue Shift Magazine and an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends from Delabarre Publishing. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press (July 2013), headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, and Raygun Chronicles: Space Opera For a New Age for Every Day Publishing (November 2013). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

Beyond The Sun Table Of Contents Is Official!

Published on January 28, 2013March 9, 2020 by Bryan

Today, I officially announced the Table Of Contents for Beyond The Sun, my space colonist anthology and first Kickstarter venture, at SFSignal:
http://www.sfsignal.com/archives/2013/01/toc-beyond-the-sun-edited-by-bryan-thomas-schmidt/

We wound up with typical attrition of 20-40% of writers not coming through with stories. Luckily I had some name writers who asked to contribute but weren’t on my original list so we wound up with a stellar TOC.

You can click the link to see the full thing but in addition to our headliners: Silverberg, Kress, Resnick and Rusch, we also had names like Sanford, Fulda, Broaddus, Rambo, Torgersen, Brozek, Rubin and Johnson. Very exciting!

Thanks all for your support!

Meanwhile, please consider my latest project:

Smashing Planet Tales - Raygun Chronicles — http://www.kickstarter.com/projects/601968027/raygun-chronicles-space-opera-science-fiction-anth

Latest News: Beyond The Sun Gets A Publisher & Announcing SAGA

Published on October 30, 2012March 9, 2020 by Bryan1 Comment

In case you haven’t heard, I finalized a deal last week with Patrick Swenson for Fairwood Press to release Beyond The Sun next summer. Going into their 13th year, Fairwood has released titles by authors such as Nina Kiriki Hoffman, Michael Bishop, Laura Anne Gilman, Daryl Gregory, Jay Lake, Ken Scholes, Jack Skillingstead, Louise Marley, Paul Melko, William F. Nolan, Patrick O’Leary, Ray Vukcevich, Devon Monk, Tom Piccirilli, James Van Pelt, Ken Rand, Alexei Panshin, James C. Glass, Mary Rosenblum, and Bruce Taylor and I’m humbled and honored to join their ranks (as editor at least). Stories from Fairwood publications, which included the semi-pro zine Talebones, have been nominated for major awards. Scheduled for July 16 release, Beyond The Sun should debut at ReaderCon and World Con next year and I have no doubt some of the awesome authors will be in attendance at one or both. So far authors include: Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick, Nancy Kress, Jamie Todd Rubin, Jennifer Brozek, Jason Sanford and Autumn Rachel Dryden. The cover is done by Mitch Bentley, who did the Davi Rhii covers, and Sarah Chorn is assisting me with edits. Expecting some great stories to come in for this now through the January 15 deadline and I’ll be posting updates.

In other news, I have signed with Every Day Publishing to edit SAGA: Space Age Golden Adventures from Ray Gun Revival, an anthology collecting the best of stories from the former space opera ezine with new stories by headliners. Signed up so far are Allen Steele, Sarah A. Hoyt, Mike Resnick, Paul S. Kemp and Robin Wayne Bailey, with more invitations awaiting responses. Doing the cover is artist Writer’s Of The Future winner Paul Pederson. The deadline is May 2013, so this one won’t be available until Fall 2013. But it’s going to be quite fun and thanks to Peter J. Wacks for the perfect title! Every Day Publishing publishes the zine Every Day Fiction as well as Every Day Poets and Flash Fiction Chronicle, anthologies and novels. They are Vancouver, BC Canada based. I’m very pleased to be collaborating with them on this with the support of Ray Gun Revival‘s founding Overlords.

Beyond that, gearing up for Abraham Lincoln: Dinosaur Hunter “Lost In Legends'” holiday release. This first in what Delabarre Publishing and cocreator Jeff Rutherford and I hope will be a series of chapter books to help get boys excited about reading again is one of my more fun projects this year. Looking forward to starting a second book soon.

Lots of stuff going on. For more projects and a Works In Progress report, click here.

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press, headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, a Ray Gun Revival Best Of Collection for Every Day Publishing and World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, all forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

Beyond The Sun Press Release #1

Published on September 25, 2012March 9, 2020 by Bryan

Author/Editor Launches Kickstarter For Dream Anthology

Kansas Author-editor Bryan Thomas Schmidt, whose debut novel, The Worker Prince, merited Honorable Mention from Barnes & Noble Book Club’s on their Year’s Best Science Fiction Releases of 2011, had a dream.

