The switch to WordPress in late May has really seen the blog grow. We have had 13205 hits since then (as of 11 pm 12/30/11 that is) and average over 2000 a month, or 70 hits a day. Thanks for that support and interest. I wanted to take a look back at the highlights of the blog this past six months since the move. Several posts have gonna pretty viral by my standards so perhaps people would like to visit them who haven’t or even revisit them again. Here’s the top 20 posts. Please feel free to revisit this stories but also please consider leaving comments about what you like about this website and suggestions for how we can improve. We’re doing our best to serve you well and anything you can offer us as feedback just helps us do it better.
Thanks again for your support of me and this site!
Sadly but unsurprisingly, the least popular were some passion posts about things I really care about but not really writing focused, and the Links of the Week posts, generally, just didn’t excite anyone, so I stopped bothering to compile the links I tweeted each week but if anyone’s curious, you can click the links below.
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
Twice now I have explicitly told my publisher no 99 cent pricing. My book is worth more. And I don’t say it with arrogance. My book is not a self-published book. 4 editors worked on it. Two independent editors I paid before it sold at considerable cost and two at the publisher. I don’t want people lumping it in with the non-vetted crap that’s out there. While there are good books at .99, there’s also a ton of junk. My book is higher quality and we need to distinguish it. But at the same time, I’m still pretty unknown and new and people don’t know my work. They won’t pay the $9.99 or $16.99 major trade houses want for ebooks (which to me is asking a bit much even) so we’re at $3.99. We will do a one week $.99 sale to launch the new year but I feel comfortable with my position. And I think it’s dangerous to all of us in publishing who are professionals to allow our work to become devalued to the point where $.99 is the norm (if it hasn’t happened already) because that makes it really hard to make a living.
To me it smacks of a certain desperation. “Oh it’s working for some people. I can’t compete if I don’t do it.” But that’s ridiculous. There are plenty of proven cases of authors making money on ebooks at much higher prices. The harder reality is you have to sell a lot of books at $.99 with publishers or others taking a cut to make a decent living. You really have to have multiple successful books. And can you sustain that long term is a much more important question. Seriously. Tobias Buckell and others have done surveys and studiesshowing that books do sell at higher price points. In fact, Buckell convinced me $4.99 is a really good price point for novels. Mainstream publishers still can’t afford to price books that low but for those small presses and others who can, it’s not asking a whole lot. It’s close to half the price of a mass market paperback. We are, after all, talking about hours, months, years of someone’s labor most of the time. If you’re not spending that kind of time writing books, you’re in a different category and may well be writing stuff of the quality deserving of this low price point but most of of us labor hard and long through many drafts to get our work done and sell it and that has value. And people do consider price, quality of cover art, reputation, etc. when making buying decisions. I don’t feel uncomfortable at all with saying my work is of a certain quality and the price reflects that.
It worries me that we are letting the wrong motives control pricing. The music industry did that while fighting Napster and resisting ITunes and lost the battle. If we are more reasonable from the start but yet all work together to set fair prices, not greedy ones but fair ones, we will all be better off in the long run. And in the long run, we won’t lose sales. The market won’t go away. Trust me. If all people could find at $.99 was books of a lower quality or a few on special sales, they would jump to buy our $4.99 novels. It would not be an issue. They would not hesitate. People want to know they got something of value, even for $.99 and they prefer to be pleased rather than disappointed with what they get. If every author, self-published or not, priced books in the same range, the market would follow. There might be some resistance at first but people would get over it. And the people resisting are not the ones who really value your work anyway. Not the people you want to have controlling the cost of your labor. It’s really important to think about it.
Are we driving ourselves out of business if we let this pattern continue? Is it really worth it to have a sales boost now when you can never afford to live the real dream of writing full time? To me, it absolutely is not. And so I eschew such pricing schemes. If my book sells slower, which it is, so be it. My novel has gotten great reviews and some pretty high praise. I have yet to hear from a single person who read it and didn’t enjoy it. That is value. Doesn’t make me Mark Twain. Doesn’t make me an expert but I do feel professional. I am not Joe Blow offering you whatever rolled off my fingers into the keyboard that day. Neither are many authors who’ve surrender to this and I think that’s sad. It’s why we all really need to think about what’s going on and where we want to go with it and what it means. I wonder how many of those $.99 wonders are getting long term repeat business. How many are selling crap and having buyers never return? There’s also a little thing called value by association. It happens in real estate. People perceive a neighboring property to be of lower value and low and behold your property value decreases. The same thing happens with book pricing, believe me.
Another issue. Publishers are more and more counting on writers to do the legwork of promotion. I have spent 16 times my advance (which was admittedly a token) promoting my debut novel. The results are worth it: I got Honorable Mention on B&N Book Club’s Best SF Of 2011 and listed on Suvudu a few times, etc. But I will have a hard time recouping that, a fact I used to my advantage in negotiating my contract. Meanwhile, my publisher had authors lining up to sign with them because of the publicity I generated. So I bought them value. At 99 cents, I would be screwed at ever hoping to recover it. And that is becoming more a norm. Things like Cons, book fairs, etc. which you need to do to get out and meet readers, often don’t pay your way unless you’re invited and an elite pick. You pay those out of pocket and they are expensive. And then there’s the independent editors I hired before selling my novel whom I used to help me whip it into shape. Those don’t come cheap either. Add to that other costs of writing, time, etc. and it’s quite an investment. If we continue to underprice our labor and our costs, we will bankrupt ourselves.
In any case, I continue to be vehemently opposed to this model. I wish more people came alongside me on it, because I think a book which has been professionally edited and vetted by knowledgeable people has more value than a book someone did alone at home and threw on the market. I don’t appreciate it when I get a book that is not professional quality–filled with typos, bad prose, bad plotting, bad characterization, etc. I feel cheated. And I never want my readers to feel that way. It doesn’t mean my work is perfect or that there isn’t plenty of room to grow. It just means I am approaching it with a concern for delivering the best I can with people who help me achieve it. And that costs money to do. And it deserves to have a certain price. Period.
