Author: Bryan

World Con 2013: The Trip of A Lifetime

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With Toni outside Marriott Rivercenter's main Restaurant
With Toni outside Marriott Rivercenter’s main Restaurant

Well, I’ve been away from blogging for a month due to various reasons, with apologies to those who follow the blog. And so I’m going to try and get back into the swing of it with this report on my recent trip to San Antonio for World Con. As those who’ve seen my pictures on Facebook can already tell, I had the trip of a lifetime.

This year’s World Con brought my first solo sit down meal with a Big Five editor. My first sit down meal with a Grand Master and writing hero. And my first chance to sit in the front rows at the Hugo Awards. Amongst other things. I met so many people, built on preexisting relationships, laid foundations for new relationships, and explored new possibilities in so many ways.

For me, World Con is the most important business meeting of my year by far. So many publishers, authors, editors, booksellers and others come together in one place that it just creates tremendous opportunities. So I plan my trip accordingly. I arrange meals in advance, focusing mostly on people I want to do projects with, friends or not. I try to get on panels and a reading and signing. But then I leave the rest of time free to just mingle and network.

Although this year’s trip started rough with a lost cell phone (a bit of a handicap when trying to meet up with people at a con spread over 3 buildings with 3500 attendees), I quickly shoved it aside and launched into my second day by having lunch with Toni Weisskopf, who was delightful. I remembered chatting with her in 2010 at ConQuest in Kansas City, when she was Editor GOH, but this time we met as publisher and author, as I am coediting an anthology for Baen. We mostly talked about life, ourselves, and anything but business but she did inquire how the anthology is coming and wound up inviting me to pitch another, so I offered two ideas. I’ll be more formally presenting them soon. One is an immediate follow up to Shattered Shields, the military fantasy anthology I am editing with Jenn Brozek for Baen right now. (We just closed our Table of Contents and are doing final edits now). The other is a collaboration with the delightful Cat Rambo.

I also got to finally meet Lezli Robyn for lunch. She’s been my online friend for ages and we had missed each other completely in Chicago, so we made a point of getting together this year. She’s delightful. We sat on a Mexican restaurant’s outdoor patio overlooking the River Walk and were soon joined by Kay Kenyon. Two lovely ladies. Such fun.

In between I had done my first panel, a science panel titled “My Favorite Dinosaur” and had fun with Elizabeth Bear and the other panelists, including artist-author Spring Schoenhuth, a paleontologist, and a scientist from Japan. Later that night, I did a panel with the flawed question: “Do SF Stories have Fewer Happy Endings Now?” which the panelists and I basically deconstructed for an hour. When you name panels, narrow questions work best. Broad ones so dependent on people’s perspectives, tastes, etc., generally don’t work as well, at least for writing panels.

My moderating seemed to go over well, so I was excited for my last panel with Gail Carriger, Robin Hobb and Amanda Downum the next day on “Intricate Worlds.” But first, I spent the evening at parties and BarCon, then did a little crit work for my Writer’s Workshop session that Sunday.

Saturday I slept in then worked on panel prep and workshop stuff before meeting Dave Farland to get Raygun Chronicles bookplates signed. We had chatted the night before for ninety minutes at the Writers and Artists of the Future panel and wound up hanging and chatting again for a while, with David Brin even stopping in at one point. Dave is a really nice guy who is in two anthologies for me this year, and I am very glad, after hearing about him for years, to finally get to meet and work with him.

Mid-day, JM McDermott took Maurice Broaddus, Django Wexler and I off site for a signing and panel on faith in fiction. We had a small crowd but a great discussion, then Django and I hit the food court for a quick meal before I headed to the worldbuilding panel. The ladies and I had decided in advance to not do the stereotypical worldbuilding panel, so I launched us off with worldbuilding pet peeves and we went for there. In all, I was told, it was a favorite and very helpful panel for many. We covered the under valued areas of worldbuilding, favorite examples and more. And the hour simply flew by. Fun people, and, of course, sitting between Carriger and Hobb, I was fanboying the whole time.

After that I just took a nap and worked on my crits so I could print them, then hit a couple parties. The Baen party was a priority, and due to all the rushing around and walking, wound up being my sole stop for the night, though I did grab dinner for a “date” with my pals Jay Werkheiser and Lisa Montoya, whom I met last year and joke around with now constantly on Facebook. Jay is in Analog a lot as a writer and has generously beta read for me a couple times. Just delightful folks.

Sunday I had my Bucket List breakfast with Robert Silverberg and my roommate, Alex Shvartsman–fellow editor and author, tagged along. Silverberg was a blast, as usual, being funny and a great conversationalist, and soon his wife Karen Haber joined as well, and she is a similar delight. Alex and I both got the All-You-Can-Eat buffet but ate only one plate because we didn’t want to go back and miss any of the conversation.100_0458

Then it was off to print my crits and lead my two hour Writer’s Workshop session. I think at least two of the writers were quite receptive. The third was polite but didn’t seem to agree with an assessment all four of the rest of us made of his work. But I hope all of them found benefit in it nonetheless. Time will tell, as always.

