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Guest Post: The Prize in your Serial by Gail Z. Martin

Please welcome to my blog today on her latest blog tour, the talented Gail Z. Martin.

by Gail Z. Martin

Shadowed path cover MartinWhen I was a kid, I picked my breakfast cereal by the toy surprise in the bottom of the bag. That hidden treasure mattered to me a whole lot more than the flavor of the corn flakes.

So I find it interesting that in fiction, readers are discovering the allure of a new type of ‘serial’–serialized fiction.  Of course, serials aren’t new. Charles Dickens made his living writing for magazines, stretching his stories out in installments for a breathless reading public. Magazines in the nineteenth and twentieth centuries ran a lot of serialized fiction, with readers awaiting the next installment in the forthcoming issue. And for a while, ‘penny dreadful’ writers cranked out lurid pulp fiction at a brisk rate, much like episodic TV does nowadays. Back in the day, radio shows also serialized stories, so that listeners would ‘tune in again next week’ for the next thrilling segment.

With the demise of many magazines, it took the internet and digital publishing to breathe new life into serialized fiction. Podcasters were quick to embrace the idea, with folks like Scott Sigler and JC Hutchins doing very well with the concept, and others like Christiana Ellis, Tee Morris, Rich Sigfrit and PG Holyfield bringing back the dramatic multi-actor radio drama format for serialized stories.

I took the leap into doing serialized novels with my Jonmarc Vahanian Adventures ebook short stories and novellas a few years ago. The series focuses on the backstory for a favorite character in my Chronicles of the Necromancer/Fallen Kings series, someone with a dark past whom readers wanted to know more about. I began writing sequential short stories that will add up, eventually, to three full novels about Jonmarc.

The Shadowed Path, my new book from Solaris Books, is a collection of the first ten of those short stories (plus an exclusive eleventh story) that comprise the first third of Jonmarc’s story. Taken together, they form a novel with a full story arc. I’ve had a lot of fun writing the stories, and having the chance to share Jonmarc’s  background, since he’s a favorite of mine, too. There are eight additional stories available in ebook beyond those collected in The Shadowed Path, with three more novellas coming later this year.

Serializing a story requires a slightly different approach from writing a regular novel, because each individual ‘episode’ has to have its own internal arc to a greater degree than do chapters in a book. The stories need to be able to stand on their own, but also link together to build a greater whole. It’s an interesting writing challenge, and I’ve been enjoying working with it.

Readers and authors get some wins with a serialized story that are also different from a regular novel, or stand-alone short fiction. Readers don’t have to wait as long for the story to unfold, but still have the anticipation of the upcoming installment, which is familiar to people who watch episodic TV. For those who prefer to binge read like they binge watch, the sequential short stories will eventually be collected into a larger, cohesive whole.

For the author, it’s nice to get feedback throughout the process instead of only at the conclusion of a full novel. Bringing out episodic work on a regular basis maintains a relationship and an ongoing connection with readers, preserving that link between books. And it’s a great way for authors who may have contractual obstacles that restrict bringing out new ‘novels’ (due to publisher right of first refusal, etc.) to be able to still create larger, cohesive works. Personally, I’m a fan of bringing out additional, sequential stories that tie into my novels because there are a lot of smaller adventures I enjoy sharing with readers that involve the characters and setting and which happen outside the full novels and which introduce secondary characters or expand on the world building.

Modern Magic cover MartinMy Deadly Curiosities Adventures short stories expand on the novels in my dark urban fantasy series with additional episodes featuring more cursed and haunted objects and supernatural threats. Readers get a chance to know the main and secondary characters better and spend more time in the modern-day Charleston, SC atmosphere. The first 10 of those stories with Cassidy, Teag and Sorren, are collected for the first time ever in Trifles and Folly, currently part of the Modern Magic ebook boxed set with 12 full-length books by 13 bestselling dark fantasy authors, just $1.99, only on Kindle for a limited time.

The Storm and Fury Adventures continue the Steampunk world of Iron & Blood, with Department of Supernatural Investigation agents Mitch Storm and Jacob Drangosavich fighting clockwork monsters and supernatural evil in 1898 alternate history Pittsburgh. And my Blaine McFadden Adventures will eventually provide six sequential, serialized novellas that fill a six-year gap in my novel Ice Forged. Three of those novellas are currently available, either individually or collected in King’s Convicts.

For me, the prize in the serial is the chance to tell more stories, explore more adventures, and keep readers on the edge of their seats, waiting for the next installment. So dig in!

From June 21-June 30 I’ll be doing my annual Hawthorn Moon Sneak Peek Event blog tour, and I hope readers will stop over to my website, find out what all is going on and where to find the posts, giveaways, contests and fun events. And of course, please look for The Shadowed Path at your favorite bookseller!

The Hawthorn Moon Sneak Peek Event includes book giveaways, free excerpts, all-new guest blog posts and author Q&A on 22 awesome partner sites around the globe. I’ll also be hosting many of my Modern Magic co-authors guest posting on my DisquietingVisions.com blog during the tour.  For a full list of where to go to get the goodies, visit www.AscendantKingdoms.com.

An Excerpt from Raider’s Curse, part of The Shadowed Path:

Jonmarc took off running. At fifteen, he was tall, just a bit over six feet. Years of working

alongside his father in the forge had given him a strong back and muscular arms. A mop of

chestnut-brown hair hung in his brown eyes, and he pushed it out of the way as he ran.

A worn path led to the open shed that was his father’s forge. Jonmarc could hear the steady

pounding of his father’s hammer on the anvil. The sound echoed from the hills, steady as a

heartbeat. He skidded to a stop just outside the doors.

 

Anselm Vahanian swung a heavy hammer in his right hand while his gloved left hand turned

the piece of metal on the anvil. Sparks flew around him, landing on the long sleeves of his rough-

woven shirt, his gloves, and his leather apron. The forge smelled of coal, iron, and sweat. To one

side lay two swords Anselm had completed for a client in the village. On a table lay a variety of

farm tools—iron pots and pans, and hoops for the cooper’s barrels. Jonmarc had helped to forge

several of the pieces, though he longed to work on swords, like his father.

 

“Mother said to tell you to wash up for dinner,” Jonmarc shouted above the clanging.

Anselm stopped and looked at him. “I’ll eat supper later. You know I can’t stop in the middle

of something when the iron is hot.”

 

Jonmarc nodded. “I know. I’ll tell her to put a plate aside for you.” He paused, and Anselm

looked at him quizzically, waiting for the unspoken question.

 

“Have you talked to any of the fishermen lately?” Jonmarc tried to make the question sound

off-handed, but Anselm frowned as if he caught the undercurrent of concern.

 

“You mean the talk about raiders,” Anselm replied, and struck the iron he was working.

“Do you think it’s more than just talk?”

 

Anselm didn’t answer until he put the iron bar back into the furnace to heat up. He was

Jonmarc’s height, with a head of wiry dark hair and brown eyes that glinted with intelligence. A

lifetime in the forge had given him broad shoulders and a powerful physique. His profession also

showed in the small white burns that marked his hands and arms, scars too numerous to count.

Jonmarc had gained a few of those burn scars too, but not nearly as many as his father. Not yet.

 

“Maybe,” Anselm replied. “The real people to talk to are the traders. Their ships go up and

down the Northern Sea coast, stopping at all the villages. I always get news when I trade iron

with them.”

 

“Have you heard anything?”

 

Anselm turned the iron rod in the furnace. “Some. One of the villages on the other side of the

bay burned. Everyone was gone when the traders came. No way to know why or how. Eiderford,

down the coast, did have a run-in with raiders a few months ago.” He eyed the iron, and turned it

one more time.

 

“So there are raiders,” Jonmarc replied.

 

Anselm shrugged. “There are always raiders. But there’s less to attract them here in

Lunsbetter than in Eiderford. We’re not a proper city, and we’re as like to barter as deal in coin,

so there’s less to steal.”

 

Unless they want food, livestock, or women, Jonmarc thought. And there are enough people

who trade with the ships that there’s probably more coin here than anyone wants to admit.

“There’s a garrison of the king’s soldiers beyond Ebbetshire,” Jonmarc replied. “Can’t they

stop the raiders?”

 

Anselm shrugged. “They can’t guard every village along the coast,” he said. “And they’d

have to know for certain when a raid was planned.” He shook his head. “No, we’re on our own.”

He paused.

 

“Don’t worry yourself about it,” Anselm said, drawing the rod out of the furnace and placing

it on the anvil. “We’ve doubled the patrols, and the fishermen are on alert.” He grinned. “And

tomorrow, those swords are going down to the constable and the sheriff. We’ll be fine. Pump the

bellows for me. The fire’s grown cold.”

 

Anselm stood in front of a large open furnace filled with glowing coals. Jonmarc pumped the

bellows that were attached to the back of the furnace, and the coals flared brighter, flames licking

across their surface. Anselm lifted his hammer to strike the iron. “Now get back up to the house.

Your mother’s waiting. Just save some for me.”

 

“I’ll make sure of it,” Jonmarc replied. The clatter of the hammer drowned out anything else

he might have asked. He stepped out into the cool night, and started back up the path to the

house. His stomach rumbled and he fancied that he could smell the stew. But the worry he felt

when he went to the forge had not lifted; if anything, his father’s comments increased Jonmarc’s

concern than the warnings about raiders were not mere tales.

 

If father says the men are keeping their eye out for trouble, then that’s the end of it, he

thought. Naught I can do. But he remembered his comment to Neil about keeping the axe

sharpened, and on the way back to the house, he detoured into the barn. Thanks to his father’s

craft, they were well-stocked with farm implements.

 

He walked over to the space his father used to butcher meat. Butchering wasn’t a pleasant

job, but it was necessary, and a task with which Jonmarc was well acquainted. He had learned

the craft from his father, practiced enough that it no longer made him lose his dinner to be awash

in blood and entrails. His father had taught him to strike swiftly and cleanly, to block out the

death cries of the terrified livestock, to go to a cold place inside himself until the job was done.

He had even learned a few tricks of the trade, like how to hamstring a panicked animal that was

likely to kick or buck. But nothing about how to fight men.

 

On the wall hung an impressive variety of knives. He selected a large butcher knife with a

wicked blade as well as a smaller boning knife, and made his way around to the back door,

hiding the knives among his mother’s herbs before going in for supper. Tonight, when everyone

was in bed, he would come back for them—one for him, and one for Neil. Just in case the men

were wrong.

 

If you want to see more stories about Jonmarc Vahanian, check out The Chronicles of the

Necromancer series and The Fallen Kings Cycle books, as well as the Jonmarc Vahanian

Adventures on ebook.

©2016 Gail Z. Martin all rights reserved. No duplication or reprint without written permission.

 

About the Author

Gail Z Martin headshotGail Z. Martin is the author of The Shadowed Path (Solaris Books), Vendetta: A Deadly Curiosities Novel in her urban fantasy series set in Charleston, SC (Solaris Books); Shadow and Flame the fourth and final book in the Ascendant Kingdoms Saga (Orbit Books); and Iron and Blood a new Steampunk series (Solaris Books) co-authored with Larry N. Martin.

She is also author of Ice Forged, Reign of Ash and War of Shadows in The Ascendant Kingdoms Saga, The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven, Dark Lady’s Chosen); The Fallen Kings Cycle (The Sworn, The Dread) and the urban fantasy novel Deadly Curiosities.  Gail writes three ebook series: The Jonmarc Vahanian Adventures, The Deadly Curiosities Adventures and The Blaine McFadden Adventures. The Storm and Fury Adventures, steampunk stories set in the Iron & Blood world, are co-authored with Larry N. Martin.

Her work has appeared in over 30 US/UK anthologies. Newest anthologies include: Robots, The Big Bad 2, Athena’s Daughters, Heroes, Space, Contact Light, With Great Power, The Weird Wild West, The Side of Good/The Side of Evil, Alien Artifacts, Cinched: Imagination Unbound, Realms of Imagination, Gaslight and Grimm, Baker Street Irregulars, Clockwork Universe: Steampunk vs. Aliens.

Find her at www.AscendantKingdoms.com, on Twitter @GailZMartin, on Facebook.com/WinterKingdoms, at DisquietingVisions.com blog and GhostInTheMachinePodcast.com, on Goodreads https://www.goodreads.com/GailZMartin and  free excerpts on Wattpad http://wattpad.com/GailZMartin

 

 

Guest Post: Lawrence M. Schoen, author of Barsk: The Elephants’ Graveyard, talks about writing anthropomorphic animals

Barsk cover

My friend Lawrence Schoen’s latest novel and big publisher debut, Barsk: The Elephants’ Graveyard, from TOR Books had sold out its first printing before it even released. It is about sentient animals who have survived the self-destruction of human beings and now rule the galaxy. I asked him to talk on the blog about how to write animals as main characters of a novel.

How do you approach writing animals as characters? Do you anthropomorphize or avoid it?

I treat animal characters much like I treat alien characters, which is to say, I write them as characters first, and then add in the other bits (animal, alien, or both).

I start by asking myself a few basic questions like, “Who is this character? How does he see the world? How does he see himself? What does he want?” and then as these basics start to sketch out, I drop the character into the setting that further shapes those answers.

With the anthropomorphic animal (or as I like to call them, “raised mammals”) characters in Barsk, there were additional factors. The easiest of these was to build on the physiological differences from the source animals, and play with how that then affects the more basic characteristics and questions. This is particularly important for the reader, because she’s looking for something familiar to glom onto, something that can be assessed at a glance, be it an elephant’s trunk or the graceful gait of a cheetah or the relative lethargy of a sloth. These are signals to a reader that say, “oh, okay, it’s like a human being, only not, because it’s also like X.”