That’s my take on the whole phenomenon. For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
It’s been a while since my last Global Warming post, so I feel like making an update for various reasons. (Mostly because it’s on my mind at the moment.) The more I look into it, the more I remain convinced that the scientific community’s dogmatic attitude is distracting them from far more important matters. There have been plenty of scientists poking holes in the theory, plenty of studies showing significant warming periods throughout the Earth’s history even warmer than this one, that I find it ridiculous how much like attacking pitbulls GW proponents become the moment anyone dares questions GW theory. That just makes me question it more. Why are they so threatened by questions? Isn’t that how science is done, by asking questions? I have been around religious cults. I have people in my family who belong to one. That’s exactly how cultists act. Science is no good when you stop questioning things. It stops being science. And GW proponents have made GW their religion, plain and simple. I have a religion. I don’t need another one.
The purpose of this post though is not to rehash that old argument. Instead, while I don’t think we have it all figured out, I remain convinced, as always, that man has harmed the environment. Anyone who says differently, to me, is just being an idiot. How many oil spills do we need to clean up to realize we’ve harmed the environment? How many missing mandrakes must we uncover? How many cities have to have regular smog warnings and level alerts? Fact: Man has been a bad steward of the Earth. There’s no dispute on that. What is disputable is the degree of Global Warming and what we can and must do to reverse it.
It hardly matters, to my mind, whether you believe in GW theory or not. Man must change how we treat the environment in the face of continued distruction and depletion of resources. Fossil fuels won’t last forever, for example. Future generations will pay a price for our refusal to change our reliance on them. Future generations will also pay for continued deforestation, destruction of animal habits, and so much more that we are aware of and continue to ignore. It’s really shameful that there are so many simple things which every person can do that most people never bother with. Separating recyclables and taking them to recycling centers: I live in a small city of 13k. There is no city wide recycling but we do have centers and I separate everything per the list and it gets dropped off regularly. We are talking over half the garbage I generate that’s being reused here. Why in the world wouldn’t I want to do that? Problems exist with our landfills, people. The amount of land on the Earth is not growing. We are using it up at an incredible rate. Garbage has to go somewhere and no, New Jersey, barges in the ocean is not an attractive option. Everyone should be recycling in the United States and major developed countries. Some poorer nations have more of an excuse but one of the things we should be doing instead of fighting over theory is helping them develop programs.
This is my thing. While we fight over theory and argue over facts, the indisputable facts get ignored as well and nothing gets done. There is plenty of evidence that we harm the environment and plenty we can be doing to do better with it, plain and simple. We need to focus energy on that. So what if some people won’t get with the program? That’s always the case. Those who are aware should do all they can. Yet how many people are not? “It’s too hard.” “It’s too expensive.” “I don’t have time.” BAH HUMBUG. It costs me so little to recycle that I can’t even calculate it. Just a few extra trash cans and seconds of my time. Period. Instead of carrying the recyclables to the trash can, I carry them past to a recycling bin (whichever ever of the 4 bins they belong in). No one can reasonably argue to me that’s too expensive or time consuming or hard. And recycling is just one of the things we can do.
What about driving less or carpooling? People value their freedom more than the environment. That includes most of us. I live alone on the opposite side of town from family, and I’m currently unemployed. But I drive only when I must. I walk around the area of my home a lot. Within a few blocks I can find minimarts and restaurants and various places to keep basics going. And when I have to drive, I wait until I have multiple reasons to do so and go to the many different places on one trip. Just being conscious of this saves me a lot of gas and also tends to save time because coordinating stops at places congregated together makes more sense and takes less time than multiple trips.
That’s two simple things any of us can do.
There are more. I once got involved with Ted Danson’s American Oceans Campaign (now Oceana). As supporter, they sent me a simple wheel on basic household products which are environmentally destructive and how to make environmentally friendly substitutes out of other common household items. I’ve done this. I’m conscious about littering and how I engage with natural habitats and environments. No more breaking off branches or throwing rocks, etc. I try not to mindlessly disturb the place, instead, enjoying it in all its charms while leaving a minimum record that I was there.
There’s more. Look into it. I don’t have time or energy to lay them all out here. We do have a responsibility to future generations for their planetary home. We have not yet discovered somewhere else in the Universe we can go and live. Recent water planet discovery aside. We don’t have capability of sending colonists into space and since the government just defunded NASA, it’ll be a while. Nope. We’re stuck here, on Earth. This is our home and this is where we’re gonna be for a while to come. So we need to do better. Period.
Sometimes I think people just love to blame others and prefer arguing to real progress. It’s always someone else’s fault or responsibility. Always someone else who must start first, never me. BAH HUMBUG. One only has to look at the current White House, one of the least effective in U.S. history to see how good finger pointing and blame does. One only has to look at the current ineffective Congress to see how good arguing instead of pursuing progress works. It’s time for a change. By all of us. Period. If we don’t have the guts to do it, we share the blame. Period.
Well, there you have it. My GW update. At least as far as my opinion goes. I’m sure it will continue to piss off bought and sold pro-GW friends. But they, like everyone else, often continue to miss the point, and so be it. I’m entitled to an opinion. For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
As my Holiday gift to fellow writers, who have been so supportive of the tips offered on this blog, I’ve compiled a list and brief descriptions of 15 really top writing resources to help you move forward in your growth as a writer. Links to either Amazon or Barnes & Noble are included for those who want to purchase the books or just read reviews. With the exception of one series, they’re individual books, organized by category. All on my shelf and well worth your time and money. Thanks again for the support you’ve shown me and this blog in 2011!
Standards:
On Writing by Stephen King — a go to book by a master storyteller. Part autobiography, part examination of craft and writing process. Widely recommended for all writers with good reason.
On Writing Well by William Zinsser — Yes, I know, the subtitle is about writing nonfiction. Don’t let that put you off. An amazing classic on how to write well which every writer of all genres and stripes should have on his or her shelf. Period.
Imaginative Writing: The Elements Of Craft by Janet Burroway — a standard textbook for MFA programs, very useful for any fiction writer. Really in depth examination of the elements of craft with exercises, tips and more.
