ARCHON 40 SCHEDULE, Sept. 28 through Oct. 2


Here’s my schedule for ARCHON 40 in St. Louis, at the Collinsville, IL Convention Center, Friday September 30 – Sunday, October 2, 2016. Guests of Honor include Ellen Datlow, John Picacio, and Claudia Christian.

I am not sure if anyone else will carry my books but usually Larry Smith and Glen Cook have a few in the dealer’s room. I will have my own and sell them on my autographing time Saturday for sure.

Bryan Thomas Schmidt Fri 5:00 PM GC Marquette B Advice For New Writers
Mark W. Tiedemann (M), Ellen Datlow, Lynn Rosen, Bryan Thomas Schmidt, Richard C. White
Bryan Thomas Schmidt Sat 12:00 PM GC Marquette B Editing 101
Ellen Datlow (M), Julia S. Mandala, Christine Amsden, Bryan Thomas Schmidt, Claire Ashgrove
Bryan Thomas Schmidt Sat 2:00 PM GC Signing Table Autographs with Angie Fox, Bryan Thomas Schmidt, and Ethan Nahté
Bryan Thomas Schmidt Sat 4:00 PM GC Salon 4 Classic Sci-Fi TV
Marella Sands (M), Van Allen Plexico, Bryan Thomas Schmidt, David Phelps
Bryan Thomas Schmidt Sun 10:00 AM GC Illini A Libraries of the Future
Susan Baugh (M), Paul Hahn, Bryan Thomas Schmidt
Bryan Thomas Schmidt Sun 11:00 AM GC Marquette B The First Five Pages: How to Hook Your Reader
Cindy Matthews (M), Bryan Thomas Schmidt, Michales Joy, Shawntelle Madison, Jimmy D. Gillentine

Hold On To The Light: What Is Normal?

normalI was first diagnosed in 3rd grade at the world-renowned Meninger’s Clinic in Topeka, Kansas: Attention Deficit Hyperactivity Disorder. For my physician and nurse parents, this was a huge relief. Finally an answer to their son’s odd and frustrating behavior. For me, it was the day I found out I would never be normal.

There’s nothing like slapping a label “disorder” on someone to make them feel like a freak. And for years it was “did you take your meds?” or “go chill out, you’re hyper” and other dismissive remarks whenever they found me annoying, odd, or difficult. It was never about celebrating and appreciating how these things made me unique–how the intense focus and energy bursts could result in huge bouts of productive creativity. How the racing mind could sort through so many more scenarios and options at a faster rate than anyone around me and keep juggling them all there even while discussing or writing–giving me a lot of info to utilize. It wasn’t about how I could get more done in a focused bout of 45 minutes than most people could do in 2 hours. It was always about the “disability.” No discussion of benefits. (My parents are not altogether bad or unsupportive people, by the way, I am talking about one particular circumstance only).

crazy-person-3As a result, it took me a while to identify these traits as having positive benefits. And to adjust my life to live in ways that utilized them and made the most of them, rather than just trying to medicate them away and hide my abnormality. That’s a terrible burden to live with, by the way. A terrible burden to put on a child.

Now don’t get me wrong. ADHD is a real thing and I always cringe at parents who both over diagnose with it or ignore it because they think it’s overdiagnosed. Let the experts really tell you. Get a second or third opinion if you must. For your child, knowing and helping them learn to cope is really important. I just wish my parents had handled that differently. It wasn’t until I got to be an adult that I discovered adjusting my working habits and lifestyle, diet, etc. would all be things I could use to make the most of my “unique gifts” and live more productively and get along better with others. Before that, I had “disorder” on the brain. It was a curse, some horrible burden God put on me for some unknown reason–why did he hate me?–not something I could overcome and use.

crazy-person-2It wasn’t until my early thirties that I really grasped the concept that no one is normal. Everyone has quirks and issues. The so-called “normal” people love to talk about and bandy about like a standard is really a matter of point of view, perspective. There is no catch-all, set absolutely, scientifically determined state that constitutes “normal.”

What really brought it home to me was events that started in 2009, when my beloved wife, a Brazilian (who doesn’t like me to use her name about this so I am not) began acting very strangely in ways that were dangerous. When her flight to St. Louis got layed over in Chicago for a long delay, she called me in the middle of the night from downtown Chicago where she was wandering around pulling her suitcase just to “sightsee” alone. Yep. We knew no one in Chicago. She’d never been before. And she just went downtown to see the city alone, at night. With a suitcase. To say I was panicked is an understatement. I woke up a lot of people that night seeking help. And I didn’t hear from her again for several hours, making it worse.

crazy-person-1A few months later, she started being up at odd hours, running around hectically, cleaning obsessively, etc. all night. And then one day, while I went to Mexico to teach free music classes, I sent her off to the bus to attend a seminar for her new hospitality job at a hotel. Once I crossed the border, the phone went off so I could avoid the expensive “international roaming” cellular phones on the U.S.-Mexico Border struggle with at great expense for their owners. That night, I arrived home to multiple messages on both my voicemail and answering machine of an increasingly aggitated, worried, and then angry wife berating me for not calling her back and coming to get her.

Despite searching, calling her cell and friends, etc., I did not see her again for over 6 hours, until the El Paso PD brought her to my door at 5 a.m. It turns out she’d never made it to the bus and had wandered the city on foot, eventually discarding her shoes–which fell apart–her jewelry, ID (including key immigration documents like green card), and more and was found wandering on Interstate 10, dodging semis (she was actually struck on the shoulder by a semi’s mirror and stayed standing with only a scratch), babbling about trying to get home. The Police thought she was suicidal. The gibberish she was speaking scared the hell out of me.

crazy-jack-nicholson-shiningBy 2011, we were divorced and she had gone back to Brazil, but this was after 5 forced hospitalizations, dozens more incidents, my losing my day job and so much more that really made our life chaotic and turned it upside down. I lost the love of my life. I lost my partner, lover, and best friend. I lost a really well-paying job I enjoyed, a house we wanted to buy, and many friends who were alienated along the way not understanding the drama or the situation. I wound up on dozens of meds for heart rate, blood pressure, depression, and so much more. The doctors thought I’d have a heart attack at 45. For two years, the meds seemed to be doing nothing to help. A month after we divorced and my ex went home to Brazil with family, my levels went back to normal and the meds were no longer needed.

THAT, my friends, is stress.

Why do I tell you this? I tell you this because my ex’s biggest struggle with her illness was her frustration, fear, and pain of being told she was not “normal” anymore. That really destroyed her self-esteem. She didn’t want meds, she wanted a miracle. She wanted to be the normal person she’d been before, not some mentally ill person. What I had realized with my Ritalin was that sometimes the medicine IS the miracle, but that was a concept she was not ready to accept. Her self-identity was too threatened, her sense of esteem too violated. So she didn’t medicate consistently, she blamed and lashed out at those around her, and various side effects occurred that made things worse, not better.

Now as I watch another family member going through that 6 years later, my heart breaks for them daily. I want to reach out, hug them, impart all this wisdom, and tell them: “It is okay to be you. Normal is relative. You are awesome as you are.” To take away the fear, pain, paranoia, and more so they can just face up to their new reality, take the meds, and live a relatively similar life to what they did before. But they are not ready yet, just as my ex was. Then, as I said, it took me years to accept that I had my own “normal,” and I was fortunately diagnosed as a kid. These two people (my ex and relative) are adults. How much harder must it be for them to adjust to that idea?

happy-person-1So here’s the thing. No one is mainstream. No one is straight normal. No one. We are all unique. If you believe in God, He made us that way. Or perhaps you’d prefer to think of the amazing science of genetics and DNA. Either way, there is a reason DNA can identify people. We are all unique. And for the love of God, there is nothing wrong with being unique. There is nothing wrong with not being “normal.” Be yourself. THAT was the lesson I needed to learn, and the lesson all “mentally ill,” “disabled,” and family members of those afflicted must learn to accept. “Normal” for you is different than anyone else. And that is okay. It is not a disaster. It is nothing to be ashamed of. It is something to figure out and adjust for and live happily and well with. And anyone can do it. You just have to believe, accept, and put in the work.

cropped-for-webI’m not saying I don’t still struggle. I am not saying ADHD does not still affect my life and relationships. It does. I still can’t always read others’ reactions to me well in social situations. My overabundant, hyper energy can still be offputting. It has made it hard to keep steady day jobs. But that is my “normal,” and I have adjusted by becoming freelance, by becoming more blunt and open about who I am in relationships, and by continuing to take whatever meds and dietary things help and adjusting my working style, etc. accordingly.

What is normal? It is that label that is the “disorder” or “disability” if you allow it to be one. But it is one you can overcome if you have the patience and determination to try, to do it. It takes time, yes. It is hard, yes. But it is accomplishable. It is possible. And realizing and accepting your unique you is a better way to live than under a label of “abnormal” or “disorder” will ever be. Trust me. I’ve learned the hard way and it took me almost 37 years. Hopefully, this post might help a few people get there faster and avoid a lot of heartache. That’s what I hope for, at least.

For what it’s worth…

Bryan s Headshots-bryan-0002 websizeBryan Thomas Schmidt is an author and Hugo-nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases. His short stories have appeared in magazines, anthologies and online and include entries in The X-Files, Predator, and Decipher’s WARS, amongst others. As book editor for Kevin J. Anderson and Rebecca Moesta’s WordFire Press he edited books by such luminaries as Alan Dean Foster, Tracy Hickman, Frank Herbert, Mike Resnick, Jean Rabe and more. He was also the first editor on Andy Weir’s bestseller The Martian. His anthologies as editor include Shattered Shields with co-editor Jennifer Brozek, Mission: Tomorrow, Galactic Games and Little Green Men–Attack! (forthcoming) all for Baen, Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He also coedited forthcoming anthologies with Larry Correia and Jonathan Maberry set in their New York Times Bestselling Monster Hunter International and Joe Ledger universes.

Twitter: @BryanThomasS

DoDecaCon Schedule, September 16-18, Columbia, MO

dodecaconbtspicThis weekend, I will be a Special Guest at Columbia, Missouri’s ComicCon:  DoDecaCon. Fellow guests include New York Times bestselling author John Jackson Miller.

Here’s the layout of booths. I will be at Special Guests Table 2. (click to enlarge)


My panel schedule is Saturday only, with the following two panels:
2:00 PM Special Guest Q&A with Bryan Thomas Schmidt, John Jackson Miller and D.A. Roberts-Main Stage
3:00 PM Writing in an Established Universe with John Jackson Miller-Panel Room A

Barnes and Noble, Columbia, will be selling my books and I will sell others at my table. To help me out, please buy my Baen books from B&N then come have me sign or personalize. I will likely do signing times each day at B&N as well (TBD). The rest of my books will be on sale at my own table, Special Guest Table 2.

Look forward to seeing you!


Announcing: Final Table of Contents-Joe Ledger: Unstoppable Edited by Bryan Thomas Schmidt & Jonathan Maberry

With pleasure, we announce the final table of contents for the first anthology of stories written by others set in the New York Times bestselling Joe Ledger universe created by Jonathan Maberry. This will be released from St. Martin’s Press in 2017 (cover and details pending).

Edited by Bryan Thomas Schmidt & Jonathan Maberry


Foreword by Tony Eldridge

Introduction by Jonathan Maberry

The Honey Pot by Steve Alten

Confusion by Nicholas Steven

Target Acquired by Christopher Golden and Tim Lebbon

Vacation by Scott Sigler

Banshee by James A. Moore

Red Dirt by Mira Grant

Black Water by Weston Ochse

Instinct by Bryan Thomas Schmidt and G.P. Charles

No Guns at the Bar by Aaron Rosenberg

Strange Harvest by Jon McGoran

No Business at All by Javier Grillo-Marxuach

Ganbatte by Keith R.A. DeCandido

White Flame on Sunday by James Ray Tuck

Wet Tuesday by David Farland

Prince of Peace by Jeremy Robinson

Rookie by Joe McKinney

Three Times by Jennifer Campbell-Hicks

Psych Eval by Larry Correia

Crash Course by Dana Fredsti

Atoll by Jonathan Maberry

In addition to the numerous New York Times bestsellers writing stories here, we have crossovers with Sigler’s Nocturnal, Tuck’s Deacon Chalk, McGoran’s Doyle Carrick, Robinson’s Chess Team and Fredsti’s Plague World novels. The anthology has a foreword by Ton Eldridge, the Hollywood producer developing Ledger for film and by Grillo-Marxuach (Lost, Charmed, Middleman) who wrote a previ0us Ledger pilot film.

