BTS: Jon, this has been a fun discussion. It’s reminded me of so many reasons why I like Star Wars, and has me mire excited than ever at the prospect of more. When Disney made their announcement a few weeks back, I was surprised and reticent, but done well, this could be an amazing opportunity for fans. What are some things you’d like to see in future films?
JS: I want any new films to both honor the older films (esp. the original trilogy) — WITHOUT copying them (i.e., stop reusing the same exact dialogue quips) — and reach for something new. One good thing that the prequel movies did was they introduced new depth to the Jedi-Sith conflict. I’d like to see Jedi (and Sith) presented in some new, interesting ways. I want the new directors/writers to reach for new types of characters. Stop using the “scoundrel, bounty hunter, princess, droid sidekick” archtypes. Those only worked in the originals because they were fresh takes on old standbys. Develop new characters and character types. I’d really love a series of films based on Tim Zahn’s Thrawn trilogy, but I don’t think we will.
BTS: It’s interesting to hear you mention good things the prequels did. It seems people are split on them. Old school trilogy fans tend to hate them for lacking the true spirit. Fans who had their first experience with them often call them superior for their special effects, etc. I thought the acting and character development and over reliance on CGI were their prime weaknesses. I liked the action and some of the new characters. I enjoyed the new settings and ships a lot as well. Were there other things you thought they did well? (We’ll get to the bad more after).
JS: I thought the fight scenes, especially the duel between Darth Maul and Obi-Wan/Qui-Gon, and then Yoda versus Palpatine and Obi-Wan versus Anakin in the third movie. Most of the space battles were also good. Ian McDiarmid’s performance as Palpatine was excellent, and I also enjoyed Liam Nielson and Ewan McGregor. Some of the CGI was beautiful. Other than those things, I wasn’t much of a fan.
BTS: McDiarmid, Neeson, McGregor, Portman and Jackson all didn’t need the hand holding that other actors did and did their best to rise above the weaknesses and, thus, stood out. I enjoyed the underwater sequence and the water planet concept. I really like the Council scenes on Coruscant and having the chance to see so many diverse creatures. The Jedi HQ and clone stuff interested me as well. Jake Lloyd and Hayden Christiansen were two big weaknesses. Sadly, I’ve seen Christiansen give decent performances elsewhere with director’s guidance. The films would have been much better with a director who guided the actors more. AND then there’s Jar Jar…
JS: I didn’t particularly like either incarnation of Anakin. Young Ani (ugh, that nickname… “Ani! Ani!”) was nice enough, but Lucas wasted the entire first movie by portraying Anakin as a young kid. I didn’t care one bit about his miraculous conception, his slave status, his pod race, or his crush on Amidala (and her eventual attraction to him is a little weird). And don’t get me started on his piloting of a starfighter at the climax–that was the height of absurdity. Then in the second movie we get Petulant Teenage Anikan. That was slightly better because at least his theatrics tied in somewhat with the plot, but it was still annoying as hell. I refuse to believe that Darth Vader came out of a whiny kid with a ponytail. Now, a brooding, quiet, loner kid? Yeah, that would make some sense. It kills me to say this, but the Harry Potter movies did it better, portraying young Voldemort as a dark, scary kid. That’s what the movies needed. Alas, Lucas has become addicted to candyland storytelling. I could almost stand Anakin in the third movie. The hair was a little 80s’ glam for me, but he finally came to posses a little of the Vader swagger, and his relationship with Obi-Wan started to take on a more realistic quality. As for Jar-Jar, I feel bad for the actor who played him, but it was one of the worst character choices in film history. At least Lucas started to realize his mistake and cut back on Jar-Jar’s screen time. What really makes me ill is that the prequel movies could have been good. The basic premise–the evolution of Vader–was powerful. Lucas just failed in the execution of major parts of those movies.
BTS: Agreed. They could have and should have been better. And I think we see him start to crack a bit with Return Of The Jedi, with Ewoks and other things that seem to have been part of the failure of those latter films. Empire, being directed by someone else, was still quite strong. And the first film, he’d done so many drafts and had so much input from studio, his now ex-wife, etc., that it was strong. It’s when we see those influences fade, when Lucas is so big he can do what he wants unchecked that his failures overcome his gifts sadly. I also afree that the Thrawn series would be amazing movies but given the role the original trilogy cast plays in those, and the age of those actors, I don’t see how it would be feasible without major changes. On top of that, they’d have to completely change the Star Wars timeline, unless they want to do the Tron3D aging trick they pulled with Jeff Bridges, and, even then, Hamill and Fisher would have to lose some serious weight to pass. But there are tons of storylines they can do, including something with their kids and other characters introduced later in the Expanded Universe, and I think they’d be wise to consider it. There’s a lot of mythology to build on that’s well established and well thought out and already existing and liked by fans. Why not use that stuff? I just hope they don’t pull a JJ Abrams-Star Trek scenario.