“Ever since I was a child, I’ve dreamed about exploring the stars. What’s out there? What strange planets and beings might we encounter?” Schmidt said. As he watched NASA’s budget downsized and space travel, at least in the United States, get turned over to private enterprise, he recalled sitting on his grandmother’s lap as a child and looking at scrapbooks she’d kept of all the NASA clippings. “We used to dream together, to imagine. It fascinated both of us, and it was so fun to just speculate about what it might all mean or bring about.”

Space colonization has been a popular topic for science fiction writers. From Orson Scott Card’s Enderand Shadow series to Frank Herbert’s Dune and more, authors have written millions of words imagining the possibilities. Kim Stanley Robinson (Mars series), Allan Steele (Coyote series), Robert Silverberg (Majipoorseries), Mike Resnick (Kirinyaga and Chronicles Of A Distant World series), and many more novels and stories have been inspired by the subject.

“I love the ideas people come up with, and I wanted a chance to fill the need left by NASA’s downsizing to inspire that sense of wonder in future and present generations,” Schmidt said.

Such was the inspiration for his anthology project Beyond The Sun. “Beyond The Sun is going to feature stories by some amazing legendary science fiction writers, some established writers and some new writers on the subject,” he says. His headliners are all Hugo and Nebula winners: Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress. All have written novels and stories on the topic before and look forward to exploring it further. Joining them are familiar names such as Cat Rambo, Jason Sanford, Jennifer Brozek, Brad R. Torgersen, Jean Johnson, Erin Hoffman, Jamie Todd Rubin and Guy Anthony DeMarco.

“The writers included are some of my writing heroes and good friends,” Schmidt says. “It’s a thrill to have the participation of such notables as well as giving new writers the opportunity get more exposure for their own work by appearing alongside others with such respected reputations. Plus, you can just tell from the list of names how amazing the anthology is going to be!”

Just between them, the four headliners have 12 Hugo Awards, 5 Nebulas and a slew of other awards. Several other invitees have nominations and awards as well. Schmidt has even lined up award-winning artist Mitchell Davidson Bentley to do the cover as well as several experienced and up and coming artists to add images for the stories themselves. “It’s rare these days to have artwork inside books, but I think it inspires the imagination,” Schmidt says. “I know that, as a writer, it’s intriguing to see what artists get as inspiration from my own work.” With the project aimed at being family friendly and applicable for educational use, Schmidt also thinks this will add value and interest.

“What better way to get future generations not only reading but excited about science and science fiction than by creating something teachers can use as a resource to stimulate dialogue, discussion, and imagination?” Schmidt explains. “I would have loved to get to read something like this for class as a kid. And I hear from teachers and parents how much they wish they had more quality stories with age appropriate content they could share with their kids.”

Schmidt’s previous anthology as editor, Space Battles: Full Throttle Space Tales 6, which also featured stories by several authors involved with Beyond The Sun, including a headline story by Mike Resnick & Brad R. Torgersen, has garnered positive reviews and steady sales. Schmidt says, “That publisher has been very supportive, but most small presses struggle to find the money to pay writers pro-rates for stories. On top of that to pay artists and editors. With the Kickstarter, we can package those costs in advance and allow the publisher to put their resources into producing a really good quality, edited, copyedited and laid out final product. Several small presses have already expressed interest. But the project has to happen first.”

If all goes well, Beyond The Sun will be released in late Spring 2013 and available at all major online retailers as well as local bookstores. A number of great incentives from signed art to signed books and even personalized thanks yous and tuckerized names are available to backers via the Kickstarter.

“Mostly I’m doing this because I love the concept and I love helping and working with other writers,” Schmidt says. “What better way than to offer them a great concept and good pay to do what they love?”