Marketing:
Guerilla Marketing For Writers by Jay Conrad Levinson, Rick Frishman, Michael Larsen and David L. Hancock — Great tool to learn marketing on a budget. Walks you through all kinds of promotional resources you didn’t even know you had as well as breaking down the ones the pros use and how to plan your PR campaign like a pro. Very useful tool with great resources in the appendices as well.
Crossing The Chasm by Geoffrey A. Moore — great marketing book on the psychology of successful marketing and pushing through to the next level. A standard in marketing.
Getting Known Before The Book Deal by Christina Katz — A new standard for how to build your platform and audience well before your book’s release. A must read for writers of all levels.
Craft:
Screenplay by Syd Field — One of the all time most important books on story structure, often used at film schools, of great use to novelists as well. Learn how to follow the three act structure and develop your plot in a solid, powerful way.
Writing The Breakout Novel by Donald Maass — written by a leading literary agent with years’ experience selling books and writing them. Agent to many big name authors. A really powerful book for any author on how to make your novel top notch.
Revising Fiction by David Madden — a great book full of tips on how to revise your novel to the minutest detail. Covers anything and everything with good organizational suggests for how to approach it and think through later drafts. Out of print but well worth tracking down used and easy to find.
Writer’s Digest Elements Of Fiction Writing series — a series of books by successful authors like Orson Scott Card, Monica Wood, Nancy Kress and more covering specific elements in each book: Plot, Description, Setting, etc. Very useful tools. Like a classroom in your bookcase.
The 10% Solution: Self-Editing For The Modern Writer by Ken Rand — life changing, hands down. A great, short, concise editing methodology which will improve your writing over night. A must have for writers. The one writing resources I seared in my brain and use daily.
Resources:
The Writer’s Guide To Creating A Science Fiction Universe by George Ochoa and Jeffrey Osier — useful for any writer needing to learn worldbuilding. Although it’s specific to science fiction, the reasoning and tools apply to any genre. Very useful. Also out of print but easy to find used online.
Negotiating a Book Contract: A Guide For Authors, Agents and Lawyers by Mark L. Levine — Step by step guide to book contracts covers standard clauses, negotiation, and how to identify what you want and get it. A must read for anyone involved with book contracts by an author who also happens to be an attorney.
English Through The Ages by William Brohaugh — Another out of print gem which covers the origination of English words through history. Helps authenticate your language usage in writing novels set in particular periods, especially historical or fantasy ones. Easy to find used.
I Have This Nifty Idea…Now What Do I Do With It? by Mike Resnick — A collection of book proposals for best selling novels compiled and edited with commentary by Mike Resnick. If you hate writing outlines, proposals, synopses, etc., this is the book for you. How the pros did it. You can emulate it. Can be hard to find. Small press. But well worth the hunt.
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
This post originally ran on Jamie Todd Rubin’s blog as part of my blog tour for The Worker Prince. Jamie gave me permission to rerun it here so more of you can find it.
Bryan Thomas Schmidt: Well, Jamie, thanks for inviting me to your blog. I am a big fan of Golden Age Science Fiction, as are you, and I enjoy your updates as you take your nostalgic trip back through the pulp zines of old. In particular, I am a huge Leigh Brackett fan, but, of course, I’ve also been influenced by Robert Silverberg, who started out in the pulps, Ray Bradbury, Isaac Asimov, James Blish, Henry Kuttner, Edward Hamilton…so many. So much so, in fact, that when I wrote my space opera novel, I wanted to capture some of the magic feel I found in the pulp stories. Good v. evil, with clear cut bad guys, larger than life heroes, sidekicks, interesting aliens, space guns, space fighters, and also that good clean family fun. So many of those stories were meant to be read by fans of any age, and I wanted the same for The Worker Prince. If people can get lost in my world and escape into some fun for a bit, I’d feel very successful with it.
Jamie Todd Rubin: Let’s see, I’ve encountered Brackett, Asimov and Kuttner so far in my Vacation, but of course, I’ve read Silverberg, Blish and Bradbury elsewhere. One of the things that I find interesting is that these writers were, for the most part, at the beginnings of their careers. I’ve read 2 Brackett stories so far, and they haven’t been great, but over time you can actually see the improvement. You talk about stories that are meant to be read by fans of any age, and “good clean family fun.” I’ve often thought that at its heart, science fiction needs to entertain first and foremost, because how else can you expect to do anything else if you aren’t entertaining your reader? I’ve been criticized for this, but I still think it’s true and it sounds like that is what you are going for in The Worker Prince; something that anyone can pick up, start reading, and enjoy. That is not as common today as it was 70 years ago. There are some writers still doing this, but a lot of science fiction and fantasy writers are writing darker pieces, perhaps reflecting the time. I’ve listened to you interviewed and I know that The Worker Prince is more than just entertainment value. I wonder if you see part of it as a reaction to some of the darker fiction being published today?
BTS: It is interesting to see the development of writers like Brackett, Silverberg and others which you most certainly can over the course of their writing. I would say that I am reacting to the darkness of modern fiction, yes. I don’t personally enjoy over the top sex, foul language and violence. For me, it really has to serve the story and so often I think it’s there for shock value or a writer wanting to prove they reject “moral police” or something. It’s not even surprising anymore, that’s how over used it is. But more than that, in a time when we have faced so much darkness in the real world, where’s the inspiration stories of hope? Anti-heroes have, in a sense, become the new heroes. But the old fashioned heroes of old have disappeared. I remember when Captain America was ended because he had no flaws. He was too good for them to continue it. What is that? When did that become an issue? With moral problems in our politicians, celebrities and others being more and more front page news, perhaps our expectations have been forced to lower. But I still believe admirable heroes exist and that kids and adults both need them. Because they are so inspiring. Thirdly, I fell in love with science fiction as a kid and so much of that market today is questionably appropriate for kids below teenage and maybe even young adult. At least, parents should be aware of the content and involved in decision making. Call me old fashioned, I still believe parents screening exposure to some things for their kids is their responsibility and also healthy. I did some studies in college on the effects of content and they do influence people. I doubt that’s changed much twenty years later. So I wanted to write stuff like the pulps that kids and adults could both enjoy, something they could discuss as a family. Nothing preachy, per se, as I’ve mentioned on the podcasts, but something that inspires hope and a belief in heroism like so many Golden Age stories did. You have kids. How much do you monitor the content their exposed to and when would you stop wanting to?