After the broad strokes of an animal character is done, the real fun begins. The bits that act as Easter eggs for more savvy readers. Little pieces from research into what ethologists and other scientists have learned about these species which when dropped into sapient characters inform their culture and worldview. As one example, we know that among elephants, after a certain age, the males all go off on their own solitary way and only return to mate, leaving the females behind to form groups of adults and children of both sexes. Take this one datum and apply it a planet of uplifted elephants and you get a society where you have households of adult females — mothers and sisters aunts and cousins, like something out of H.M.S. Pinafore — taking responsibility for all child rearing, and males who spend their adult lives as peripatetic bachelors — never settling down for long, always moving on. And from there you get to ask how this all manifests in routine things that you probably won’t actually look at in the book, but which has to exist in the back of your mind because it all influences the way the characters walk through their own world. Questions like, “What does this do to the housing market? What’s the impact on job security? What happens to individuals who don’t fit smoothly into the society’s normative roles?”

The characters in an anthropomorphic novel need to have the same quality of breadth and depth and variety that ordinary human characters enjoy and/or endure; it’s all just filtered through the specialized animal traits that is their due as well. Because at the end of the day, you’re using them to tell human stories, and while they may be furry or horned or bat-winged or something else, they must also project a basic humanity, one to which the reader can relate. In the end, the thing we always remember about the best alien or anthropomorphic characters isn’t how much they differ from us, but how human they were.


Lawrence M. Schoen holds a Ph.D. in cognitive psychology and psycholinguistics. He’s also one of the world’s foremost authorities on the Klingon language, and the publisher of a speculative fiction small press, Paper Golem. He’s been a finalist for the John W. Campbell Award, the Hugo Award, and the Nebula Award. Lawrence lives near Philadelphia. You can find him online at LawrenceMSchoen.com and @KlingonGuy.

 

Signed Books For Christmas

Still time to order copies of my books for that special someone.  I have copies of all of my titles. Tell me which one you want and if you want it personalized too or just signed.

Email me at bryan at bryanthomasschmidt.net.  I will tell you how much to paypal and then priority mail the bubblewrapped, signed books wherever you want.

Typically I charge $15 per trade paperback plus $5 priority mail but international I’d have to calculate. This helps me. It helps your loved ones and friends by giving them good materials. And it helps you save time shopping. A 3-way win.

I have some great stuff as you can see from the reviews, or you can order from my Amazon page here: http://www.amazon.com/Bryan-Thomas-Schmidt/e/B004FRQ7XS/ref=sr_ntt_srch_lnk_1?qid=1449351366&sr=1-1.

Here are some of the books I’ve edited or written:

Mission Tomorrow cover 2 larger TWP WFP front cover 102 More Dino Jokes cover Abe Dino Hunter LOL cover Beyond Sun Cover.indd RaygunChronicles TPB front display Shattered Shields cover small

GUEST POST: Why Authors Love Research – Days Of The Dead Blog Tour

Today, my friend Gail Martin stops by on her Days Of The Dead blog tour for a talk about writers and research. – BTS

By Gail Z. Martin

Print

I love research. In fact, sometimes I almost think the book is an excuse to do the research. Almost.

Okay, I was a history major, so I came into this predisposed to be nosy about other people’s business. History is the best reality show. Forget the structure artificially imposed on history by textbook authors. History—the rise and fall of kingdoms, the great explorers, the conquest and colonization—was done by people who, on closer inspection, make the Kardashians look well-adjusted and the Mafia seem morally upright.

It’s really the story of grifters, grabbers, con men, connivers, liars, manipulators, opportunists and truly dysfunctional people who clawed their way to notoriety less from noble purpose than from unresolved psychological issues. And those are often the good guys.

Seriously, when you delve into real history—the letters and diaries by historic figures and the people who knew them and the contemporary records—you get a juicy, scandal-laden, slugfest that rivals any Jerry Springer episode. We like to make our historical figures into cleanly-delineated heroes and villains, but they weren’t—they were real people, no different from us today, no more noble or evil. A few people were in pursuit of a higher cause, but don’t cha know it, that cause usually included some benefit to them and theirs. People lied, cheated, stole, played politics, rigged the game, and had hissy fits. They also loved, grieved, wanted revenge, sought forgiveness, pondered the meaning of life, wondered if it was all worth the cost, tried to do the right thing, and occasionally rose above human nature to do something really heroic and awesome.

I write epic fantasy, urban fantasy and steampunk, so there’s a lot of research involved. Some of it is tactical, like double-checking just how far a trebuchet can throw something, or when an invention was patented, or when a word came into usage. But along the way, you stumble down more rabbit holes than Alice, finding unexpected and wondrous tidbits you can use in your story, historical oddities that add realism and interest, quirky or intriguing facts about people and situations that you can borrow and twist for your fictional universe. That’s when research is the coolest, most fun thing in the world.

DEADLY CURIOSITIES-VENDETTAWhenever I get stuck on what needs to happen in a story to get from where I am to where it needs to go, I research. Every time, I’ll find something either by design or serendipity that provides exactly the imagination fodder to get me around where I’m blocked. Often, this means poking around on the internet, following links from one site to another until the right bit of information appears. Sometimes, I go to my library and see what I can find in my books, where my memory can be jogged about a cool detail I’ve forgotten about that is perfect for the situation. Or I’ll go watch something on the History Channel, usually on military tactics or equipment. Maybe I’ll watch a movie with good fight scenes and pay attention to what happens for ideas. Research is better than WD-40 for getting you unstuck.

Research is also how you ground a story in its time and place. My urban fantasy series, Deadly Curiosities, is set in modern-day Charleston, SC. The steampunk series I co-author with my husband, Larry N. Martin, is set in an alternative history Pittsburgh, PA. A lot of the research we do—both online and by visiting the cities—helps to impart a sense of place and make the setting one of the characters. When you set a story in a specific place, ideally it becomes so much an outgrowth of its location that you (and readers) couldn’t imagine it being anywhere else. Even if you’ve lived in a city or region, you don’t know everything about it. In fact, sometimes we know less about places we’ve lived because we never even take a tourist’s view and do the landmarks, let alone a scholar’s view. Once you start digging, you’ll find tidbits of history, important historical figures, old controversies and buried incidents that provide great mental fodder.

One of the most valuable things research does for me is to take historic figures out of their wax-museum frozenness and the myths that have been built up around them and reveal their humanness, good and bad. (Read the bitter campaign feuding between Founding Fathers John Adams and Thomas Jefferson if you don’t believe me.) While many of these figures were well-known in their own time, they had achieved nothing near the mythic stature we’ve given them since then. Some were actually dismissed or overlooked in their own time because the ramifications and importance of what they did was not yet clear.

I&B final coverBy returning historic figures to human scale, I gain perspective as an author on how to create fictional characters who change the world. One thing I learned is that aside from a few megalomaniacs like Napoleon, most of these larger-than-life historical figures were pursuing their own personal agendas, not obsessing over their historic legacy. They were trying to solve a problem or gain an objective, beat a rival or win a prize. That their actions would leave ripple effects throughout the rest of history wasn’t on their minds. They were—as we frequently are now—oblivious to the fallout from their actions, at least in the grand scheme of things. So a general might want to win a battle, and have no clue that by doing so, the stage is set for a disastrous insurrection fifty years later that will topple the very empire he represents. A person in a position of power won’t countenance a new idea because it threatens his ego, and the ultimate advantage goes to his rival, changing the course of history.

Research makes the writing world go ‘round. It’s not only the font of ideas, it’s also entertaining in a guilty pleasures sort of way, like reading tabloid headlines in the grocery line. Just remember to bring popcorn!

My Days of the Dead blog tour runs through October 31 with never-before-seen cover art, brand new excerpts from upcoming books and recent short stories, interviews, guest blog posts, giveaways and more! Plus, I’ll be including extra excerpt links for my stories and for books by author friends of mine. You’ve got to visit the participating sites to get the goodies, just like Trick or Treat! Details here: www.AscendantKingdoms.com

Book swag is the new Trick-or-Treat! Grab your envelope of book swag awesomeness from me & 10 authors http://on.fb.me/1h4rIIe before 11/1!

Trick or Treat! Excerpt from my new urban fantasy novel Vendetta set in my Deadly Curiosities world here http://bit.ly/1ZXCPVS Launches Dec. 29

More Treats! Enter to win a copy of Deadly Curiosities! https://www.goodreads.com/giveaway/show/160181-deadly-curiosities

Treats! Enter to win a copy of Iron & Blood! https://www.goodreads.com/giveaway/show/160182-iron-blood

Treats not Tricks! An excerpt from Girl In The Hourglass https://especbooks.wordpress.com/2015/10/05/espec-excerpts-the-girl-in-the-hourglass-by-drew-bittner/

Halloween goodies! Here’s an excerpt from What Really Happened At Little Big Horn https://especbooks.wordpress.com/2015/07/01/winner-what-really-happened-at-the-battle-of-little-big-horn/

More Halloween loot! Read an excerpt from “Coffin Box,” one of my Deadly Curiosities short stories http://bit.ly/SDCIjx

 


About the Author

Gail Martin, Dreamspinner Communications
Gail Martin, Dreamspinner Communications

Gail Z. Martin is the author of the upcoming novel Vendetta: A Deadly Curiosities Novel in her urban fantasy series set in Charleston, SC (Dec. 2015, Solaris Books) as well as the epic fantasy novel Shadow and Flame (March, 2016 Orbit Books) which is the fourth and final book in the Ascendant Kingdoms Saga. Shadowed Path, an anthology of Jonmarc Vahanian short stories set in the world of The Summoner, debuts from Solaris books in June, 2016.

Other books include The Jake Desmet Adventures a new Steampunk series (Solaris Books) co-authored with Larry N. Martin as well as Ice Forged, Reign of Ash and War of Shadows in The Ascendant Kingdoms Saga, The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven, Dark Lady’s Chosen) from Solaris Books and The Fallen Kings Cycle (The Sworn, The Dread) from Orbit Books and the urban fantasy novel Deadly Curiosities from Solaris Books.

Gail writes four series of ebook short stories: The Jonmarc Vahanian Adventures, The Deadly Curiosities Adventures, The King’s Convicts series, and together with Larry N. Martin, The Storm and Fury Adventures. Her work has appeared in over 20 US/UK anthologies. Newest anthologies include: The Big Bad 2, Athena’s Daughters, Realms of Imagination, Heroes, With Great Power, and (co-authored with Larry N. Martin) Space, Contact Light, The Weird Wild West, The Side of Good/The Side of Evil, Alien Artifacts, Clockwork Universe: Steampunk vs. Aliens.

 

 

My Schedule for Stan Lee’s Comikaze

Comikaze 2015 logoOkay, I am going to Los Angeles for Stan Lee’s Comikaze Comic Con, a place I lived for 7 years and have not visited in 19. Excited to see old friends and see how the city has changed. I will also be hanging out with some very cool people, both at the WordFire Booth #1342, on panels and at the Con generally, including stars from Star Wars, The Flash, Star Trek TOS, 2001: A Space Odyssey,  and more. Come join us. I will have early release copies of both my novel, The Worker Prince and my Baen hard SF anthology, Mission: Tomorrow. Here’s where to find me Friday through Sunday at the Los Angeles Convention Center:

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TWP WFP front cover

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Friday Panels 10/30/15:

4:00 – 4:50 pm          Writing Existing Worlds

A panel of authors and editors discuss writing media tie-ins, comics and more in popular franchise from Star Wars to X-Files and more

Genre: Sci-Fi / Fantasy

Panelists: Kevin J. Anderson, David Farland, Jody Lynn Nye, Peter J. Wacks, Neo Edmund

Panel Moderator: Bryan Thomas Schmidt

Room: 505

 

Saturday Panels 10/31/15:

11:00am-11:50pm                Worlds of WordFire

Publisher Kevin J. Anderson and several authors discuss existing and forthcoming titles from WordFire Press, a small up and coming small press publisher whose authors include New York Times Bestsellers like Frank Herbert, David Farland, Jody Lynn Nye, Todd McCaffrey, Alan Dean Foster, and More

Genre: Sci-Fi / Fantasy

Panelists: Kevin J. Anderson, Peter J. Wacks, David Farland, Jody

Lynn Nye, Bryan Thomas Schmidt, Neo Edmund, Rebecca Moesta,

Quincy Allen

Panel Moderator: Kevin J. Anderson

Room: 502A

#

 

4:00pm-4:50pm                    Publishing Unlimited: The Many Paths to Worldwide

Publication for Writers

E-Books. Digital Comics. Newsletters. Blogs. Print on demand. For those of us

with a passion for telling stories through the written word, there are now

limitless opportunities to publish, produce, and distribute our work. Of

course, with so many options, it can be a brain scrambler to know which path

is best suited for a particular project. Write it as a book? A Screenplay? A

comic? Is it better to go indie or seek out a traditional publisher? Join this

awesome panel of professional writers and story editors, and story editors as

they discuss the many paths they’ve taken to get their work published and

produced.

Genre: New Media

Panelists: Kevin J. Anderson, Bryan Thomas Schmidt, Peter J. Wacks, Rebecca Moesta

Moderator: Neo Edmund

Room: 502A

 

Sunday Panels 11/01/15:

12:00pm-12:50pm                Iron Author:

Like Iron Chef except with writers. Each person Includes subject and a

“secret  ingredient”. The audience judges the winner

Genre: Literature

Panelists: Jody Lynn Nye, Rebecca Moesta, Qunicy Allen, Bryan Thomas Schmidt

Moderator: Alexi Vandenberg

Room: 502A

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1:00pm-1:50pm                    How to become an Author:

An  award winning panel of bestselling authors discuss how to be an author

and more.

Genre: Sci-Fi / Fantasy

Panelists:   Kevin J. Anderson, David Farland, Jody Lynn Nye, Peter J. Wacks,

Rebecca Moesta

Moderator: Bryan Thomas Schmidt

Room: 502A

#

2:00pm-2:50pm                    How Not to get published:

What is the surefire way not to get published? Managing editor and

bestselling author Peter J. Wacks and his panel discuss the pitfalls of new

authors trying to break into the field.