JS: Wow, you are reading my mind. I agree SOOOOOOOOOOOOO much with what you just said. Part of me wants the future movies to break away from the Skywalker and Solo families, but I understand that they could be a useful tether to the past films if handled properly. For instance, if Han and Leia’s kids kept muttering Han’s dialogue lines from the original movies (“I can arrange that! He could use a good kiss!”), I will leave the theater. Generational films/series require a deft touch that, frankly, Lucas did not possess. The new films need to be more than just enhanced-CGI versions of the previous movies. Entirely new themes and story arcs. New approaches to the Force–no midichlorians, ffs.
BTS: GEORGE, “some people are stronger in the Force” was an acceptable explanation for decades. We didn’t need you to dig deeper. *shakes head* Mid-chlorioans, my ass…. Sorry, I digress. But hey, the actors are older. I have no desire to see Leia in a bikini at middle age, and watching Han and Luke cough and grab their jiggling bellies mid-fight as two middle aged men running around would do, also has little appeal. On the other hand, give me Luke as Master of a Jedi Academy, and I’d be all over that. Han as negotiator and Leia and stateswoman also are perfect. They can still play key leadership roles without having to be the center of the action now. There’s an opportunity to recapture their personalities and the fun of their characters and use that bolster the introduction of new characters. If Star Wars as a franchise is going to have a future, they have to do that well, I think.JS: I think (hope) that’s what Disney has in mind, to allow those actors to come back in cameo roles, although they could definitely be more substantial roles if couched properly, as you said. They could also make movies about other events. The galaxy is a huge place with millions (if not billions) of inhabited worlds. What was everyone else doing while Luke and his friends battled the second Death Star? A series of films could carve out another sector of space where the war was being fought by different people, and how they react when the emperor is defeated. A galaxy of warlords–some imperial, others Alliance, and a bunch out for themselves–battling for control of the old empire is rich with possibilities.
BTS: Absolutely. I’d love to see other planets and races. This is a chance, for example, to make Lando no longer the only non-white in that era. Obviously, they had one in Amadala’s service as well as Mace in the prequels, but surely there are whole planets of humans with varied racial profiles, not to mention aliens, etc. And they could also explore some of the aliens we’ve already met more in depth such as Chewbacca, etc. I can imagine humorous scenarios with Han training pilots and getting annoyed with a cocky student and a little competition developing, etc. I also think they need to come up with a solid villain again. Vader is gone. And so is Palpatine. Maybe competing factions, maybe they can find new stories involving Thrawn somehow.
JS: I love those suggestions. I hope that someone at Disney is thinking the same way. This franchise has limitless potential. And the choice of villain, as in most action-adventure films, is key. They need a solid idea, and talented actors to pull it off. We could use a Heath Ledger’s Joker to up the ante.
BTS: A high caliber performance, yes. The darkness of the Batman films would spoil Star Wars, in my opinion. They have always had a hopeful lightness even at their darkness moments, unlike the Nolan films, and I think that’s part of the charm and should be preserved. I also think there’s an opportunity to introduce conflicting elements. With the Emperor and his lead henchman dead, why wouldn’t competing forces arise to threaten the Empire’s power? The Hutts, perhaps, or the Corporate Sector Authority as set forward in the Daley Han books. Surely there are plenty of options which could be explored to keep it more interesting. I’d also like to see them use the same level of humor. They can exploit the aging heroes and how age affects their ability to join the action as Lethal Weapon did so well, but they can also exploit the generational differences with new characters and even the cross cultural clashes inevitable with aliens.
JS: Yes, keep the charm of the franchise (lightsaber duels, starship battles, seat-of-the-pants heroics, etc…) and also strive to tell new stories. I think that’s the recipe for success. They could even do multiple film series at the same time, like the EU book series. I’m fine with a series of films that is tilted more Young Adult as long as there is also one or more series aimed at me, the aging SW nut who fell in love with the franchise back in ’77, too.
BTS: One of my writing goals, silly as it may sound, is to write a Star Wars tie-in. Just once, I want to play in that sandbox. I have several ideas but I know they’re assigned. My dream would be to do something with Han Solo in his later years, post-Chewie’s death (a storyline I don’t like but which has been done and offers great dramatic possibilities for the character nonetheless) where he takes in a young kid as apprentice. Have you ever thought of writing a tie-in novel?