JTR: It seems to me that this “shock value” was mostly (but not entirely) absent from Golden Age fiction in part because writers didn’t have television to compete with. I don’t watch much TV any longer (no time) but it seems to me that with rare exceptions, shows are aiming for shock value over storytelling. That said, there was a reaction to John Campbell’s notions of good fiction–what today we call “new wave” science fiction. But even the new wave stories didn’t seem gratuitous for the sake of being gratuitous. If anything, they were attempting to follow literary trends outside of science fiction to better legitimize the genre. Your question about suitability for kids is one that I am particularly interested in. I do have kids, but both of them are at this point too young to understand most of what appears in science fiction. I have, however, thought about how I would monitor what my kids were exposed to. I was fortunate. In my own case, my parents got me a library card and let me read whatever I wanted, telling me that if I had questions, I could come and ask them and we could discuss them. I think I’d want to do the same with my own kids. I don’t want to hem them in, but I want them to understand what it is they are reading, and be there for them to address any questions they might have about what they’ve chosen to read. Of course, as a science fiction writer and a big fan, I could certain urge them in the direction of works that I admire. But even this, I’d hesitate to do for the same reason that I try not to overtly make my boy into a New York Yankees fan: I don’t want him to rebel from it just because it is something I like.
It does raise a question in connection with your novel, however. As you’ve said, much Golden Age fiction was read by kids and adults alike. Do you find it difficult to write for such a wide audience? Or perhaps is the story clear enough for anyone? I recall Isaac Asimov writing that he never “talked down” when writing to children. The only change he ever made in his writing style was to take care with his vocabulary when writing for particularly young audiences. How is it that you write something that is accessible to both adults and youngsters?
BTS: My approach was similar to what Asimov described. I didn’t write down but I did watch my vocabulary. And I tried to be clear. I also tried to have a variety of strong characters, besides the leads, to connect with. And I found ways to incorporate elements in my world building which tie well to modern issues so people could recognize commonalities and connect, even kids. I avoided four letter words, sex and graphic violence and focused on descriptions which might stimulate the reader to fill in the gap. If you say “Xalivar cursed,” for example, every reader will fill in their own favorite curse word for you. I don’t have to explicitly state it. And the sophistication of the words will vary by age and other factors, of course. But I think that’s a great way to help readers become a part of the story, to draw them in. And I loved books that did that when I was younger. I can understand where you’re coming from about your kids, and certainly as one with no kids, I have limited experience. But I’ve read a lot of studies on how various contentaffects people and I certainly don’t want to be the one to negatively impact anyone so I tend to feel great responsibility for anything I put out there. And I also would likely want to oversee what my kids read at least to a certain age. I’d also follow your example and try not to push anything but also leave the dialogue open. That’s important. And my effort to write for a broader audience came from a desire to stimulate dialogue. I remember discussing The Hobbit with my dad and other stories as a family and how fun it was, how much I learned. I wanted to create an experience similar to that for readers through my book.
And I agree one hundred percent about the impact of television and movies. I think shock value is a selling point these days. And I think people are so used to more dark or gratuitous content and thus it’s become commonly accepted, even considered normal for good storytelling. But I do find that it often distracts because it can be done poorly in many cases. Not all, by any means. But I find that I work harder when trying to create tension and character and drama without using those shock tactics. I have to be more creative and that makes me a better writer.
JTR: There were some big works that emerged from the Golden Age. There were two Lensman novels by E. E. “Doc” Smith, for instance, published by the end of 1941. Between 1942 and 1950, Isaac Asimov published all of the stories that make up his original Foundation trilogy. Robert Heinlein published most of his Future History. For whatever reason, this established a pattern that lingers even today: science fiction lends itself to continuing story-lines and sequels. Indeed, in today’s market, it seems difficult to sell a standalone novel to a publisher, although often times, I find stand-alone novels enjoyable because there is less of a commitment–or perhaps because there is a deeper commitment to a single work. From the Golden Age, I think of L. Ron Hubbard’s Final Blackout as a fine example of a stand-alone. Today, a book like Robert J. Sawyer’s Rollback comes to mind. What are your plans with regard to The Worker Prince? Do you see this as a stand-alone novel, or is this a world that you want to revisit? Either way, where do you go next?
BTS: Well, I wrote The Worker Prince to feel like a standalone, although certainly strands remain which can obviously be explored further. The antagonist is still alive. And as I finished it I realized that there was more I could do, so it became a trilogy and I began to mentally map that out. I am almost finished with Book 2. Another polish pass and work on the ending. It’s called The Returning. Then Book 3, The Exodus will wrap things up. But if there’s demand, I’d love to do a prequel YA series of the adventures of Davi Rhii and his friends in their younger years. And then, after that, as is the trend, I’ll go back and change stuff I don’t like in the original trilogy to make them better, of course. (Just kidding).
I’m with you on standalones. Especially with the Chihuahua killing size of so many books these days. It’s just a real investment to ask a reader to make. Being not only a new writer but one who’s had that experience, I worked hard to keep my novel a smaller size and the sequels will follow that pattern. I also have an epic fantasy series which should be shorter than average and an urban fantasy series as well. I have a standalone steampunk book and a future steampunk book in the works as well. So much to write, so little time.
Jamie Todd Rubin is a science fiction writer and blogger. His fiction has appeared in Analog, Apex Magazine, and Orson Scott Card’s InterGalactic Medicine Show, and most recently through 40K Books. He writes the Wayward Time Traveler column on science fiction for SF Signal, as well as the Vacation in the Golden Age column on his website. Jamie attended James Gunn’s online fiction writing workshop in 2008. He is a member of the Young Gunn’s writers group, the Codex writers group, and the Arlington Writers Group. He is an active member of the Science Fiction and Fantasy Writers of America.