Genre: Literature

Panelists: Peter J. Wacks, Quincy Allen, Bryan Thomas Schmidt

Moderator: Alexi Vandenberg

Room: 502A

 

Venue Details:

Los Angeles Convention Center

1201 South Figueroa Street

Los Angeles, CA 90015

 

 

Exhibit Floor

Booth # 1342

Friday October 30th  – 1PM to 7PM

Saturday October 31st  – 9AM to 6PM

Sunday November 1st – 10AM to 4PM

 

On The Web: http://comikazeexpo.com/

 

Friendly reminder to adjust your clocks, Daylight Savings Time ends at 2AM Sunday November 1st

Schedule: 2015 Longview Literary Festival, Metropolitan Community College

This year, Claire Ashgrove, my Finish The Story editing partner and I are guest speakers at the Longview Literary Festival in Lee’s Summit.  Here’s our schedule for the day, which is Friday, October 23, 2015.

 

TIME  CAC 114 – READINGS CAC 116 CAC 118 BLACK BOX THEATER
10:00 a.m.   Editing 101: A Workshop by Claire Ashgrove and Bryan Thomas Schmidt    
 
11:00 a.m.       Panel Discussion:  Working with Small Press:  D.L. Rogers, Sean Demory, Marshall Edwards, Bryan Thomas Schmidt
12:00 p.m.  Closed for Keynote Speaker  Closed for Keynote Speaker Closed for Keynote Speaker Keynote Speaker – Claire Ashgrove –Writing Contest Winners Announced
 1:00 p.m.   Closed for Featured Speaker Closed for Featured Speaker Featured Speaker – Bryan Thomas Schmidt
 
2:00 – 4:00 p.m. Bryan and Claire at Vendor Table  
4:00 p.m.       Panel Discussion:  Editors are NOT the Enemy:  Claire Ashgrove, Bryan Thomas Schmidt, Sara Lundberg
 

5:00 p.m.

Bryan and Claire at Vendor Table      
6:00 p.m.  Closed Closed Closed Closing Remarks – Announcement of Winners of Contests Occurring at The Festival

GUEST POST: Howard Andrew Jones on How I Write

 

Today, my friend, Howard Andrew Jones, one of my favorite writers, shares with us about his writing process.  His latest Pathfinder Tales novel, Beyong The Pool of Stars, is out now from TOR and Paizo. But I’ve enjoyed his previous Pathfinder and original novels very much as well. Check them out and enjoy his wise words.

9780765374530_FCA writing career is a work in progress. I’m always striving to better my writing process.

I suppose I still live in hope that I’ll produce 5k or more of workable prose every day like some of my friends do. And it happens for me, sometimes. More often, though, I’m a 2k to 3k guy. And I’ve decided that might just be the way it works for me, so more and more I’m trying to make sure that the 2 or 3 thousand words I produce are useful ones.

Bit by bit, tweak by tweak, I’ve come to my current method, and it’s served me well for Beyond the Pool of Stars as well as for the book that immediately preceded it and the two books currently on my hard drive. I’ll detail it for you in the hopes you’ll find it useful.

First, three steps I have to take once I have the germ of the novel’s idea:

  1. It probably goes without saying that you have to know your characters. Develop principal characters – and keep that number small – that fascinate you. If you don’t find them interesting no one else will.
  2. Find out what their goals are, then find a way to keep them away in an entertaining way.
  3. Know your villain and what she wants. And make her interesting as well, or you’ll be just as bored as your readers whenever your characters interact with her.

Once I have those pieces I set to work on the outline. I block it out loosely, imagining important scenes. I try to take my characters to fascinating places. Why not create backdrops of wonder with a few lines of description it would take a film company millions to create?

Once I have a basic feel for beginning, middle, and end, I get to plotting chapter by chapter and scene by scene, and my current favorite trick is to block it out like a play.

I write entire scenes with just dialogue and occasional stage direction. It might be that I can perfectly picture the tone of voice or even a moment of description, and if I do, I go ahead and drop it in even during this rough “stage draft.” There aren’t any hard and fast rules for what I can or can’t do at any stage, after all, and if I picture something I really like I try to get it down, even if it’s just a few quick notes.

Once I get the scene working I can either move on to the next section, or punch away at it, getting the dialogue just right. If the scene’s working properly then the more I work on dialogue, the better I can picture it… and the more solid the scene or chapter becomes as I polish. I add detail as I work until that dialogue is surrounded by useful prose and the stage descriptions of what characters are doing transforms into fluid actions.

A stage draft enables me to experiment with the dialogue and flow without investing a whole lot of energy into finessing metaphor and getting into a character’s internal thoughts. If something doesn’t work and the scene goes off the rails, I haven’t wasted hours polishing fool’s gold. And believe me, I’ve done that before.

Neither this method nor any other can work for every writer. If a method worked perfectly for everyone, there wouldn’t be so many writer self-help books out there.

I think it’s been successful for me because I’ve always found that dialogue comes easily. You should always be aware of your weaknesses and work to overcome them. But during the initial composition stages, whatever methods you, try to play to your strengths.

 


Howard Andrew Jones is the critically acclaimed author of The Desert of Souls, The Bones of the Old Ones, and Pathfinder novels Plague of Shadows, Stalking the Beast and the hot off the presses Beyond the Pool of Stars. A former Black Gate Editor, he also assembled and edited 8 collections 31020477of historical fiction writer Harold Lamb’s work for the University of Nebraska Press. He can be found lurking at www.howardandrewjones.com. Follow him on Twitter @howardandrewjon

ARCHON 39 Schedule 2015

Archon icon

It’s time again for my trip to Collinsville, IL, almost an annual event, for the great Midwest Con ARCHON. This year’s incarnation is number 39. Guests of Honor include Jacqueline Carey and Esther Freisner, as well as special guest Harlan Ellison.  Below are the panels in which I will be participating. Larry Smith will be selling  my books so I will also hang around his table between panels and probably in the table area outside LaSalle at the end of Bookseller’s Row when I am not in the Dealer’s Room.

My schedule for next weekend at @Archon 39 in St. Louis:

Fri 5:00p Marquette A Networking: Building Contacts for Writers (M) – Bryan Thomas Schmidt (Moderator), Robin Wayne Bailey, Elizabeth Donald, Jack Snyder

Fri 7:00p Marquette A Author Reading with Bryan Thomas Schmidt (30 min) Reading from THE WORKER PRINCE: Author’s Definitive Edition (WordFire Press)

Sat 12:00p Signing Table Author Signings with Bryan Thomas Schmidt and Julia S. Mandala

Sat 2:00p Salon 4 The Art of Anthologies (M) Bryan Thomas Schmidt (Moderator), Rich Horton, Harlan Ellison, Esther Friesner

Sat 4:00p Salon 4 Editors Are Not the Enemy (M) Bryan Thomas Schmidt (Moderator), Claire Ashgrove, Jacqueline Carey, Robin Wayne Bailey, Selina Rosen

Sun 12:00p Cahokian Reflections of Ourselves: The Need for Diversity in SF – Bryan Thomas Schmidt, Lacie Carmody, Kasey Mackenzie

Sun 1:00p Marquette A Then He Said: Writing Dialogue (M)
Bryan Thomas Schmidt, Claire Ashgrove, Sara M. Harvey

Look forward to seeing some of you there!

First Annual Open Reading Period- September 7 through 21, 2015

Well, I said I was going to do it, and so here I am. At present, I don’t do general open calls because I just can’t read through all that would come in for the 3-4 anthologies I do a year. But one reason I got into anthology editing was to create opportunities not just for me, but for other writers, so instead I have decided to offer two week annual submissions periods for basically earning your way onto my invite list.  So that first period will begin Monday and run two weeks, through September 21st.  Here are the parameters:

1) Send your best story in RTF, DOC or PDF format. Make it easy on me to read your work. If I can’t open the file, I won’t read it.

2) Send me the best thing you have, published, unpublished, etc. I am NOT BUYING. All my current projects are full, BUT I am starting to pitch for anthologies in 2017 and 2018, so I will need writers when they sell, which means, I want to see what you can do. If I like your voice, craft, and style, then I will put you on my list.

3) Expect to wait a while. I am going to read through what I get, but it will take a while to read it because other ediitng and reading priorities must come first. The good news is, you can go about submitting elsewhere and living your life, because I am not buying right now so I don’t need exclusivity.

4) Please use standard manuscript formatting. I.E. double spaced, serif font, 12 point type, italics instead of underlining, wordcount and contact info above title on front page, etc.  Also, NUMBER PAGES so if I read offline and drop one, I can easily find where the pages go and in what order.

5) If you story is over 7500 words, please contact me first.

6) If I have already bought stories from you or you know I own your books or stories, you just need to ask to be included. Please feel no need to submit pieces to this call. I will have enough to read already.

That’s it. That simple. Send these files to bryan at bryanthomasschmidt.net starting Monday with the subject: OPEN CALL (story name).

I will read and let you know if you’re invited to my list.

Oh, a couple notes on taste:

I like adventure stories more than lesson stories, but if you can do both, I will be awesomely impressed and pleased. I like character driven stories. I like heroes I can admire, but if the story is strong enough, of course, any of this won’t matter. I also do not like overuse of foul language or gratituitous sex and violence, so keep in mind that since I do PG themed anthologies mostly, your story samples should fit those parameters as much as possible.  Beyond that, I like all kinds of genres, but I am not a huge vampire or zombie fan, just a warning.

I do reserve the right to just say no. I don’t owe you a slot, nor do I owe you an explanation. Unfortunately, this has to be said given the nature of the www world today, sot here it is. It is not that I plan to just arbitrarily say no without some kind of explanation, but I probably don’t have time to give long notes on every story. I don’t promise to read the whole thing either. If I don’t like it, I will treat it like any other slush. Time management is key. It is not personal. It is subjective and ruled by my personal taste, yes.  I am open to people of all beliefs, lifestyles, ethinic backgrounds, cultures, etc. In fact, I strongly seek it out and don’t get enough from POC and non-western writers, so by all means, let me see what you’ve got.

I appreciate the opportunity to look at your work and your patience through this process, and I look forward to working with many of you in the future.

Bryan


Bryan Thomas Schmidt is an author and Hugo-nominated editor of adult and children’s science fiction and fantasy novels and anthologies. His debut novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels. As editor, his anthologies include Shattered Shields (Baen, 2014), Beyond The Sun (Fairwood, 2013), Raygun Chronicles (Every Day Publishing, 2013) and Space Battles (Flying Pen Press, 2012) with two more forthcoming from Baen Books and St. Martin’s Griffin in 2015 and 2016. He is also developmental editor for WordFire Press, owned by New York Times Bestselling author Kevin J. Anderson and Rebecca Moesta. Books he’s edited include The Martian by Andy Weir, My Big Fat Demonslayer Wedding by Angie Fox, The Outpost by Mike Resnick, A Game Of Authors by Frank Herbert and more. From December 2010 to earlier this year, he hosted Science Fiction and Fantasy Writer’s Chat the first Wednesday of every month at 9 P.M. ET on Twitter under the hashtag #sffwrtcht and is a frequent guest and panelist at World Cons and other conventions. His website is www.bryanthomasschmidt. Twitter: @BryanThomasS

SASQUAN- WORLD CON SCHEDULE – 2015 Bryan Thomas Schmidt

Here’s my schedule for the World Science Fiction Convention, Sasquan, in Spokane, Washington, August 18-23, 2015. I look forward to seeing some of you there. I will be at the WordFire Party, Wednesday night, the Baen Books Party, Thursday Night, the Fairwood Press Party, Friday and the Hugo Loser’s Party, Saturday. Beyond that, I will be wandering and at the WordFire Press table in the Dealer’s Room.

Thursday, August 20th

PANEL: The Work of Being a Writer, Thursday 9:00 – 9:45, Bays 111A (CC)

Writers write, but there’s more to being a writer than writing.  Come learn how to work with editors, agents, other writers, marketers, and fans.  Can writers’ groups and social media make you or break you?  Learn about all the work involved in being a writer and some strategies for success.

Randy Henderson (M) , Brenda Cooper, Bryan Thomas Schmidt, Susan Palwick

 

Friday, August 21st

PANEL: Kaffee Klatche – Bryan Thomas Schmidt, Friday 12:00 – 12:45, 202A-KK1 (CC)

Join a panelist and up to 9 other fans for a small discussion.  Coffee and snacks available for sale on the 2nd floor. Requires advance sign-up.

PANEL: The Changing Role of the Editor, Friday 3:00 – 3:45, Bays 111B (CC)

With the various ways that fiction is published (print/online/audio/self-published), how is the role of editor changing?  Does the editor need to be more technician than tweaker?  Is self-publishing making the editor’s job obsolete?

Gordon Van Gelder (M), Scott H. Andrews – Beneath Ceaseless Skies, Hugo Nominee, Yanni Kuznia – Subterranean Press , Wendy S. Delmater – Abyss and Apex – Hugo Nominee, Bryan Thomas Schmidt – Hugo Nominee

Saturday, August 22nd

Autographing – Jeffrey A. Carver, David Hartwell, Esther Jones, David Peterson, Bryan Thomas Schmidt, Saturday 10:00 – 10:45, Exhibit Hall B (CC)

Jeffrey A. Carver, Esther Jones, David Peterson, Bryan Thomas Schmidt, David Hartwell

Hugo Pre-Reception, Saturday 6:00 – 8:00, Integra Telecom Ballroom 100A (CC)

Hugo Awards Ceremony, Saturday 8:00 – 10:30, INB Performing Arts Center (CC)

The 2015 Hugo Awards promises to be one of the most memorable ceremonies in years. Come be a part of history. Your Masters of Ceremony will be Sasquan Guest of Honor David Gerrold and Tananarive Due, and they’ve both promised an entertaining ceremony.

Tananarive Due (M), David Gerrold (M)

 

 

OsFest Agenda: Bryan Thomas Schmidt – July 31st-August 2, 2015

OsFest8 Agenda – Bryan Thomas Schmidt

OsFest Logo

Friday, July 31st

Pantsers vs. Planners – A panel of writers discuss two different approaches to writing, the advantages and disadvantages, varied approaches, etc.