Announcing: Final Table of Contents- THE MONSTER HUNTER FILES Edited by Larry Correia & Bryan Thomas Schmidt

With pleasure, I announce the final table of contents for the first anthology of works by other authors set in Larry Correia’s New York Times bestselling Monster Hunter International universe. This will release from Baen Books sometime next year (cover and details pending).

Edited by Larry Correia & Bryan Thomas Schmidt


INTRODUCTION by Albert Lee, MHI Archivist

“Thistle” by Larry Correia

“Small Problems” by Jim Butcher

“Darkness Under The Mountain” by Mike Kupari

“A Knight Of The Enchanted Forest” by Jessica Day George

“The Manticore Sanction” by John C. Wright

“The Dead Yard” by Maurice Broaddus

“The Bride” by Brad R. Torgersen

“She Bitch, Killer of Kits” (a Skinwalker Crossover Tale) by Faith Hunter

“Mr. Natural” by Jody Lynn Nye

“Sons Of The Father” by Quincy J. Allen

“The Troll Factory” by Alex Shvartsman

“Keep Kaiju Weird” by Kim May

“The Gift” by Steve Diamond

“The Case of the Ghastly Specter” by John Ringo

“Huffman Strikes Back” by Bryan Thomas Schmidt & Julie Frost

“Hunter Born” by Sarah A. Hoyt

“Hitler’s Dog” by Jonathan Maberry


The stories involved not just Owen Z Pitt and his usual team, but Agent Franks and lesser known monster hunters from history, including stories set in the Revolutionary War and World War I periods as well as a crossover with Faith Hunter’s New York Times bestselling Skinwalker series.

Announcing “Border Time” by Myself & Kate Corcino in The X-Files: Secret Agendas Anthology


x-files_secret_agendas_fullcoverEditor Jonathan Maberry has announced the Table of Contents order for his third anthology of new officially sanctioned, canon stories from The X-Files, for which Kate Corcino and I wrote a fun story set in El Paso. Here it is:

  1. Seek and You Will Find by John Gilstrap
  2. Perithecia by Andy Mangels
  3. Give Up the Ghost by Jade Shames
  4. Transmissions by Marsheila Rockwell and Jeffrey Mariotte
  5. Desperately Seeking Mothman by Jim Beard
  6. Love Lost by Yvonne Navarro
  7. Thanks and Praise by Joe Harris
  8. Border Time by Bryan Thomas Schmidt and Kate Corcino
  9. A Scandal in Moreauvia, or: The Adventure of the Empty Heart by Nancy Holder
  10. Stryzga by Lauren A. Forry
  11. An Eye for an Eye by George Ivanoff
  12. Kanashibari by Ryan Cady
  13. All Choked Up by Lois H. Gresh
  14. Along the Scenic Route by Lucy A. Snyder
  15. Grandmother Black Hands Weston Ochse

StoryBundle: The Returning is Starward Bound

The Returning WFP Final Full CoverSome of you know that WordFire Press is rereleasing new revised and expanded editions of my Saga of Davi Rhii debut novels and finishing the trilogy next year with the brand new 3rd novel, never before released. Anyway, book 2 comes out right after World Con but as with The Worker Prince, I have the privilege of The Returning appearing in a bundle and BEFORE release. Yep, you can get it early on ebook along with 9 other terrific space opera reads.

Here’s how:





Starbound Bundle covers



The Starward Bound Bundle – Curated by Martin Kee

Even in the most violent and darkest of timelines, space opera remains steadfast in its insistence that we as a species will eventually find our place among the stars. It’s the promise the subgenre makes to its fans, that we will one day leave this ball of dirt and water, and move on to more interesting things.

But more importantly, space opera is just plain fun as hell.

I’m curating a bundle this year that encapsulates the genre from one end of the spectrum to the other, from the gritty to the absurd, from the dark to the whimsical. The beauty of space opera is in its diversity, in its limitless imagination, and in its consistent vision of humanity living abroad in the cosmic sense of the word. Even at its darkest, space opera spins from a core of optimism.

Much like our charity, this bundle aims to inspire, excite, and educate. We’re offering novels and anthologies from world-famous Hugo and Nebula winners, updated collections of short fiction and essays, and novellas compiled specifically with this bundle in mind.

To start, legendary author, and several-times-over Hugo, Nebula, and Locus award-winner, David Brin offers up his timeless anthology OTHERNESS, with stories that begin on Earth and chronicle humanity’s ascension into space. This updated book also contains newer essays and thoughts from his perspective as futurist, scholar, writer, and scientist.

Hugo and Nebula nominee and winner, Mike Resnick, provided THE OUTPOST, a fantastically imaginative novel, filled with wildly epic characters, given names as big as their personalities. Marko Kloos is presenting his immensely popular TERMS OF ENLISTMENT, a crazy-good military scifi novel, that I fell in love with at the first chapter. Bryan Thomas Schmidt gives us a thrilling continuation of his debut novel with THE RETURNING. Hugo nominee and winner, Brad Torgersen’s book RACERS OF THE NIGHT runs the gamut from lunar NASCAR to interplanetary bricklayers.

This bundle also contains the first two of my novellas from my PATCHER universe, combined into one book, which I’ve compiled specifically for this bundle. Best-seller B.V. Larson submitted his novel STARFIRE, which centers around an alien artifact and a reignited Cold War to capture it. Moira Katsen’s CRUCIBLE is a fantastic beginning to her trilogy about alien genocide at the hands of humans. Edward W. Robertson’s OUTLAW follows a space janitor who becomes a reluctant pirate. And Erik Wecks offers up his space noir adventure AETNA ADRIFT.

As always, with StoryBundle, you pay what you want for the books and a portion goes to charity. For this bundle, our charity is the Challenger Space Center, a Smithsonian organization, which exists to help excite, educate, and inspire young people with an interest in science and space exploration. The center is a museum, simulator, and school, all rolled into one, offering space camps, hands-on learning experience, and science programs for economically challenged children, helping them dream a bigger future. We are thrilled to be able to help support them in their mission.

As with every bundle, you pay what you want. $5 or more gets you the basic bundle. All books are DRM-free, in multiple eBook formats. You can download them anywhere, anytime, worldwide, and they are yours to keep. Paying $15 (or more, if you are feeling generous) gets you the bonus books, written by award-winning masters of science fiction. You can also choose what percentage of your price goes directly to the charity.

It’s our pleasure, offering this bundle to help the Challenger Space Center. Optimism for the future is rare in these pessimistic and cynical times, and these books, no matter how dark or gritty, all share a common vision: Humanity’s true destiny is yet to come. We hope that you too will find this bundle to be a hopeful promise of our place in the cosmos. – Martin Kee

The initial titles in The Starward Bound Bundle (minimum $5 to purchase) are:

  • Starfire by B. V. Larson
  • Outlaw by Edward W. Robertson
  • Aetna Adrift by Erik Wecks
  • Patcher: Books 1 & 2 by Martin Kee
  • The Novum Trilogy Book 1: Crucible by Moira Katson

If you pay more than the bonus price of just $15, you get all five of the regular titles, plus five more:

  • Otherness by David Brin
  • Terms of Enlistment by Marko Kloos
  • The Outpost by Mike Resnick
  • Racers of the Night by Brad R. Torgersen
  • The Returning by Bryan Thomas Schmidt

The bundle is available only for a limited time via It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books!

It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Why StoryBundle? Here are just a few benefits StoryBundle provides.

  • Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
  • Pay what you want (minimum $5): You decide how much these fantastic books are worth to you. If you can only spare a little, that’s fine! You’ll still get access to a batch of exceptional titles.
  • Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
  • Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to the Challenger Space Center
  • Receive extra books: If you beat the bonus price, you’ll get the bonus books!

StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for and

For more information, visit our website at, tweet us at @storybundle and like us on Facebook.

Kaffeeklatsch Sign Up-MidAmeriCon II (WorldCon), Sat, Aug. 20, 2016

So, I was not given an official kaffeeklatsch. Not many were. So I am scheduling my own.

Saturday, August 20th, at 2 p.m. in the Downtown Marriott Lobby, 2nd level where the tables are, I will do a kaffeeklatsch. I will be giving away some signed cover flats, signed books, even a couple signed story manuscripts. Sign up here in comments to attend. I will take the first 20.


My MidAmeriCon II Schedule (WorldCon)

August 18-21, 2o16 — Kansas City Convention Center/Bartle Hall

Here’s when and where to find me officially. I will be at the WordFire table signing at other times throughout the convention, so you will also find me there in the Dealer Room–booths 4, 5, and 6.

Dealer Room Hours:


Wednesday Aug 17th 12:00pm – 6:00pm

Thursday Aug 18th 10:00am – 6:00pm

Friday Aug 19th 10:00am-6:00pm

Saturday Aug 20th 10:00am-6:00pm

Sunday Aug 21st 10:00am-3:00pm

Thursday Aug 18, 2016


Bryan Thomas Schmidt (Moderator), Robin Wayne Bailey, Christine Taylor-Butler, Jennifer Boles

Friday Aug 19, 2016


George Lucas set Star Wars in a Galaxy far, far away, but also a long time ago.  What is the importance of setting his saga in the distant past?  How would our perceptions of it have been different if it were set in our time in a galaxy far, far away or if it had been set in the future?

Bryan Thomas Schmidt (Moderator), Kevin J. Anderson, Matthew S. Rotundo, Anna Raftery


Come join Baen Executive Editor Jim Minz and an assortment of Baen authors for the Baen Traveling Road Show. Learn about their new and upcoming releases. See the pretty covers. Win fabulous prizes. There will be free books for a lucky few…

Jim Minz (Moderator), Dr. Charles Gannon, Joelle Presby, others–I will be attending in case my books are discussed and to sign free copies given away


Saturday Aug 20, 2016


  • Kaffeeklatsch: Bryan Thomas Schmidt
  • Downtown Marriott, Lobby-2nd level

I am offering my own unofficial kaffeeklatsch and will be giving away signed books and cover flats, maybe even a couple manuscripts. Sign up here.


Sunday Aug 21, 2016


Professionals talk shop about editing and publishing anthologies. What does it take to craft an anthology that people actually want to read? What are the dos and don’ts when pulling together stories into a single book? We’ll identify some examples of well-done anthologies and how the editing process differs between anthologies. Join us for an indepth discussion and find out what our panelists enjoy most when working with anthologies.

Ellen Datlow (Moderator), Erin Underwood, Jonathan Strahan, Bryan Thomas Schmidt, Kathryn Cramer

Forthcoming Works & WIP Release Schedule 2016-2017

As I revise this site and get back to blogging and regular updates (soon, I hope), I thought I could start by updating you on my various forthcoming projects and works in progress and their release dates (as I know them).

So here they are. As you can see, 2017 will be my busiest year ever as not only editor but author, too.