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
The Worker Prince is the story of a prince who discovers he was born a slave. When he raises objections about the abusive treatment of slaves, he finds himself in conflict with both friends and families. After a tragic accident, involving the death of a fellow soldier, Davi Rhii winds up on the run. He then joins the worker’s fight for freedom and finds a new identity and new love. Capturing the feel of the original Star Wars, packed with action, intrigue and interweaving storylines, The Worker Prince is a space opera with a Golden Aged Feel.
What do I want for Christmas? Well it’s the same thing as last year really. And ironically something everyone could give but most won’t. What is it? I want people to think about what they say and how they say it. I find myself subjected to hurtful hate against Christians and others daily on Facebook and Twitter. It really gets me down. Maybe that’s my depression. But what’s worst is so much of this hate comes in the name of anti-hate. If you say it, think about how you’d feel receiving it. And always assume you can’t read a person’s heart.
That this comes from people I admire, respect and think of as friends is really disturbing. Many are smart, well educated, well meaning people. Do they know how much they’re hurting others with their careless remarks?
One of the most offensive changes in our cultural climate the past few years to me has been the change in the way people ideologically bully others. The chief tool of this seems to have become throwing around words like “bigotry.” Calling someone a bigot used to be a major accusation not given lightly. Now it’s thrown around without major thought. And that’s a very destructive thing. In my experience, this change has come about because people have forgotten the distinction between bigotry and racism and have redefined the word. Ironically, in the process, by calling people “bigot,” they themselves have begun acting as bigots.
Dictionary.com defines bigotry as follows:
big·ot·ry
[big-uh-tree]
noun, plural -ries.
1.
stubborn and complete intolerance of any creed, belief, or opinion that differs from one’s own.
2.
the actions, beliefs, prejudices, etc., of a bigot.
On the other hand, racism is defined as follows:
rac·ism
[rey-siz-uhm]
noun
1.
a belief or doctrine that inherent differences among thevarious human races determine cultural or individualachievement, usually involving the idea that one’s own race is superior and has the right to rule others.
2.
a policy, system of government, etc., based upon orfostering such a doctrine; discrimination.
3.
hatred or intolerance of another race or other races.
As you can see, strictly speaking, bigotry is an intolerance of different opinions, creeds and beliefs and acting to persecute anyone who holds such ideologies. It is not accusing people of being inequal for various differences. That’s racism, and it’s an important distinction. Let’s look at some examples.
I often hear Christians labelled as bigots when they take a stand that marriage is sacred and should be restricted to one man and one woman and not redefined to include same sex couples. Many of these same Christians would have no issue if the government created civil unions or some other form of marriage-like bond for same sex couples but they want to maintain the biblical definition of marriage. How is this bigotry? It’s not according to this definition. They are not saying same sex couples cannot have similar rights. They just don’t want to redefine a religious rite to mean something different than it’s biblically defined. The other difficulty is that many Christians believe for true forgiveness to occur, one must be repentant of the sin. And one must make an effort to leave behind the sinful behavior. In other words, one must attempt to and desire to change. For people who believe homosexuality is a choice, which is also completely unbiblical, this poses a problem as well because if you are born something, how can you be asked to change? They believe the Bible clearly states that all men and women are tempted with sin but we also all have the power to resist and not act on those impulses. Yet, here we are, all of us sinners, which means, we all fail to resist some temptations which we encounter. Equally.
While there are stricter, more conservative sects of Christians who consider homosexuality an abomination worse than other forms of sin and some who even go so far as to condemn gays as an abomination, this is not biblically correct. The bible does not rank levels of sin. The one sin singled out as worse than others is blasphemy of the Holy Spirit. That’s the only one. Instead, the bible states many times that all sin is an equal abomination before God and that all men and women are equally sinners. Being a loving God, with faith in Christ, we are offered forgiveness and a second chance. That offer is extended to all sinners, not just straight ones. But because such diversity of beliefs exist, all Christians get painted with the same paintbrush. There are a number of other sects with varied beliefs, some far more liberal than this. Yet all get lumped together when Christians are called bigots, etc. by people who have no idea what those they are accusing really believe.
I believe the reason that people often call Christians bigots is because they don’t share these biblical beliefs. But the fact that they are in ideological disagreement does not make the other side “bigots” by the definition we see above. It just makes them in disagreement. In a country founded for religious freedom, this is an important distinction. Throwing around that term is incredibly wrong. It’s also incredibly hurtful. Even if you disagree with the biblical claims I state above, that does not make someone who believes those things a bigot. It makes them people who disagree with you. And the holding of a difference in belief itself is not bigotry. It is only when you are intolerant that it becomes bigotry. And as per the definition, that means being intolerant of the belief itself existing.
So persecuting Christians for that belief and labeling them incorrectly as bigoted becomes an act of bigotry itself. Those who take this view argue that the beliefs are discriminatory. But is that really the case? It’s more of a disagreement of definitions and the majority of belief holders are not going out to try and attack or otherwise harm or label or abuse same sex couples. Most would live in peace with them and let each have his or her own, so to speak, but they remain convinced the Bible is true and that its definition of marriage as God’s sacred union of one man and one woman is something that must not be violated. Those on the other side call this discrimination but if same sex couples can have the same rights through civil unions or something how is it really hurting or discriminating against them? It’s not actually. This is a matter of terms really. I have not been alone in suggesting that marriage be left to churches and all couples be offered civil unions by the government. In fact, some countries require this. In Brazil, you can marry in the church, but it’s not legal for the government until you have the civil government ceremony and filing. If these Christians can be accused of something, it may be lack of compassion for others is appropriate, certainly at times. But actual bigotry? In individual cases, yes, but overall? Hardly.
Another example. Recently Lowes pulled ads from a Michigan local TV show about ordinary American Muslims. Lowes was immediately labelled bigoted. But the CEO of Lowes received thousands of letters from potential customers around the country decrying sponsorship of the show, so he made a business decision that it was a headache he didn’t need. Courageous? Maybe not. Bigotry? Hardly. There’s no value judgement being made here about religion. It’s about where advertising dollars can be most effective in promoting the business. Period. Yet they are labelled bigots. Incorrect.