Panelists: Bryan Thomas Schmidt, Travis Heermann, Matthew Rotundo, Jason Bougger

5:00 p.m., Room TBA

 

Saturday, August 1st

Editor AMA: Bryan Thomas Schmidt – Hugo nominated editor Bryan Thomas Schmidt who edits anthologies for companies like Baen Books and EDGE and novels for Wordfire Press will be on hand to answer everything you’ve wanted to know about editors. What do they do? How do they do it? Does it hurt? You name it.

Panelist: Bryan Thomas Schmidt       Room: Colorado B      10:00 a.m.

Reading – Bryan Thomas Schmidt reads from the Author’s Definitive Edition of his critically praised debut novel, The Worker Prince, releasing October 2015 from WordFire Press.

Panelist: Bryan Thomas Schmidt       Room: Wyoming     11:00 a.m.

Everything You Ever Wanted To Know About Anthologies – Learn everything from how to create and sell.anthologies to how to find them and submit your stories to how they work behind the scenes. A Hugo nominated editor for Baen Books leads the discussion.

Panelists: Bryan Thomas Schmidt, Jason Bougger       Room: Colorado B             1:00 p.m.

Swimming in Slush: What Editors See – A panel discussion of what editors and agents experience in a typical day, sure to include a long list of dos and don’ts for writers of every skill level. What is it like to sift through a hundred manuscripts and query letters a day? And how does the writer leverage this knowledge in the best possible ways?

Panelists: Travis Heermann, Bryan Thomas Schmidt, Jason Bougger       Room: Colorado B         6:00 p.m.

 

Sunday, August 2nd

It Ain’t the Writing, It’s the Rewriting: The Power of Revision – Rewriting and revising are arguably the most important part of the writing process. These experienced authors talk about revision techniques to make your story shine, without polishing the shine right back off again. How do you find your invisible weaknesses? How do you work around those weaknesses?

Panelists: Travis Heermann, Bryan Thomas Schmidt, Matthew Rotundo         Room: Nebraska A  12:00 p.m.

Editing 101 For Writers – Key techniques for self-editing writers need to know taught by a Hugo nominated editor.

Panelist: Bryan Thomas Schmidt       Room: Nebraska A     1:00 p.m.

Self-Editing For Writers (Online Class) July 25, 2015

For two years, my editing partner and I have been attending Cons and doing our panel Editing 101 for Writers to great success. We continue to do so, but I wanted to offer a different version of that panel as a class online for writers who might be interested in improving their self-editing skills.  I am a Hugo-nominated editor and author with anthologies under contract or published by Baen Books and St. Martin’s Griffin, amongst others. I also am a Junior Editor for WordFire Press, the small press founded by Bestselling authors Kevin J. Anderson and Rebecca Moesta. I have been a professional editor since 2015 and worked extensively with writing and copyediting as a technical and non-fiction writer for a decade before that. But now my focus is fiction, specifically Science Fiction, Fantasy and Horror for children and adults.

This Self-Editing class with cover topics such as passive vs. active tense, showing vs. telling words (intruder words), compound sentences, flow and pace, and more. It will be held via either Skype or Google Hangouts (whatever works best for the attendees and myself.)  I am taking the first 10 applicants and the fee is $35 per person paid via PayPal. It will be at 12 noon CDT on Saturday, July 25, 2015 (90 minutes) so people from all coasts should be able to participate. Attendees will also be allowed to send me 5 pages of a story or novel to edit so we can discuss your personal weaknesses and areas on which to focus. To sign up or for further questions, contact me here. I look forward to helping you grow.

Bryan

 

Announcing Bi-Annual Open Reading Periods Coming Soon

Shattered Shields cover smallAs most of you know, I am a very busy anthologist, with 8 projects in various stages of contract and development through 2017. Most of these have their allotment of writers already, but as I develop new projects, I hope to expand my stable. Because of budget and busyness, my reading time is limited and so slush is just not something I can manage at the moment, however, I have come up with an option that will appeal to some of you.

I am ending Science Fiction and Fantasy Writer’s Chat in August. This is because of sheer exhaustion from four years, fading enthusiasm from me and regulars, and also needing time to read for both fun and work that I can’t find anywhere else. Interviewing people, even twice a week, and reading one of their books to do so, is a tremendous time commitment. I have had to put in 20 hours a week to it since starting in 2010. I just can’t keep up with that and slush, and I can’t read novels by friends or colleagues for fun, blurbs or more. Add to that my work in Acquisitions and Development for Wordfire as a Junior Editor, and I just am falling further and further behind. I hate that, so something had to give.

Mission Tomorrow cover 2So the solution is that I will be doing an open submission period of two weeks, starting this Fall (September 1 through 15) where writers can send me their best work. The idea is to give me a chance to get to know your work–voice, style, etc. for consideration toward future projects with openings. I am not going to buy these stories. So send your best, whichever speculative genre you want. The sole exception is erotica. I don’t publish or buy it so it won’t be the best sample for me. I don’t promise quick turn around. It may, in fact, take me months to get through the submissions. But if you are professional quality in your writing, you will be considered for invites to future anthologies. You will be in the door. I will limit the word count, probably 6k words and under,  but those details shall be announced when the Fall comes. And I will limit to one piece per writer as well. I need to be able to see an end game here if I ever hope to do it again. Published work is fine. I will be flexible on format as well. I will make it easy for you, so please do the same for me.

Beyond Sun Cover.inddFurther details will be announced when the submission time gets closer. But since many busy anthologists just don’t have time and resources to do many open calls, consider this a great chance to get into projects that may interest you in the future. If you are put in my pool, I will notify you and invite you to appropriate future projects. You also have the right to ask about openings when I announce projects you want to be invited to. Yes, people do that anyway, but if I don’t know your work, I almost always say no. Just a practicality. In any case, get those submissions ready. Reading stuff I’ve edited for taste might be a great way to see what I like in the meantime. I look forward to discovering new colleagues to work with.

Thanks.


Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with co-editor Jennifer Brozek for Baen, Mission: Tomorrow, Galactic Games, Little Green Men–Attack! and Monster Hunter Tales (with Larry Correia) all forthcoming also for Baen, Joe Ledger: Unstoppable with Jonathan Maberry for St. Martin’s Griffin (forthcoming 2017), Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.

My Schedule: ConQUEST 46 May 22-24, 2015

As usual, I am attending our local Convention, ConQuest Memorial Day weekend. I am moderating and participating on some great panels.  Here’s a list.

 

CQ 46 logo

ConQuesT 2015

BRYAN THOMAS SCHMIDT‘S SCHEDULE

 


MAY 22 • FRIDAY

  5:00pm –  6:00pm W World Building – Religion and Magic

*Count Basie Ballroom A (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Kathleen Collins
Panelists: Gera L. Dean, Brandon Sanderson, Bryan Thomas Schmidt, Thomas Trumpinski

MAY 23 • SATURDAY

 11:00am –  12:00pm W Editing 101 For Writers

Julia Lee A/B (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Claire Ashgrove

  1:00pm –  2:00pm L Brandon Sanderson Interview

*Count Basie Ballroom A (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Brandon Sanderson

  2:00pm –  3:00pm L Space Opera: Then and Now

Jay McShann B (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Lou Antonelli, Robin Wayne Bailey, Rich Horton, Jim Yelton

  4:00pm –  5:00pm L Anthologies: The Art Of Collaboration

Bennie Moten A/B (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Steven x Davis, Sean Demory, Marshall Edwards, Rich Horton, Lezli Robyn

MAY 24 • SUNDAY

 10:00am –  11:00am L Sports and Science Fiction

Lester Young A (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Brent Bowen, Ai Ling Chow

 12:00pm –  1:00pm W Editors Are Not The Enemy

Jay McShann A (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Lou Antonelli, Claire Ashgrove, Robin Wayne Bailey, Chris Gerrib

Look forward to seeing some of you there. I am also throwing a party Friday night at 8 p.m. with Robin Wayne Bailey. We will be signing copies of SHATTERED SHIELDS, the Baen fantasy anthology for which co-editor Jennifer Brozek and I are nominated for Hugos this year and in which Robin has a story. And Jenn has signed them, too. You can get the for $14, no shipping and $1 off. My other anthologies will be available as well.


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is a critically praised author and Hugo nominated editor whose works include THE SAGA OF DAVI RHII space opera trilogy (Wordfire Press, 2015), GALACTIC GAMES (Baen, 2016), MISSION: TOMORROW (Baen, 2015), SHATTERED SHIELDS (Baen, 2014), BEYOND THE SUN (Fairwood Press, 2013), RAYGUN CHRONICLES (Every Day, 2013) and many more. His debut novel, THE WORKER PRINCE, received Honorable Mention on Barnes and Noble’s Year’s Best Science Fiction Releases of 2011. He regularly hosts Science Fiction and Fantasy Writer’s Chat on Twitter under hashtag #sffwrtcht and can be found on Twitter as @BryanThomasS or via his website at www.bryanthomasschmidt.net.

Guest Post: Music As Magic by Peter Orullian

By Peter Orullian

 

It’s not new. This music as magic thing. Many fantasy writers have done it. So, the thing is how. And that’s where I’m hoping folks will dig my approach.

Peter OrullionSee, I’m a musician. I’ve no idea if my fellow fantasy writers who’ve attempted music magic systems are also musicians, but there’s no doubt it’s influenced how I write about music. I’m not casual about it. Whether I’m writing a scene that deals with the intricacies of how I built my music magic system, or just describing the experience a character has of listening to music, I’m all in. I’m just built that way.

Now, as for the music magic, itself, I need to tell you about Resonance. I spent time in my worldbuilding to develop the notion of what I call a “governing dynamic”—Resonance. It underlies multiple magic systems in my world. In some, it’s quite obvious. In others, much less so. But it started first with music, and the notion that all things have a resonant signature that may be resonated with.

I grow past this, of course. Past the simple notion of acoustical resonance. I built out an idea I call Absolute Sound, which I actually wrote about in my novella for the Unfettered anthology that released a bit ago. That story, entitled “The Sound of Broken Absolutes,” goes into this idea I have about resonance taking place at a distance, out of earshot. It’s an advance technique for practitioners of the music magic in my Vault of Heaven series.

For those who haven’t read my first book, or anything else by me, never fear. I’ve written book two, Trial of Intentions, as an entry point to the series. I mention it, because Trial of Intentions is where I go much deeper into the music magic. You get a close look at how it works, and how it affects people. Those scenes are some of my favorites of the entire series so far.

And different from the idea of sweet, soaring sopranos and the like. Or even soft, intimate truth-sounding songs. Some of the music magic you’ll experience—dare I say, “Hear”—in my world is assertive, rough, combative. It’s often loud, bold, and meant to disquiet. It’s rhythmic. It’s filled with great passion. Great sorrow, sometimes. And when done right, it’s filled with “intention.” I put that last word in quotes because intention is very much at the heart of my music magic system. It’s a close cousin to Resonance. It matters what you mean when you sing. And that might have nothing to do with lyrics. In fact, often, they’re unrelated. Lyrics can even be dispensed with.

 

Trial of Intentions cover OrullianFind the bottom of pain. Therefrom will come powerful music. And when given voice from someone who understands the right technique, the power of the music is undeniable, unrelenting.

 

And all of this is brought to bear in a great song, in my world, knows as “Suffering.” It’s sung in nine movements, taking nearly seven hours to complete. It’s a song of power. It keeps a barrier strong that separates the races of the east from creatures who’ve lost empathy. Not beasties. These are reasoning creatures. With intentions of their own.

 

And music is the thing the gods left the world to protect itself. Music premised on a governing dynamic I call Resonance.

 

The UnrememberedOf course, beyond all this, I care, as a writer, about the beauty and flow of words themselves. Writing can be lyrical, musical. And my favorite writers possess this quality. The fiction experience is very nearly song-like. That’s a huge bonus, for a guy like me.

 

Anyway, in the effort not to do spoilers, you have here a bit of the feeling and high-level mechanics of my world and music magic system. And even if you never read my work, if you’re a music lover, we’re kin. Maudlin that, but I’m leaving it in.

 

Cheers,

Peter

On My First Best Editor, Short Form Hugo Nomination

Space Battles front web sizeSo I got nominated for a Hugo for Short Form Editing. Wow. Found out two weeks ago and it surprised but thrilled me. I didn’t campaign. A group of people deemed me worthy and nominated me. Since nominating people you think are worthy is how the system works, I didn’t say a thing, except thank them for their confidence and wait to see what happened. I know I was nominated by people who are not Sad Puppies because they told me. Several, in fact. Some were Sad Puppies, but most who told me were not. The only thing I know is I have worked very hard and this is a major achievement and career moment, and it is unfortunate some people are choosing to attempt to spoil that. I just discovered April 8 that I am was on a slate called Rabid Puppies. I would have demanded removal had I known but I didn’t know it existed until nominations and had no clue who was on it. I don’t associate with the person running that campaign and am deeply disappointed by how he conducts himself and his presence on the slate. I deeply regret this but there is nothing I can do.

Thing is: forever on I am a Hugo nominated editor. The only change. I will do what I’ve always done: strive to make the best books possible. From the beginning I have worked hard to do so, by picking the best new and old pros I can find to write stories, seeking diversity in the pool from right to left, white to POC, LGBT to straight, etc. With a diverse pool in place, I then pick the best stories and hope what I get reflects that well. So far, I think it has. It has varied, of course, but that is the way it goes for every editor. Still, when you want to make books with broad appeal to a broad and diverse readership, that is the only way to do it right. I have always believed that, no matter what some detractors may say. Taking someone’s ambiguous statements and twisting their interpretation does not make them fact.

Beyond The Sun revised coverA few figures of my anthologies so far:

SPACE BATTLES
11 male writers
7 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
6 Conservative or independent (that I know of)

BEYOND THE SUN
9 male writers
9 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
7 Conservative or independent (that I know of)

RaygunChronicles front displayRAYGUN CHRONICLES
14 male writers
11 female writers
3 LGBT (that I know of)
Not sure of the political alignments but some each stripe

SHATTERED SHIELDS
1 female co-editor
10 male writers
7 female writers
3 LGBT (that I know of)
10 Progressive (that I know of)
7 Conservative or independent (that I know of)

And none of this reflects the content itself which includes diverse subject matter and stories.