At one, I met Patrick Swenson, publisher of Beyond The Sun, John A. Pitts and Brenda Cooper and we had lunch and discussed our mutual book launch at OryCon. These are three of my favorite people in SFF. Normally, I see them once a  year at World Con. Excited that I’ll see them again, and that working on books has had me in touch with them a lot more this year than normal as Patrick published Beyond The Sun and Brenda and John each wrote stories for others.

The last bit of official duties was to record SFSignal podcast with Patrick Hester, Patrick Swenson and Beyond The Sun contributors, including authors Jean Johnson, Cat Rambo, Jamie Todd Rubin, Alex Shvartsman, Maurice Broaddus and artist Mitch Bentley. It flew by but was fun and I hope brings more attention to our collaboration, a project we’re all very proud of. Good reviews keep coming in and Gardner Dozois is reviewing it for Locus next month. Mitch also gifted me an original canvass of his cover art, which was a nice surprise I’ll treasure. I’ve worked with Mitch on four books now and his cover for Beyond The Sun is getting him accolades from Toni Weisskopf, Jack McDevitt, Robert Silverberg and more. Since I do anthologies to help myself and others build our careers, it’s nice to see it paying off for friends like that.

The night was taken up with Hugo Awards, where Alex accepted for Ken Liu and we spent the night carrying around a Hugo.

It was delightful to be together with the community and see recent conflicts and kerfluffles not interfere. That was probably the best surprise of all. Even Silverberg had confessed his fear that there would be a dark cloud over the proceedings but I was as warmly received by all as anyone, and clearly those who matter don’t pay much attention to rumors based on assumptions and innuendo, thankfully. We all had better things to do than discuss such overwrought unpleasantness. And I was relieved.

I am not naming everyone I met, but I did also meet several fans and Kickstarter backers, as well as other top people in the field. It was just an all around delight, and I wish I could afford to go to London. At this point, it appears World Con will be out for me, but we’ll see. It sure is a once a year time of greatness I’d hate to miss. The trip of a lifetime, as I said in the title to this post, and I look forward to many more to come.

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. In addition to Shattered Shields, he edited the anthologies Space Battles: Full Throttle Space Tales #6 (2012), Beyond The Sun (2013) and Raygun Chronicles: Space Opera For a New Age (2013). He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @BryanThomasS.

Back To My Blog aka Jamie Todd Rubin + Shot Of Tequila = Genius

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I have basically been unable to even look at my website since I switched laptops at the end of July. I was locked out. 403 errors if I tried to either pull up the main URL or the login URL. Today, Jamie Todd Rubin swoops in and tells me how to fix it in 30 minutes or less. One shot of tequila and that man is a genius.

And also, Better WP Security plugin was the culprit. Be very careful with that one folks. I was using it to make it harder for trolls and spammers to access my site but in the process, I wound up being unable to access it myself. The culprit were changes to the .htaccess file, which, once reset to default, made the problem go away.

But it was a frustrating and perplexing month that basically left me blogless. I was so busy with deadlines and other issues, I let it go. Until I got locked out of sffwrtcht as well. Thank goodness Jamie responded to my tweets.

Kudos to him. He also wrote a great story for Beyond The Sun, which is getting great reviews so far at Goodreads, Amazon and Functional Nerds.

Anyway. I’ll have a lot to catch up on, but first World Con. I’ll blog from there. Find my agenda here. Hope to see some of you there!

Bryan

My World Con Schedule 2013

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LoneStar 3 Con Schedule – Bryan Thomas Schmidt

Thursday, August 29

Arrival: 1:30 p.m. on Southwest then scramble to get to hotel, check in, unpack, drop books at dealer room and make:

Thu 17:00 – 18:00 Autographing: Taylor Anderson, Paul Herman, Bryan T. Schmidt, Sharon Shinn (Autographing) (Participant), (Convention Center)

Friday, August 30

10 a.m. – Breakfast with Toni Weisskopf/Baen (private) 

Fri 12:00 – Fri 13:00 Panel: My Favorite Dinosaur (Science, Panel), 007B (Convention Center)

Panelists:

  • Elizabeth Bear
  • G. David Nordley
  • Spring Schoenhuth
  • Takayuki Tatsumi
  • Bryan T. Schmidt (M)

1:30-3:00 p.m. – Lunch With Lezli Robyn (private)

Afternoon free

Fri 18:00 – Fri 19:00 Panel: Do SF Stories have Fewer Happy Endings Now? (, Panel), 007A (160) (Convention Center)

Panelists:

  • Grant Carrington
  • David Nickle
  • Jessica Reisman
  • Bryan T. Schmidt (M)
  • Martha Wells

Dinner with J. Kathleen Cheney, Chris Kastensmidt and whomever is around

Saturday, August 31

 Morning Free

Signing (off-site at Viva), Sat. 12:30-2:30

Panelists:

  • Django Wexler
  • Maurice Broaddus
  • Bryan Thomas Schmidt
  • J.M. McDermott

 

Intricate Worlds (, Panel), Sat 15:00 – Sat 16:00, 007A (160) (Convention Center)

Panelists:

  • Gail Carriger
  • Amanda Downum
  • Robin Hobb
  • Bryan T. Schmidt (M)

Evening Free

Sunday, September 1

 7:30 a.m. – Breakfast with Robert Silverberg (private)

Sun 10:00 – Sun 12:00 Writers Workshop O (Writers workshop), Conference 4 (Rivercenter)

Panelists:

  • Linda King
  • Bryan T. Schmidt

2:30-3:30 – Podcast Recording: SF Signal

Beyond The Sun panelists:

  • Bryan Thomas Schmidt
  • Patrick Swenson
  • Jean Johnson
  • Jamie Todd Rubin
  • Cat Rambo
  • Alex Shvartsman
  • Maurice Broaddus

Hugo Prep/Pre-Reception/Hugo Ceremony

I leave at 9 a.m. Monday morning on Southwest. So hope to see some of you during some of these times. My books will be on sale in the Dealer’s Room at Book Universe. They’ll be signed but find me to personalize. Bar Con is a good bet when none of the above.

Rumors, Scandals and Other People’s Drama, oh my!

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I went through a lot of drama in my former marriage due to my wife’s mental illness. I didn’t realize until recent events how much that changed me. For one, I have a very low tolerance for other people’s unnecessary drama these days. There are things worth drama and things that are blown out of proportion. I see this a lot these days. Rumors, scandals and drama abound. People assume, get angry, start hurling insults, and it just escalates into real nastiness from there.  In the midst of such overwrought drama, real issues, real problems that deserve the attention get lost. People lose interest because they hate conflict and drama. Change doesn’t occur.

There are a few things I have learned that I wish a few others would learn about these kinds of situations. Here they are:

1) Freedom of Speech does not just apply to those you like and agree with.  People these days are quick to demand that those they find offensive shut up. So much for freedom of speech. Apparently it only applies to those who say the right things. Unfortunately, a little document called the United States Constitution would take issue with that.

2) People have a right to an opinion of their own. Even if it’s not the same as yours. That’s a founding principle for democracy, folks. And it should be treasured and respected.

3) When someone is offended by something because of their assumptions and background, not specific words, they are not due an apology. Happens a lot these days. Someone writes something and people interpret it as offensive. They demand an apology. Others line up to support them. But what the author owes them is: nothing. Common courtesy would suggest a clarification might be prudent even polite. And if the words themselves were clear and inherently offensive, then an apology would be appropriate. But if the complainers takes meaning not inherent in the words, they are choosing to be offended by interpreting the words a certain way. It’s not them to whom an apology is due. They owe one to the author. Especially if a clarification was offered and they refuse to accept it.

4) Sensitivity and Respect go both ways.  If you want people to be sensitive to your feelings, etc. or those of others around you, you cannot be dismissive of theirs. Impugning anyone with whom you disagree is no more appropriate or acceptable than anything you might accuse them of saying. If the response is just as or more offensive than what provoked it, you are also just as wrong. Bullying in the name of anti-bullying is still bullying, folks. Bigotry in the  name of anti-bigotry is still bigotry, too.

5) Your views can be just as offensive as those of your opponents. Especially for those watching you shove them arrogantly down everyone’s throats. In fact, I know many people who agree in principle with the loud voices who wouldn’t stand up and be counted because they don’t want to “act like that.” The harshness of the behavior does more harm than good to the cause. You won’t convince anyone to change by chasing them off with rudeness and insults.  If you are so aggressive that people shut up and walk away, you have lost, not won. You have defeated your cause. You have not been heard.

6) Just because a group someone belongs to was guilty in the past or has currently guilty members does not make all members of said group responsible. This is a big one. “You are a priveleged white male, so you are guilty of racism, sexism, etc. by being a white male.” This is just one common example. Sorry, but no dice. I am not responsible for the sins of my ancestors. I am responsible for my own sins and actions. If you can’t separate the two, the problem lies with you. This article on Kafkatrapping and Logical Fallacies addresses how ridiculous these claims really are. And I think we should judge people as individuals not classes, groups, etc. Isn’t that what eliminating discrimination is all about?