Forthcoming works 2016:

the returning cover front WFPTHE RETURNING: Author’s Definitive Edition, (Saga of Davi Rhii Book 2) (WordFire Press), August 23, 2016




X-Files_Secret_Agendas“Border Time” by myself and Kate Corcino in THE X-FILES: SECRET AGENDAS, edited by Jonathan Maberry (IDW), September 27, 2016




Forthcoming in 2017:

Baen logoLITTLE GREEN MEN–ATTACK!, Coedited by Robin Wayne Bailey (Baen Books), March 7, 2017 includes “The First Million Contacts” by myself and Alex Shvartsman


st martins press logoJOE LEDGER: UNSTOPPABLE, Coedited by Jonathan Maberry (ST. MARTINS), 2017 includes “Instince (A Ghost Story)” by myself and Claire Ashgrove


Baen logoMONSTER HUNTER Anthology, Coedited by Larry Correia (Baen Books), 2017 includes “Hoffman Strikes Back” by myself and Julie C. Frost


Titan Books logoPREDATOR: THE HUNTED (Working Title) (Titan Books), October 2017 includes a story by myself with Holly Roberds

INFINITE STARS: A Definitive Space Opera Anthology (Titan Books), November 2017

THE EXODUS (Saga of Davi Rhii Book 3) (WordFire Press), TBD

“The Greatest Guns In The Galaxy” by myself and Ken Scholes in STRAIGHT OUTTA TOMBSTONE, edited by David Boop, (Baen Books), TBD

Guest Post: The Prize in your Serial by Gail Z. Martin

Please welcome to my blog today on her latest blog tour, the talented Gail Z. Martin.

by Gail Z. Martin

Shadowed path cover MartinWhen I was a kid, I picked my breakfast cereal by the toy surprise in the bottom of the bag. That hidden treasure mattered to me a whole lot more than the flavor of the corn flakes.

So I find it interesting that in fiction, readers are discovering the allure of a new type of ‘serial’–serialized fiction.  Of course, serials aren’t new. Charles Dickens made his living writing for magazines, stretching his stories out in installments for a breathless reading public. Magazines in the nineteenth and twentieth centuries ran a lot of serialized fiction, with readers awaiting the next installment in the forthcoming issue. And for a while, ‘penny dreadful’ writers cranked out lurid pulp fiction at a brisk rate, much like episodic TV does nowadays. Back in the day, radio shows also serialized stories, so that listeners would ‘tune in again next week’ for the next thrilling segment.

With the demise of many magazines, it took the internet and digital publishing to breathe new life into serialized fiction. Podcasters were quick to embrace the idea, with folks like Scott Sigler and JC Hutchins doing very well with the concept, and others like Christiana Ellis, Tee Morris, Rich Sigfrit and PG Holyfield bringing back the dramatic multi-actor radio drama format for serialized stories.

I took the leap into doing serialized novels with my Jonmarc Vahanian Adventures ebook short stories and novellas a few years ago. The series focuses on the backstory for a favorite character in my Chronicles of the Necromancer/Fallen Kings series, someone with a dark past whom readers wanted to know more about. I began writing sequential short stories that will add up, eventually, to three full novels about Jonmarc.

The Shadowed Path, my new book from Solaris Books, is a collection of the first ten of those short stories (plus an exclusive eleventh story) that comprise the first third of Jonmarc’s story. Taken together, they form a novel with a full story arc. I’ve had a lot of fun writing the stories, and having the chance to share Jonmarc’s  background, since he’s a favorite of mine, too. There are eight additional stories available in ebook beyond those collected in The Shadowed Path, with three more novellas coming later this year.

Serializing a story requires a slightly different approach from writing a regular novel, because each individual ‘episode’ has to have its own internal arc to a greater degree than do chapters in a book. The stories need to be able to stand on their own, but also link together to build a greater whole. It’s an interesting writing challenge, and I’ve been enjoying working with it.

Readers and authors get some wins with a serialized story that are also different from a regular novel, or stand-alone short fiction. Readers don’t have to wait as long for the story to unfold, but still have the anticipation of the upcoming installment, which is familiar to people who watch episodic TV. For those who prefer to binge read like they binge watch, the sequential short stories will eventually be collected into a larger, cohesive whole.

For the author, it’s nice to get feedback throughout the process instead of only at the conclusion of a full novel. Bringing out episodic work on a regular basis maintains a relationship and an ongoing connection with readers, preserving that link between books. And it’s a great way for authors who may have contractual obstacles that restrict bringing out new ‘novels’ (due to publisher right of first refusal, etc.) to be able to still create larger, cohesive works. Personally, I’m a fan of bringing out additional, sequential stories that tie into my novels because there are a lot of smaller adventures I enjoy sharing with readers that involve the characters and setting and which happen outside the full novels and which introduce secondary characters or expand on the world building.

Modern Magic cover MartinMy Deadly Curiosities Adventures short stories expand on the novels in my dark urban fantasy series with additional episodes featuring more cursed and haunted objects and supernatural threats. Readers get a chance to know the main and secondary characters better and spend more time in the modern-day Charleston, SC atmosphere. The first 10 of those stories with Cassidy, Teag and Sorren, are collected for the first time ever in Trifles and Folly, currently part of the Modern Magic ebook boxed set with 12 full-length books by 13 bestselling dark fantasy authors, just $1.99, only on Kindle for a limited time.

The Storm and Fury Adventures continue the Steampunk world of Iron & Blood, with Department of Supernatural Investigation agents Mitch Storm and Jacob Drangosavich fighting clockwork monsters and supernatural evil in 1898 alternate history Pittsburgh. And my Blaine McFadden Adventures will eventually provide six sequential, serialized novellas that fill a six-year gap in my novel Ice Forged. Three of those novellas are currently available, either individually or collected in King’s Convicts.

For me, the prize in the serial is the chance to tell more stories, explore more adventures, and keep readers on the edge of their seats, waiting for the next installment. So dig in!

From June 21-June 30 I’ll be doing my annual Hawthorn Moon Sneak Peek Event blog tour, and I hope readers will stop over to my website, find out what all is going on and where to find the posts, giveaways, contests and fun events. And of course, please look for The Shadowed Path at your favorite bookseller!

The Hawthorn Moon Sneak Peek Event includes book giveaways, free excerpts, all-new guest blog posts and author Q&A on 22 awesome partner sites around the globe. I’ll also be hosting many of my Modern Magic co-authors guest posting on my blog during the tour.  For a full list of where to go to get the goodies, visit

An Excerpt from Raider’s Curse, part of The Shadowed Path:

Jonmarc took off running. At fifteen, he was tall, just a bit over six feet. Years of working

alongside his father in the forge had given him a strong back and muscular arms. A mop of

chestnut-brown hair hung in his brown eyes, and he pushed it out of the way as he ran.

A worn path led to the open shed that was his father’s forge. Jonmarc could hear the steady

pounding of his father’s hammer on the anvil. The sound echoed from the hills, steady as a

heartbeat. He skidded to a stop just outside the doors.


Anselm Vahanian swung a heavy hammer in his right hand while his gloved left hand turned

the piece of metal on the anvil. Sparks flew around him, landing on the long sleeves of his rough-

woven shirt, his gloves, and his leather apron. The forge smelled of coal, iron, and sweat. To one

side lay two swords Anselm had completed for a client in the village. On a table lay a variety of

farm tools—iron pots and pans, and hoops for the cooper’s barrels. Jonmarc had helped to forge

several of the pieces, though he longed to work on swords, like his father.


“Mother said to tell you to wash up for dinner,” Jonmarc shouted above the clanging.

Anselm stopped and looked at him. “I’ll eat supper later. You know I can’t stop in the middle

of something when the iron is hot.”


Jonmarc nodded. “I know. I’ll tell her to put a plate aside for you.” He paused, and Anselm

looked at him quizzically, waiting for the unspoken question.


“Have you talked to any of the fishermen lately?” Jonmarc tried to make the question sound

off-handed, but Anselm frowned as if he caught the undercurrent of concern.


“You mean the talk about raiders,” Anselm replied, and struck the iron he was working.

“Do you think it’s more than just talk?”


Anselm didn’t answer until he put the iron bar back into the furnace to heat up. He was

Jonmarc’s height, with a head of wiry dark hair and brown eyes that glinted with intelligence. A

lifetime in the forge had given him broad shoulders and a powerful physique. His profession also

showed in the small white burns that marked his hands and arms, scars too numerous to count.

Jonmarc had gained a few of those burn scars too, but not nearly as many as his father. Not yet.


“Maybe,” Anselm replied. “The real people to talk to are the traders. Their ships go up and

down the Northern Sea coast, stopping at all the villages. I always get news when I trade iron

with them.”


“Have you heard anything?”


Anselm turned the iron rod in the furnace. “Some. One of the villages on the other side of the

bay burned. Everyone was gone when the traders came. No way to know why or how. Eiderford,

down the coast, did have a run-in with raiders a few months ago.” He eyed the iron, and turned it

one more time.


“So there are raiders,” Jonmarc replied.


Anselm shrugged. “There are always raiders. But there’s less to attract them here in

Lunsbetter than in Eiderford. We’re not a proper city, and we’re as like to barter as deal in coin,

so there’s less to steal.”


Unless they want food, livestock, or women, Jonmarc thought. And there are enough people

who trade with the ships that there’s probably more coin here than anyone wants to admit.

“There’s a garrison of the king’s soldiers beyond Ebbetshire,” Jonmarc replied. “Can’t they

stop the raiders?”


Anselm shrugged. “They can’t guard every village along the coast,” he said. “And they’d

have to know for certain when a raid was planned.” He shook his head. “No, we’re on our own.”

He paused.


“Don’t worry yourself about it,” Anselm said, drawing the rod out of the furnace and placing

it on the anvil. “We’ve doubled the patrols, and the fishermen are on alert.” He grinned. “And

tomorrow, those swords are going down to the constable and the sheriff. We’ll be fine. Pump the

bellows for me. The fire’s grown cold.”


Anselm stood in front of a large open furnace filled with glowing coals. Jonmarc pumped the

bellows that were attached to the back of the furnace, and the coals flared brighter, flames licking

across their surface. Anselm lifted his hammer to strike the iron. “Now get back up to the house.

Your mother’s waiting. Just save some for me.”


“I’ll make sure of it,” Jonmarc replied. The clatter of the hammer drowned out anything else

he might have asked. He stepped out into the cool night, and started back up the path to the

house. His stomach rumbled and he fancied that he could smell the stew. But the worry he felt

when he went to the forge had not lifted; if anything, his father’s comments increased Jonmarc’s

concern than the warnings about raiders were not mere tales.


If father says the men are keeping their eye out for trouble, then that’s the end of it, he

thought. Naught I can do. But he remembered his comment to Neil about keeping the axe

sharpened, and on the way back to the house, he detoured into the barn. Thanks to his father’s

craft, they were well-stocked with farm implements.


He walked over to the space his father used to butcher meat. Butchering wasn’t a pleasant

job, but it was necessary, and a task with which Jonmarc was well acquainted. He had learned

the craft from his father, practiced enough that it no longer made him lose his dinner to be awash

in blood and entrails. His father had taught him to strike swiftly and cleanly, to block out the

death cries of the terrified livestock, to go to a cold place inside himself until the job was done.

He had even learned a few tricks of the trade, like how to hamstring a panicked animal that was

likely to kick or buck. But nothing about how to fight men.


On the wall hung an impressive variety of knives. He selected a large butcher knife with a

wicked blade as well as a smaller boning knife, and made his way around to the back door,

hiding the knives among his mother’s herbs before going in for supper. Tonight, when everyone

was in bed, he would come back for them—one for him, and one for Neil. Just in case the men

were wrong.


If you want to see more stories about Jonmarc Vahanian, check out The Chronicles of the

Necromancer series and The Fallen Kings Cycle books, as well as the Jonmarc Vahanian

Adventures on ebook.

©2016 Gail Z. Martin all rights reserved. No duplication or reprint without written permission.


About the Author

Gail Z Martin headshotGail Z. Martin is the author of The Shadowed Path (Solaris Books), Vendetta: A Deadly Curiosities Novel in her urban fantasy series set in Charleston, SC (Solaris Books); Shadow and Flame the fourth and final book in the Ascendant Kingdoms Saga (Orbit Books); and Iron and Blood a new Steampunk series (Solaris Books) co-authored with Larry N. Martin.

She is also author of Ice Forged, Reign of Ash and War of Shadows in The Ascendant Kingdoms Saga, The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven, Dark Lady’s Chosen); The Fallen Kings Cycle (The Sworn, The Dread) and the urban fantasy novel Deadly Curiosities.  Gail writes three ebook series: The Jonmarc Vahanian Adventures, The Deadly Curiosities Adventures and The Blaine McFadden Adventures. The Storm and Fury Adventures, steampunk stories set in the Iron & Blood world, are co-authored with Larry N. Martin.