Don’t believe me? Go check the Tables of Contents posted online. Research it yourself. 3 of these were edited solely by me. I made all decisions. The last was co-edited by my fellow nominee Jennifer Brozek. We made decisions jointly in full. She has written about it on Locus.

Shattered Shields coverThe stats on my 9 forthcoming anthologies are not finalized so I can’t post them but these are the works that got me to where I am. The last is the one that qualifies me for a nomination.

I have spent a good portion of my life working with the disadvantaged from poor to non-westerners to LGBT. I have friends I love of all stripes. Anyone who actually knows me will tell you I do not discriminate. I also avoid kerfluffles unless I am dragged in. And even then I try to be gracious. My philosophy is treat others how you want to be treated. Help people when you can. And live and let live.

I take pride in having accomplished all these things. A number of writers have made first sales to me, including Anthony Cardno, who is gay, for example. Many have gotten to find new audiences and appear alongside their writing heroes. I love that I can make that happen. Getting to work with my heroes is part of the thrill of doing this as well.

I love diversity. Don’t believe the critics. I always have and I seek it out. It is the single best gut check I know for keeping me honest and widening my point of view to see outside the box in which I live. That’s so important that I seek it out. I don’t have to agree with everyone to listen to them. But hearing how they see the world makes me see it bigger. Makes me better.

From day one, it has been a privilege to make books and I only seek to serve the SFF community as best I can. It’s such an honor to be a part of it (most days). And I really am humbled that I get to do what I love. If I get rewarded for that with awards, that will be mindblowing. But make no mistake. I did not campaign for awards. I just try and do good work. And I will continue to do so, hoping people will give it a fair chance.

To the nomination voters, thank you for your confidence in me. Sorry for the uproar. Don’t let it spoil the moment if you can. You made me part of science fiction history. It’s so amazing, and I am truly grateful. Now, may the best person win, whomever they are. I leave it to the works.

Bryan


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books with nine more forthcoming, including Gaslamp TerrorsMission Tomorrow: A New Century Of Exploration (BAEN), Galactic Games (BAEN), Speculations KC, and several others.  A Junior Editor for Wordfire Press, he acquires and develops books of all kinds. He also hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

 

MyOryCon Schedule

Well, I am off Thursday for my second trip to OryCon in Portland, Oregon at the Lloyd Center Doubletree.  It’s a fun con with lots of friends in attendance and a fairly laid back atmosphere. Jennifer Brozek and I will be having our SHATTERED SHIELDS Book Launch in Suite 1570 Saturday night, too, and then we’ll attend SF AuthorFest at Powell’s Beaverton Sunday afternoon to sign along with contributors Wendy Wagner and Annie Bellett and a ton of authors.

Meanwhile, though, here’s where to find me at the Con. Hope to see some of you!

Fri Nov 7 2:00:pm
Fri Nov 7 3:00:pm
Hamilton
Revision: Path to Better Writing or Way to Never Finish?

Endless revisions can kill good writing, but everyone says polish your work. Besides, the first draft is usually bad, right? How to navigate through the apparent contradictions without going crazy.

(*)Bryan Thomas Schmidt, SD Perry, Bruce Taylor, Manny Frishberg, K.C. Ball



Fri Nov 7 3:00:pm
Fri Nov 7 3:30:pm
Grant
Bryan Thomas Schmidt Reading (30min)

Bryan Thomas Schmidt reads from his own works.

Bryan Thomas Schmidt



Fri Nov 7 4:00:pm
Fri Nov 7 5:00:pm
Hawthorne
Religion in Fantasy

Gods? Goddesses? Just pretend religion doesn’t exist?

(*)Bryan Thomas Schmidt, Devon Monk, Jack Whitsel, Joan Gaustad, Karen Azinger



Fri Nov 7 5:00:pm
Fri Nov 7 6:00:pm
Lincoln
I Quit My Job to Be a Writer! WHAT HAVE I DONE?

What the full-time writing life is like, how to stay focused when you’re all by yourself, the realities of making a living via the written word, and techniques for forcing yourself to get dressed and leave the house.

Richard A. Lovett, Matthew Hughes, (*)Mary Rosenblum, Mike Moscoe, Bryan Thomas Schmidt



Sat Nov 8 11:00:am
Sat Nov 8 12:00:pm
Morrison
Planners vs. Pantsers

Some writers have everything outlined and plotted before they put their fingers on the keyboard. Others insist on flying by the seat of their pants. If you’re one, come learn the techniques of the other, and why you should pay attention.

(*)Bryan Thomas Schmidt, Anna Sheehan, J. A. Pitts, Dean Wells, Steve Perry



Sat Nov 8 12:00:pm
Sat Nov 8 1:00:pm
Jefferson/Adams
Surviving the Edit

Sometimes it feels as if editors are out to crush your soul, when they’re really there to save the soul of your book (or they should be). Learn how to choose an editor, how to take your lumps–and when you should ignore what the editor says.

Colleen Anderson, SD Perry, (*)Bryan Thomas Schmidt, Jason V Brock



Sat Nov 8 4:00:pm
Sat Nov 8 5:00:pm
Madison
Social Media and the Modern Writer

Websites, Facebook fan pages, email lists, contests, twitter, tumblr, Pinterest, ads, blogs and that annoying thing called a “platform”: what works, what doesn’t, and why you need to care (spoiler: you do).

Theresa (Darklady) Reed, (*)Bryan Thomas Schmidt, Erik Wecks, MeiLin Miranda



Saturday Nov. 8 :00 pm     Shattered Shields/Baen Launch Party
Suite 1570                               Alcohol, soft drinks, snacks and more. Come win signed artwork and books or buy some. Join Jennifer Brozek, Bryan Thomas Schmidt, Wendy N. Wagner and Annie Bellett.

Sun Nov 9 1:00:pm
Sun Nov 9 2:00:pm
Hamilton
Crowdfund Your Project

You’ve got a book, a comic, a film, a game–something awesome! Your fans want it. How do you raise the funds to get it to them? Let them pre-order it via Kickstarter or the other crowdfunding sites. We’ll discuss best practices, when not to crowdfund, backer rewards people want, fulfillment nightmares and successes, and handling the haters (they gonna hate).

MeiLin Miranda, Erik Wecks, (*)Bryan Thomas Schmidt, Jake Richmond

Why Everyone Should Be A Blindsider

I don’t talk about my past very much on this blog for lots of reasons, mostly because it’s not all that tied to what I do now, and there tends to be a group who look down on me for my religious work, etc.  and also because I don’t really like being seen as prideful or self-aggrandizing. Promoting my work is a business responsibility that’s necessary, but promoting my personal life and such is not.

Then I rewatched the wonderful movie Blindside starring Sandra Bullock when it ran on cable, and I was reminded by that movie of values that have infused my life and that of my family and very much shape how I live and everything I do. I’m not talking about the fact that main characters in the movie are Christians like myself and my family. Nor am I talking about their rural background, although we do have both those things in common. Instead, I am referring to a concept I define as “learning to live WITH people, not just around them.”

For those unfamiliar with it, The Blind Side is the true story of a wealthy Tennessee couple who discovered a black kid from the inner city was attending their children’s private school but was homeless. As they discover him and bits and pieces about his situation, they take it upon themselves to offer help. At first, taking him in to their home for a night or two, and then eventually permanently, raising him like one of their own. They even become his legal guardians. The experience changes not just the inner city kid, Michael Oher, but also their own two children and themselves. Michael goes on to become a huge football star in high school, then college and finally is drafted into the NFL. It’s a well-acted, well written, heart-warming tale of people reaching out beyond the box in which they live and choosing to help someone else because they can, and, in the end, making a better life for all of them and their community.

The reason I call this “learning to live WITH people, not just around them,” is because most of us find it very easy to live in our own little box, worry about our own concerns and people, and not pay much attention to what’s going on beyond us. Every once in a while a tragedy or some drama occurs that calls our attention to it, but for most of us, we can go around blissfully unaware of the needs of people around us most of the time. I have had this tendency at times in my life, but then I remember how I was raised. I was raised by people who paid attention and took action, and so I jump back in when I can without hesitation. It’s a lifestyle that becomes more and more second nature to me.

I get this because of several key people. My Grandma Schmidt has been described often as the type of woman who never knew a stranger, the kind who when someone in need showed up, would drop whatever she was doing, wherever she was to help. If food got cold or her family of 7 had to wait longer to eat, it didn’t matter. If she was late to an appointment, people would have to understand. To her, this was God’s business and what she was put on Earth for and there wasn’t even a question or hesitation: she had to try and help.

My other grandmothers were also very much like this. From teaching to taking in exchange students, to feeding neighbors, helping children and more. My father is a doctor who always cared more about healing people than getting bills paid, so much so that he once fired an office manager for being too harsh about collections, and he freely donates his time, money and effort to helping others despite his busy schedule and career demands.

I could name dozens of other examples in my family but suffice it to say I grew up with people who taught me: we are put here on this Earth to help and love one another, to do whatever we can for them no matter what race, religion, politics, etc. they might have. You might be poor, but you can always give time or talents. And it was an expectation that if you were in my family, this was how you’d live.

To me, the couple in The Blind Side, Leigh Anne and Sean Tuohy embody these values, and they demonstrated in gloriously when they took in Michael Oher. Were they perfect? No. And they were more blessed with wealth than most, but more importantly, they didn’t just say they cared with money, they lived it with their actions and daily lives. That’s the kind of people who raised me, and it’s always the kind of person I’ve wanted and tried to be. I don’t always succeed, of course. None of us are perfect. And sometimes it has cost me trying — such as shunning a career path so I could stay freelance in order to get time off to travel to various places and help people as much as I could. By the time I settled down and got married, I’ve had a lot of financial struggles to overcome time and again, I have no kids as I’ve always dreamed I would, etc. In many ways, I seem far behind my peers, and yet, by going to Africa, Brazil, Mexico and other places and teaching, I’ve gotten a kind of wealth money can never provide and enjoyed a kind of satisfaction no other success can create.

When I got into science fiction, I tried to write stories that reflect these values, and as an editor, I try to employ them in not only who I invite but the stories I buy and the subject matters I pursue. I don’t do it perfectly, but I make a concerted effort, and I’ve been rewarded by developing friendships, creative partnerships and working relationships with some of my writing and editing heroes, and making some books that got great reviews and touched people. I’m pretty much a live and let live guy, in that I don’t care about your religion, philosophy, politics, sexual orientation, race, etc. If you’re a decent person, we’ll get along. I publish stories that often differ from my personal beliefs and practices, but as long as they are good stories, I choose them because I want my books to reflect the larger community they are intended to serve, and that means reaching beyond what I know and am comfortable with.

Why am I writing all this? I guess it’s to encourage others to cover the blind side of other people, too. There’s no one way to do it, but there are many needs. You don’t have to be rich or powerful, famous or even creative, all you need is time and a willing heart, and also a willingness to be uncomfortable for the sake of helping others be more comfortable and lead better lives. You might take weekends to go help a single mom on her farm, as I did this summer, or to tutor inner city kids, help build or rebuild a house, or do any number of other things. Some you’ll be good at, some you won’t (like me and farming). But it’s not about skill as much as it is effort anyway. And the effort is never wasted, no matter the results.

The best experiences in my life and career have come from these experiences, and the most precious relationships as well. People from all walks of life and cultures who are friends because we spent time together, not because of what we were doing or what we accomplished. Oh, good things were accomplished, don’t get me wrong, but success is not the primary goal, being there is. And in the process, you’ll learn new skills and new points of view, and have new experiences that infuse your life with so much richness you can’t even imagine. Try it, if you don’t believe me.

So my point in writing this is to say, be a blindsider, not a sideliner. Take time to live WITH people around you, not just walk among them doing your own thing. It won’t just make their lives better, it’ll make you a better and happier person. And it’ll give you opportunities to live in ways words can’t describe or even equal. More than waving a flag for a cause or putting money in a donation box, you’ll be actually changing the world for the better. And I promise you, that can be far more impactful than money or slogans or any amount of campaigning ever will.

For what it’s worth…

 

 

 

 

Announcing: The Tentative Table Of Contents for MISSION: TOMORROW (BAEN 2015)

Hot off the press!!

Ladies and Gentlemen, I present the (tentative) Table of Contents for Mission: Tomorrow, coming from Baen Books in 2015.

18 stories, 100,938 words of great Science Fiction. All original except Silverberg and Gunn.

Concept: Science Fiction writers imagine the future of space exploration in a world no longer dominated by NASA. What might it look like? Private or public? Stories of space exploration, travel and adventure.

“Tombaugh Station” by Robin Wayne Bailey
“Excalibur” by Jack McDevitt
“The Race For Arcadia” by Alex Shvartsman
“A Walkabout Among The Stars” by Lezli Robyn
“Sunrise On Mercury” by Robert Silverberg
“Tribute” by Jack Skillingstead
“The Ultimate Space Race” by Jaleta Clegg
“Orpheus’ Engines” by Christopher McKitterick
“Around The NEO in 80 Days” by Jay Werkheiser
“On Edge” by Sarah A. Hoyt
“Airtight” by Michael Capobianco
“Ten Days Up” by Curtis C. Chen
“Windshear” by Angus McIntyre – a story finalist in the 2014 Jim Baen Memorial Contest
“Malf” by David D. Levine
“Panic Town” by Michael F. Flynn
“The Rabbit Hole” by James Gunn
“Rare (Off Earth) Elements” by Ben Bova
“Tartaros” by Mike Resnick


Bryan Thomas Schmidt is an author and editor of adult and children’s science fiction and fantasy novels and anthologies. His debut novel, THE WORKER PRINCE, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels. As editor, his anthologies include SHATTERED SHIELDS (Baen, 2014), BEYOND THE SUN (Fairwood, 2013), RAYGUN CHRONICLES (Every Day, 2013) and SPACE BATTLES (Flying Pen, 2012) with four more forthcoming from BAEN and EDGE in 2015 and 2016. He hosts Science Fiction and Fantasy Writer’s Chat every first Wednesday at 9 pm ET on Twitter under the hashtag #sffwrtcht and is a frequent guest and panelist at World Cons and other conventions. His website is www.bryanthomasschmidt.net and his twitter handle @BryanThomasS.