If more people remembered these things, I think the internet and society would be more pleasant. Certainly Science Fiction and Fantasy as a community could benefit, but I believe that’s just a reflection of broader culture. I need to remember these things.  I hope my readers will as well. Most of all, I hope some will learn to do them. Productive and effective communication doesn’t occur well in the irrational environment of inflamed emotions. But it can occur in productive, reasoned dialogue. As I said before, I’ll say it again, stopping the insult hurling and talking is the better path.

For what it’s worth…

Beyond The Sun revised coverBryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012) and Beyond The Sun (Fairwood, July 2013) and is currently editing Raygun Chronicles: Space Opera For a New Age (Every Day Publishing, November 2013) and Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also edits Blue Shift Magazine and hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website at www.bryanthomasschmidt.net or Facebook.

Take Time To Be Present aka Turn The Damn Cell Phone Off

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This weekend I had the privilege of attending the funeral of two high school friends’ mother. I call it a privilege because this was no somber mournfest. This was a celebration of life and love. In fact, it was so good, it made me regret not taking time to get to know their mother better when I had the chance.

The pastor recalled how when the mother learned her cancer had recurred she came to him and told him her diagnosis, the treatment, and that if didn’t work she’d die. Then she said something he hadn’t heard in twenty years of ministry. “I’m ready. Like anyone, I’d like more time. But I can deal with all of that. What I need your help for is helping me to walk my husband and family through this with me.”

Yep. The woman had been given horrible news about her life and possible death and he first concern was helping her loved ones.

But that’s the kind of person she was. And the more he talked about her life and joys, the more moving it became.

Until that cell phone rang.

And not only did it ring, but the guy reached for it then let it ring. He didn’t shut it off right away.

First of all, it ruined the moment. Which is selfish and disrespectful to say the least.

Second, if you left work in the middle of the day to come to a funeral, what’s so important that you can’t at least put your cell phone on vibrate?

Or better yet…turn the damn cell phone off.

The funeral isn’t about you. It’s about honoring a woman and her loved ones. I hadn’t seen my friends in twenty years, but I went because I remembered them well. Because of the closeness once experienced by me and them and by our parents who were colleagues. I went to show my respect, my support, and my caring. I didn’t want anything in return. I drove forty-five minutes each way, took ninety minutes out of my day. It’s a sacrifice, yes. But is that too much to ask?

I remember when my birth mother and grandmothers died. The people who surprised you by showing up just to let you know they care often were the ones whose presence meant the most.

And in this case, I was all the more blessed by the message of a life well lived. I’m sure I got more out of my presence than the family did. And what a blessing.

But thanks to the bozo who disturbed the moment. He didn’t ruin it for me, but he did interject a bit of a reminder of how selfish and stupid people can be into things.  The opposite of the person being recognized and honored, in fact.

Taking time to be present is a lost art these days, I think. But it’s so important and meaningful, I think we all should learn to do it more often.

Making time for others is an act of kindness, respect and love that means so much and takes so little. I still got my editing and work done that day. I just had to schedule around it. And in doing so, I got to see some old friends and get insight into their family I never would have had in a way that brought admiration and joy despite their sad loss.

Oh, they were all happy to see me and we spent time catching up, for sure. I even saw another high school friend.

But the most important thing was to be present in the moment and join with them. That’s why I went. It’s kinda why I assumed everyone went, and the service was well attended. Except the cell phone guy. He was too busy to make time, apparently. At least, that’s what the cell phone rings and his response implied. And it’s too bad.

One of my pet peeves in church and movie theatres has always been people who can’t be bothered to silence their cells. My dad’s a doctor and can’t turn off his cell or pager, but he always had a headphone earpiece he wore to keep them from disturbing anyone else. If he had to talk, he’d quietly slip out and do what he needed to do, then return.

I wish more people had such manners these days. Because sometimes people need your presence. They need your attention. They deserve your respect.

Turning off the damn cell phone is just one indication that you want to be there, that they deserve and have your respect, and that being there at that moment is priority number one.

Is that too much to ask to honor the life of someone?

I hope not.  If it is, maybe don’t bother. Don’t ruin the moment for everyone else. Don’t call attention to your lack of dedication. Just don’t come.

At least that’s what I’d do.

For what it’s worth…

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012) and is working on Beyond The Sun (Fairwood, July 2013), Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also edits Blue Shift Magazine and hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

 

Ruminations on Freedom

Published on by Bryan

Freedom is a funny thing. Celebrated far and wide as an ideal. Yet when you have it, you don’t always feel it, because freedom does come with a certain weight of responsibility. Some choose to ignore that. More and more these days, it seems. But that’s still true. After all, unrestrained, unabashed freedom can lead to chaos and conflict. Unless you live alone on an island with a volleyball, like Tom Hanks, perhaps.

Certainly I’ve always valued and appreciated freedom, most particularly freedom of speech, without which I couldn’t practice my trade as a writer and musician. And I’ve traveled enough to have some appreciation, though limited, of how fortune we are in the U.S. to have the freedoms we have. I used to take it far more for granted than I do today. But all things considered, we really do have it better than many, even most.