Yet another example. Actress Angie Harmon recently spoke about how she was treated in Hollywood when she answered a question about her politics, revealing herself as Republican: “When I quote, unquote came out I had no idea I was doing something that was detrimental to my career. It never occurred to me. I’m an American. I’m going to have an opinion as everybody else does and I was asked a question. The fact that it was turned into that I was a gay hating racist was just heartbreaking. It was really horrible. The fact that most of my close friends are gay. After I quote unquote came out as a Republican, one of my dearest gay friends said to me, ‘You’ve got to go on a T.V. show and tell everyone you like gay people.’ I was like, ‘Why?’ He was like, ‘Because you’re a Republican.’ I was like, ‘I’m sorry who’s stereotyping who?”
Yes, that’s right, automatic labeling and assumptions based on beliefs. Am I the only one who sees how wrong this is? How ignorant and hateful it is?
To me, this opposition is more a stubborn refusal based on a desire to “win” an ideological battle (itself a bigotry against anyone who disagrees) than it is about legitimate discrimination. So the accusers in labeling others bigots, themselves become bigots. Ironic, isn’t it? Most of the vitriol and rhetoric these days has one aim: to totally discredit anyone with opposite beliefs. It’s not really about the truth nor is about the mutual respect and harmony they claim to demand. They want to win. And in a country founded on respect for different beliefs and ideas, that’s a crime. The worst perpetrators are people who are educated and smart and should know better. In fact, they often do. That lack of character is the real danger to America, not opposing beliefs.
In fact, these are the same people who preach “tolerance” while being intolerant. There is a difference. Let’s look quickly at these definitions.
tol·er·ance
[tol-er-uhns]
noun
1.
a fair, objective, and permissive attitude toward thosewhose opinions, practices, race, religion, nationality, etc.,differ from one’s own; freedom from bigotry.
2.
a fair, objective, and permissive attitude toward opinions andpractices that differ from one’s own.
ac·cept·ance
[ak-sep-tuhns]
noun
1.
the act of taking or receiving something offered.
2.
favorable reception; approval; favor.
3.
the act of assenting or believing: acceptance of a theory.
4.
the fact or state of being accepted or acceptable.
To disagree with someone’s choices or views is not the same as being intolerant. It is not acceptance, of course. But intolerance? Hardly. Yet another misused term that’s being improperly employed here. To not allow others to think freely even when they disagree with you is to be intolerant. It’s also to be bigoted. Who are the real bigots and intolerant ones in these situations?
I once was a camp counselor. We had kids of all backgrounds, beliefs, etc. One day someone heard a rumor that I was Christian and asked me about it. I said, yes, I am. They asked my belief about what the bible says about homosexuality. I said “I believe the bible says it is sin.” That’s it. Period. They said thanks for being honest, walked away and told everyone I was a bigot. I was persecuted as a gay basher and gay hater. Forget the fact that one of the kids I was closest too that year was gay. I never treated him or any of the other students any differently. I never even broached the subject of their sexuality with them. I never talked about my faith. The mere fact that my opinion existed made me a hater. But who was the one being hated? Who was the one not being tolerated? Who was not being accepted?
I’ve gone out of my way on #sffwrtcht, the Twitter chat I host, to allow discussion of a wide variety of topics. Both homosexual fiction and Christian have been discussed. I’ve promoted books with gay characters and books with Christians characters. My own preferences don’t enter into it. All I ask is that we keep our discussions and web content family friendly. Am I really the intolerant one?
Let me close with another Angie Harmon quote from the same article: “Look our forefathers moved here for freedom of speech and wanting to be able to have their own opinion. I don’t care if you’re Republican or a Democrat or a Liberal, getting crucified for the way you think or believe, obviously if it’s not hurting anyone, it’s just Un-American.We’ve become so intolerant of each other that it’s just sickening. It’s just heartbreaking. United we stand, divided we fall. We have got to learn to be tolerant of each other. It’s pretty obvious we’re not going to al think the same way but we’ve got to learn to appreciate every American for the fact that they have the right to think the way they do.The Democrats have the right to think the way they think, the Republicans have the right to think the way they think. I might not understand everything a Democrat or liberal thinks but hey let’s be honest, I don’t understand some of the things the Republicans think, but that doesn’t make me some dumb hick that doesn’t have the right to live here.”
I know exactly how she feels.
For what it’s worth…
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
The Worker Prince by Bryan Thomas Schmidt takes the Biblical story of Moses to the stars and beyond. WhenPrince Xander Rhii – Davi to his friends – graduates from the Borali Military Academy at the top of his class, his horizon looks clear and bright. Privileged enough to grow up in the Royal Household, he’s spent his life surrounded by his friends, his devoted mother – Princess Miri, and his uncle Xalivar – the Lord High Counselor of the Borali Alliance. However, his mother has shielded him from his uncle’s dark side; an anger so black it threatens to consume Davi and all he loves when the young prince discovers the secret of his own past.
This book manages to do what many other science fiction novels haven’t; namely show existing religions in the distant future. The resemblance to the Biblical story of Moses is obvious, but the way it is told is engaging and not limited by the comparison. True, Lord Xalivar ‘will not let the workers go,’ but the workers themselves work toward their own salvation – rather than depending on their God to do it for them. The fact that the workers are monotheistic Christians – unlike the polytheistic Lords of the Alliance – emphasizes the culture clash that already exists between the peoples. The overlords feel superior to the enslaved workers, and use that as a reason to subjugate them – something historically common throughout slave-holding societies.
Throughout the plot, the strong ties of family are stressed. Loyalties are tested, both among the workers and the Royal family, and betrayals weighed against the greater good. As the plot progresses, main characters find themselves facing moral dilemmas, which adds to the physical and psychological tension.
With the exception of an attempted rape scene, essential to the plot yet handled delicately, there is no sex. Despite the dire circumstances, there is no swearing or profanity of any kind. The plot is strong; the language straightforward. In the end, the novel has a glossary to explain some of the new terms the author introduced, but in my opinion context was enough to render further explanation unnecessary.