Her work has appeared in over 30 US/UK anthologies. Newest anthologies include: Robots, The Big Bad 2, Athena’s Daughters, Heroes, Space, Contact Light, With Great Power, The Weird Wild West, The Side of Good/The Side of Evil, Alien Artifacts, Cinched: Imagination Unbound, Realms of Imagination, Gaslight and Grimm, Baker Street Irregulars, Clockwork Universe: Steampunk vs. Aliens.

Find her at, on Twitter @GailZMartin, on, at blog and, on Goodreads and  free excerpts on Wattpad



Guest Post: Lawrence M. Schoen, author of Barsk: The Elephants’ Graveyard, talks about writing anthropomorphic animals

Barsk cover

My friend Lawrence Schoen’s latest novel and big publisher debut, Barsk: The Elephants’ Graveyard, from TOR Books had sold out its first printing before it even released. It is about sentient animals who have survived the self-destruction of human beings and now rule the galaxy. I asked him to talk on the blog about how to write animals as main characters of a novel.

How do you approach writing animals as characters? Do you anthropomorphize or avoid it?

I treat animal characters much like I treat alien characters, which is to say, I write them as characters first, and then add in the other bits (animal, alien, or both).

I start by asking myself a few basic questions like, “Who is this character? How does he see the world? How does he see himself? What does he want?” and then as these basics start to sketch out, I drop the character into the setting that further shapes those answers.

With the anthropomorphic animal (or as I like to call them, “raised mammals”) characters in Barsk, there were additional factors. The easiest of these was to build on the physiological differences from the source animals, and play with how that then affects the more basic characteristics and questions. This is particularly important for the reader, because she’s looking for something familiar to glom onto, something that can be assessed at a glance, be it an elephant’s trunk or the graceful gait of a cheetah or the relative lethargy of a sloth. These are signals to a reader that say, “oh, okay, it’s like a human being, only not, because it’s also like X.”

After the broad strokes of an animal character is done, the real fun begins. The bits that act as Easter eggs for more savvy readers. Little pieces from research into what ethologists and other scientists have learned about these species which when dropped into sapient characters inform their culture and worldview. As one example, we know that among elephants, after a certain age, the males all go off on their own solitary way and only return to mate, leaving the females behind to form groups of adults and children of both sexes. Take this one datum and apply it a planet of uplifted elephants and you get a society where you have households of adult females — mothers and sisters aunts and cousins, like something out of H.M.S. Pinafore — taking responsibility for all child rearing, and males who spend their adult lives as peripatetic bachelors — never settling down for long, always moving on. And from there you get to ask how this all manifests in routine things that you probably won’t actually look at in the book, but which has to exist in the back of your mind because it all influences the way the characters walk through their own world. Questions like, “What does this do to the housing market? What’s the impact on job security? What happens to individuals who don’t fit smoothly into the society’s normative roles?”

The characters in an anthropomorphic novel need to have the same quality of breadth and depth and variety that ordinary human characters enjoy and/or endure; it’s all just filtered through the specialized animal traits that is their due as well. Because at the end of the day, you’re using them to tell human stories, and while they may be furry or horned or bat-winged or something else, they must also project a basic humanity, one to which the reader can relate. In the end, the thing we always remember about the best alien or anthropomorphic characters isn’t how much they differ from us, but how human they were.

Lawrence M. Schoen holds a Ph.D. in cognitive psychology and psycholinguistics. He’s also one of the world’s foremost authorities on the Klingon language, and the publisher of a speculative fiction small press, Paper Golem. He’s been a finalist for the John W. Campbell Award, the Hugo Award, and the Nebula Award. Lawrence lives near Philadelphia. You can find him online at and @KlingonGuy.


Signed Books For Christmas

Still time to order copies of my books for that special someone.  I have copies of all of my titles. Tell me which one you want and if you want it personalized too or just signed.

Email me at bryan at  I will tell you how much to paypal and then priority mail the bubblewrapped, signed books wherever you want.

Typically I charge $15 per trade paperback plus $5 priority mail but international I’d have to calculate. This helps me. It helps your loved ones and friends by giving them good materials. And it helps you save time shopping. A 3-way win.

I have some great stuff as you can see from the reviews, or you can order from my Amazon page here:

Here are some of the books I’ve edited or written:

Mission Tomorrow cover 2 larger TWP WFP front cover 102 More Dino Jokes cover Abe Dino Hunter LOL cover Beyond Sun Cover.indd RaygunChronicles TPB front display Shattered Shields cover small

GUEST POST: Why Authors Love Research – Days Of The Dead Blog Tour

Today, my friend Gail Martin stops by on her Days Of The Dead blog tour for a talk about writers and research. – BTS

By Gail Z. Martin


I love research. In fact, sometimes I almost think the book is an excuse to do the research. Almost.

Okay, I was a history major, so I came into this predisposed to be nosy about other people’s business. History is the best reality show. Forget the structure artificially imposed on history by textbook authors. History—the rise and fall of kingdoms, the great explorers, the conquest and colonization—was done by people who, on closer inspection, make the Kardashians look well-adjusted and the Mafia seem morally upright.

It’s really the story of grifters, grabbers, con men, connivers, liars, manipulators, opportunists and truly dysfunctional people who clawed their way to notoriety less from noble purpose than from unresolved psychological issues. And those are often the good guys.

Seriously, when you delve into real history—the letters and diaries by historic figures and the people who knew them and the contemporary records—you get a juicy, scandal-laden, slugfest that rivals any Jerry Springer episode. We like to make our historical figures into cleanly-delineated heroes and villains, but they weren’t—they were real people, no different from us today, no more noble or evil. A few people were in pursuit of a higher cause, but don’t cha know it, that cause usually included some benefit to them and theirs. People lied, cheated, stole, played politics, rigged the game, and had hissy fits. They also loved, grieved, wanted revenge, sought forgiveness, pondered the meaning of life, wondered if it was all worth the cost, tried to do the right thing, and occasionally rose above human nature to do something really heroic and awesome.

I write epic fantasy, urban fantasy and steampunk, so there’s a lot of research involved. Some of it is tactical, like double-checking just how far a trebuchet can throw something, or when an invention was patented, or when a word came into usage. But along the way, you stumble down more rabbit holes than Alice, finding unexpected and wondrous tidbits you can use in your story, historical oddities that add realism and interest, quirky or intriguing facts about people and situations that you can borrow and twist for your fictional universe. That’s when research is the coolest, most fun thing in the world.

DEADLY CURIOSITIES-VENDETTAWhenever I get stuck on what needs to happen in a story to get from where I am to where it needs to go, I research. Every time, I’ll find something either by design or serendipity that provides exactly the imagination fodder to get me around where I’m blocked. Often, this means poking around on the internet, following links from one site to another until the right bit of information appears. Sometimes, I go to my library and see what I can find in my books, where my memory can be jogged about a cool detail I’ve forgotten about that is perfect for the situation. Or I’ll go watch something on the History Channel, usually on military tactics or equipment. Maybe I’ll watch a movie with good fight scenes and pay attention to what happens for ideas. Research is better than WD-40 for getting you unstuck.

Research is also how you ground a story in its time and place. My urban fantasy series, Deadly Curiosities, is set in modern-day Charleston, SC. The steampunk series I co-author with my husband, Larry N. Martin, is set in an alternative history Pittsburgh, PA. A lot of the research we do—both online and by visiting the cities—helps to impart a sense of place and make the setting one of the characters. When you set a story in a specific place, ideally it becomes so much an outgrowth of its location that you (and readers) couldn’t imagine it being anywhere else. Even if you’ve lived in a city or region, you don’t know everything about it. In fact, sometimes we know less about places we’ve lived because we never even take a tourist’s view and do the landmarks, let alone a scholar’s view. Once you start digging, you’ll find tidbits of history, important historical figures, old controversies and buried incidents that provide great mental fodder.

One of the most valuable things research does for me is to take historic figures out of their wax-museum frozenness and the myths that have been built up around them and reveal their humanness, good and bad. (Read the bitter campaign feuding between Founding Fathers John Adams and Thomas Jefferson if you don’t believe me.) While many of these figures were well-known in their own time, they had achieved nothing near the mythic stature we’ve given them since then. Some were actually dismissed or overlooked in their own time because the ramifications and importance of what they did was not yet clear.

I&B final coverBy returning historic figures to human scale, I gain perspective as an author on how to create fictional characters who change the world. One thing I learned is that aside from a few megalomaniacs like Napoleon, most of these larger-than-life historical figures were pursuing their own personal agendas, not obsessing over their historic legacy. They were trying to solve a problem or gain an objective, beat a rival or win a prize. That their actions would leave ripple effects throughout the rest of history wasn’t on their minds. They were—as we frequently are now—oblivious to the fallout from their actions, at least in the grand scheme of things. So a general might want to win a battle, and have no clue that by doing so, the stage is set for a disastrous insurrection fifty years later that will topple the very empire he represents. A person in a position of power won’t countenance a new idea because it threatens his ego, and the ultimate advantage goes to his rival, changing the course of history.

Research makes the writing world go ‘round. It’s not only the font of ideas, it’s also entertaining in a guilty pleasures sort of way, like reading tabloid headlines in the grocery line. Just remember to bring popcorn!

My Days of the Dead blog tour runs through October 31 with never-before-seen cover art, brand new excerpts from upcoming books and recent short stories, interviews, guest blog posts, giveaways and more! Plus, I’ll be including extra excerpt links for my stories and for books by author friends of mine. You’ve got to visit the participating sites to get the goodies, just like Trick or Treat! Details here:

Book swag is the new Trick-or-Treat! Grab your envelope of book swag awesomeness from me & 10 authors before 11/1!

Trick or Treat! Excerpt from my new urban fantasy novel Vendetta set in my Deadly Curiosities world here Launches Dec. 29

More Treats! Enter to win a copy of Deadly Curiosities!

Treats! Enter to win a copy of Iron & Blood!

Treats not Tricks! An excerpt from Girl In The Hourglass

Halloween goodies! Here’s an excerpt from What Really Happened At Little Big Horn

More Halloween loot! Read an excerpt from “Coffin Box,” one of my Deadly Curiosities short stories


About the Author

Gail Martin, Dreamspinner Communications
Gail Martin, Dreamspinner Communications

Gail Z. Martin is the author of the upcoming novel Vendetta: A Deadly Curiosities Novel in her urban fantasy series set in Charleston, SC (Dec. 2015, Solaris Books) as well as the epic fantasy novel Shadow and Flame (March, 2016 Orbit Books) which is the fourth and final book in the Ascendant Kingdoms Saga. Shadowed Path, an anthology of Jonmarc Vahanian short stories set in the world of The Summoner, debuts from Solaris books in June, 2016.

Other books include The Jake Desmet Adventures a new Steampunk series (Solaris Books) co-authored with Larry N. Martin as well as Ice Forged, Reign of Ash and War of Shadows in The Ascendant Kingdoms Saga, The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven, Dark Lady’s Chosen) from Solaris Books and The Fallen Kings Cycle (The Sworn, The Dread) from Orbit Books and the urban fantasy novel Deadly Curiosities from Solaris Books.

Gail writes four series of ebook short stories: The Jonmarc Vahanian Adventures, The Deadly Curiosities Adventures, The King’s Convicts series, and together with Larry N. Martin, The Storm and Fury Adventures. Her work has appeared in over 20 US/UK anthologies. Newest anthologies include: The Big Bad 2, Athena’s Daughters, Realms of Imagination, Heroes, With Great Power, and (co-authored with Larry N. Martin) Space, Contact Light, The Weird Wild West, The Side of Good/The Side of Evil, Alien Artifacts, Clockwork Universe: Steampunk vs. Aliens.