JS: There aren’t many franchises for which I’d be willing to write a tie-in, but Star Wars is one of them. I don’t have any specific stories in mind, but I’m sure I could come up with a few ideas if given the chance. But my dream job (in addition to my writing) would be quality control for all future Star Wars movies. Just let me sit in during the storyboarding, the casting, the filming, and the editing and I could prevent so many problems from getting made in the first place. If we’re talking dreams-that-will-never-come-true, I’d love to tear apart the prequel movies and remake them from scratch.
BTS: I’d like to erase memory of them from my head for good and wait for your versions, sir. Heh, I’d give anything to script one of them but since my film school and screenwriting days are behind me, I consider that a “never going to happen” thing. But yeah, consulting would be a blast. We’d have a long line to wait in, though, I’d guess. I’m glad we took time to revisit this though, Jon. And I think it’s a good reminder why we love them so much and how much they’ve affected us and inspired our work and our storytelling. Any fina thoughts as we close this out?
JS: I hope the Star Wars franchise enjoys a long life of more films, books, comics, and memorabilia. It’s a part of our national identity and it has served as a major influence in my life.
BTS: Well, I don’t know how I could say it any better than that, so, thanks for sharing this journey with us and Happy Holidays. We wish you a wonderful 2013 to come!
Jon Sprunk grew up in central Pennsylvania, the eldest of four and attended Lock Haven University. He graduated with a B.A. in English in 1992. After his disastrous first novel failed to find a publisher, he sought gainful employment. Finally, after many more rejections and twists and turns of life, he joined Pennwriters and attended their annual conference in 2004. His short fiction has appeared in Cloaked in Shadow: Dark Tales of Elves, Dreams & Visions #34 andCemetery Moon #4. In June 2009, he signed a multi-book contract with Pyr Books by whom his Shadow Trilogy dark fantasy series have been published. He can be found on twitter as @jsprunk70, on Facebook and via his website athttp://jonsprunk.com/.
Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press, headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, a Ray Gun Revival Best Of Collection for Every Day Publishing and World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, all forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.
I’ve gotten questions about this since I started tweeting about in July when I wrote and finished my first draft at 13k for this new book. Basically, it’s a chapter book for early readers, ages 6-10, in this case probably aimed more at boys.
The idea itself was a collaboration with Jeff Rutherford for whom I blog at www.tobereadbooks.com and for whom I am primary editor. He also contracted me for four books, the first of which, 102 More Hilarious Dinosaur Jokes For Kids, is out since August and in the Top 10 for its category. It’s ebook only, at the moment, but print may be in the works.
“ABRAHAM LINCOLN: DINOSAUR HUNTER — LAND OF LEGENDS succeeds on almost every level –readability, alternate history, adventure, and excitement.” — Mike Resnick
Abraham Lincoln: Dinosaur Hunteris intended to be a series of science fiction adventure stories. The idea came from our mutual love of history, my desire to do something more for kids with dinosaurs, and Jeff’s desire to produce books for kids like his own. The basic concept came from putting our ideas together: Abraham Lincoln as a boy winds up hunting dinosaurs with Davy Crockett, who is in his early 30s. We knew we wanted a T-Rex. We knew it would involve a time machine. After that, I went off and wrote the specifics and book 1, which I’ve titled “Land Of Legends.” It’s the story of how they meet and wind up going back in time, and their introduction to the dinosaur world.
Now, as you may have guessed from the concept, it’s science fantasy. I did research historical figures, such as the scientists who inspire the time travel theory, the dinosaurs and plants of the prehistoric age, Lincoln’s boyhood life and friends, Davy Crockett, etc. But I also put dinosaurs in as I need them without regard for which actually would have encountered each other and I use time travel, so I’m not dealing with historical fact. What I am dealing with is fun and humor and lots of action. I wanted to write the kind of tale I’d enjoy as a kid. If there’s any message in the first book, it’s about friendship and heroes and working together to get through hard times. Those things naturally flow out of the story itself. And I think in future books any such “lesson” would have to work the same. There’s no intended lesson. I think different readers might get different things and that’ s great!
I structured it like the old serials. Each chapter is like flash fiction piece around 1400-1600 words with a cliffhanger ending. So it can be read in segments but readers will keep wanting to come back. My friends who beta read it with their kids said the effect worked really well, as the kids looked forward to the next reading to find out what happens next.
Being as there are humans and dinosaurs, there’s a bit of danger, yes, but it’s usually resolved fairly quickly so as not to overpower young readers emotionally. There are great action pieces including encounters with the aforementioned T-Rex, a Stegasaurus, a sabre-toothed tiger, and a bear which Davy Crockett dispatches at a much older age than three.