While the high stakes were up for grabs until the very end, my only complaint would be that the plot addressed everything a bit too neatly. Almost every character takes part in the final battle. Every plot point is resolved – for good or ill. However, since the next book in the series is due out next year, things must not be as tidy as they appear.
This book works on several levels. While other science fiction novels shy away from mentioning modern day religions, this book manages to succeed in doing just that without feeling preachy. The religious overtones cannot be ignored in the story, nor should they, for they add to the realism of the plot. The people of this future feel as real as any family member or despot of the modern world, and they deal with the same issues. I recommend this both as both as a science fiction delight and a good family read.
About the author
Catherine Russell
Author bio: Catherine Russell is an author living in NE Ohio. Her work has been published in the ‘Best of Friday Flash – Volume One’ anthology, Lightning Flash magazine, and Flash Me magazine. She shares her life with her high school sweetheart, their son, and two ferocious puppies in the Wilds of Ohio while writing and learning more about the craft every day. More of her writing can be found on her blog – http://www.ganymeder.com
It’s that time of year again. And I find myself reflecting on a year filled with books. I read 52 books a year just for SFFWRTCHT alone. And this year, between guest blog posts, reviews, research, and more, I added at least 23 more books on top of that. I lost count, truthfully, and I’m not going to go through Goodreads to find out. So we’ll say I read 75 and call that close enough. In any case, this list is not a ranking of everything I read. Instead, I’ve chosen to list books which most impacted me as far as opening my eyes to possibilities. The books on this list either showed me new genres, new ways of looking at old genres, or new approaches to them in ways which have stuck with me and left me thrilled and challenged as both writer and reader. With that in mind, here’s my 2011 Personal Top Reads:
1) The Flying Machine by Andrew Mayer — Okay, steampunk’s been done already. Cherie Priest mastered it, we’ve all heard. Gibson, Powers, Jeter and Blaylock launched it. But wait. Here comes a new writer whose not only done it but added superheroes and written a tale the likes of which we haven’t seen since Jules Verne? The Society Of Steam series launched with The Flying Machine and steampunk has never been so fun. A great read, with fun characters, good action and good humor.
2) Soulless by Gail Carriger — And speaking of humor, nothing made me laugh more than Gail Carriger’s Soulless, the first of four Parasol Protectorate books in her original series and now she’s just about to launch a new one. Werewolfs, vampires, Victorian England, even the Queen herself appear amidst the quirky characters. This is fun and funny. A great read.
3) Greywalker/Downpour by Kat Richardson — Harper Blaine was just your average, small time Pacific Northwest PI until a man beats her to death. In those two minutes, while she’s dead, something changes her forever. When she comes back, Harper can see dead people. Not in a ‘Call Bruce Willis, Mommy, this is odd” kind of way but a “Hey, Drac, you been taking your vitamins? You’re pale as a ghost kind of way.” Vampires, Ghosts, magic and witches transform her life. Written in 2006 I can easily understand why this urban fantasy novel took off, and the sixth book, Downpour, from 2011, is just as good. Harper’s now used to her powers, so to speak, and so are the undead used to having her around. This time she witnesses a ghostly car accident whose victim blames a nearby small resort community. When Harper goes to check it out, she finds a sinister cabal gathering forces with a dark art and she must stop them before it’s too late. Great characters, great use of Pacific Northwest locations, great mystery elements and pacing that carry you suspensefully through to the end.
4) Diving Into The Wreck by Kristine Kathryn Rusch — Kris Rusch is no stranger to most of you, she also writes mysteries as Kristine Grayson and edited the mighty Magazine of Fantasy and Science Fiction for several years. In this great new space opera series of which two books are out this year and another follows in early 2012, the protagonist, Boss loves to dive historical ships found adrift between the stars. Sometimes for money, but mostly as a historian. She wants to know about the past—to experience it firsthand. Then one day, Boss finds the claim of a lifetime: an enormous spacecraft, incredibly old, and apparently Earth-made. It shouldn’t be here. It can’t be here. And yet, it is. Boss is determined to investigate and so hires a group of divers to explore the wreck with her, but the past won’t give up its treasures without blood. Really good stuff based on several short stories which have appeared in Analog.
5) The Disappeared/Consequences (Retreival Artist) by Kristine Kathryn Rusch — her other series started from short stories, about former cop turned retreival artist Miles Flint starts with The Disappeared and continued through 7 novels with an 8th coming out this month. Flint helps hunted innocents, convicted of crimes against alien races which they don’t really understand and didn’t intentionally commit, to hide themselves and start new lives, to disappear. But somehow his clients turn up dead. Someone is hunting them or revealing their identities and Miles has to stop them. Great books with a combination of space opera SF and mystery-police procedural elements. A whole lot of fun. With some well developed, interesting alien cultures.
6) The Unremembered by Peter Orullian — A musical magic system where spells are sung? Need I say more? Well how about this, if you’re mourning the coming end of The Wheel Of Time, you’ve got seven books ahead of you in Orullian’s Vault of Heaven series. Yep. And this first one reminded me how much I love epic fantasy. It’ll remind you too. Great characters, great worldbuilding, epic good v. evil. And musical magic. Who could ask for anything more?
7) The Dragonbone Chair by Tad Williams — Ok this one’s been around a while. 1988 copyright. But I’d never read it and I am having a ball. It’s a long, dense book with lots of characters and description and there are three more books to follow, the last in two parts, but there’s a reason this series has been hailed as epic fantasy on a Tolkien-esque scale. An epic evil is rising and two brothers are fighting over their father’s throne, threatening to divide a kingdom. Great stuff, rich settings, action, and characters with politicking, dragons, trolls and more.
8 ) Goblin Corps by Ari Marmell –Ari Marmell has written D&D adventure packs and tie-ins, but in Goblin Corps he writes a heroe’s adventure with the bad guys as heroes. That’s right, top goblins including an orc, a kobol, a bugbear, a troll, a doppleganger, an ogre and a gremlin are sent by the Goblin king to recover objects of power that will reverse the course the Dark Lord’s defeat, only to uncover a more sinister plot that threatens them all. They’re not the easiest group to like or root for yet Marmell pulls it off and never stops entertaining with good action and humor along the way.