We haven’t always exercised our freedom wisely, for sure. The longstanding tradition of hailing ourselves as “the greatest country in the world” strikes me as arrogant these days. After all, others are proud of their countries, too. Do we deserve to consider ourselves better than everyone else? I certainly feel like the country has gone some negative directions of late. And history reveals many missteps as well, from those in times of war, to those in economic, political and civic matters and more. No doubt we are fortunate to be where we are. But we can do better, and we should do better. And one day, I hope we do again.

No, this is not one of those down on America posts. But given that patriotism tends to flare during July 4th, and it’s reflections of that Independence Day celebration which have led to this post, I wanted to admit, this is not one of those raging patriotic posts either.

For me, life is much too complicated.

Nations are only capable of being the best they can be on the heads of the people themselves, and given that people are flawed, with good and bad parts all, nations also struggle to rise to the top from time to time and even more to stay there. Doesn’t mean our nation isn’t wonderful. Doesn’t mean we aren’t fortune. But it does remind me that we mustn’t become to complacent or comfortable. There’s ongoing work to be done.

One of the things I appreciate about freedom is the ability to listen to and compare opinions with people from a variety of places, backgrounds, experiences, and beliefs. Compromise, after all, has always been vital to successful democracy, and from the very start it’s played a huge role in the successes of this country. And one cannot compromise, if one does not understand everyone’s wants, needs, etc. Understanding them doesn’t mean you agree with them or even like them, but that you acknowledge they exist.

And, to me, compromise is what’s missing all too often from our society these days. Everyone is so polarized, something the media and pundits love to exacerbate. Tempers flare and people rage at the slightest provocation, it seems. And people are quick to assume and impugn motives, too, seemingly always reading everything in the worst light, rather than the best, which just feeds their tempers.

For me, part of maturity has been learning to think calmly whenever emotions come into play. After all, while emotions are free, we all have them all the time, they should not just be given free reign. Emotions are fickle and irrational, the antithesis of common sense, the enemy of compromise. And especially in days of the world wide web, it’s hard to really know what someone means or intends without deeper conversations, unless you know someone well and have had interpersonal contact.

And sadly freedom these days also allows people to have ignorant opinions in an ongoing way. After all, to be informed or not informed, to be educated or not educated, are choices people make.  Intellectual capacity is not, however. And some of both come into play.

But I think racism, sexism, and other forms of bigotry, while I wish they’d gone away, will always exist as long as humans exist, because we humans love to categorize everything from other people to beliefs, systems, things, etc. Inevitably such categorizations lead to comparisons, and feed the desire to distinguish one’s self from the pack in various ways. And that leads many, out of arrogance, insecurity or both, to find ways to  belittle others in order to elevate themselves. The fact that such is occurring using false criteria goes ignored. And that’s unfortunate.

As I said, there’s much work to be done. I’m of the belief that with freedom comes responsibility. And the greater the freedom, the greater the responsibility. Exercising freedom with responsibility means taking time to not assume and impugn but to question and dialogue and try and understand. You don’t have to agree, but chances are you’ll discover more common ground once you take that time and that will give you a foundation for deeper discussion. T0 me, such discussions have always proven worthwhile. The chance to look at the world through the eyes of Africans, Brazilians, poor, rich, and in between has made me a better person and broadened my worldview and perspective in every way. It hasn’t always changed my opinions. Often it’s affirmed them. But it has given me an ability to respect and value the diversity of our world.

For me, that’s one of the best parts of freedom–the ability to go and experience the world in broad and diverse ways through people, places, and things. It’s certainly been one of the freedoms I’ve most exercised, having traveled to Africa, Europe, South America and Central America numerous times over the past twenty years. And it’s one I hope to go on valuing, along with the freedom to take what I learn, process it, and let it inform how I live, what I do, what I say, what I write and more.

Freedom is a wonderful thing, indeed. I’m glad I have it. I hope others gain more daily. But I also hope they learn to use it responsibly. If everyone did, I have no doubt we c0uld create a better world. And that’s a goal I consider always worthy of hoping for.

For what it’s worth…

BTS author photo 2Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012) and is working on Beyond The Sun (Fairwood, July 2013), Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also edits Blue Shift Magazine and hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

Guest Post: Genre Mashups by Michael J. Martinez

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Daedalus Incident coverI love a good genre mashup. Elves in the 1940s? Awesome. Cybernetic werewolves? Bring it. Steampunk dragons? You bet. Horatio Hornblower in space?

…actually, I wrote that, more or less. Crashed a frigate into Mars and everything. Anyway.

