The Same Bird: Reflections on Moving Forward After Trying Times

“The right wing and the left wing are both part of the same bird.”

I don’t know where that quote came from, but I’ve seen several people post it unattributed on social media, and after a very rough divisive week I think it’s our mantra for moving ahead or should be.

I don’t do politics a lot and I definitely don’t do it on this blog because it tends to be way too divisive and this blog is not about that. People who read this blog care about my writing knowledge and my work but not my opinions on foreign policy and politics and I get it because that’s exactly how I feel about my favorite authors too. So this post isn’t going to be political. This post is still about writing. Read on and see.

I think it’s important to remember that there’s more than one valid point of view and way of looking at the world, because people are different. No two people see things exactly 100% alike. I learned this through my travels to Mexico and Ghana and Brazil. And I’ve learned it from living in places where I was white but minority like El Paso as well as in places like Los Angeles, Kansas City, and St. Louis where the culture is very diverse.

To me, the best thing about having friends with different backgrounds, points of view, and world experiences is it gives you a lot of fodder for writing and character development. You can’t write well what you don’t know or are completely unfamiliar with. People try it all the time and fail miserably but the best writers write from knowledge and experience. They are good listeners, good observers of human nature, and tend to surround themselves with a variety of friends who don’t always agree with them on everything including politics. These writers learn to study the world around them for different points of view. It doesn’t hurt anything. It doesn’t necessarily even change your mind. But it does illuminate for other ways of looking at the same issue and reasoning about it that can sometimes provide insight, even if that insight serves only to bolster your existing point of view.

In the end, we’re all part of the solution and part of the problem, see? Regardless of how we see things. You can argue ‘til you’re blue in the face about who’s right and who’s wrong, throwing around polarizing, condescending terms like “on the right side of history” and accomplish nothing but raising your blood pressure. In the end, if we don’t find a way to work together toward common goals and common ends, we won’t go anywhere. All we’ll do is maintain stress and unhappiness. Who wants to do that?

So as we move forward after a difficult election into more difficult times —as Covid continues and so forth—I would urge us all to remember we’re all part of the same body of man, we’re all fellow humans, and that really we all have a lot more in common than we have different, and we would do well to spend more time celebrating that and less time focusing on what divides us as we move forward. I certainly think it would make for a happier world and a happier society. If you ask me, given what we’re dealing with right now, that would be a very useful and pleasant start. For what it’s worth…

WriteTip: On Writing What You Know As A Search For Truth

 

WriteTips-flat

First things first, it’s been a while since I wrote one of these posts. Apologies to anyone who follows the blog. I honestly ran dry in my well, because I was working on so many creative projects from writing to editing that finding energy, let alone time, for blogging was not happening. I think it was a worthwhile break for me, but I do need to reconnect with my audience I didn’t want to leave you all behind forever, and I certain value our relationship. Thanks for your patience. I am going to try and resume these once a week on Thursdays at least three times a month.

So for our first topic back, I wanted to reflect on an old mainstay, the advice to “Write What You Know.”

In a Twitter interview last night with New York Times Magazine culture editor Adam Sternbergh about his new science fiction noir novel, Shovel Ready, Sternbergh responded to my usual question about good and bad writing advice as follows: “Worst: Write what you know. Classic workshop trope. But what I know isn’t interesting enough for anyone to read.”

On the surface, I understand his sentiments, however, I’m going to disagree. Perhaps if we dug deeper into the statement with Sternbergh, he might agree with me but for now, we’ll just deal with the statement as is.

I believe the advice to write what you know is about a quest for truth. Writing what you know is easier for several reasons. The more familiar you are with them, the more realistic the characters and situations you write will be.  Assuming you only apply this advice to a few things, you might say, “Oh, I’m a journalist, it’s been done, boring,” or “Oh, I’m a housewife, who wants to read that.” However, I think the advice goes deeper.

Whether you’re writing speculative fiction or contemporary, historical or alternate history, readers will only connect with your story if they find elements they can relate with. From characters to situations, your story’s connectivity is going to come from the truths it contains. And so I think the advice to write what you know is very important because if you want people to connect, you must tell the truth, and you can’t write truth without knowing something about it.

In a far future tale on an  alien planet, what resonates with us are the emotions of characters, their relationships, how they see the world. Sometimes those are very different from our own, yes, but that very fact can be illuminating of our own experience. Other times, those emotions, relationships and views are like ours, and in such cases we can see ourselves in the situation reacting with the character.

Regardless of which way it goes, most readers ask themselves questions as they read, like: “What would I do in that situation?” “How would I react?” etc. And so the motives of the characters, their actions, and their emotions need to reflect believable truth for us to really find the story plausible. If they don’t, it doesn’t make sense and leaves us feeling unsatisfied.

So, as cliche as the advice “Write What You Know” may seem on the surface, I have to say it’s become so common because it speaks of a universal truth. In writing, one must write things that are true for his or her story to be true enough for readers to connect with it.  In a sense, writing what you know then becomes less about writing characters, settings, etc. that are based on your real world experiences and yourself, and more about creating ones that reflect reality in some familiar way that readers will relate with. And if that is the case, then writing what you know is indeed very good advice.

Giving writing advice is tough, because so much of it can vary from person to person, even conflict with that of others. You do have to use discernment in applying such advice, of course, and use what you can, ignore what you can’t. But to me, “Write What You Know” is advice we all can use to make our fiction stronger. That’s why I think it comes up so often, and why I think it’s stuck around so long.

Dig deep. Find the truth in your settings, characters, and situations. No matter how fantastical you dress it up, that truth is what will keep readers coming back and make your stories stay with them long after they’ve turned the last page. There’s truth in characters, relationships, settings, and all sorts of details no matter how smile. Find them, use them, and they will bring your fiction depth and make it pop off the page, make it come to life. That’s what good writing is all about. It’s what makes stories successful and memorable.

To me, that’s advice worth knowing. For what it’s worth…


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (2012), Beyond The Sun (2013), Raygun Chronicles: Space Opera For a New Age (2013) and coedited Shattered Shields (Bean, 2014) with Jennifer Brozek and is working on Monster Corp.A Red DayMission Tomorrow, andGaslamp Terrors, among others. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.