GlitchCon Schedule August 1st-3rd, 2014

GlitchCon

 

Well, another Con has arrived. From Friday through Sunday, I’ll be in Springdale, Arkansas at the Holiday Inn Conference Center for GlitchCon with the lovely Claire Ashgrove, my best bud and editing partner in Finish The Story, Jonathan Maberry and David Farland and several others. Here’s a full schedule of programming. See participants at the website at http://www.glitchcon.com/

FRIDAY, August 1

3:00 – 3:50 pm Creating Comics and Graphic Novels (Jonathan M. /

David F. / Kyle / *Tommy) (Steam Room)

5:00 OPENING CEREMONIES  (John Q. Hammons Hall)

6:00 – 6:50 pm Pulp Fiction (Jonathan M. / David F. / Tommy / Bryan

100_0440
Bryan and David Farland

S. / Phillip D.)(Steam Room)

6:00 – 8:00pm Story In A Bag, lead by Dyann Love Barr & Claire A. (Anime & Cosplay)

7:30 p.m.   — David F. / Jonathan M. / Claire / Bryan to dinner

 

SATURDAY, August 2

10:00 – 10:50 — Collaboration (Sue S. / Bill A. / Brad S. / Dyann)   (Steam Room)

12:00 – 12:50 — Series Writing (Saranna D. / David F. / Jonathan

M. / Bill A. / Claire A. / Dyann LB) (Anime & Cosplay)

1:00 – 1:50 — Writing 101 (David F. / Phillip D. / Sue S. / Dyan LB

/ Claire A. /  Saranna D. / Bryan S. (MOD)) (Steam Room)
2:00-2:50 – Old School Monsters (Jonathan M.)(Steam Room)
3:00 – 3:50  pm  Horror – Then and Now (Jonathan M. / David F.

/ Brad S./ Saranna D.)

4:00 – 4:50 — The Fantasy Allure (Jonathan M / David F. / Bryan S.

/ Brad S. / Claire A. / Saranna (MOD))(Steam Room)

7:00 – 7:50 — World Building (Sue S. / Bill A. / Dyann LB / Bryan

S. / Claire / Saranna, John W.) (Steam Room)

Bryan & Claire
Bryan & Claire

 

 

SUNDAY, August 3

10:00 – 10:50 – Story In A Bag Winners Announced

3:00-4:20 – CLOSING CEREMONIES (John Q. Hammons Hall)

Why I Am An Editor

Shattered Shields coverI became an editor for three primary reasons: 1) I love reading stories; 2) I love working with and discovering new writers; 3) I like helping others. For me, editing combined all these loves, so it seemed a natural fit. After all, I could get a chance to work with my heroes and legends as well as up and coming and new writers who are legends yet to be, and in the process, have fun and make some really interesting books, giving great, diverse stories life.

I’ve interviewed a lot of editors, and I think most of them said some combination of the above as well.

But for me, it also stems from years spent working with nonprofits to help artists from different backgrounds and cultures come together and create art and be heard. There’s no greater gift you can give an artist than a chance to share their voice, I think. And it’s such a joy helping them polish and refine their work, giving them a venue and audience, and watching them shine. I found it very addictive. So addictive that when one camp I was working with moved cross country, I created my own nonprofit and started doing the work in other ways, taking it across the world to Ghana, Italy, Mexico, Brazil, and other places, usually places where such training is too expensive or too elite for the poor, and focusing our work on artists denied those opportunities. Doing that work was life changing and has forever shaped by beliefs, my life, my goals, and my art, and I continue to long to find ways to do more of that work in the future. So anthologies and editing had natural appeal.

Beyond The Sun revised coverAnd the first anthology opportunity proved to be a challenge for sure, but also a whole lot of fun. It’s as much of a challenge sometimes attracting writers to trust a new editor as it can be for writers to get a shot, and I wound up short on submissions and thus late on deadline, but this did give me a chance to work with some writers to improve their stories. There were at least three that made into into the final book after such collaboration. Space Battles: Full Throttle Space Tales #6, the end result is a book I’m proud of. It’s not as good as the books that followed in some ways, but the reviews have been solid and it’s a fun read, and above all, when creating anthologies, I want to create fun reads. For me, reading should be fun. Science Fiction and Fantasy should be fun. Above all other concerns.

So creating opportunities for authors has been a huge part of what I got into this to do, thus, when I didn’t have the editorial credibility quite yet, I looked toward Kickstarter and put together Beyond The Sun, somehow being lucky enough to get four of my writing heroes as headliners. That experience proved yet another great one and shortly after that Kickstarter, friends from a Canadian small press approached me with the idea for Raygun Chronicles: Space Opera For A New Age, and so a few months later, we Kickstarted that with even more big names. That was my biggest anthology yet.

Again, the highlight of both of these was working with writers. Even as the fanboy in me thrilled at getting to work with Silverberg, Rusch, Kress, and more, I enjoyed seeing the up and coming writers’ eyes light up and the chance to be in a book with such luminaries as well. I enjoyed working with them to develop stories, polish them, and assembling the books, etc.

Then Baen bought an idea I had come up with and recruited Jennifer Brozek to co-edit, the military high fantasy anthology Shattered Shields. Like Raygun,  we had a full on professional budget and this time we were buying all originals. So I had the chance to work for a major publisher for the first time, again, an incredible experience. And despite our different tastes, Jennifer and I wound up agreeing on almost all the stories, the exception being a couple, and, of course, she liked some more than I did and vice versa. Still, a great creative partnership. What a talented lady!

RaygunChronicles front displayAnd having such opportunities to partner with great people is the highlight of being an editor. I just really appreciate that. It’s why I don’t want to work with people that don’t share a mutual respect. Time’s too short. I want to be able to enjoy working together. After all, collaboration should be fun, I think. And it’s why I keep pitching and developing anthologies of various types. It’s also why I wanted to use my credibility to reach out to new voices in projects that might be tougher to find publisher homes for like World Encounters and Enabled, but which still have important subject matters which deserve to be explored.

I love reading. Reading has changed my life. It’s made my world bigger. It’s made me a better person. And it’s opened up possibilities I could have never imagined. As reading amongst new generations decreases in popularity, I also want to create books parents and kids can read and enjoy together, that will provoke discussion and nurture a love of reading and genre. That’s why I always push for an educational accessibility aspect in all my guidelines and books, and why I try and keep content PG13 at worst, so it can reach the largest audience. And my background with diversity and cross cultural encounters makes me desire to include writers of diverse backgrounds and beliefs in every project. Sometimes you are limited by who’s available and who connects with the concept, but I try nonetheless. And I have had some great successes.

In any case, just a few thoughts on why I love being an editor and why I wanted to be one. I admit, I’m hooked now, and I hope I get to continue doing this for a long time to come.

For what it’s worth…


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books (forthcoming).  He is currently working on Gaslamp TerrorsMission Tomorrow: A New Century Of Exploration (BAEN), Galactic Games (BAEN), Enabled, and several others.  He hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

ConQuest 45 A Success

100_0611Well, ConQuest 45 – Noir has come and gone, and I am calling it a great success. This is the one Con I try to make annually, because it’s local and put on by my local fan group, which is a great group of people. Glen Cook has been attending as a dealer for years, but this year we also honored him as Guest Of Honor, and that was a blast. I panelled with Glen several times including a Spec Noir panel with Mark W. Tiedemann (shown), a live GOH interview which neither of us wanted to end but did, and a military fantasy panel also featuring Kij Johnson and Robin Wayne Bailey.

On Friday night, Robin Wayne Bailey, Todd Hunter and I threw an impromptu launch party for Raygun Chronicles: Space Opera For A New Age, which released last December after funding on Kickstarter the previous March, and which features stories by Todd and Robin as well as many others, including Seanan McGuire, David Farland, Brenda Cooper, Sarah A. Hoyt, Allen M. Steele, and A.C. Crispin. The party was hopping for several hours and a Who’s Who of the Con stopped by, later voting us Best Party at the Closing Ceremonies. I also sold out of copies, for the first time ever, selling 19 and giving away 2. So I had to order more for the next Con. I call that a success./

Once again, the Basic Editing 101 For Writers panel that my editing partner Claire Ashgrove and I initiated last year was a hit with really strong attendance, including Artist GOH David Lee Pancake, who told me it was the best, clearest panel he’d seen on basic issues like passives, telling vs. showing, etc. I hadn’t encountered David yet, due to my busy schedule, so afterwards I headed down to the art show and wound up buying one of his beautiful works.

I also did a panel on Heroes and Heroines with Kij Johnson and others, a Writing For Young Audiences panel with Chris McKitterick and K.D. McEntire, and several others. Only my Abraham Lincoln Dinosaur Hunter reading drew interest as my first reading was Friday night during check in time, so I got an extra hour of rest pre-Con.

100_0615An Editor’s Are Not The Enemy panel with Selina Rosen, Deanna Sjojander and Rich Horton was lively, and brought up interesting issues about publishing traditional vs. self-publishing vs. small press which I hope were helpful.

The Con Suite, which I made extensive use of this year, unlike last year, was also well stocked and managed and I relied on it for most of my meals outside a Friday dinner with Dennis and Diane Barr and Saturday dinner with Rich and MaryAnne Horton.

Altogether, a delightful time and well worth attending, even though I arrived tired and not sure I was not sure I was ready. I quickly slipped into a different frame of mind and really enjoyed myself. Thanks to the Con Comm, and the party group especially for helping make this such a delightful experience.

After the Con, I came home and announced an upcoming Kickstarter anthology I’ve really been looking forward to. And I know it’s going to be a real special and fun project to complete. A fitting way to close the Con, with inspiration.

 


Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press,Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books (forthcoming).  He is currently working on Gaslamp Terrors and Mission Tomorrow: A New Century Of Exploration.  He hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter,

 

WriteTip: Advice On Why No Is Rarely Personal – Handling Rejection For New Writers

WriteTips-flatYesterday at ConQuest, a panel discussion led to talks about editors and writers and how much editors love discovering new writers and great new stories. And in the midst of it, I got reminded how intimidated writers often are by editors, especially writers who don’t know any personally. I’ve experienced this myself as a writer and as an editor. So I wanted to offer a little perspective.

The most important advice is this: “NO” is almost never personal. The only times it is personal, you’ll know it because the person will make it obvious. And this is very rare. Seriously. The reality is that hearing “No” is just part of being a writer. And saying “No” is part of being an editor. Editors take no more glee in saying it than writers do in hearing it. Unless, of course, you’ve pissed the editor off. So don’t do that.

Editors say “No” for lots of reasons, many of which have to do with factors besides simply elements of your story and certainly besides who you are. If they have a similar story already, you’ll hear “N0.” If they have too many stories with a particular theme, setting, etc., it’s “No.” If they have budget issues because of length of stories they bought–especially with the headliners whose name cache helps sell the books– then it will be a “No.”  And so on and so forth.

The only things you can do to lessen the likelihood of rejection are to:

a) respect and follow the guidelines. Doesn’t matter if they are annoying or sound stupid. Just do it. You can be rejected simply for ignoring them, because you are saying, “I’m an exception and my story’s so good you won’t care.” Well, wrong. We do ask for guidelines for a reason, and you’re not going to be that exceptional.

or b) Write an awesome story.

c) Submit early in the open reading period. This will make it more likely that if similar stories come in, yours was chosen first and you won’t be rejected for the other reasons mentioned above.

Those are the best ways to avoid rejection, honestly. Beyond that, it’s a matter of timing, luck, and finding the right market. Just like everyone tells you.

People who reject you for personal reasons almost always reveal that in some way, from comments to a later post or off the cuff comment, etc. But most professionals leave that stuff aside when choosing stories. Because all we care about is that the story is awesome and whether we can work with you in a respectful relationship. Don’t be an asshole and the rest won’t matter. If you’re an asshole to the editor, it tells them you don’t respect them and likely wouldn’t take edit notes. And it’s not worth the bother for them. It’s that simple.

So how do you respond to a “No?” Don’t email them to criticize their taste. Don’t badmouth them on social media. Don’t even graciously thank them in an email for considering the story. Chances are they are overwhelmed with emails already and won’t want to have to sort through another.

Instead, send the story elsewhere or polish based on any suggestions offered that you find useful and then send it out.

Write another story and submit to them again.

And the cycle repeats. Seriously. There’s no magic trick here. Persistance, Politeness, Professionalism — these are the keys to success. Ask successful writers.

Short but sweet, but I hope it’s helpful. Seriously. It will also help your self-confidence and morale to remember this: “No” is rarely personal, it’s just part of the process.

Now, go write more stories! And good luck!


 

Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press,Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books (forthcoming in November).  His first YA anthology CHOICES will be out from EDGE Science Fiction and Fantasy in 2015. He is currently working on Gaslamp Terrors, Mission: Tomorrow (BAEN) and Galactic Games (BAEN), amongst others. He has also edited novels, including the New York Times Bestseller The Martian by Andy Weir.  He hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

Conquest 45 Noir Schedule and Details Updated

Conquest 45 logoWell, for the third year in a row I am a panelist and moderator at CONQUEST 45, the local Kansas City Con on Friday May 23rd through Sunday May 25th. Well attended, with, as usual, a great lineup of guests and panelists, CONQUEST is the largest local Science Fiction, Fantasy and Horror convention. And it’s always a blast, but also always hectic for locals like me, especially those of us who are members of the local fan club KacSFFS.

This year’s Guests of Honor are Glen Cook (Author GOH), David Lee Pancake (Artist GOH), Bridget Landry (Science GOH), Ray and Barbara Van Tillburg (Fan GOH), and also Caroline Spector (Toastmistress).  Also attending (besides myself) are local professionals like Robin Wayne Bailey, Kij Johnson, Rich Horton , K.D. McEntire, Mark W. Tiedemann, Rob Chilson, Selina Rosen, Claire Ashgrove, Bradley Denton, H.G. Stratmann and Chris McKitterick. A full list can be found here.