Take your favorite sci-fi and fantasy subgenres, critters and tropes, write them on 3×5 cards and shuffle the deck. Chances are, when you draw two, you’ll end up with a whiz-bang clash of genre goodness. Unfortunately, turning that pairing into a setting, let alone a piece of fiction, isn’t quite so easy.

When you combine different genres, you have as much potential for an unholy mess as you do for greatness. It may sound good (“Dude…cybernetic werewolves!”) but I would suggest that it’s harder in some ways to create a mashup than to stick to one particular genre and make it your own.

Readers, I’ve found, are exceptionally and, at times, annoyingly perceptive. When something doesn’t make sense, their antennae twitch. Some can’t keep suspending their disbelief and have to put down the book. Others will keep reading, but look for more errors along the way, and may even take issue with stuff you’ve meant to put there. Two (or more) disparate genre elements can create a lot of potential for twitchy antennae.

Thus, genre mashups may start with an “ah-ha” moment and an aura of geeky awesomeness, but getting them to stand on their own requires discipline and diligence. This is where traditional world-building techniques come into play, but with special attention to the mashup elements. So you have cybernetic werewolves…OK, awesome. What happens to the hardware when they change? Do they have the mental capacity to use advance tech in their wolf-man state? Who, exactly, had the insane notion of rigging up a werewolf (a ’ware-wolf?) in the first place?

When I created the settings for The Daedalus Incident, I asked a ton of questions like those, often with answers leading to multiple additional questions. And as I wrote, I was careful to note other problems and disconnects as they arose, so they could be dealt with all together, at the same time, so that there’s a continuity of setting.

Now, I would say perhaps only 50% of that fully fleshed-out setting is in the book…but I’ve plenty of fodder for the next ones.

And of course, setting is only part of it. One of the mistakes I see in some genre mashups is that it’s enough to have a very cool mashup setting…sometimes at the expense of plot and character. Of course, any good book needs to have strong characters and a well-developed, well-executed plot. The mashup can’t serve as a crutch to prop up the other two.

Likewise, the plot and characters need to interact with the setting organically. You can certainly overlay a noir detective plot over an urban fantasy setting, but that’s not entirely original, now is it? How do the particulars of your mean-street faeries and vampires feed into that noir plot?

The point is, you have to stand strong against the geeky aura and do the hard work. People will expect a lot from a genre mashup – either because they love the idea, or because they think it’s a gimmick and it’s up to you to prove them wrong. The intensity and depth of your world-building after your ah-ha moment – and your plot and characters – will determine whether or not it turns into something great.

MJ MartinezMichael J. Martinez is the author of The Daedalus Incident, coming this summer from Night Shade Books, and is serializing his novella, The Gravity of the Affair, on his blog at michaeljmartinez.net. 

 

Revised Table Of Contents and Cover For Beyond The Sun

Published on by Bryan

Beyond The Sun revised cover

10 Introduction • Bryan Thomas Schmidt
13 Migration • Nancy Kress
30 The Hanging Judge • Kristine Kathryn Rusch
45 Flipping the Switch • Jamie Todd Rubin
61 The Bricks of Eta Cassiopeiae • Brad R. Torgersen
77 The Far Side of the Wilderness • Alex Shvartsman
85 Respite • Autumn Rachel Dryden
97 Parker’s Paradise • Jean Johnson
111 Rumspringa • Jason Sanford
132 Elsewhere, Within, Elsewhen • Cat Rambo
146 Inner Sphere Blues • Simon C. Larter
161 Dust Angels • Jennifer Brozek
169 Voice of the Martyrs • Maurice Broaddus
185 One Way Ticket • Jaleta Clegg
200 The Gambrels of the Sky • Erin Hoffman
206 Chasing Satellites • Anthony R. Cardno
219 A Soaring Pillar of Brightness • Nancy Fulda
236 The Dybbyk of Mazel Tov IV • Robert Silverberg
253 Observation Post • Mike Resnick

**

BEYOND THE SUN, edited by Bryan Thomas Schmidt
Orig. Price: $17.99
Sale Price: $14.99
Availability: in stock
Prod. Code: FP13-2

 

AVAILABLE FOR PREORDER

This title will be published in August 2013

Colonists take to the stars to discover new planets, new sentient beings, and build new lives for themselves and their families. Some travel years to find their destination, while others travel a year or less. Some discover a planet that just might be paradise, while others find nothing but unwelcoming aliens and terrain. It’s not just a struggle for territory but a struggle for understanding as cultures clash, disasters occur, danger lurks and lives are at risk. Eighteen stories of space colonists by both leading and up and coming science fiction writers of today. Mike Resnick spins a tale of aliens who find Earth future diverse and surprising as they plan an invasion. Grandmaster Robert Silverberg examines what happens when Jews tired of fighting for their homeland start over on a planet then must deal with a dybbuk (spirit) and aliens who wish to convert to Judaism. Autumn Rachel Dryden has colonists threatened by alien animals which burst out of shells on the ground like piranhas ready to feed on flesh. Jason Sanford has Amish colonists on New Amsterdam finding their settlement and way of life threatened by a comet and the English settlers who want to evacuate them. And a new story from Hugo and Nebula-winner Nancy Kress.