Slated to include 20 stories, only 3 of which would be reprints, backing Beyond The Sun is possible through October 17th at the project’s Kickstarter Page, which includes a project video and regular updates. A native of Salina, current resident of Ottawa, and former resident of Kansas City and Olathe, Schmidt is an active convention speaker and instructor. He has had four books published in print and several in ebook as well as short stories featured in magazines and online, all in the last two years. A freelance editor, he regularly edits books and stories for small presses and authors. He also is a regular contributor to blogs at Hugo winning www.sfsignal.com, www.adventuresinsfpublishing.com, www.tobereadbooks.com and www.graspingforthewind.com as well as running his own blog and hosting the live Twitter interview series SFFWRTCHT (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 p.m. ET. More information can be found on Schmidt’s blog here. And you can also find him onFacebook or follow him on Twitter. He can be contacted at 314-781-9120.

The Project’s page can be found on Kickstarter here: http://www.kickstarter.com/projects/601968027/beyond-the-sun-anthology and is regularly updated.

Beyond The Sun: Kickstarter Anthology Project

Published on September 12, 2012March 9, 2020 by Bryan8 Comments

Welcome to the Beyond The Sun Anthology Project. Launched Monday, September 17, 2012 at Kickstarter! It ends Wednesday October 17, and we have some sneak peeks at artwork stories and even one more big name headliner coming if everything goes well! Please join us!

This is a labor of love for myself and a bunch of fellow dreamers, including Robert Silverberg, Mike Resnick, and Nancy Kress, our headliners, along with up and comers like Jason Sanford, Jamie Todd Rubin, Autumn Rachel Dryden and more. Submissions are coming from people like Cat Rambo, Jennifer Brozek, Matthew Cook, Brad R. Torgersen, etc. All the details can be found on this video and at the Kickstarter. The mock cover by artist Mitch Bentley is looking pretty cool, too!

Check back here for regular updates!

Bryan

Beyond The Sun

Edited by Bryan Thomas Schmidt
Assistant Editor: Sarah Chorn

Colonists take to the stars to discover new planets, new sentient beings, and build new lives for themselves and their families. Some travel years to find their destination, while others travel a year or less. Some discover a planet that just might be paradise, while others find nothing but unwelcoming aliens and terrain. It’s not just a struggle for territory but a struggle for understanding as cultures clash, disasters occur, danger lurks and lives are at risk.

20 stories of space colonists by both leading and up and coming science fiction writers of today. Mike Resnick revisits the Hugo, Nebula and Homer winning universe of his Africa stories. Grandmaster Robert Silverberg examines Jews who left the contention of a wartorn holyland to settle on their own planet when faced with a dybbuk (spirit) and asking whether aliens can be allowed to convert to Judaism. Autumn Rachel Dryden has colonists threatened by alien animals which burst out of shells on the ground like piranhas ready to feed on flesh. Jason Sanford has Amish colonists on New Amsterdam finding their settlement and way of life threatened by a comet and the English settlers who want to evacuate them. And a new story from Hugo and Nebula-winner Nancy Kress. A fourth big name female headliner has agreed to come aboard when we reach funding.

These and 15 other writers join author-editor Bryan Thomas Schmidt for tales of action, humor, and adventure amongst the stars.

Length: approximately 92,000 words
Publisher: TBD
Estimated Date of Publication: Summer 2013

Like most of my work, this anthology will be family friendly in focus. I want it to be something people of all ages can read, enjoy and discuss. Remember when space exploration filled you with awe? Do you remember sitting around dreaming about what it might be like if you too could go to the stars? That’s the sense I’d like to capture with these stories. I’m deliberately choosing writers with diverse backgrounds, interests and styles with the hopes of getting a diverse selection still united around a common theme.

Authors invited to submit: Hugo and Nebula nominee Brad R. Torgersen, Jean Johnson writing in her Philip K. Dick Award nominated novel universe, Jamie Todd Rubin, Cat Rambo, Jennifer Brozek, Matthew Cook, Erin Hoffman, Jason Sanford, Patrick Hester, Sarah Hendrix, Anthony R. Cardno, Johne Cook, Simon C. Larter, Grace Bridges, Jaleta Clegg, Anna Paradox, Gene Mederos, Dana Bell, Anne-Mhairi Simpson, Selene O’Rourke, Mike Resnick, Nancy Kress, Autumn Rachel Dryden and Robert Silverberg.

About me:
Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Books For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Lost In A Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers and developing another project with co-editor Rich Horton, both forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

My Top 12 Memorable Moments From ChiCon 7

Published on September 10, 2012March 9, 2020 by Bryan

I know, I’ve made two Recap posts already on ChiCon, but I couldn’t resist sharing a few special moments I’ll always remember from the experience. Both touching and humorous, they combined to enrich the experience and the memories I carry forward from it. I think you’ll see why. I present them chronologically.