My Schedule for Stan Lee’s Comikaze

Comikaze 2015 logoOkay, I am going to Los Angeles for Stan Lee’s Comikaze Comic Con, a place I lived for 7 years and have not visited in 19. Excited to see old friends and see how the city has changed. I will also be hanging out with some very cool people, both at the WordFire Booth #1342, on panels and at the Con generally, including stars from Star Wars, The Flash, Star Trek TOS, 2001: A Space Odyssey,  and more. Come join us. I will have early release copies of both my novel, The Worker Prince and my Baen hard SF anthology, Mission: Tomorrow. Here’s where to find me Friday through Sunday at the Los Angeles Convention Center:

Mission Tomorrow cover 2 larger
TWP WFP front cover



























Friday Panels 10/30/15:

4:00 – 4:50 pm          Writing Existing Worlds

A panel of authors and editors discuss writing media tie-ins, comics and more in popular franchise from Star Wars to X-Files and more

Genre: Sci-Fi / Fantasy

Panelists: Kevin J. Anderson, David Farland, Jody Lynn Nye, Peter J. Wacks, Neo Edmund

Panel Moderator: Bryan Thomas Schmidt

Room: 505


Saturday Panels 10/31/15:

11:00am-11:50pm                Worlds of WordFire

Publisher Kevin J. Anderson and several authors discuss existing and forthcoming titles from WordFire Press, a small up and coming small press publisher whose authors include New York Times Bestsellers like Frank Herbert, David Farland, Jody Lynn Nye, Todd McCaffrey, Alan Dean Foster, and More

Genre: Sci-Fi / Fantasy

Panelists: Kevin J. Anderson, Peter J. Wacks, David Farland, Jody

Lynn Nye, Bryan Thomas Schmidt, Neo Edmund, Rebecca Moesta,

Quincy Allen

Panel Moderator: Kevin J. Anderson

Room: 502A



4:00pm-4:50pm                    Publishing Unlimited: The Many Paths to Worldwide

Publication for Writers

E-Books. Digital Comics. Newsletters. Blogs. Print on demand. For those of us

with a passion for telling stories through the written word, there are now

limitless opportunities to publish, produce, and distribute our work. Of

course, with so many options, it can be a brain scrambler to know which path

is best suited for a particular project. Write it as a book? A Screenplay? A

comic? Is it better to go indie or seek out a traditional publisher? Join this

awesome panel of professional writers and story editors, and story editors as

they discuss the many paths they’ve taken to get their work published and


Genre: New Media

Panelists: Kevin J. Anderson, Bryan Thomas Schmidt, Peter J. Wacks, Rebecca Moesta

Moderator: Neo Edmund

Room: 502A


Sunday Panels 11/01/15:

12:00pm-12:50pm                Iron Author:

Like Iron Chef except with writers. Each person Includes subject and a

“secret  ingredient”. The audience judges the winner

Genre: Literature

Panelists: Jody Lynn Nye, Rebecca Moesta, Qunicy Allen, Bryan Thomas Schmidt

Moderator: Alexi Vandenberg

Room: 502A


1:00pm-1:50pm                    How to become an Author:

An  award winning panel of bestselling authors discuss how to be an author

and more.

Genre: Sci-Fi / Fantasy

Panelists:   Kevin J. Anderson, David Farland, Jody Lynn Nye, Peter J. Wacks,

Rebecca Moesta

Moderator: Bryan Thomas Schmidt

Room: 502A


2:00pm-2:50pm                    How Not to get published:

What is the surefire way not to get published? Managing editor and

bestselling author Peter J. Wacks and his panel discuss the pitfalls of new

authors trying to break into the field.

Genre: Literature

Panelists: Peter J. Wacks, Quincy Allen, Bryan Thomas Schmidt

Moderator: Alexi Vandenberg

Room: 502A


Venue Details:

Los Angeles Convention Center

1201 South Figueroa Street

Los Angeles, CA 90015



Exhibit Floor

Booth # 1342

Friday October 30th  – 1PM to 7PM

Saturday October 31st  – 9AM to 6PM

Sunday November 1st – 10AM to 4PM


On The Web:


Friendly reminder to adjust your clocks, Daylight Savings Time ends at 2AM Sunday November 1st

Schedule: 2015 Longview Literary Festival, Metropolitan Community College

This year, Claire Ashgrove, my Finish The Story editing partner and I are guest speakers at the Longview Literary Festival in Lee’s Summit.  Here’s our schedule for the day, which is Friday, October 23, 2015.


10:00 a.m.   Editing 101: A Workshop by Claire Ashgrove and Bryan Thomas Schmidt    
11:00 a.m.       Panel Discussion:  Working with Small Press:  D.L. Rogers, Sean Demory, Marshall Edwards, Bryan Thomas Schmidt
12:00 p.m.  Closed for Keynote Speaker  Closed for Keynote Speaker Closed for Keynote Speaker Keynote Speaker – Claire Ashgrove –Writing Contest Winners Announced
 1:00 p.m.   Closed for Featured Speaker Closed for Featured Speaker Featured Speaker – Bryan Thomas Schmidt
2:00 – 4:00 p.m. Bryan and Claire at Vendor Table  
4:00 p.m.       Panel Discussion:  Editors are NOT the Enemy:  Claire Ashgrove, Bryan Thomas Schmidt, Sara Lundberg

5:00 p.m.

Bryan and Claire at Vendor Table      
6:00 p.m.  Closed Closed Closed Closing Remarks – Announcement of Winners of Contests Occurring at The Festival

GUEST POST: Howard Andrew Jones on How I Write


Today, my friend, Howard Andrew Jones, one of my favorite writers, shares with us about his writing process.  His latest Pathfinder Tales novel, Beyong The Pool of Stars, is out now from TOR and Paizo. But I’ve enjoyed his previous Pathfinder and original novels very much as well. Check them out and enjoy his wise words.

9780765374530_FCA writing career is a work in progress. I’m always striving to better my writing process.

I suppose I still live in hope that I’ll produce 5k or more of workable prose every day like some of my friends do. And it happens for me, sometimes. More often, though, I’m a 2k to 3k guy. And I’ve decided that might just be the way it works for me, so more and more I’m trying to make sure that the 2 or 3 thousand words I produce are useful ones.

Bit by bit, tweak by tweak, I’ve come to my current method, and it’s served me well for Beyond the Pool of Stars as well as for the book that immediately preceded it and the two books currently on my hard drive. I’ll detail it for you in the hopes you’ll find it useful.

First, three steps I have to take once I have the germ of the novel’s idea:

  1. It probably goes without saying that you have to know your characters. Develop principal characters – and keep that number small – that fascinate you. If you don’t find them interesting no one else will.
  2. Find out what their goals are, then find a way to keep them away in an entertaining way.
  3. Know your villain and what she wants. And make her interesting as well, or you’ll be just as bored as your readers whenever your characters interact with her.

Once I have those pieces I set to work on the outline. I block it out loosely, imagining important scenes. I try to take my characters to fascinating places. Why not create backdrops of wonder with a few lines of description it would take a film company millions to create?

Once I have a basic feel for beginning, middle, and end, I get to plotting chapter by chapter and scene by scene, and my current favorite trick is to block it out like a play.

I write entire scenes with just dialogue and occasional stage direction. It might be that I can perfectly picture the tone of voice or even a moment of description, and if I do, I go ahead and drop it in even during this rough “stage draft.” There aren’t any hard and fast rules for what I can or can’t do at any stage, after all, and if I picture something I really like I try to get it down, even if it’s just a few quick notes.

Once I get the scene working I can either move on to the next section, or punch away at it, getting the dialogue just right. If the scene’s working properly then the more I work on dialogue, the better I can picture it… and the more solid the scene or chapter becomes as I polish. I add detail as I work until that dialogue is surrounded by useful prose and the stage descriptions of what characters are doing transforms into fluid actions.

A stage draft enables me to experiment with the dialogue and flow without investing a whole lot of energy into finessing metaphor and getting into a character’s internal thoughts. If something doesn’t work and the scene goes off the rails, I haven’t wasted hours polishing fool’s gold. And believe me, I’ve done that before.

Neither this method nor any other can work for every writer. If a method worked perfectly for everyone, there wouldn’t be so many writer self-help books out there.

I think it’s been successful for me because I’ve always found that dialogue comes easily. You should always be aware of your weaknesses and work to overcome them. But during the initial composition stages, whatever methods you, try to play to your strengths.


Howard Andrew Jones is the critically acclaimed author of The Desert of Souls, The Bones of the Old Ones, and Pathfinder novels Plague of Shadows, Stalking the Beast and the hot off the presses Beyond the Pool of Stars. A former Black Gate Editor, he also assembled and edited 8 collections 31020477of historical fiction writer Harold Lamb’s work for the University of Nebraska Press. He can be found lurking at Follow him on Twitter @howardandrewjon

ARCHON 39 Schedule 2015

Archon icon

It’s time again for my trip to Collinsville, IL, almost an annual event, for the great Midwest Con ARCHON. This year’s incarnation is number 39. Guests of Honor include Jacqueline Carey and Esther Freisner, as well as special guest Harlan Ellison.  Below are the panels in which I will be participating. Larry Smith will be selling  my books so I will also hang around his table between panels and probably in the table area outside LaSalle at the end of Bookseller’s Row when I am not in the Dealer’s Room.

My schedule for next weekend at @Archon 39 in St. Louis:

Fri 5:00p Marquette A Networking: Building Contacts for Writers (M) – Bryan Thomas Schmidt (Moderator), Robin Wayne Bailey, Elizabeth Donald, Jack Snyder

Fri 7:00p Marquette A Author Reading with Bryan Thomas Schmidt (30 min) Reading from THE WORKER PRINCE: Author’s Definitive Edition (WordFire Press)

Sat 12:00p Signing Table Author Signings with Bryan Thomas Schmidt and Julia S. Mandala

Sat 2:00p Salon 4 The Art of Anthologies (M) Bryan Thomas Schmidt (Moderator), Rich Horton, Harlan Ellison, Esther Friesner

Sat 4:00p Salon 4 Editors Are Not the Enemy (M) Bryan Thomas Schmidt (Moderator), Claire Ashgrove, Jacqueline Carey, Robin Wayne Bailey, Selina Rosen

Sun 12:00p Cahokian Reflections of Ourselves: The Need for Diversity in SF – Bryan Thomas Schmidt, Lacie Carmody, Kasey Mackenzie

Sun 1:00p Marquette A Then He Said: Writing Dialogue (M)
Bryan Thomas Schmidt, Claire Ashgrove, Sara M. Harvey

Look forward to seeing some of you there!

First Annual Open Reading Period- September 7 through 21, 2015

Well, I said I was going to do it, and so here I am. At present, I don’t do general open calls because I just can’t read through all that would come in for the 3-4 anthologies I do a year. But one reason I got into anthology editing was to create opportunities not just for me, but for other writers, so instead I have decided to offer two week annual submissions periods for basically earning your way onto my invite list.  So that first period will begin Monday and run two weeks, through September 21st.  Here are the parameters:

1) Send your best story in RTF, DOC or PDF format. Make it easy on me to read your work. If I can’t open the file, I won’t read it.

2) Send me the best thing you have, published, unpublished, etc. I am NOT BUYING. All my current projects are full, BUT I am starting to pitch for anthologies in 2017 and 2018, so I will need writers when they sell, which means, I want to see what you can do. If I like your voice, craft, and style, then I will put you on my list.

3) Expect to wait a while. I am going to read through what I get, but it will take a while to read it because other ediitng and reading priorities must come first. The good news is, you can go about submitting elsewhere and living your life, because I am not buying right now so I don’t need exclusivity.

4) Please use standard manuscript formatting. I.E. double spaced, serif font, 12 point type, italics instead of underlining, wordcount and contact info above title on front page, etc.  Also, NUMBER PAGES so if I read offline and drop one, I can easily find where the pages go and in what order.

5) If you story is over 7500 words, please contact me first.

6) If I have already bought stories from you or you know I own your books or stories, you just need to ask to be included. Please feel no need to submit pieces to this call. I will have enough to read already.

That’s it. That simple. Send these files to bryan at starting Monday with the subject: OPEN CALL (story name).

I will read and let you know if you’re invited to my list.

Oh, a couple notes on taste:

I like adventure stories more than lesson stories, but if you can do both, I will be awesomely impressed and pleased. I like character driven stories. I like heroes I can admire, but if the story is strong enough, of course, any of this won’t matter. I also do not like overuse of foul language or gratituitous sex and violence, so keep in mind that since I do PG themed anthologies mostly, your story samples should fit those parameters as much as possible.  Beyond that, I like all kinds of genres, but I am not a huge vampire or zombie fan, just a warning.