“Jack Williamson used to say that spaceflight was to science fiction what the Trojan war was to the Greeks. In recent years, myth is being replaced by the pragmatic, and this insightful anthology demonstrates that truth.”

—James Gunn, SFWA Grandmaster

“Beyond the Sun mixes courage, redemption, and stark terror in tales of distant worlds. Buckle in.”

—Jack McDevitt, author of Firebird

“Thomas Wolfe said, ‘You can’t go home again,’ but in this thoughtful, exciting collection of stories about mankind’s push to the stars, we see that we take the attributes with us that make us human. A wonderful collection of space-faring stories that reminds us that all we can depend on when we explore the universe is the unexpected.”

—James Van Pelt, author of Summer of the Apocalypse

“This is science fiction doing what only science fiction can do—pushing us out past the warm envelope of our biosphere,exploring our ultimate destiny as a species. A truly phenomenal collection.”

—Ted Kosmatka, author of The Prophet of Bones

BTS author photo 2Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012) and is working on Beyond The Sun (Fairwood, July 2013), Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also edits Blue Shift Magazine and hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

A Culture of The Worst?

Published on by Bryan

Optimist Pessimist memeI love interacting with people from other cultures. Discovering the world through their eyes, looking through that other lens, exploring it, seeing where it leaves, discovering new questions, new answers, new approaches. It’s why I got hooked on traveling to foreign places like Ghana, Brazil, Mexico and more, interacting with natives and trying to understand their lives, their world, etc. for over a decade. Those times enriched me and expanded my own box in so many ways. So it’s ironic to find myself a bit flummoxed by my own culture these days.

I grew up being mostly an optimist. While, as Christians, we believed in the depravity of man and doctrine of sin, my basic assumption was that most people are good people or trying to be. Every once in a while you’d run into someone who tested your faith in that theory, but mostly it panned out. A lot of people were doing good things to make a better world, a better life, a better community, sometimes with great sacrifice. And most people I met, it seemed, had a sense of fairness and politeness that dominated them.

But these days I run into more and more people who seem to believe the opposite: all people are evil and trying to be evil. They seem to automatically assume the worst in every case from actions to words to events, etc. Everything someone says is analyzed, and dissected with the assumption it’s meant to insult, offend, or malign. They jump right onto it too, accusing, blaming, critiquing and riling up their allies about it, all the while impugning motives that may or may not be the truth. Intent no longer matters. Who can be bothered to try reading intent in the modern technoage anyway, right? Intent can’t be discerned well via the web, so why bother?

Yet, I come from a belief that intent matters, and more than that, you can choose be insulted or upset, or you can choose to assume the person means well until they prove you wrong. Not so this new breed. (Or maybe they’re an old breed I just hadn’t encountered much before.)

Although we definitely are a more cynical and nihilistic culture now than we were then, it’s flummoxing for me because you really can’t argue or respond to that kind of flawed reasoning. It’s emotionally based, which is irrational by its nature, and it’s fed by deep seated hurts and insecurities that no words can ever heal.  It’s a rather unfortunate way to go through life, if you ask me. I certainly don’t enjoy wallowing in misery or past hurts and pains. I’ve tried it, believe me. Moving on is always better.

After all, there’s plenty more to come. And plenty to be genuinely upset about without looking for opportunities. They will find you no matter what. No need to seek them out.

But for some reason there are people who operate this way. It continues to puzzle and sadden me. The results are often false assumptions, broken relationships and destructive behavior patterns, all of which seem to feed on themselves.

In a nation already polarized over politics, religion and more, that just adds to existing problems, I think. And it’s unfortunate, because, again, trouble will find you all by itself without asking or going looking for it. That’s the world we live in. Regardless, I hope that this way of thinking remains the minority. I certainly have no desire to culturally adapt. It offers no appeal whatsoever, just a whole lotta unneeded drama, and who needs that? I’ve had enough, thank you very much.

Unfortunately, it’s become more and more the kind of trouble that will find you whether you look for it or no. As has happened to me and several others of late. So be it. If it happens to you, my advice is be nice, don’t waste time trying to argue or engage, just let your life speak for itself. And know that, in the end, that will speak louder than any rumors and last far longer. You’ll be happier, too.

You can be the hero of your own story, despite the flaws. And I’m talking about the kind of hero others might look at and identify as heroic, not the kind that makes people wonder are there any heroes left these days? You don’t have to put on tights and a cape and be perfect. We’re all flawed, that’s not the point, but you can choose to rise above your flaws and work harder to be a better person and positive contributor, or you can live for “me first.” That choice is yours.