1) Surviving A New Cabbie’s First Fare. Somehow, upon arriving 90 minutes late on Amtrak, 90 minutes before my reading I might add, I wound up in the taxi of a man whose driving was an adventure. Not only did make some odd lane changes but then entered the Hyatt the wrong way and had to turn around, driving across the sidewalk and scattering the bellboys in the process. “It’s my first time,” he said, “I’m new.” I didn’t argue, just handed him the money and hurried to escape the cab.

2) Black Gate Crew Attends My First World Con Reading. I am not a big fan of doing readings. It’s just something I’ve always felt nervous and awkward about. Fortunately (or unfortunately depending how you look at it) my crowds have always been small. But this time not only did my crowd size increase but it was packed with fellow writers, many of whom were Black Gate staff. Seeing fellow successful authors like Howard Andrew Jones, James Enge and Chris Kastensmidt and a successful editor like John O’Neill not only make time to attend but express encouragement at my performance really started the Con on a great note and leant the feeling that I was on the right track as a writer. I’m grateful,

3) Recognized By Robert J. Sawyer at Thursday Dinner. My first dinner, my first night at the Con, and I run into Robert J. Sawyer at the restaurant. He recognizes me, double checks my name badge to be sure, and then introduces me to his wife and companions, inviting me to stop by the bar later and chat more. I had never met Rob and only interviewed him via Twitter, but we have interacted on Facebook a bit. Still, it was a good feeling to be recognized by someone of that caliber and it was an event that repeated itself throughout the Con as several others recognized me as well and said “I know your name, sure” as they shook my hand. For a small fish, it was a big splash.

4) David Brin Thanking SFWA Volunteers. On Friday morning, I spent two hours with SFWA Secretary Ann Leckie and Edge Editor Victoria Strauss volunteering at the SFWA table. While several people dropped by, David Brin made a point to shake our hands and kindly thank us for volunteering. It was a classy move and greatly appreciated since I have always found Brin’s snarky outspoken comments on Facebook a bit offputting and since he is “David Brin” (intimidating in itself). That graciousness won me over. What a class act.

5) Meeting and Being Teased by Robert Silverberg. In many ways, Silverberg is my Tolkien. I’ve told him so. He insists that I call him ‘Bob,” to which I replied: “I don’t know if I can.” But our first face-to-face was at his signing after I’d waited around 40 minutes in line. My quota of 3 books were the original Majipoor trilogy, and a couple were used hardbacks I’d tracked down, since I prefer getting hardbacks signed for longevity. Glancing inside one, Silverberg notes the ‘Property Of Margene’ stamp. “So, what happened to Margene? And how did you get her book?” he teases. I fumbled a bit then said I’d bought it at a library sale. He smiles, shooting me a cockeyed look. “Please give Margene my best if she survived the exchange.” I couldn’t help but laugh, he smiled, we chatted a bit more, and I left hoping he really was just teasing. I swear, I don’t know Margene.

6) A fan arrives at my signing with my book. Okay, yes, my books have been out a while. But this is really the first time someone already had one when they came to a signing to get it signed. Before they’ve bought them from me, then had me sign. So it was memorable and special to know my babies are making their way out in the world and that booksellers are being supported in the process. I only wound up signing 5 books that day, while watching Seanan McGuire’s never-ending line next to me and George R.R. Martin’s before her, but it was a nice feeling to be known before hand.

7) Moderating My First World Con Panel Ever. Not only was it my first World Con panel, but the room was packed t0 standing room only, with people waiting outside wanting to get in. On top of that, my fellow panelists included Nancy Kress, Jay Lake and Charles Stross. The lofty topic: Moral Ambiguity In Science Fiction. Having Nancy Kress, whose writing books have taught me so much, look at me for permission to talk almost made me laugh with embarrassment. Of course, that was just her showing respect to the moderator and it wound up being a delightful panel and one I’ve heard good things about from many since. In fact, we recorded it for an upcoming podcast, so you’ll get the chance to hear it soon enough.