I do reserve the right to just say no. I don’t owe you a slot, nor do I owe you an explanation. Unfortunately, this has to be said given the nature of the www world today, sot here it is. It is not that I plan to just arbitrarily say no without some kind of explanation, but I probably don’t have time to give long notes on every story. I don’t promise to read the whole thing either. If I don’t like it, I will treat it like any other slush. Time management is key. It is not personal. It is subjective and ruled by my personal taste, yes.  I am open to people of all beliefs, lifestyles, ethinic backgrounds, cultures, etc. In fact, I strongly seek it out and don’t get enough from POC and non-western writers, so by all means, let me see what you’ve got.

I appreciate the opportunity to look at your work and your patience through this process, and I look forward to working with many of you in the future.


Bryan Thomas Schmidt is an author and Hugo-nominated editor of adult and children’s science fiction and fantasy novels and anthologies. His debut novel, The Worker Prince, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels. As editor, his anthologies include Shattered Shields (Baen, 2014), Beyond The Sun (Fairwood, 2013), Raygun Chronicles (Every Day Publishing, 2013) and Space Battles (Flying Pen Press, 2012) with two more forthcoming from Baen Books and St. Martin’s Griffin in 2015 and 2016. He is also developmental editor for WordFire Press, owned by New York Times Bestselling author Kevin J. Anderson and Rebecca Moesta. Books he’s edited include The Martian by Andy Weir, My Big Fat Demonslayer Wedding by Angie Fox, The Outpost by Mike Resnick, A Game Of Authors by Frank Herbert and more. From December 2010 to earlier this year, he hosted Science Fiction and Fantasy Writer’s Chat the first Wednesday of every month at 9 P.M. ET on Twitter under the hashtag #sffwrtcht and is a frequent guest and panelist at World Cons and other conventions. His website is www.bryanthomasschmidt. Twitter: @BryanThomasS

SASQUAN- WORLD CON SCHEDULE – 2015 Bryan Thomas Schmidt

Here’s my schedule for the World Science Fiction Convention, Sasquan, in Spokane, Washington, August 18-23, 2015. I look forward to seeing some of you there. I will be at the WordFire Party, Wednesday night, the Baen Books Party, Thursday Night, the Fairwood Press Party, Friday and the Hugo Loser’s Party, Saturday. Beyond that, I will be wandering and at the WordFire Press table in the Dealer’s Room.

Thursday, August 20th

PANEL: The Work of Being a Writer, Thursday 9:00 – 9:45, Bays 111A (CC)

Writers write, but there’s more to being a writer than writing.  Come learn how to work with editors, agents, other writers, marketers, and fans.  Can writers’ groups and social media make you or break you?  Learn about all the work involved in being a writer and some strategies for success.

Randy Henderson (M) , Brenda Cooper, Bryan Thomas Schmidt, Susan Palwick


Friday, August 21st

PANEL: Kaffee Klatche – Bryan Thomas Schmidt, Friday 12:00 – 12:45, 202A-KK1 (CC)

Join a panelist and up to 9 other fans for a small discussion.  Coffee and snacks available for sale on the 2nd floor. Requires advance sign-up.

PANEL: The Changing Role of the Editor, Friday 3:00 – 3:45, Bays 111B (CC)

With the various ways that fiction is published (print/online/audio/self-published), how is the role of editor changing?  Does the editor need to be more technician than tweaker?  Is self-publishing making the editor’s job obsolete?

Gordon Van Gelder (M), Scott H. Andrews – Beneath Ceaseless Skies, Hugo Nominee, Yanni Kuznia – Subterranean Press , Wendy S. Delmater – Abyss and Apex – Hugo Nominee, Bryan Thomas Schmidt – Hugo Nominee

Saturday, August 22nd

Autographing – Jeffrey A. Carver, David Hartwell, Esther Jones, David Peterson, Bryan Thomas Schmidt, Saturday 10:00 – 10:45, Exhibit Hall B (CC)

Jeffrey A. Carver, Esther Jones, David Peterson, Bryan Thomas Schmidt, David Hartwell

Hugo Pre-Reception, Saturday 6:00 – 8:00, Integra Telecom Ballroom 100A (CC)

Hugo Awards Ceremony, Saturday 8:00 – 10:30, INB Performing Arts Center (CC)

The 2015 Hugo Awards promises to be one of the most memorable ceremonies in years. Come be a part of history. Your Masters of Ceremony will be Sasquan Guest of Honor David Gerrold and Tananarive Due, and they’ve both promised an entertaining ceremony.

Tananarive Due (M), David Gerrold (M)



OsFest Agenda: Bryan Thomas Schmidt – July 31st-August 2, 2015

OsFest8 Agenda – Bryan Thomas Schmidt

OsFest Logo

Friday, July 31st

Pantsers vs. Planners – A panel of writers discuss two different approaches to writing, the advantages and disadvantages, varied approaches, etc.

Panelists: Bryan Thomas Schmidt, Travis Heermann, Matthew Rotundo, Jason Bougger

5:00 p.m., Room TBA


Saturday, August 1st

Editor AMA: Bryan Thomas Schmidt – Hugo nominated editor Bryan Thomas Schmidt who edits anthologies for companies like Baen Books and EDGE and novels for Wordfire Press will be on hand to answer everything you’ve wanted to know about editors. What do they do? How do they do it? Does it hurt? You name it.

Panelist: Bryan Thomas Schmidt       Room: Colorado B      10:00 a.m.

Reading – Bryan Thomas Schmidt reads from the Author’s Definitive Edition of his critically praised debut novel, The Worker Prince, releasing October 2015 from WordFire Press.

Panelist: Bryan Thomas Schmidt       Room: Wyoming     11:00 a.m.

Everything You Ever Wanted To Know About Anthologies – Learn everything from how to create and sell.anthologies to how to find them and submit your stories to how they work behind the scenes. A Hugo nominated editor for Baen Books leads the discussion.

Panelists: Bryan Thomas Schmidt, Jason Bougger       Room: Colorado B             1:00 p.m.

Swimming in Slush: What Editors See – A panel discussion of what editors and agents experience in a typical day, sure to include a long list of dos and don’ts for writers of every skill level. What is it like to sift through a hundred manuscripts and query letters a day? And how does the writer leverage this knowledge in the best possible ways?

Panelists: Travis Heermann, Bryan Thomas Schmidt, Jason Bougger       Room: Colorado B         6:00 p.m.


Sunday, August 2nd

It Ain’t the Writing, It’s the Rewriting: The Power of Revision – Rewriting and revising are arguably the most important part of the writing process. These experienced authors talk about revision techniques to make your story shine, without polishing the shine right back off again. How do you find your invisible weaknesses? How do you work around those weaknesses?

Panelists: Travis Heermann, Bryan Thomas Schmidt, Matthew Rotundo         Room: Nebraska A  12:00 p.m.

Editing 101 For Writers – Key techniques for self-editing writers need to know taught by a Hugo nominated editor.

Panelist: Bryan Thomas Schmidt       Room: Nebraska A     1:00 p.m.

Self-Editing For Writers (Online Class) July 25, 2015

For two years, my editing partner and I have been attending Cons and doing our panel Editing 101 for Writers to great success. We continue to do so, but I wanted to offer a different version of that panel as a class online for writers who might be interested in improving their self-editing skills.  I am a Hugo-nominated editor and author with anthologies under contract or published by Baen Books and St. Martin’s Griffin, amongst others. I also am a Junior Editor for WordFire Press, the small press founded by Bestselling authors Kevin J. Anderson and Rebecca Moesta. I have been a professional editor since 2015 and worked extensively with writing and copyediting as a technical and non-fiction writer for a decade before that. But now my focus is fiction, specifically Science Fiction, Fantasy and Horror for children and adults.

This Self-Editing class with cover topics such as passive vs. active tense, showing vs. telling words (intruder words), compound sentences, flow and pace, and more. It will be held via either Skype or Google Hangouts (whatever works best for the attendees and myself.)  I am taking the first 10 applicants and the fee is $35 per person paid via PayPal. It will be at 12 noon CDT on Saturday, July 25, 2015 (90 minutes) so people from all coasts should be able to participate. Attendees will also be allowed to send me 5 pages of a story or novel to edit so we can discuss your personal weaknesses and areas on which to focus. To sign up or for further questions, contact me here. I look forward to helping you grow.



Announcing Bi-Annual Open Reading Periods Coming Soon

Shattered Shields cover smallAs most of you know, I am a very busy anthologist, with 8 projects in various stages of contract and development through 2017. Most of these have their allotment of writers already, but as I develop new projects, I hope to expand my stable. Because of budget and busyness, my reading time is limited and so slush is just not something I can manage at the moment, however, I have come up with an option that will appeal to some of you.

I am ending Science Fiction and Fantasy Writer’s Chat in August. This is because of sheer exhaustion from four years, fading enthusiasm from me and regulars, and also needing time to read for both fun and work that I can’t find anywhere else. Interviewing people, even twice a week, and reading one of their books to do so, is a tremendous time commitment. I have had to put in 20 hours a week to it since starting in 2010. I just can’t keep up with that and slush, and I can’t read novels by friends or colleagues for fun, blurbs or more. Add to that my work in Acquisitions and Development for Wordfire as a Junior Editor, and I just am falling further and further behind. I hate that, so something had to give.

Mission Tomorrow cover 2So the solution is that I will be doing an open submission period of two weeks, starting this Fall (September 1 through 15) where writers can send me their best work. The idea is to give me a chance to get to know your work–voice, style, etc. for consideration toward future projects with openings. I am not going to buy these stories. So send your best, whichever speculative genre you want. The sole exception is erotica. I don’t publish or buy it so it won’t be the best sample for me. I don’t promise quick turn around. It may, in fact, take me months to get through the submissions. But if you are professional quality in your writing, you will be considered for invites to future anthologies. You will be in the door. I will limit the word count, probably 6k words and under,  but those details shall be announced when the Fall comes. And I will limit to one piece per writer as well. I need to be able to see an end game here if I ever hope to do it again. Published work is fine. I will be flexible on format as well. I will make it easy for you, so please do the same for me.

Beyond Sun Cover.inddFurther details will be announced when the submission time gets closer. But since many busy anthologists just don’t have time and resources to do many open calls, consider this a great chance to get into projects that may interest you in the future. If you are put in my pool, I will notify you and invite you to appropriate future projects. You also have the right to ask about openings when I announce projects you want to be invited to. Yes, people do that anyway, but if I don’t know your work, I almost always say no. Just a practicality. In any case, get those submissions ready. Reading stuff I’ve edited for taste might be a great way to see what I like in the meantime. I look forward to discovering new colleagues to work with.


Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His short stories have appeared in magazines, anthologies and online. His anthologies as editor include Shattered Shields with co-editor Jennifer Brozek for Baen, Mission: Tomorrow, Galactic Games, Little Green Men–Attack! and Monster Hunter Tales (with Larry Correia) all forthcoming also for Baen, Joe Ledger: Unstoppable with Jonathan Maberry for St. Martin’s Griffin (forthcoming 2017), Space Battles: Full Throttle Space Tales #6, Beyond The Sun and Raygun Chronicles: Space Opera For a New Age. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter as @SFFWRTCHT.

My Schedule: ConQUEST 46 May 22-24, 2015

As usual, I am attending our local Convention, ConQuest Memorial Day weekend. I am moderating and participating on some great panels.  Here’s a list.


