Tag: worldbuilding

Write Tip: 15 Top New Year’s Reads For Writers

Published on by Bryan1 Comment

As my Holiday gift to fellow writers, who have been so supportive of the tips offered on this blog, I’ve compiled a list and brief descriptions of 15 really top writing resources to help you move forward in your growth as a writer. Links to either Amazon or Barnes & Noble are included for those who want to purchase the books or just read reviews. With the exception of one series, they’re individual books, organized by category. All on my shelf and well worth your time and money. Thanks again for the support you’ve shown me and this blog in 2011!

Standards:

On Writing by Stephen King — a go to book by a master storyteller. Part autobiography, part examination of craft and writing process. Widely recommended for all writers with good reason.

On Writing Well by William Zinsser — Yes, I know, the subtitle is about writing nonfiction. Don’t let that put you off. An amazing classic on how to write well which every writer of all genres and stripes should have on his or her shelf. Period.

Imaginative Writing: The Elements Of Craft by Janet Burroway — a standard textbook for MFA programs, very useful for any fiction writer. Really in depth examination of the elements of craft with exercises, tips and more.

 

Marketing:

Guerilla Marketing For Writers by Jay Conrad Levinson, Rick Frishman, Michael Larsen and David L. Hancock — Great tool to learn marketing on a budget. Walks you through all kinds of promotional resources you didn’t even know you had as well as breaking down the ones the pros use and how to plan your PR campaign like a pro. Very useful tool with great resources in the appendices as well.

Crossing The Chasm by Geoffrey A. Moore — great marketing book on the psychology of successful marketing and pushing through to the next level. A standard in marketing.

Getting Known Before The Book Deal by Christina Katz — A new standard for how to build your platform and audience well before your book’s release. A must read for writers of all levels.

 

Craft:

Screenplay by Syd Field — One of the all time most important books on story structure, often used at film schools, of great use to novelists as well. Learn how to follow the three act structure and develop your plot in a solid, powerful way.

Writing The Breakout Novel by Donald Maass — written by a leading literary agent with years’ experience selling books and writing them. Agent to many big name authors. A really powerful book for any author on how to make your novel top notch.

Revising Fiction by David Madden — a great book full of tips on how to revise your novel to the minutest detail. Covers anything and everything with good organizational suggests for how to approach it and think through later drafts. Out of print but well worth tracking down used and easy to find.

Writer’s Digest Elements Of Fiction Writing series — a series of books by successful authors like Orson Scott Card, Monica Wood, Nancy Kress and more covering specific elements in each book: Plot, Description, Setting, etc. Very useful tools. Like a classroom in your bookcase.

The 10% Solution: Self-Editing For The Modern Writer by Ken Rand — life changing, hands down. A great, short, concise editing methodology which will improve your writing over night. A must have for writers. The one writing resources I seared in my brain and use daily.

 

Resources:

The Writer’s Guide To Creating A Science Fiction Universe by George Ochoa and Jeffrey Osier — useful for any writer needing to learn worldbuilding. Although it’s specific to science fiction, the reasoning and tools apply to any genre. Very useful. Also out of print but easy to find used online.

Negotiating a Book Contract: A Guide For Authors, Agents and Lawyers by Mark L. Levine — Step by step guide to book contracts covers standard clauses, negotiation, and how to identify what you want and get it. A must read for anyone involved with book contracts by an author who also happens to be an attorney.

English Through The Ages by William Brohaugh — Another out of print gem which covers the origination of English words through history. Helps authenticate your language usage in writing novels set in particular periods, especially historical or fantasy ones. Easy to find used.

I Have This Nifty Idea…Now What Do I Do With It? by Mike Resnick — A collection of book proposals for best selling novels compiled and edited with commentary by Mike Resnick. If you hate writing outlines, proposals, synopses, etc., this is the book for you. How the pros did it. You can emulate it. Can be hard to find. Small press. But well worth the hunt.

Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, a Barnes & Noble Best SF Releases of 2011 Honorable Mention, the collection The North Star Serial, Part 1, and has several short stories forthcoming in anthologies and magazines. His second novel, The Returning, is forthcoming from Diminished Media Group in 2012. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.‎

4 5-star & 9 4-star reviews THE WORKER PRINCE $3.99 Kindlehttp://amzn.to/pnxaNm or Nook http://bit.ly/ni9OFh $14.99 tpb http://bit.ly/qIJCkS.