Not that I have that all figured out, mind you. I’m still flummoxed. But that’s the dynamic of cultures for you. There are always things we struggle to understand about each other; things/ideas/concepts/behaviors/traditions that challenge us to accept or reject them but refuse to allow us to deny they exist.

When you’re a guest in someone’s country, the polite thing to do is to make those reactions internal while maintaining a respectful interior — something not always easy, I admit but which all too many American tourists get wrong to our country’s detriment. But when it’s in your own country, it’s harder. You start seeing it around you more and more, and there’s no escape. You can’t go home and remove yourself, because it’ll still be there tomorrow, waiting, lurking in the shadows, so to speak.

So you carry on and find a way to live with it, I guess. For me, that involves learning how to identify it and also how to avoid adapting it myself. That might not solve the issues it creates, but it sure makes for an easier walk, if you ask me.

For what it’s worth…

BTS author photo 2Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012) and is working on Beyond The Sun (Fairwood, July 2013), Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also edits Blue Shift Magazine and hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.

WriteTip: Using Assumption as a Dramatic Device

Published on by Bryan

WriteTips-flat

Since I’ve talked a lot about assumption over the past week, it seems appropriate to point out how useful it can be in creating conflict and tension in your fiction. Assumption is deadly for unity and relationships, most of us have learned this by experience or will at some point. The same can be true of your characters. Nothing quite ups the ante like having characters miscommunicating about something. When readers realize they are doing so because of false assumptions on the part of one or both, it just ups the tension and desire to see not only a resolution but how they’ll get there.

As a device, this is quite common in interpersonal relationships. The wife sees the husband talking to a woman. They’ve been fighting. She begins suspecting him of an affair. Then various circumstances happen and the wife assumes the worst about each. Pretty soon she’s c0nvinced the affair is real and confronts her husband, who can’t imagine where she ever got the idea.

This also commonly works well in detective stories. The detectives/cops/investigators gather evidence and make certain assumptions. They choose suspects and treat them accordingly. When an assumption is proven wrong, they move on to the next suspect, but in the process, they’ve been in conflict with several suspects during the investigation as they narrow down the list.

In any scene, this device can add tension and conflict as the goals of various characters oppose each other and they begin assuming things. How they get around the assumptions and resolve the situation, creates the dramatic arc of the scene. Now, sometimes the assumptions only last for that scene, but often, it’s far more effective to have them carry over further into the story, acting again and again to misdirect and mislead the protagonist or antagonist as they work through obstacles toward their goal.

It’s a very effective device. How do you put it into action?

First, identify what each character’s goal is for a particular scene. Then identify what their goal is for the entire novel or story. All characters, even minor ones, have driving goals. Identifying them allows you to juxtapose them against each other for dramatic tension.

Second, once you’ve identified the characters’ goals, ask yourself how the goals can act as obstacles for other characters? What are some was they can lead to miscommunication, misconstruing of another character’s actions, etc.

Third, decide if the resulting conflict is just for the present scene or something to carry out over two or more scenes.

Then construct a scene wherein the character’s goals cause them to come into conflict with each other.

If supporting characters embrace the assumptions of one or the other, this can only up the tension. For example, the detective who suddenly finds himself confronting an angry crowd who support one key leader’s assumptions. Or the knight up against angry villagers when he takes on one of their own. None of the supporting characters must have exactly the same goal as either key player here, just aligning themselves on one side or another is more than enough.

The result is a rice in tension that helps pacing and drives to story forward, making readers want to know what happens, how it happens, etc.

There’s nothing quite as effective for drawing in readers as a conflict which deepens despite its apparent simplicity in clever ways due to the characters’ actions and assumptions. When they are characters we care about, especially, these situations remind us of similar situations in our own life experiences. And we feel empathy for the characters experiencing them because we know how difficult they were to deal with ourselves. If the characters get themselves into more and more trouble with further assumptions, that just makes the tension all the stronger, creating more and more questions readers can’t wait to see answered as the story continues.

This is a device which works well in any genre or dramatic setting, too. It’s often something storytellers use without being aware of it. But building awareness allows you to be more deliberate in how you employ such a tool and to use it more fully when you do so.

What are some devices you enjoy using in fiction? What are some devices you’ve discovered through another author’s work? I’d love to hear your thoughts.

For what it’s worth…

BTS author photo 2Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction including the novels The Worker Prince and The Returning, and the children’s books 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (Flying Pen Press, 2012) and is working on Beyond The Sun (Fairwood, July 2013), Raygun Chronicles: Space Opera For a New Age  (Every Day Publishing, November 2013) and Shattered Shields with co-editor Jennifer Brozek (Baen, 2014). He also edits Blue Shift Magazine and hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and can be found via Twitter as @BryanThomasS, on his website atwww.bryanthomasschmidt.net or Facebook.