CQ 46 logo

ConQuesT 2015




  5:00pm –  6:00pm W World Building – Religion and Magic

*Count Basie Ballroom A (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Kathleen Collins
Panelists: Gera L. Dean, Brandon Sanderson, Bryan Thomas Schmidt, Thomas Trumpinski


 11:00am –  12:00pm W Editing 101 For Writers

Julia Lee A/B (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Claire Ashgrove

  1:00pm –  2:00pm L Brandon Sanderson Interview

*Count Basie Ballroom A (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Brandon Sanderson

  2:00pm –  3:00pm L Space Opera: Then and Now

Jay McShann B (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Lou Antonelli, Robin Wayne Bailey, Rich Horton, Jim Yelton

  4:00pm –  5:00pm L Anthologies: The Art Of Collaboration

Bennie Moten A/B (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Steven x Davis, Sean Demory, Marshall Edwards, Rich Horton, Lezli Robyn


 10:00am –  11:00am L Sports and Science Fiction

Lester Young A (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Brent Bowen, Ai Ling Chow

 12:00pm –  1:00pm W Editors Are Not The Enemy

Jay McShann A (Kansas City Marriott Downtown, 200 West 12th Street, Kansas City, MO 64105)

Moderators: Bryan Thomas Schmidt
Panelists: Lou Antonelli, Claire Ashgrove, Robin Wayne Bailey, Chris Gerrib

Look forward to seeing some of you there. I am also throwing a party Friday night at 8 p.m. with Robin Wayne Bailey. We will be signing copies of SHATTERED SHIELDS, the Baen fantasy anthology for which co-editor Jennifer Brozek and I are nominated for Hugos this year and in which Robin has a story. And Jenn has signed them, too. You can get the for $14, no shipping and $1 off. My other anthologies will be available as well.

Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is a critically praised author and Hugo nominated editor whose works include THE SAGA OF DAVI RHII space opera trilogy (Wordfire Press, 2015), GALACTIC GAMES (Baen, 2016), MISSION: TOMORROW (Baen, 2015), SHATTERED SHIELDS (Baen, 2014), BEYOND THE SUN (Fairwood Press, 2013), RAYGUN CHRONICLES (Every Day, 2013) and many more. His debut novel, THE WORKER PRINCE, received Honorable Mention on Barnes and Noble’s Year’s Best Science Fiction Releases of 2011. He regularly hosts Science Fiction and Fantasy Writer’s Chat on Twitter under hashtag #sffwrtcht and can be found on Twitter as @BryanThomasS or via his website at

Guest Post: Music As Magic by Peter Orullian

By Peter Orullian


It’s not new. This music as magic thing. Many fantasy writers have done it. So, the thing is how. And that’s where I’m hoping folks will dig my approach.

Peter OrullionSee, I’m a musician. I’ve no idea if my fellow fantasy writers who’ve attempted music magic systems are also musicians, but there’s no doubt it’s influenced how I write about music. I’m not casual about it. Whether I’m writing a scene that deals with the intricacies of how I built my music magic system, or just describing the experience a character has of listening to music, I’m all in. I’m just built that way.

Now, as for the music magic, itself, I need to tell you about Resonance. I spent time in my worldbuilding to develop the notion of what I call a “governing dynamic”—Resonance. It underlies multiple magic systems in my world. In some, it’s quite obvious. In others, much less so. But it started first with music, and the notion that all things have a resonant signature that may be resonated with.

I grow past this, of course. Past the simple notion of acoustical resonance. I built out an idea I call Absolute Sound, which I actually wrote about in my novella for the Unfettered anthology that released a bit ago. That story, entitled “The Sound of Broken Absolutes,” goes into this idea I have about resonance taking place at a distance, out of earshot. It’s an advance technique for practitioners of the music magic in my Vault of Heaven series.

For those who haven’t read my first book, or anything else by me, never fear. I’ve written book two, Trial of Intentions, as an entry point to the series. I mention it, because Trial of Intentions is where I go much deeper into the music magic. You get a close look at how it works, and how it affects people. Those scenes are some of my favorites of the entire series so far.

And different from the idea of sweet, soaring sopranos and the like. Or even soft, intimate truth-sounding songs. Some of the music magic you’ll experience—dare I say, “Hear”—in my world is assertive, rough, combative. It’s often loud, bold, and meant to disquiet. It’s rhythmic. It’s filled with great passion. Great sorrow, sometimes. And when done right, it’s filled with “intention.” I put that last word in quotes because intention is very much at the heart of my music magic system. It’s a close cousin to Resonance. It matters what you mean when you sing. And that might have nothing to do with lyrics. In fact, often, they’re unrelated. Lyrics can even be dispensed with.


Trial of Intentions cover OrullianFind the bottom of pain. Therefrom will come powerful music. And when given voice from someone who understands the right technique, the power of the music is undeniable, unrelenting.


And all of this is brought to bear in a great song, in my world, knows as “Suffering.” It’s sung in nine movements, taking nearly seven hours to complete. It’s a song of power. It keeps a barrier strong that separates the races of the east from creatures who’ve lost empathy. Not beasties. These are reasoning creatures. With intentions of their own.


And music is the thing the gods left the world to protect itself. Music premised on a governing dynamic I call Resonance.


The UnrememberedOf course, beyond all this, I care, as a writer, about the beauty and flow of words themselves. Writing can be lyrical, musical. And my favorite writers possess this quality. The fiction experience is very nearly song-like. That’s a huge bonus, for a guy like me.


Anyway, in the effort not to do spoilers, you have here a bit of the feeling and high-level mechanics of my world and music magic system. And even if you never read my work, if you’re a music lover, we’re kin. Maudlin that, but I’m leaving it in.




On My First Best Editor, Short Form Hugo Nomination

Space Battles front web sizeSo I got nominated for a Hugo for Short Form Editing. Wow. Found out two weeks ago and it surprised but thrilled me. I didn’t campaign. A group of people deemed me worthy and nominated me. Since nominating people you think are worthy is how the system works, I didn’t say a thing, except thank them for their confidence and wait to see what happened. I know I was nominated by people who are not Sad Puppies because they told me. Several, in fact. Some were Sad Puppies, but most who told me were not. The only thing I know is I have worked very hard and this is a major achievement and career moment, and it is unfortunate some people are choosing to attempt to spoil that. I just discovered April 8 that I am was on a slate called Rabid Puppies. I would have demanded removal had I known but I didn’t know it existed until nominations and had no clue who was on it. I don’t associate with the person running that campaign and am deeply disappointed by how he conducts himself and his presence on the slate. I deeply regret this but there is nothing I can do.

Thing is: forever on I am a Hugo nominated editor. The only change. I will do what I’ve always done: strive to make the best books possible. From the beginning I have worked hard to do so, by picking the best new and old pros I can find to write stories, seeking diversity in the pool from right to left, white to POC, LGBT to straight, etc. With a diverse pool in place, I then pick the best stories and hope what I get reflects that well. So far, I think it has. It has varied, of course, but that is the way it goes for every editor. Still, when you want to make books with broad appeal to a broad and diverse readership, that is the only way to do it right. I have always believed that, no matter what some detractors may say. Taking someone’s ambiguous statements and twisting their interpretation does not make them fact.

Beyond The Sun revised coverA few figures of my anthologies so far:

11 male writers
7 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
6 Conservative or independent (that I know of)

9 male writers
9 female writers
2 LGBT (that I know of)
11 Progressive (that I know of)
7 Conservative or independent (that I know of)

RaygunChronicles front displayRAYGUN CHRONICLES
14 male writers
11 female writers
3 LGBT (that I know of)
Not sure of the political alignments but some each stripe

1 female co-editor
10 male writers
7 female writers
3 LGBT (that I know of)
10 Progressive (that I know of)
7 Conservative or independent (that I know of)

And none of this reflects the content itself which includes diverse subject matter and stories.

Don’t believe me? Go check the Tables of Contents posted online. Research it yourself. 3 of these were edited solely by me. I made all decisions. The last was co-edited by my fellow nominee Jennifer Brozek. We made decisions jointly in full. She has written about it on Locus.

Shattered Shields coverThe stats on my 9 forthcoming anthologies are not finalized so I can’t post them but these are the works that got me to where I am. The last is the one that qualifies me for a nomination.

I have spent a good portion of my life working with the disadvantaged from poor to non-westerners to LGBT. I have friends I love of all stripes. Anyone who actually knows me will tell you I do not discriminate. I also avoid kerfluffles unless I am dragged in. And even then I try to be gracious. My philosophy is treat others how you want to be treated. Help people when you can. And live and let live.

I take pride in having accomplished all these things. A number of writers have made first sales to me, including Anthony Cardno, who is gay, for example. Many have gotten to find new audiences and appear alongside their writing heroes. I love that I can make that happen. Getting to work with my heroes is part of the thrill of doing this as well.

I love diversity. Don’t believe the critics. I always have and I seek it out. It is the single best gut check I know for keeping me honest and widening my point of view to see outside the box in which I live. That’s so important that I seek it out. I don’t have to agree with everyone to listen to them. But hearing how they see the world makes me see it bigger. Makes me better.

From day one, it has been a privilege to make books and I only seek to serve the SFF community as best I can. It’s such an honor to be a part of it (most days). And I really am humbled that I get to do what I love. If I get rewarded for that with awards, that will be mindblowing. But make no mistake. I did not campaign for awards. I just try and do good work. And I will continue to do so, hoping people will give it a fair chance.

To the nomination voters, thank you for your confidence in me. Sorry for the uproar. Don’t let it spoil the moment if you can. You made me part of science fiction history. It’s so amazing, and I am truly grateful. Now, may the best person win, whomever they are. I leave it to the works.


Bryan Thomas Schmidt
Bryan Thomas Schmidt

Bryan Thomas Schmidt is an author and Hugo nominated editor of adult and children’s speculative fiction. His debut novel, The Worker Prince received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. His first children’s books, 102 More Hilarious Dinosaur Books For Kids and Abraham Lincoln: Dinosaur Hunter- Land Of Legends appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthologies Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, Beyond The Sun for Fairwood Press, Raygun Chronicles: Space Opera For a New Age for Every Day, and Shattered Shields with coeditor Jennifer Brozek for Baen Books with nine more forthcoming, including Gaslamp TerrorsMission Tomorrow: A New Century Of Exploration (BAEN), Galactic Games (BAEN), Speculations KC, and several others.  A Junior Editor for Wordfire Press, he acquires and develops books of all kinds. He also hosts #sffwrtcht (Science Fiction and Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter.


MyOryCon Schedule

Well, I am off Thursday for my second trip to OryCon in Portland, Oregon at the Lloyd Center Doubletree.  It’s a fun con with lots of friends in attendance and a fairly laid back atmosphere. Jennifer Brozek and I will be having our SHATTERED SHIELDS Book Launch in Suite 1570 Saturday night, too, and then we’ll attend SF AuthorFest at Powell’s Beaverton Sunday afternoon to sign along with contributors Wendy Wagner and Annie Bellett and a ton of authors.

Meanwhile, though, here’s where to find me at the Con. Hope to see some of you!

Fri Nov 7 2:00:pm
Fri Nov 7 3:00:pm
Revision: Path to Better Writing or Way to Never Finish?

Endless revisions can kill good writing, but everyone says polish your work. Besides, the first draft is usually bad, right? How to navigate through the apparent contradictions without going crazy.

(*)Bryan Thomas Schmidt, SD Perry, Bruce Taylor, Manny Frishberg, K.C. Ball

Fri Nov 7 3:00:pm
Fri Nov 7 3:30:pm
Bryan Thomas Schmidt Reading (30min)

Bryan Thomas Schmidt reads from his own works.

Bryan Thomas Schmidt

Fri Nov 7 4:00:pm
Fri Nov 7 5:00:pm
Religion in Fantasy

Gods? Goddesses? Just pretend religion doesn’t exist?

(*)Bryan Thomas Schmidt, Devon Monk, Jack Whitsel, Joan Gaustad, Karen Azinger

Fri Nov 7 5:00:pm
Fri Nov 7 6:00:pm
I Quit My Job to Be a Writer! WHAT HAVE I DONE?

What the full-time writing life is like, how to stay focused when you’re all by yourself, the realities of making a living via the written word, and techniques for forcing yourself to get dressed and leave the house.

Richard A. Lovett, Matthew Hughes, (*)Mary Rosenblum, Mike Moscoe, Bryan Thomas Schmidt

Sat Nov 8 11:00:am
Sat Nov 8 12:00:pm
Planners vs. Pantsers

Some writers have everything outlined and plotted before they put their fingers on the keyboard. Others insist on flying by the seat of their pants. If you’re one, come learn the techniques of the other, and why you should pay attention.