9) Black Blade Blues by John A. Pitts — John A. Pitts’ urban fantasy series about apprentice blacksmith Sarah Beauhall was one of the best surprises of the year for me. Anyone who’s ever hung out with SCA members or gone to a Ren fest will appreciate this story, about dragons taking over the financial power as brokers and businessmen who come up against an ancient dragon killing sword when Sarah uncovers it while doing props for a movie. They come to destroy it and try and destroy her in the process and Sarah fights back to save her lover and her friends. Great coming of age drama, good humor, and a lot of fun. A great read all around. And book 2 arrived late this year.
10) Pathfinder Tales: Plague Of Shadows by Howard Andrew Jones — Howard Andrew Jones, Managing Editor at Black Gate Magazine and editor of many anthologies of classics from the likes of Harold Lamb, etc. burst onto the scene with two terrific novels this year, Desert of Souls, with Asim and Dabir–follow ups coming in 2012 and beyond– and this Pathfinder Tales D&D tie-in. I’d never read any D&D books before and I imagined silly stops in the action for the characters to roll dice and other game-play nonsense but there’s no such thing. This is good adventure, sword and sorcery fantasy with strong characters, a well thought out world and magic system, and a lot of fun. I had a blast. Made me want to get back into D&D regularly again after twenty years and I’ve read several others since. Good stuff for the fantasy lover in this line.
11) Firebird by Jack McDevitt — The third SF title on my list is part of an ongoing series about the antiquities agent Alex Benedict and his assistant Chase Kolpath as they help wind up the estates of the deceased deep in a distant solar system only to uncover deeper mysteries surrounding the objects and the people themselves. This time reknowned Physicist Christopher Robin has disappeared and left a trail of interstellar yachts flown far outside the planetary system where they too vanished. Following Robin’s trail into the unknown puts Benedict and Kolpath in danger. McDevitt writes like a classic Golden Age writer, which anyone who’s read my posts here knows sold me right away. Just a lot of fun with good SF elements to boost the mystery.
12) The Black Prism by Brent Weeks — Gavin Guile is the Prism, the most powerful man in the world, high priest and emperor, a man whose power, wit, and charm are all that preserves a tenuous peace. But Prisms never last, and Guile knows exactly how long he has left to live: Five years to achieve five impossible goals. When he discovers he has a son, born in a far kingdom after the war that put him in power, he must decide how much he’s willing to pay to protect a secret that could tear his world apart. Great magic system. Great characters. Great action. Epic fantasy in a unique setting with lots of tension and excellent pacing. Weeks was new to me but he already has the best selling Night Angel Trilogy and you won’t want to miss this new one either. Book 2 comes in Fall 2012.
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
You never know when you’ll run into someone who wants an autograph or knows someone else who would like one. Signing books is a matter of spreading good will and showing gratitude to readers. As SFWA Vice President Mary Robinette Kowal recommends in her great post on signing books, they should be on hand for when you need them. But bookplates can get expensive. So I decided to make my own, using my years of computer and office support staff experience. Here’s how I did it.
Supplies: Things You’ll Need 1) Avery Labels 8164 or compatible (you can easily replace this with heavier duty labels but these work find with caveat below*)
2) An image with license to use
3) Microsoft Word or Open Office
3 Steps To Making Your Own Bookplates
1) Create a full page template of labels with Avery 8164 in Word. Here are the buttons to click:
a) Click Mailings. (It’s in the top menu bar for MSWord 2077 and 2010. Earlier versions vary.)
b) Click labels on the box that opens up.
c) Click the button then select Avery 8164 from the list that pops up.
e) Click .
f) Click .
A sheet filled with the labels will appear in MSWord.
2) Create Your Bookplate Template
a) Create a Text box and insert Ex-Libris, standard Latin used on bookplates or some other phrase.
b)Insert the image centered on the page below the Ex-Libris (leave blank space at the bottom for your signature)
c) Once you have the image and text where you want them, then copy and paste to the other labels to make a page and save.
3) Print your bookplates
a) I suggest that you print first on the back of a label page OR a blank 8 1/2 x 11 sheet and hold on top of labels up to light to see if the borders work.
b) Once borders are verified and any adjustments made, print your bookplates on the labels themselves.
Cost: $10.99 for labels (25 sheets of 6 each) + partial print cartridge and your time.
My bookplates look like this:
*Caveat: Label adhesive, like tape, can lose strength over time. For best results, I suggest adhering these to the inside of a book page rather than the inside of a cover and be sure and rub it down good so it adheres well.
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, an honorable mention on Barnes & Noble’s Best SF Releases of 2011, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
Today started out badly. But never has a day so quickly turned completely around and gone off the map. I mean toilet overflow with chunks kinda day. Yep. That’s what I dealt with first thing this morning. Disgusting. Sorry to share. But there’s a point.
As usual, I check it over and prepare to send it out for others to see. Then I get to the Honorable Mentions. Just scanning, mind you. And my mind is blown.
My debut novel is listed.
I know Paul from Facebook and B&N Book Clubs. Nice guy. We’ve chatted a few times. He invited me to send my novel, so I did. In August. Never heard a word. I figured he didn’t review it. Maybe he didn’t like it. Maybe it just didn’t catch his interest.
I am stunned, amazed, humbled and honored.
I feel legitimate in a whole new way. And so privileged.
If you haven’t seen it, you should check it out here https://bryanthomasschmidt.net/the-worker-prince/
And if you’ve read it, please review it on B&N, Amazon, Goodreads, etc. Sales are steady but slow. And I guess I feel like there’s an audience out there who would enjoy it I’d like to see discover it.
Thanks to all for the support and encouragement!
Especially those mentioned on my Book Day Thanks. Thanks to Paul Goat Allen as well!
Bryan Thomas Schmidt is the author of the space opera novelThe Worker Prince, the collection The North Star Serial, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.
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