8 ) Mitch Bentley’s Art Show Award. Despite my friend and frequent cover artist Mitch Bentley being the first to greet me upon my arrival at the hotel, I didn’t make it to the art show until Sunday, my first free day of the Con. Imagine my delight when I found Mitch’s booth and discovered a cover I had commissioned for my ebook release of the Davi Rhii prequel story “Rivalry On A Sky Course” had won him a Judge’s Choice Award. Mitch’s art has always moved me. I knew I wanted him to do my book cover from the minute I first saw it at ConQuest 41 in Kansas City, May 2010. Since then we’ve collaborated on two novels and this ebook with more in the works. More over, the covers are inspired by the stories and scenes within them, so I am thrilled to see Mitch recognized for his work, especially stuff my own work inspired.

9) Resnick’s Recognition. I had seen Resnick in passing several times and even-handed him some Brazilian coffee grounds I’d brought for him, but apparently he was so exhausted he didn’t recognize me (many had this issue due to my new Sellect ‘stache I learned) until I handed him a signed copy of the novel he blurbed. Then he did an “of course, I hadn’t realized that was you” thing and we spent a delightful 45 minutes hanging out. Resnick has been a good friend and mentor to me and I had not expected to get much time with him at a Con where he was GOH, let alone “alone” time, so it was a delight. But the priceless look on his face when my identity connected was a highlight for sure.

10) Listening In As Silverberg and Dave Kyle Reminisce. Spotting Silverberg in the Dealer’s Room Sunday, I brought over a few more books I had not gotten him to sign and overheard a comparing notes of two long time SFF community members discussing Cons, books, life, genre and much more. It was the kind of moment that one loves being a fly on the wall. Then Silverberg saw the Ace Double I was carrying and commented: “Look Dave, this book is almost as old as you are.” Kyle quipped: “It’s in far better condition.” We all laughed and then Silverberg signed it. Their discussion though could have been a panel in and of itself.

11) An Accidental Anthology Pitch. One friend I managed to run into a lot was Jamie Todd Rubin, who gathered a bunch of us Sunday afternoon in the bar to hang out. Patrick Swenson was there, along with Kay Kenyon, Louise Marley, Jennifer Brozek, Jay Werkheiser, and later Tod McCoy. It was a fun group and we found all kinds of stuff to talk about. But somewhere along the way we happened to discuss sports, and I–off the cuff–mentioned I hoped to do a Space Sports themed anthology one day. Next thing I knew I had three very excited writers pitching their stories. Two of them would be reprints. And they were talking it up. I hadn’t intended to make it a project immediately, as I already have three in the development hopper, but Champions: Spec Sports is now in the works and I found myself gathering ideas and writers the rest of the evening. A memorable way to start an anthology project for sure.

12) Watching Friends Accept Hugos. John DeNardo won for SFSignal to which I contribute, and Kij Johnson and Ursula Vernon won for Novella and Graphic Novel. Cat Valente and Seanan McGuire were amongst Podcast winners for SF Squeecast. Of the five, I know John the best but it was still a delight to see people I have chatted with multiple times and respect get such recognition. The fact that I helped contribute with my votes was a bonus.

As I stated in my Recaps, it felt a lot like I’d come of age and transitioned from fan/wannabe on the sidelines to full fledged community member and that an encouraging feeling only aided by moments like these ten. If you went to World Con, what were your most memorable moments? I’d love to hear about them.

For what it’s worth…

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Books For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Lost In A Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, both forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

World Con Schedule – ChiCon 7

Published on August 8, 2012March 9, 2020 by Bryan

Well, my first WorldCon is looking good. I’d hoped to make Reno last year but then life fell apart and I had to sell my memberships to Patrick Hester and Jeremy Tolbert. I’m glad they could use them, but this year, I’m going, and here’s my agenda. The boxed items are ones I will be a panelist for. The rest, events I am planning to attend, for those wanting to find me. I look forward to it very much. It’s an honor be included in Programming.