(*)Bryan Thomas Schmidt, Anna Sheehan, J. A. Pitts, Dean Wells, Steve Perry

Sat Nov 8 12:00:pm
Sat Nov 8 1:00:pm
Surviving the Edit

Sometimes it feels as if editors are out to crush your soul, when they’re really there to save the soul of your book (or they should be). Learn how to choose an editor, how to take your lumps–and when you should ignore what the editor says.

Colleen Anderson, SD Perry, (*)Bryan Thomas Schmidt, Jason V Brock

Sat Nov 8 4:00:pm
Sat Nov 8 5:00:pm
Social Media and the Modern Writer

Websites, Facebook fan pages, email lists, contests, twitter, tumblr, Pinterest, ads, blogs and that annoying thing called a “platform”: what works, what doesn’t, and why you need to care (spoiler: you do).

Theresa (Darklady) Reed, (*)Bryan Thomas Schmidt, Erik Wecks, MeiLin Miranda

Saturday Nov. 8 :00 pm     Shattered Shields/Baen Launch Party
Suite 1570                               Alcohol, soft drinks, snacks and more. Come win signed artwork and books or buy some. Join Jennifer Brozek, Bryan Thomas Schmidt, Wendy N. Wagner and Annie Bellett.

Sun Nov 9 1:00:pm
Sun Nov 9 2:00:pm
Crowdfund Your Project

You’ve got a book, a comic, a film, a game–something awesome! Your fans want it. How do you raise the funds to get it to them? Let them pre-order it via Kickstarter or the other crowdfunding sites. We’ll discuss best practices, when not to crowdfund, backer rewards people want, fulfillment nightmares and successes, and handling the haters (they gonna hate).

MeiLin Miranda, Erik Wecks, (*)Bryan Thomas Schmidt, Jake Richmond

Why Everyone Should Be A Blindsider

I don’t talk about my past very much on this blog for lots of reasons, mostly because it’s not all that tied to what I do now, and there tends to be a group who look down on me for my religious work, etc.  and also because I don’t really like being seen as prideful or self-aggrandizing. Promoting my work is a business responsibility that’s necessary, but promoting my personal life and such is not.

Then I rewatched the wonderful movie Blindside starring Sandra Bullock when it ran on cable, and I was reminded by that movie of values that have infused my life and that of my family and very much shape how I live and everything I do. I’m not talking about the fact that main characters in the movie are Christians like myself and my family. Nor am I talking about their rural background, although we do have both those things in common. Instead, I am referring to a concept I define as “learning to live WITH people, not just around them.”

For those unfamiliar with it, The Blind Side is the true story of a wealthy Tennessee couple who discovered a black kid from the inner city was attending their children’s private school but was homeless. As they discover him and bits and pieces about his situation, they take it upon themselves to offer help. At first, taking him in to their home for a night or two, and then eventually permanently, raising him like one of their own. They even become his legal guardians. The experience changes not just the inner city kid, Michael Oher, but also their own two children and themselves. Michael goes on to become a huge football star in high school, then college and finally is drafted into the NFL. It’s a well-acted, well written, heart-warming tale of people reaching out beyond the box in which they live and choosing to help someone else because they can, and, in the end, making a better life for all of them and their community.

The reason I call this “learning to live WITH people, not just around them,” is because most of us find it very easy to live in our own little box, worry about our own concerns and people, and not pay much attention to what’s going on beyond us. Every once in a while a tragedy or some drama occurs that calls our attention to it, but for most of us, we can go around blissfully unaware of the needs of people around us most of the time. I have had this tendency at times in my life, but then I remember how I was raised. I was raised by people who paid attention and took action, and so I jump back in when I can without hesitation. It’s a lifestyle that becomes more and more second nature to me.

I get this because of several key people. My Grandma Schmidt has been described often as the type of woman who never knew a stranger, the kind who when someone in need showed up, would drop whatever she was doing, wherever she was to help. If food got cold or her family of 7 had to wait longer to eat, it didn’t matter. If she was late to an appointment, people would have to understand. To her, this was God’s business and what she was put on Earth for and there wasn’t even a question or hesitation: she had to try and help.

My other grandmothers were also very much like this. From teaching to taking in exchange students, to feeding neighbors, helping children and more. My father is a doctor who always cared more about healing people than getting bills paid, so much so that he once fired an office manager for being too harsh about collections, and he freely donates his time, money and effort to helping others despite his busy schedule and career demands.

I could name dozens of other examples in my family but suffice it to say I grew up with people who taught me: we are put here on this Earth to help and love one another, to do whatever we can for them no matter what race, religion, politics, etc. they might have. You might be poor, but you can always give time or talents. And it was an expectation that if you were in my family, this was how you’d live.

To me, the couple in The Blind Side, Leigh Anne and Sean Tuohy embody these values, and they demonstrated in gloriously when they took in Michael Oher. Were they perfect? No. And they were more blessed with wealth than most, but more importantly, they didn’t just say they cared with money, they lived it with their actions and daily lives. That’s the kind of people who raised me, and it’s always the kind of person I’ve wanted and tried to be. I don’t always succeed, of course. None of us are perfect. And sometimes it has cost me trying — such as shunning a career path so I could stay freelance in order to get time off to travel to various places and help people as much as I could. By the time I settled down and got married, I’ve had a lot of financial struggles to overcome time and again, I have no kids as I’ve always dreamed I would, etc. In many ways, I seem far behind my peers, and yet, by going to Africa, Brazil, Mexico and other places and teaching, I’ve gotten a kind of wealth money can never provide and enjoyed a kind of satisfaction no other success can create.

When I got into science fiction, I tried to write stories that reflect these values, and as an editor, I try to employ them in not only who I invite but the stories I buy and the subject matters I pursue. I don’t do it perfectly, but I make a concerted effort, and I’ve been rewarded by developing friendships, creative partnerships and working relationships with some of my writing and editing heroes, and making some books that got great reviews and touched people. I’m pretty much a live and let live guy, in that I don’t care about your religion, philosophy, politics, sexual orientation, race, etc. If you’re a decent person, we’ll get along. I publish stories that often differ from my personal beliefs and practices, but as long as they are good stories, I choose them because I want my books to reflect the larger community they are intended to serve, and that means reaching beyond what I know and am comfortable with.

Why am I writing all this? I guess it’s to encourage others to cover the blind side of other people, too. There’s no one way to do it, but there are many needs. You don’t have to be rich or powerful, famous or even creative, all you need is time and a willing heart, and also a willingness to be uncomfortable for the sake of helping others be more comfortable and lead better lives. You might take weekends to go help a single mom on her farm, as I did this summer, or to tutor inner city kids, help build or rebuild a house, or do any number of other things. Some you’ll be good at, some you won’t (like me and farming). But it’s not about skill as much as it is effort anyway. And the effort is never wasted, no matter the results.

The best experiences in my life and career have come from these experiences, and the most precious relationships as well. People from all walks of life and cultures who are friends because we spent time together, not because of what we were doing or what we accomplished. Oh, good things were accomplished, don’t get me wrong, but success is not the primary goal, being there is. And in the process, you’ll learn new skills and new points of view, and have new experiences that infuse your life with so much richness you can’t even imagine. Try it, if you don’t believe me.

So my point in writing this is to say, be a blindsider, not a sideliner. Take time to live WITH people around you, not just walk among them doing your own thing. It won’t just make their lives better, it’ll make you a better and happier person. And it’ll give you opportunities to live in ways words can’t describe or even equal. More than waving a flag for a cause or putting money in a donation box, you’ll be actually changing the world for the better. And I promise you, that can be far more impactful than money or slogans or any amount of campaigning ever will.

For what it’s worth…





Announcing: The Tentative Table Of Contents for MISSION: TOMORROW (BAEN 2015)

Hot off the press!!

Ladies and Gentlemen, I present the (tentative) Table of Contents for Mission: Tomorrow, coming from Baen Books in 2015.

18 stories, 100,938 words of great Science Fiction. All original except Silverberg and Gunn.

Concept: Science Fiction writers imagine the future of space exploration in a world no longer dominated by NASA. What might it look like? Private or public? Stories of space exploration, travel and adventure.

“Tombaugh Station” by Robin Wayne Bailey
“Excalibur” by Jack McDevitt
“The Race For Arcadia” by Alex Shvartsman
“A Walkabout Among The Stars” by Lezli Robyn
“Sunrise On Mercury” by Robert Silverberg
“Tribute” by Jack Skillingstead
“The Ultimate Space Race” by Jaleta Clegg
“Orpheus’ Engines” by Christopher McKitterick
“Around The NEO in 80 Days” by Jay Werkheiser
“On Edge” by Sarah A. Hoyt
“Airtight” by Michael Capobianco
“Ten Days Up” by Curtis C. Chen
“Windshear” by Angus McIntyre – a story finalist in the 2014 Jim Baen Memorial Contest
“Malf” by David D. Levine
“Panic Town” by Michael F. Flynn
“The Rabbit Hole” by James Gunn
“Rare (Off Earth) Elements” by Ben Bova
“Tartaros” by Mike Resnick

Bryan Thomas Schmidt is an author and editor of adult and children’s science fiction and fantasy novels and anthologies. His debut novel, THE WORKER PRINCE, received Honorable Mention on Barnes & Noble’s Year’s Best Science Fiction Releases of 2011, and was followed by two sequels. As editor, his anthologies include SHATTERED SHIELDS (Baen, 2014), BEYOND THE SUN (Fairwood, 2013), RAYGUN CHRONICLES (Every Day, 2013) and SPACE BATTLES (Flying Pen, 2012) with four more forthcoming from BAEN and EDGE in 2015 and 2016. He hosts Science Fiction and Fantasy Writer’s Chat every first Wednesday at 9 pm ET on Twitter under the hashtag #sffwrtcht and is a frequent guest and panelist at World Cons and other conventions. His website is and his twitter handle @BryanThomasS.

GlitchCon Schedule August 1st-3rd, 2014



Well, another Con has arrived. From Friday through Sunday, I’ll be in Springdale, Arkansas at the Holiday Inn Conference Center for GlitchCon with the lovely Claire Ashgrove, my best bud and editing partner in Finish The Story, Jonathan Maberry and David Farland and several others. Here’s a full schedule of programming. See participants at the website at

FRIDAY, August 1

3:00 – 3:50 pm Creating Comics and Graphic Novels (Jonathan M. /

David F. / Kyle / *Tommy) (Steam Room)

5:00 OPENING CEREMONIES  (John Q. Hammons Hall)

6:00 – 6:50 pm Pulp Fiction (Jonathan M. / David F. / Tommy / Bryan

Bryan and David Farland

S. / Phillip D.)(Steam Room)

6:00 – 8:00pm Story In A Bag, lead by Dyann Love Barr & Claire A. (Anime & Cosplay)

7:30 p.m.   — David F. / Jonathan M. / Claire / Bryan to dinner


SATURDAY, August 2

10:00 – 10:50 — Collaboration (Sue S. / Bill A. / Brad S. / Dyann)   (Steam Room)

12:00 – 12:50 — Series Writing (Saranna D. / David F. / Jonathan

M. / Bill A. / Claire A. / Dyann LB) (Anime & Cosplay)

1:00 – 1:50 — Writing 101 (David F. / Phillip D. / Sue S. / Dyan LB

/ Claire A. /  Saranna D. / Bryan S. (MOD)) (Steam Room)
2:00-2:50 – Old School Monsters (Jonathan M.)(Steam Room)
3:00 – 3:50  pm  Horror – Then and Now (Jonathan M. / David F.

/ Brad S./ Saranna D.)

4:00 – 4:50 — The Fantasy Allure (Jonathan M / David F. / Bryan S.

/ Brad S. / Claire A. / Saranna (MOD))(Steam Room)

7:00 – 7:50 — World Building (Sue S. / Bill A. / Dyann LB / Bryan

S. / Claire / Saranna, John W.) (Steam Room)

Bryan & Claire
Bryan & Claire



SUNDAY, August 3

10:00 – 10:50 – Story In A Bag Winners Announced

3:00-4:20 – CLOSING CEREMONIES (John Q. Hammons Hall)