 

Why I Used A Real Religion In The Worker Prince & Why You’ll Enjoy It Anyway

Published on by Bryan1 Comment

Boy, we live in strange times. That’s never been more clear to me than by watching the way some people blanch at the audacity I must have to put a real religion in my novel. The Worker Prince is the story of Moses retold as space opera. The story of Moses is a story of ideological and racial bigotry. How do you tell that without ideology? I think the real objection is that I chose Christianity. I chose Christianity for two reasons: one, I grew up in it so I know it very well. Two, ideological bigotry against Christians is growing in the world today. And thus, it gives my story a relatable culture for readers. Yep. I am not going to assume that those taking issue are all ideological bigots nor that they all are the very ones who are discriminating against Christians today. Why? Because most of that bigotry is done by well meaning people who have bought political pundits’ hyperbole and failed to look into the facts. But at the same time, it saddens me a little to see people write the book off because of it as some seem to be doing.

I spent a lot of time thinking through this novel before I ever tried to write it. 25 years, in fact. And the time spent writing and revising, this was one of the issues foremost on my mind. I grew up in a culture where ideological and other differences used to be respected. The country was founded on freedom, after all. I’m not writing about Klu Klux Klan or other hate groups here. I am writing about a large group of believers who make up one of the largest faith groups in the Western world. I also spent time vetting the story with non-Christian readers. The majority of people who blurbed my book and beta read it were people who do not share my faith. Why? Because, honestly, I am not writing an evangelistic book. I am writing entertainment. I have no desire whatsoever to use The Worker Prince to change your mind about anything except perhaps the fact that ideological bigotry is just as evil as racial bigotry and other forms. That’s the sole agenda.

Take a look at the reviews (you can find links at the bottom of this page as well as blurbs). Not one accuses me of being preachy. Even the one who didn’t finish it because she doesn’t care for books with religious themes (that’s her reason–she raves about the book in other aspects) specifically said it’s not preachy. I worked hard on this aspect because I respect readers. I hate being preached at. The last thing I want to do is do it to you. So I was very careful what and how I present any religious content. In fact, the Christian Bookseller’s Association members who publish speculative fiction wouldn’t touch it. That’s right. This book isn’t Christian enough for them.

It’s odd to me that people have such an issue these days with reading books they know will be outside their worldview. I do it almost every time I open a book. The majority are not written by Christian writers, and, even when they are, no two people share the exact worldview so there are always differences. And in science fiction and fantasy, you especially find few religious writers. Should I just not read it then because I don’t share their views? It particularly bothers me when writers show this bias, because as writers, we cannot hope to understand our world and write about it if we don’t examine it well. And even more so, if we stay inside our box, how can we write characters different from us in a way that readers will believe it? How can we address the topics we want to address believably if we don’t examine them from many sides? I honestly don’t know a way. People of faith live all around us. Don’t you think getting a long with people is easier when you can respect their beliefs? And how can you respect them, despite disagreeing, if you don’t take the time to learn about them? The same applies to them respecting you.

It’s hard to write about a religion of any sort and not be preachy. It’s hard with strong world views, in fact. Try it. You’ll see. I put a lot of work into this. It was not easy. So it’s actually a matter of pride I take in my craft that I accomplished that. And I think anyone could read it, regardless of their beliefs, and get enjoyment. It’s a fun story. Again, check the reviews on this  page, if you don’t believe me. I am getting mostly 4-star or higher reviews. Most from non-believers. That should tell you something about the book.

Do you like action? Humor? Larger-than-life characters? Fast paced plotting? Space ships and laser guns? What about family politics? What about societal political manuevering? What about romance? Friendship? They’re all in The Worker Prince and more.

So, if you like Golden Age stories and old fashioned heroes (plus modern heroines–none of those weak damsels in distress for me, no), I encourage you to give The Worker Prince a shot. I don’t think you’ll be disappointed. Okay, it’s a first novel, it’s not perfect. I’m still learning my craft. Doesn’t mean you won’t enjoy it. In fact, my beta readers all are raving about book 2. The Returning will be out next Spring or Summer. Maybe you can learn from watching my craft evolve. They say it’s way better. (It’s harder for me to see from the inside, of course, but some aspects were a lot easier to write this time around). I even toned down the religious stuff because a) I’d already established that in book 1 and b) I am sensitive to reader’s feelings. It’s the only real barrier people seem to have: the inclusion of a real religion. Otherwise, the story entertains, engages, carries them away. Isn’t that what good stories are meant to do? I’d sure like to read more of them.

If you agree, check out my book. I don’t think you’ll be disappointed.

326 pp · ISBN 978‐0‐9840209‐0‐4 ·Trade Paperback/Epub/Mobi · $14.95 tpb $3.99 Ebook  · Publication: October 4, 2011

Trade paperback only

 EPUB or MOBI — please specify in notes on order

Bryan Thomas Schmidt is the author of the space opera novel The Worker Prince, the collection The North Star Serial, and has several short stories forthcoming in anthologies and magazines. He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. He can be found online as @BryanThomasS on Twitter or via his website. Excerpts from The Worker Prince can be found on his blog.