Write Tips: 7 Tips For Surviving The Art and Challenge of Collaboration

I have had a lot of opportunities to collaborate in my creative life, as a musician, as a writer, as an editor, and so on. I’ve had some bad experiences, and I’ve had some good ones. Thankfully, most of them since I became a writer and editor have been good. And I wanted to talk today about both the art and difficulty of collaborating.

First of all, collaboration requires humility. You have to recognize that you are working with an equal force—someone who is going to have an equal number of ideas and passions going into the project and an equal stake in the result. That requires you to be cooperative and considerate both in how you navigate and respond to the collaborator’s input. Sometimes, it helps to decide up front who will be senior collaborator. For example, when working with Jonathan Maberry in his universe, I deferred to him creatively. After all, Joe Ledger his IP, created out of is head, and his is the ultimate boss of what is canon and what isn’t. Interestingly though, when we did the Joe Ledger anthology together, Jonathan deferred to me more than expected on the editing role. He still edited and had input on story order and of course worldbuilding, but he respected my abilities and experience as an editor enough to let me take responsibility for some details that I could handle on my own without his involvement. We were thus able to divide the labor in some key ways that made it easier for both of us and saved time and back and forth.

Second of all, collaboration requires consideration. You are not creating your own work. It is a group effort. Whether the group is two people or more, the end result will come from both of you, not just one of you, and thus, it is important both of you feel satisfied with the result.Thus it is impossible to be a dictator and control freak when collaborating. You have to find a way to work together and separately in ways that compliment each other. And you must understand and respect that the final result will be something that encompasses both of your creative ideas and visions for the project, not just your own. In fact, inevitably it will be something Neither of you would have created on your own.

Third of all, collaboration requires mutual respect. Don’t collaborate with people you don’t respect. You’ll just be in for trouble. I’ve had the case where someone I collaborated with as an equal instead regarded himself as my superior and expected me to defer to him accordingly. Now, in experience, sales, and so on, we really were fairly much equals. He was not more famous or more respected, nor did he have an established body of work far exceeding my own. He just, I learned later, was a guy who believed he was a better writer than most people he collaborated with, and, as such, would be “in charge” of such collaborations. Needless to say, this made for trouble.

Fourth, collaboration requires deference. There are many times during collaborative ventures when you will find the need to allow the other to take the lead. For example, you divided a story into scenes and they wrote some, you wrote others, then polished each other. Well, when final decisions are made, unless you agreed in advance one of you would be the final arbiter, you will have to defer to your partner on his/her scenes. It’s theirs, and, after all, you’d want them to do the same on your scenes, right? You may have to defer to them on things they have more expertise or immediate knowledge of. If your partner is more experienced with a particular aspect of the project, let them take the lead and see it as an opportunity to learn from them so the next time, you can take the lead. This is appropriate. Let the person who has the experience and wisdom take the lead. They should do the same for you. And so on.

Fifth, collaboration requires mutual commitment. It’s kind of like the biblical concept of unequal yoke in a marriage. You need to be on the same page with your commitment to work level and time deadlines and so on. If not, one of you will feel they are more committed to the project or even doing all the work, while the other slacks off. So agree in advance on when things will be done by each of you and endeavor the best you can to meet these expectations. Otherwise, you are in for conflict.

Sixth, collaboration requires patience.  Like any other situation when you might be working with other people, you must learn to be patient with the other person’s different way of doing things, different abilities, different expectations and so forth. You can’t expect two different people to see everything exactly the same or work exactly the same. It’s rare. If you find it, though, run with it and embrace it as the gift it is.

Seventh, collaboration requires communication. You must learn to discuss things more than you might normally. Operating on assumption is a pitfall that can derail any relationship, especially a collaborative one. It’s much better to anticipate and discuss potential problems or concerns before they arise than to try and deal with them after they happen when you are irritated or frustrated with each other. So communicate. Set some expectations and boundaries for your collaboration in advance then commit to meeting them so you are in it together. Most of all, remind yourselves constantly it is a team effort. Not “mine” but “ours.”

So there are a few hard learned tips for better collaboration. Can you think of others? Please feel free to contribute in comments. For what it’s worth…

Announcing the Sprunk-Schmidt Star Wars Original Trilogy Rewatch: You’re Invited

The Project: Star Wars Original Trilogy Rewatch

The Hosts: Jon Sprunk & Bryan Thomas Schmidt

The Invitation To You: Rewatch the original trilogy in order, one a week, and join the conversation.

Jon and I are of an age where the release of the original Star Wars: A New Hope to theatres in 1977 remains a seminal moment. Bef0re that, while stories were fascinating, the possibilities had limits. Star Wars: A New Hope changed all that. It opened up possibilities for our imaginations that went beyond anything we’d seen before. From its state of the art special effects to its return to a classic storytelling style, Star Wars captured the public and never let go, launching a franchise, a legend, and an empire.

For me, Bryan, Star Wars infused my sense of what I wanted stories to be and the kind of stories I strive to tell, from witty banter to lots of action and large scale, my own Saga of Davi Rhii has been said to capture “the Star Wars feel,” and my forthcoming epic fantasies surely show that influence as well. I still enjoy a good space opera book, Star Wars tie-ins included. And I still like hopeful stories of good v. evil and the possibility of real heroes one can look up to and admire. One of my all time favorite sequences is still the opening battle of A New Hope, and I also still love the escape from the Death Star and the Battle of Yavin tons. There was something about the coming of age, innocent Luke that still attracts me, and I’ve used similar elements in both my Davi Rhii and Dawning Age novel series as well as some short stories.

Jon says: “I was seven years old when A New Hope arrived in theaters. I saw it seventeen times that summer. Never before had a movie—or any story—affected me so profoundly. The original Star Wars films were basic enough that a child could understand them, with their larger-than-life battles between the Empire and the Rebellion. Yet they were also dynamic enough to enthrall an entire generation of wannabe X-Wing pilots, smuggers, Jedi, and Sith Lords. It wasn’t until I was much older that I started to appreciate these films for their technical aspects, especially A New Hope, which I consider one of the most structurally-perfect movies ever made. There is no doubt that a little bit of Star Wars infuses my writing, no matter the subject or genre.”

So, starting this week, Jon and I will watch Star Wars: Episode IV A New Hope and dialogue about it. That post will go up on his blog. We’ll talk about things we like and don’t like and why, how we react to them now as opposed to when we first encountered them as children, influences on our writing, genre, and so much more. You’re invited to join us in comments. We think it’ll be a lot of fun.

So let’s take a trip back to a galaxy far, far away together. We look forward to engaging with you.

Our conversation begins on A New Hope here: http://jonsprunk.blogspot.com/2012/11/hello-friends-today-i-have-special-treat.html

About Us:

Jon Sprunk grew up in central Pennsylvania, the eldest of four and attended Lock Haven University. He graduated with a B.A. in English in 1992. After his disastrous first novel failed to find a publisher, he sought gainful employment. Finally, after many more rejections and twists and turns of life, he joined Pennwriters and attended their annual conference in 2004. His short fiction has appeared in Cloaked in Shadow: Dark Tales of ElvesDreams & Visions #34 andCemetery Moon #4. In June 2009, he signed a multi-book contract with Pyr Books by whom his Shadow Trilogy dark fantasy series have been published. He can be found on twitter as @jsprunk70, on Facebook and via his website athttp://jonsprunk.com/.

 

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Jokes For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on Beyond The Sun for Fairwood Press, headlined by Robert Silverberg, Kristine Kathryn Rusch, Mike Resnick and Nancy Kress, a Ray Gun Revival Best Of Collection for Every Day Publishing and World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, all forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.