Thursday, August 30th, 2012

3:00 -6:00 p.m. Arrival/Checkin

Thu Aug 30 7:00:pm	Thu Aug 30 7:30:pm	Reading: Bryan Thomas Schmidt reading from The Worker Prince and The Returning
Dusable
Bryan Thomas Schmidt

8-10:30 p.m. First Night at Adler Planetarium

Friday, August 31st, 2012

9-10:00 a.m. Dealer’s Room (Book Universe will be carrying my books throughout the Con & I’ll be at the SFWA table 10-12)

12:30 p.m. Howard Andrew Jones Reading (Dusable)

1 p.m. Lunch with Maurice Broaddus

2:00ish-3:00 p.m. Autograph Sessions (Crystal B/Autograph Table) featuring Mike Resnick, Brad Torgersen, Catherine Asaro, Connie Willis, David Brin, Eric Flint, Gardner Dozois, Harry Turtledove, Jack McDevitt, James Patrick Kelly, Kay Kenyon, Kij Johnson, Laura Resnick, Nancy Kress, Nick DiChario, Robert J. Sawyer, Robert Silverberg, Sheila Williams, Steven H. Silver (I’ll be bringing books for several of these people to sign)

Fri Aug 31 3:00:pm	Fri Aug 31 4:30:pm	Autograph Session 5
Autograph Tables
Bryan Thomas Schmidt Geoff Ryman Hugh Howey Jacqueline Carey Jacqueline Lichtenberg Mike Flynn Nnedi Okorafor Seanan McGuire Vylar Kaftan

4:30-6:00 PM – I may attend Mike Resnick’s Interview. I’d like to but it depends how tired I am from everything else and if I need to just sit at the bar. I will be doing one or the other here and stop by Dealer’s Room (Book Universe) to sign if needed

5:30 p.m. – Saladin Ahmed Reading (Dusable)

6:00 p.m. – Dinner with Howard Andrew Jones and James Enge

7:00 p.m.-ish -NightShade Night Bazaar Party

9:00-10:30 p.m. – Guest of Honor speech: Mike Resnick (Columbus KL)

Saturday, September 1st, 2012

9 a.m. – SFWA Business Meeting/light breakfast (Comiskey)

10-11:00 a.m. Dealer’s Room (Book Universe) or hanging to network

11-1:00 p.m. Lunch With Jay Lake (i.e. Hanging Out)

Sat Sep 1 1:30:pm	Sat Sep 1 3:00:pm	Moral Ambiguity in SF (I am Moderator)
Buckingham		Is there still room for moral structure in SF societies and worldbuilding? How does moral ambiguity represent or fail to capture the real world? What are its pitfalls
Bryan Thomas Schmidt Charles Stross Jay Lake Lissa Price Nancy Kress

Sat Sep 1 3:00:pm	Sat Sep 1 4:30:pm	Vivid Character Building (I am Moderator)
Columbus CD		How do you create vivid characters who pop off the page? How do you avoid archetypes/stereotypes and predictability? Join a panel of writers discussing their techniques and tricks and ask questions of your own.
Bryan Thomas Schmidt Carol Berg Kay Kenyon Randy Henderson Teresa Frohock

4:30-6:00 p.m. Dealer’s Room (Book Universe)

7-? p.m. Bar Con/Parties/Dinner

8 p.m. Cat Rambo/Stina Leicht Party

Sunday, September 2nd, 2012

Free Day

I will hang out in public areas a lot, may go to a panel but mostly just network

7:00 p.m. Find seat at Hugos

8:00 p.m. Hugo Awards Ceremony

After Parties

Monday, September 3rd, 2012

Mon Sep 3 9:00:am	Mon Sep 3 10:30:am	Faith in Science Fiction & Fantasy
Field		Faith can take many forms besides organized worship of a Higher Being, and yet, not a single Earth culture known to us exists absent a faith system in some form. What is the importance of faith in motivating human beings and in creating realistic worlds? What are the things people put their faith in? Magic? Science? Laws? Government? Wealth? Fame? Not a debate of the validity of ideas but a discussion of their value and use as motivators for all of us.
Bryan Thomas Schmidt Dennis Y. Ginoza Isabel Schechter Randy Smith

10:30-12:00 p.m. Dealer’s Room (Book Universe) and hanging out

12-1:00 p.m. Pack/Checkout

1:30 p.m. to Amtrak for home (3:00 train)

Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and several short stories featured in anthologies and magazines. He edited the anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. A freelance editor, he’s edited novels and nonfiction and also hosts Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter under the hashtag #sffwrtcht. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.