In any case, I have done rough sketches of seven more books so far and am pretty sure I could do at least three a year and still keep producing my two novels a year and editing anthologies. At 13.5k, these chapter books use simpler wording and shorter sentences and can be drafted much more quickly. And as I get used to the voice, etc., I expect it will go even faster. The polishing took me a weekend after beta notes came back and I let it sit a few weeks.
It’s a fun project to work on, one of the funnest I’ve had. It’s fun to write in a precocious young Abe Lincoln’s voice. And it’s also fun to play with the Crockett legend and all its exaggerations, using that for humor. And I get to write dinosaur scenes, okay? Can somebody pinch me?
In any case, book 1, “Land Of Legends”, is off to the artist and in final edits at Delabarre. We expect to release it for the holidays, if all goes well. It’ll be in trade paperback and ebook, and I really look forward to sharing it with you.
For what it’s worth, I offer this brief excerpt:
The world around us became less hazy again. Soon we were surrounded by trees with thick trunks and heights I’d never seen before. Leaves grew up the sides of their trunks, not just on their branches, and some of the leaves themselves were bigger than my head.
“Where are we?” Jacob mumbled.
Jacob and I exchanged a panicked look. Had the bear come back to life? It wasn’t aboard the machine.
Nehemiah grumbled as he fiddled with the controls.
The rest of us turned to see the giant green nostrils and gaping, sharp teeth of a mighty-jawed lizard. It stood at the edge of the trees, its small front arms flexing as it reared back on giant back feet and rambled toward us.
The ground shook from its every step. The booming echoed in our ears.
Jacob shook beside me, his mouth opening in a silent scream.
Davy swung around, reaching for his rifle and shouted: “Get under the seats, boys!”
“Something went wrong,” Nehemiah muttered.
“We knew that!” Jacob called as we did our best to squeeze under the seats.
The roaring sounded as loud as before. The time machine offered little shelter from those glinting, knife-like teeth. As I looked up at him, I saw the beast also had a jagged scar running down its right cheek.
“Judging from the scar on its face, it can be wounded.” Davy jumped down to the ground and took aim with his rifle.
“Shouldn’t we run?” I asked, looking toward him.
“I’ll try and distract him, lead him away,” he replied, eyes locked on the towering predator. Davy took aim and fired twice at the raging animal’s legs. I saw the bullets tear into flesh and blood start to flow. The animal snarled and screamed but didn’t even slow down. Davy prepared to fire again.
“Wait!” Nehemiah called as the time machine vibrated and hummed again. “I can take us away.”
“To somewhere worse?” Jacob whined.
“Out of here at least,” Nehemiah snapped. “Mister Crockett, get back aboard.”
Davy fired twice more at the monster then scrambled aboard. Nehemiah pushed a lever.
TOOT! TOOT! HISSSSS! RUMBLE!
The world faded and spun around us again as we felt the familiar sensation of time flight.
Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince (2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Books For Kids(ebook only) and Abraham Lincoln: Dinosaur Hunter- Lost In A Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012. His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun,forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.
You know, things don’t always go the way that we expect them to when publishing a book. This week is one of those times.
I expected the print release of my second novel in the Davi Rhii series, The Returning, to be the real highlight of my week. Those plans have now been pushed back a bit because somehow the book’s layout got messed up during the file transfer from my publisher to Lightning Source, our printer and distributor. An attempt was made to quickly correct that but there was not enough time to get it fixed by June 19th for the official release. It appears Barnes & Noble cancelled all pre-orders for print due to this error. The buy links for print copies aren’t up on either Amazon or B&N but the ebook version is up and available for your Nook or Kindle. I heartily apologize for this inconvenience.
I really have been excited to see this book released. I worked hard on my end to come up with a story that you’ll love. It has a great cover by Mitch Bentley, one of his best ever. It got blurbs from some great people like Mike Resnick, Paul Kemp, and Howard Andrew Jones. The reviews have mostly been great. The official online blog tour started May 29th and will run until mid-July. So much work and so many hands have been involved in the process of bringing this book to you and now technology seems to have gotten in the way. It hiccuped in a big, bad way.
I really want readers to have a shot at this book. But I also want it right. It’s important. It matters because you, as a reader, matter. Please know that I want to provide the best quality product possible and am as anxious as anyone to get this out into the world. The print copy should be up and running by Friday, June 29th at the absolute latest. Ebook versions are up now if you enjoy that instead. In the meantime, I have decided to extend the 33% off sale on copies purchased from me here. I appreciate your understanding and patience and your patience shall be rewarded. You will have a good looking, properly produced book. I can promise you that.