Returning to downtown this year, CONQUEST 45 takes place at the Downtown Marriott, just off the famed Power and Light District, pretty much the center of Kansas City’s nightlife.

Room assignments are not final, but here’s the panels, panel descriptions and list of panelists in which I’ll be participating. As you’ll see, it’ll be a really hectic weekend for me. I also hope to have books on sale at Glen Cook’s dealer table, and we are working on a possible Raygun Chronicles party. When details on room assignments and the party are final, I’ll do another post, closer to the Con.

Here’s the schedule as it stands now:

Friday – May 23, 2014

Reading (Big Joe Turner A)
Friday 1400

Author/Editor Bryan Thomas Schmidt reads from his forthcoming epic fantasy series The Dawning Age.


SpecNoir (Count Basie Ballroom A)

Friday 1700

Speculative fiction and noir mix particularly well in many subgenres and forms. What is noir and what are some examples of who’s writing what and good reads out there?

Moderator: Bryan Thomas Schmidt
Panelists: Glen Cook, Mark W. Tiedemann

Raygun Chronicles Launch Party
Friday 2130 (Room 619)

Authors Todd Hunter and Robin Wayne Bailey join me to celebrate our pulp-style space opera anthology, Raygun Chronicles: Space Opera For A New Age. Party with snacks, drinks and giveaways.

 

Saturday – May 24th, 2014

Military Fantasy (Lester Young A)
Saturday 1000

What is it? Who’s writing it? How does it differ from high fantasy? What are some examples?

Moderator: Bryan Thomas Schmidt
Panelists: Glen Cook, Kij Johnson, Robin Wayne Bailey


What makes a hero/heroine? (Jay McShann A)

Saturday 1200

A discussion of what defines heroism today and what qualities we want to see in our heroes and heroines that make them heroic. And how are definitions evolving in the modern age.

Moderator: Bryan Thomas Schmidt
Panelists: Dennis Young, Gera Dean, Kij Johnson


Writing for younger audiences (Jay McShann B)

Saturday 1300

Writing for adults and writing for YA, MG and Children differ. Authors and Editors discuss the differences, the approaches, and fine examples.

Moderator: Bryan Thomas Schmidt
Panelists: Chris McKitterick, Deanna Sjolander, K. D. McEntire

 

KID’S READING: Bryan Thomas Schmidt (Big Joe Turner A)
Saturday 1500

Children’s author Bryan Thomas Schmidt reads from his chapter book series ABRAHAM LINCOLN DINOSAUR HUNTER, a humorous, action adventure, alternate history for all ages.

Self-Editing 101 For Writers With Finish The Story (Mary Lou Williams A/B)
Saturday 1600

Editorial team Bryan Thomas Schmidt and Claire Ashgrove discuss tips for basic editing of manuscripts, how to get perspective, common issues, and more.

Moderators/Panelists: Bryan Thomas Schmidt, Claire Ashgrove

Sunday – May 25th, 2014

GOH Interview: Glen Cook (Count Basie Ballroom A)
Sunday 1000

Come here me do a live SFFWRTCHT-style interview with the amazing Glen Cook. And you can ask questions, too!

Moderator: Bryan Thomas Schmidt
Panelist: Glen Cook


Editors are not  the  Enemy (Mary Lou Williams A/B)

Sunday 1100

What editors do, why it matters to writers, and why writers should consider them an asset not an enemy. An exploration of author-editor relationships.

Moderator: Bryan Thomas Schmidt
Panelists: Claire Ashgrove, Deanna Sjolander, Rich Horton, Selina Rosen


Self-Publishing — Taking the Leap! (Mary Lou Williams A/B)

Sunday 1300

Considering self-publishing your novel?  It isn’t as easy as publishing a book and reaping the royalties, nor is it for every author.  Discover pros and cons of the Indie market, tips to launching a successful book, and whether you’re prepared for the business demands.

Moderator: Claire Ashgrove
Panelists: Karin Gastreich, Bryan Thomas Schmidt, Brett Williams

 

Hope to see some of you there. Be sure to come by and say hello!


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut science fiction novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels The Returning and The Exodus (forthcoming). His children’s books include 102 More Hilarious Dinosaur Jokes For Kids and Abraham Lincoln: Dinosaur Hunter–Land Of Legends. Schmidt has edited edited anthologies Space Battles: Full Throttle Space Tales #6Beyond The SunRaygun Chronicles: Space Opera For a New Age and, with Jennifer Brozek, coedited military high fantasy original anthology, Shattered Shields. Several more anthologies are under contract and forthcoming. Schmidt hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

Mission: Tomorrow Coming To Baen in 2015 — My Latest SF Anthology Sale

Well, it’s been a really busy month, and so I have not managed to blog as intended. But it’s for good reasons. I’ve been booking SFFWRTCHT’s final six months, as it’s regular weekly Twitter incarnation will be ending this Fall. I have been working on lots of editing and packaging anthologies, and I sold two anthologies–one I can’t yet announce details on, and the other of which I will detail here. I already announced on Facebook but here’s the details for those who missed it.

My fourth science fiction anthology will be my second anthology for Baen, my first as solo editor there.  Inspired again by my grandmother’s and my shared passion for NASA’s space program, this one caught the interest of some amazing talents. I have fourteen headliners attached here, and thirty other people vying for the remaining six to eight slots. There will be two reprints, both by Grandmasters, and the rest will be original to this project.

Toni Weisskopf bought it within a few days of receiving my pitch. Ironically, I had so many proposals on her desk, I had been pitching it elsewhere for six months before finally trying her. Perhaps from now on I should just go to Baen first. Contractually, given the options, I rather have to. In any case, it’s been a great experience working with Baen so far, and I look forward to a long and healthy relationship there.

So here’s the scoop:

MISSION : TOMORROW – A NEW CENTURY OF EXPLORATION

Edited by Bryan Thomas Schmidt

Mission: Tomorrow is a pro-paying anthology of 95,000 words in which Science Fiction writers imagine the future of space exploration in a world no longer dominated by NASA. What might it look like? Private or public? Stories of space exploration, travel and adventure. Coming from Baen Books in 2015.

Headliners: Catherine Asaro, Robin Wayne Bailey, Gregory Benford, Ben Bova, Michael Capobianco, Brenda Cooper, David Farland, Michael F. Flynn, James Gunn, Sarah A. Hoyt, Jack McDevitt, Mike Resnick, Robert Silverberg, Jack Skillingstead

Yep, so a mix of hard and soft science fiction for this one, adventure and real science blended to make for some interesting near future tales of space exploration. Silverberg’s reprint is a story about the exploration of Venus, and Gunn’s is about exploring a wormhole. Ben Bova has written a new Sam Gunn story that features a Chinese female astronaut as the protagonist encountering Sam Gunn. Beyond that, I am waiting to see what comes in, but with the people involved, I’m quite excited about it.

You can find it on Goodreads here: https://www.goodreads.com/book/show/21023216-mission

Meanwhile, I sold a Young Adult anthology, a mix of science fiction, fantasy and horror, all reprints except for three new stories, but filled with huge names, to a foreign publisher, my second non-US sale, after Raygun Chronicles. I’ll release details once contracts are signed, as it’s all verbal now, but expect to see it and Mission: Tomorrow both released in 2015.


Bryan Thomas Schmidt is an author whose debut novel received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction of 2011. He’s written novels, children’s books and short fiction and edited several anthologies, including two for Baen, Shattered Shields, coedited by Jennifer Brozek (November 2014) and Mission: Tomorrow( forthcoming Fall 2015).

For Immediate Release – SFFWRTCHT on Twitter Will End in 2014

Sffwrtcht-flat

Update: SFFWRTCHT has always been a celebration of community: what unites us, not divides us. Although I can’t keep up with the weekly grind any more, given other obligations, we will continue with twice monthly chats beginning in early 2015 after a brief hiatus. More details to come. 

160 shows, 165 guests, hundreds of thousands of hits–when I started SFFWRTCHT (Science Fiction and Fantasy Writer’s Chat), I did it for two reasons: 1) I wanted to network and learn from so many awesome writers and editors who were using twitter, and 2) I wanted to contribute to my new SFF community and family in a positive way. I never expected how successful it would become, not how time consuming it would be. But I don’t regret a minute.

However, after a lot of soul searching, I have decided the time has come to end the weekly live twitter chat that is SFFWRTCHT. Much of this is selfish, I admit. I spend 25 hours a week, including reading time, question and guest prep, booking guests and more per episode. And as I get busier professionally, that is coming to feel more like a chore than the delight it once was. It’s hard to find time to read for fun or to research for my own projects. I am locked to home or at least a place with good Wifi every Wednesday night. And trying to keep it fresh requires me to search for guests who are new, not just repeats, so that I am not asking the same stuff of the same people over and over.  In the beginning, with my being out of work with plenty of free time, this was easy. And the industry embraced it which made booking guests easy. But as I’ve burned through the most active Twitter users, and become an almost full time editing professional, it’s more and more work to find time for SFFWRTCHT, a volunteer effort, which, while rewarding in its own way, requires a serious time commitment to do right.

When our original host site for the cleaned up interviews shut down for similar reasons to my own expressed here, SFSignal welcomed us. But I also find myself competing with their interviews with the same people, and that makes my interviews less useful and relevant, and less helpful as promotional tools for our guests. I don’t think repeating what someone else is doing is a compelling use of my time or our guests.I’ve toyed with recruiting help. But even my regulars, who are delightful and whom I adore, have their own lives and no one has jumped up to volunteer. I toyed with cutting back some, but then how would people know when to look for us or where?

So, in the end, it seems best to back off the weekly grind of live interviews and instead convert to regular email interviews. Whether this will be weekly or monthly, I don’t know. Where they will appear, I don’t know. But I have several month’s worth of past transcripts I can start with cleaning up and posting, and as I plan to continue to December in present format, I’ll have even more by then to give me time to sort all of this out.

In the meantime, I express my thanks for the kind support and regards of the Science Fiction, Fantasy and Horror writing and publishing industry and fandom. It’s a pleasure being a part of the family and I appreciate the opportunity to contribute positively to community building. I hope to do so in the future in new ways. I know many books have been purchased and many writers encouraged and even taught through SFFWRTCHT. I’m humbled an honored by that.

In the meantime, you can still find transcripts, links, reviews, etc. on our website, which I will be maintaining here. I look very much forward to what the future brings.

Kind regards,

Bryan


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with coeditor Jennifer Brozek for Baen, Mission Tomorrow: A New Century of Exploration, also for Baen, Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.

Website/Blog: www.bryanthomasschmidt.net
Twitter: @BryanThomasS
Facebook: https://www.facebook.com/bryanthomass?ref=hl
Goodreads: https://www.goodreads.com/author/show/3874125.Bryan_Thomas_Schmidt

Write Tip: 8 Tips For Getting Blurbs From Name Authors

WriteTips-flatThis week’s Write Tip addresses a question I get a lot. I have been fortunate enough to get blurbs on my books from many well known authors, and people want to know how I manage it. So here are some tips for getting blurbs from name authors.

1) Ask. — It sounds really obvious but it’s the truth. If you don’t ask, you won’t succeed. When it comes to asking for blurbs, you just target the desired authors, and politely ask if they’d consider reading for a blurb. Authors won’t put their name on something they don’t feel good about, and not every author who agrees to read the project will blurb it, but getting them to take a look is the first step. So ask.

2) Pick Appropriate Authors. — This one may be less obvious to some of you. Don’t just ask your favorite authors. Ask authors who are known for writing the genre in which your book falls. These will be people who typically enjoy reading books like yours. They will also have names familiar and most enticing to your targeted readers. There’s no point putting a blurb on your book from someone who might not be considered informed on the topic and genre. Unless it’s a meganame like Stephen King, having inappropriate blurbers may not add any benefit at all.

3) Give Them Time. — If you can get permission from your publisher, the time to ask for big name blurbs is after the book is turned in to the editor or goes to copyediting. Don’t wait for galleys. By the time most galleys show up, your turn around time is usually very short. By starting early, you can offer several months to potential blurbers which gives them a lot more flexibility to work such an obligation into their own very busy schedules and makes it more likely they’ll agree to take a look. For our Baen anthology Shattered Shields, Jennifer Brozek and I got permission from Toni Weisskopf to ask for blurbs just after we turned in our manuscript. This gave us the opportunity to ask people like Mike Resnick, John Marco, Catherine Asaro, and Ken Scholes for blurbs. All four said yes, and before we even have copyediting marks to review, three of them have sent us great blurbs for the book.

4) Pick People You Have a Relationship With. — In the age of social media, building relationships with authors you admire is simpler than ever. All you have to do is engage smartly. Strike up a conversation. Encourage. Ask thoughtful questions. And soon you’ll find yourself in dialogue with them. Over time, this can develop into a familiarity and even friendship that will make requesting blurbs not only much easier but much more likely to be well received by them. It’s not like they don’t have to do the same thing themselves. But if they don’t know your work, knowing you are cool and likeable will make them much more willing to both help you and to assume you’re not sending them crap.

5) Be Grateful. — Whether they say “yes” or “no,” be grateful that they considered it. Graciously thank them either way, and consider it a positive that you even got to interact. You never know what possibilities that may present in the future. Even if they say “no,” they may see you at a con later and ask how things are going with your book. That opens a door to dialogue and building a relationship which might lead to a future “yes.”

6) Do Not Abuse The Privilege. — Don’t over ask. Don’t ask people constantly for help. Be careful who you ask and how often. This shows consideration for both the level of your relationship and their own busy schedules. They have deadlines of their own, and those come first. Whenever you’re asking someone to take time out from those and help you, be respectful of the fact that they have limited time to do such things. They have to make choices. They are more likely to choose you, if you are considerate and don’t over impose.