As a bonus, copies ordered from me will be signed personally either on the paper copies themselves or via Kindlegraph and can be personalized at your request. In addition, I will send signed bookplates or Kindlegraph signatures to anyone who requests them that buys the books at any other venue as well and this will be done at no charge for buyers of all formats, including Nook.
We appreciate your understanding and patience and look forward to your response to the book very soon.
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and has several short stories featured in anthologies and magazines. He edited the new anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. His children’s book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing. As a freelance editor, he’s edited a novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.
It’s hard to believe it’s here. I get all emotional because of all the behind the scenes chaos I went through while writing it, but I’m about to be the author of two published novels and I’m thrilled and humbled at the same time. So you know what that means: another blog tour. Just last October, I was off promoting the novel I’d longed to write for 27 years, The Worker Prince. Now, it finally has a sequel, The Returning. It’s got another brilliant Mitch Bentley cover. More of the action and multi-layered plotting, larger-than-life characters and humor mixed with drama. It’s even got blurbs by three of my favorite writers, now also my friends.
It has everything, and you can find out for yourselves on June 19th! But right now, here’s the scoop on the tour and how you can preorder signed paperbacks or ebooks at 25% off on my store or at Barnes & Noble here.
The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Someone is sending assassins to kill and terrorize them, riling up the old enmity all over again, while Xalivar is back seeking revenge on Davi and all those who defied him. Davi, Farien and Yao reunite to investigate the murders, finding their lives and friendships threatened by what they discover. Meanwhile, the new High Lord Councilor, Tarkanius, Lord Aron, and Davi find themselves fighting all over again to preserve the unity of the Borali Alliance, while even many of their allies and friends work against them to tear it apart. Davi and Tela find their future together threatened by difficulties with their relationship, and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.
370 pp · ISBN 978-0-9840209-4-2 ·Trade Paperback · $14.99 tpb $5.99 Ebook · Publication: June 19, 2012
“The Returning has romance, assassins, tension, both modern and classic science fiction notions, and very smooth writing. What more could you want? Bryan Thomas Schmidt keeps improving. As good as THE WORKER PRINCE WAS, THE RETURNING is better.” – Mike Resnick, Author, Starship, Ivory
“The Returning blends themes of faith with classic space opera tropes and the result is a page-turning story that takes off like a rocket.” – Paul S. Kemp, Author, Star Wars: Riptide, Star Wars: Deceived
“A fun space opera romp, complete with intrigues, treachery, dastardly villains, and flawed but moral heroes.” Howard Andrew Jones (Pathfinder: Plague Of Shadows, The Desert Of Souls) on THE RETURNING
To preorder your signed paperback for $11 + shipping, click here:
To preorder the ebook in whichever format you prefer, click here: (be sure and enter format desired in the box)
And please visit these awesome blogs for more information including excerpts, interviews, guest posts and more all through June and July 2012! I’ll insert links as they become available as well as updating specific content which is still being determined.
To order my debut novel, THE WORKER PRINCE, Book 1 in the Saga Of Davi Rhii, use the links at the bottom:
What if everything you thought you knew about yourself and the world turned out to be wrong? For Davi Rhii, Prince of the Boralian people, that nightmare has become a reality. Freshly graduated from the prestigious Borali Military Academy, now he’s discovered he was secretly adopted and born a worker. Ancient enemies of the Boralians, enslaved now for generations, the workers of Vertullis live lives harder than Davi had ever imagined. To make matters worse, Davi’s discovered that the High Lord Councillor of the Alliance, his uncle Xalivar, is responsible for years of abuse and suppression against the workers Davi now knows as his own people.
His quest to rediscover himself brings him into conflict with Xalivar and his friends and family, calling into question his cultural values and assumptions, and putting in jeopardy all he’s worked for his whole life. Davi’s never felt more confused and alone. Will he stand and watch the workers face continued mistreatment or turn his back on his loved ones andfight for what’s right? Whatever he decides is sure to change his life forever.
326 pp · ISBN 978‐0‐9840209‐0‐4 ·Trade Paperback · $14.95 tpb $4.99 Ebook · Publication: October 4, 2011
Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, andThe Returning, the collection The North Star Serial, Part 1, and has several short stories featured in anthologies and magazines. He edited the new anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. His children’s book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing. As a freelance editor, he’s edited a novels and nonfiction. He’s also the host of Science Fiction and Fantasy Writer’s Chatevery Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF Publishing, Grasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.