7) Offer To Return The Favor. — Okay, if you’re not a known author yourself, your blurbs are likely meaningless for them. But what you can offer is to proof or review their books on Amazon, Goodreads, etc. and authors are almost looking for help with that. You can’t repay them. You shouldn’t pay them, as it’s really not standard and it violates most people’s ethics. But you can offer to do them a favor in return.

8 ) Send Them Quality Projects. — This tip may seem obvious but I guarantee it’s not. The better quality your project, the more likely the askee is to agree to consider a blurb. Make sure the manuscript is clean, copyedited, and formatted professionally. If you are self-publishing or working with a small press, this is especially important. Authors know the Big Five New York houses will clean up the manuscript to make it professional. Small presses and self-publisher are less reliable. If their name is going on it, they want to be sure it’s worthy, and besides content, that means presentation, so send them a quality project with quality presentation and they are more likely to say “yes.”

Well, there you have 8 tips for getting blurbs from name authors. Remember, they’re doing you a favor. So “no” is never personal. A “yes” is always a gift. And treat them accordingly. If you follow these guidelines, use good common sense, and are professional, you’ll likely have a good chance of getting blurbs from known authors in the future. Maybe not for every project, but then again, if you follow these tips, you won’t send them every project. Regardless, these tips have worked well for me.

For what it’s worth…


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (2012), Beyond The Sun (2013), Raygun Chronicles: Space Opera For a New Age (2013) and coedited Shattered Shields (Bean, 2014) with Jennifer Brozek and is working on Monster Corp.A Red DayMission Tomorrow, and Gaslamp Terrors, among others. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

 

WriteTip: 6 Things Any Writer Can Do To Make Science Fiction and Fantasy Better

WriteTips-flatYou may have noticed there’s a lot of yelling going on in Science Fiction and Fantasy these days. Some yell because they’re angry. Some yell because they’re sick of the yelling. Others yell to be trolls. And the cycle never seems to end. I’m not much for yelling myself. It may serve as a great vent for your emotions, but it rarely actually serves to change anyone’s mind. Instead, it often makes people tune you out. BUT on the other hand, there are things I and every writer can do to make things better. So for this week’s Write Tip, I thought I’d suggest a few.

1) Don’t Write the World as it is but As You Want It To Be. — It’s real easy to complain about the world not changing or wishing it were better. But one of the great advantages of speculative fiction is that writers can invent worlds and make them into what they want them to be. Take advantage of it. Don’t just imagine the pessimistic world in which you live. Imagine one that’s better. Write a world that models what you’d like our world’s future to be. It’s a great way to demonstrate possible viable changes in attitude, culture, etc. without preaching at people. It’s also often a lot more pleasant experience for yourself and readers. And it certainly would help avoid a lot of cliches and rehashing that so commonly occur.

2) Avoid Placing Female and Minority Characters Solely in Traditional Roles. —  Just as the world can be whatever you want it to be in your imagination, so can people. NO housewives or Mexican gardeners. Instead, you can write of black women in power or gays in a majority, etc. You can invert the norms you see around you and imagine roles for people that might not exist yet. This is another way to demonstrate a viable future without preaching, and to promote positive change in the process.

3) If You Want Diversity, Write It. — Seriously. It’s very easy to write what you know. And sometimes that means falling back into writing about people like you. But the world is full of people who don’t look and act like you, and if you’re creating a world that can be even more so the case. So if you want to see it, make it so, as Captain Picard might say. If you can imagine it, you can write it, and what a great way to paint images that stimulate the imaginations of others by doing so.

4) Don’t Preach A Message, Show It In Action. — Yep, Show vs. Tell even applies to this. People hate being preached at. Sometimes, even if they agree with you. So instead of pounding them over the head with message fiction, just demonstrate the results of what you desire to see. Not just with the setting and characters, but the actions, dialogue and culture surrounding them. Model the future you’d like to see. Write it so it’s real for readers. Because chances are, if they couldn’t imagine it before, you can enable them to. And imagination is always a key step to real change in cultures and societies. That’s one reason the arts have always been so powerful.

5) Channel Your Passions. — There’s a lot of anger going on for many reasons in our world today. And the Science Fiction and Fantasy community is certainly no different. Channel your passion into great storytelling. Worry less about preaching or arguing with people and more about telling stories that will inspire them to change themselves and want to change the world. Sounds hard, I know, but the list of books that have influenced the world for the better is a long one.  And I know more top selling authors who avoid politics and religion and instead bring out their ideas through good stories than I do who spend hours and hours arguing and angrily decrying those who don’t share their beliefs. Certainly there’s a time and place for that, but being nasty creates an ambiance, frankly, whether you’re wrong or right, and that can affect readership and publication. Readers want to read pleasant people. And publishers want to work with pleasant authors. I know you’re passionate. You’re an artist. You have to be. But just remember that the bigger the audience and outlet, the more people hear you, and it’s easier to be heard with great art than angry diatribes. By channeling your emotions into characters and story, you can add a vivid reality to your storytelling that will speak louder than you ever could alone, really affecting and connecting with reader’s hearts.

6) Be The Kind Of Citizen You Want Others To Be. — Okay, I admit, this one is inspired by my belief in “doing unto others,” a biblical notion. But it really does ring true. If you treat others with respect and kindness, most will return the same to you. If you want equality, treat others as equals. If you want respect, be respectful. If you want to see diversity, surround yourself purposefully with diverse people. Go where you can meet them, get to know them, interact and befriend them, and hang out. I could go on and on, but I won’t. I just know that some of my best friends and best teachers have been people I met in places an upper middle class white boy from Kansas would never expect to be. And those have stuck with me for a lifetime. It’s transforming to see the world through others’ eyes, but you can’t do it if you don’t take time to know others who aren’t like you and listen to them. Chances are, if you surround yourself with diversity, readers will be encouraged to do the same. It’ll also infuse your writing and worldbuilding for all the suggestions I made above. And you’ll be seen as someone who lives what they believe, not just someone who suggests it in words alone.

Well, there you have six suggestions, some easier than others, but all truly possible, for how you can make Science Fiction and Fantasy better. I hope some of you will try them. I have been and will continue to do so. I know there’s room for improvement, but I want to make change, not just talk about it. How about you?


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (2012), Beyond The Sun (2013), Raygun Chronicles: Space Opera For a New Age (2013) and coedited Shattered Shields (Bean, 2014) with Jennifer Brozek and is working on Monster Corp.A Red DayMission Tomorrow, andGaslamp Terrors, among others. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

 

WriteTip: The Importance Of Writing Rules As Boundaries For Learning Craft

WriteTips-flatSince December of 2010, I’ve been interviewing authors, editors and others almost weekly on craft every Wednesday for SFFWRTCHT, and one of our regular and favorite question is about Best and Worst Writing Advice. It’s always interesting the answers we get. And after hundreds of guests, only a few repeats, it always amazes me how many different answers we get.  In fact, sometimes a repeat guest will answer differently each visit.

But what surprises me sometimes are the harsh rejections of mainstays writing rules like “avoid passives,” etc. I think sometimes experienced writers reach a point where old rules seem more limiting than helpful, perhaps. But I still find and believe, as an editor and author both, that those rules have an important role to play in most writer’s development and growth with craft.

There’s another old adage in entertainment that applies as much to publishing as Hollywood. It goes like this:  “No one knows everything.”

And while it’s true no one knows everything, you do need to know the boundaries before you break them, and writing rules are a great way to learn those.

For example, passives are a weaker form that when employed exclusively or excessively weaken the storytelling and act as telling, not showing. Once you’ve learned how to construct strong sentences, yes, you can use passives effectively, but in the beginning especially, I think learning to write without them is absolutely important and even essential to success.

Another thing about writing rules is that they often outline pet peeves of various people, and some care about one rule more than others. But the value in knowing them is that they tend to help guide you to a stronger path and stronger prose. And they often identify common weaknesses and missteps writers have taken which have hurt their writing, their success, and the appeal of their work not just to publishers but to readers as well. There are differences between writing fiction and nonfiction, between journalism and fiction, and so on. And sometimes fiction rules are helpful if you’re experienced with another form of writing but inexperienced with fiction, as I was.

There’s another adage that gets trotted out too: “Rules are made to be broken.”

You hear people cite writers like Stephen King or Neil Gaiman who have broken rules. And yes, they have and get away with it. But usually they get away with it because the rules are so imbedded into their process that when they stray from them, they do it with such skill that it just works in ways a lesser writer couldn’t manage.  You see, knowing the boundaries so well that they become second nature has advantages, and one of those advantages is that you can later deviate outside them a bit without falling off a cliff.

Let me say it again, knowing the boundaries is necessary before you can risk going outside them. And teaching boundaries is what the writing rules so often taught are for.

As a professional editor of both anthologies and novels, I see people violating the rules all day long. Rarely is it on purpose. Most often it’s because they don’t know the rules or understand how to abide by them. And the result is always sloppier, weaker writer, and a less effectively told tale. ALWAYS. I can’t count how many times a day I have to correct over and over the same errors and explain the same rules. It gets tedious. Sometimes it gets annoying. But it’s the job, and it’s made up for by the pleasure and joy I get in seeing the final polished project overcome these weaknesses and really sparkle and shine.

You can’t be expected to just know everything when starting out. And you won’t learn unless someone takes the time to show you, to explain. So part of my role as editor is to do that for you, gently, but firmly. And I try and do it with a sense of humor, too, to hopefully lessen the sting. But I still have to do it, and you still need to learn the rules.

Just because they seem arbitrary doesn’t mean they are. Just because they can be annoying doesn’t mean you can ignore them.

These rules have developed over decades for good reason. And although they evolve as tastes and grammar and publishing house style guides change, most of them have remained relatively the same for a very long time.

So next time you hear or see your writing hero blow off the rules, don’t take it as an invitation to do so yourself. Your journey is not the same as theirs. In fact, your journey is not identical to anyone’s. Learn the rules, practice them until they become instinct and you can recite them by heart. Learn them until you don’t even remember them anymore, you just do it. Because you’ll be a better writer, that’s what their for. And you’ll be more successful and respected.

And once you have that respect, then you can throw caution to the wind and go crazy. But not before.

For what it’s worth…


Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (2012), Beyond The Sun (2013), Raygun Chronicles: Space Opera For a New Age (2013) and coedited Shattered Shields (Bean, 2014) with Jennifer Brozek and is working on Monster Corp.A Red DayMission Tomorrow, andGaslamp Terrors, among others. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.

 

WriteTip: On Writing What You Know As A Search For Truth

 

WriteTips-flat

First things first, it’s been a while since I wrote one of these posts. Apologies to anyone who follows the blog. I honestly ran dry in my well, because I was working on so many creative projects from writing to editing that finding energy, let alone time, for blogging was not happening. I think it was a worthwhile break for me, but I do need to reconnect with my audience I didn’t want to leave you all behind forever, and I certain value our relationship. Thanks for your patience. I am going to try and resume these once a week on Thursdays at least three times a month.

So for our first topic back, I wanted to reflect on an old mainstay, the advice to “Write What You Know.”

In a Twitter interview last night with New York Times Magazine culture editor Adam Sternbergh about his new science fiction noir novel, Shovel Ready, Sternbergh responded to my usual question about good and bad writing advice as follows: “Worst: Write what you know. Classic workshop trope. But what I know isn’t interesting enough for anyone to read.”

On the surface, I understand his sentiments, however, I’m going to disagree. Perhaps if we dug deeper into the statement with Sternbergh, he might agree with me but for now, we’ll just deal with the statement as is.

I believe the advice to write what you know is about a quest for truth. Writing what you know is easier for several reasons. The more familiar you are with them, the more realistic the characters and situations you write will be.  Assuming you only apply this advice to a few things, you might say, “Oh, I’m a journalist, it’s been done, boring,” or “Oh, I’m a housewife, who wants to read that.” However, I think the advice goes deeper.

Whether you’re writing speculative fiction or contemporary, historical or alternate history, readers will only connect with your story if they find elements they can relate with. From characters to situations, your story’s connectivity is going to come from the truths it contains. And so I think the advice to write what you know is very important because if you want people to connect, you must tell the truth, and you can’t write truth without knowing something about it.

In a far future tale on an  alien planet, what resonates with us are the emotions of characters, their relationships, how they see the world. Sometimes those are very different from our own, yes, but that very fact can be illuminating of our own experience. Other times, those emotions, relationships and views are like ours, and in such cases we can see ourselves in the situation reacting with the character.

Regardless of which way it goes, most readers ask themselves questions as they read, like: “What would I do in that situation?” “How would I react?” etc. And so the motives of the characters, their actions, and their emotions need to reflect believable truth for us to really find the story plausible. If they don’t, it doesn’t make sense and leaves us feeling unsatisfied.

So, as cliche as the advice “Write What You Know” may seem on the surface, I have to say it’s become so common because it speaks of a universal truth. In writing, one must write things that are true for his or her story to be true enough for readers to connect with it.  In a sense, writing what you know then becomes less about writing characters, settings, etc. that are based on your real world experiences and yourself, and more about creating ones that reflect reality in some familiar way that readers will relate with. And if that is the case, then writing what you know is indeed very good advice.

Giving writing advice is tough, because so much of it can vary from person to person, even conflict with that of others. You do have to use discernment in applying such advice, of course, and use what you can, ignore what you can’t. But to me, “Write What You Know” is advice we all can use to make our fiction stronger. That’s why I think it comes up so often, and why I think it’s stuck around so long.

Dig deep. Find the truth in your settings, characters, and situations. No matter how fantastical you dress it up, that truth is what will keep readers coming back and make your stories stay with them long after they’ve turned the last page. There’s truth in characters, relationships, settings, and all sorts of details no matter how smile. Find them, use them, and they will bring your fiction depth and make it pop off the page, make it come to life. That’s what good writing is all about. It’s what makes stories successful and memorable.

To me, that’s advice worth knowing. For what it’s worth…


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 (2012), Beyond The Sun (2013), Raygun Chronicles: Space Opera For a New Age (2013) and coedited Shattered Shields (Bean, 2014) with Jennifer Brozek and is working on Monster Corp.A Red DayMission Tomorrow, andGaslamp Terrors, among others. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.