Archive for April, 2012


New York Times bestselling author Alethea Kontis is a princess, a goddess, a force of nature, and a mess. She has authored several published books in multiple genres as well as short fiction, essays, and poetry appearing in over ten anthologies and numerous speculative fiction magazines.. Her debut YA fairy tale novel, Enchanted, will be published by HMH (Harcourt Books) this spring.

You can find Princess Alethea online at: www.aletheakontis.com and on twitter at @AletheaKontis .


___________________________________________________________________

SFFWRTCHT: I see that you’re quite enamored with folk and fairy tales. Where did this love start?

Alethea Kontis: My father read to me every night when I was a baby (until age three, when I read to him and he fell asleep). I loved fairy and folk tales the best, which were written like my father told stories around the dinner table (“told”, not “shown”–ha!). This love resulted in the gift of many books from many friends and relatives, including a giant, unexpurgated Grimm and Andersen collection from my Memere when I was nine. I gobbled it up from cover to cover, and my life has been magical ever since.

SFFWRTCHT: Who were some of your favorite authors/books growing up?

Alethea Kontis: I once sat down and made a list of my 21 Most Influential Books (http://aletheakontis.com/2009/06/my-21-most-influential-books/) — only two of these (Jovah’s Angel and Me Talk Pretty One Day) were books I read after graduating high school. And there were just so many beyond this list: Edward Eager, Roald Dahl, Lloyd Alexander, Vivian Alcock, Catherine Dexter…if my childhood imagination knew no bounds, it was because the kingdom of source material was SO VAST.

SFFWRTCHT: When did you decide to start writing? How did you begin?

Alethea Kontis: I had always enjoyed writing assignments in school (I still have quite a few of them), but it wasn’t until a poetry unit in the fifth grade that I looked at the words on the page and knew I was meant to be a writer. I was ten years old.

SFFWRTCHT: Did you study writing in school? How did you learn your craft?

Alethea Kontis: I was a math and science geek. I made the worst grades in English. And as I was not encouraged by my parents to study writing in college, the only formal “craft” training I have is Orson Scott Card’s Literary Bootcamp in 2003, and the fabulous monthly meetings held by my local RWA chapter (Washington Romance Writers). Beyond that, I’m pretty much self-taught. I read a TON, and I wrote stories with my friends and for my friends, like a game we used to play. I’m so very glad were only had five television stations and no computers until my last years of high school. My life might have been very different.

SFFWRTCHT: How long did you write until your first sale? What was that?

Alethea Kontis: I was published a while before I got paid for it. Robert Bly (Secrets of a Freelance Writer) says that if you want to make a career out of writing, you need to start writing, even if it’s for no pay at all. A neighborhood newsletter, a church circular, something, anything. This will teach you to write to topic, concisely, to deadline, and for a particular editor–exceptionally good advice for me. I had a friend who was writing movie reviews for a local TN free press (The Rutherford Reader) that was mostly classified ads, and I asked him if they would be interested in book reviews. I had a word limit and a deadline every two weeks. I kept the job until 2005, when I got a gig writing about my life in books and the publishing industry for a monthly column in Apex Magazine. AlphaOops: The Day Z Went First was published in 2006.

SFFWRTCHT:  What aspect of Enchanted came first? Characters? Plot? Setting? Was a particular fairy tale involved from the beginning?

Alethea Kontis: In the summer of 2005, the Codex Writers (my online writers group) held a fairy tale short story contest. After a great deal of discussion, we decided that the stories had to be inspired by at least one of four “seeds”: “Fundevogel,” “The Princess and the Pea,” the Irish legend of Cú Chulainn, and the nursery rhyme “There Was an Old Woman Who Lived in a Shoe.” I was inspired by all of these things, as well as all the other suggestions that hadn’t made it on the list (like “Monday’s Child is Fair of Face). It was a novel’s worth of ideas, but I managed to edit it down into a 10,000-word story. “Sunday” won third place in the contest (only because Tom Pendergrass and Luc Reid tied for second) and was published in Realms of Fantasy in the fall of 2006. Enchanted is…well…the director’s cut of “Sunday.”

SFFWRTCHT: Do you identify with any of the characters in “Enchanted”?

Alethea Kontis: In so many ways, I am all the characters in Enchanted–they are drawn from my experiences. It all started with Sunday herself, though. I, too, was born a Sunday’s Child, with a storytelling father and an exasperated mother.

SFFWRTCHT: Did you do any pre-writing for “Enchanted”? Did you outline?

Alethea Kontis: I suppose “Sunday” would be considered the pre-writing for the novel. Just over halfway through the novel, I did make a sheet with bullet points for the last chapters, to make sure I was addressing what needed to be addressed, tying up what loose ends I needed to, pulling through any recurring imagery, and leaving myself a window through which I could write more sequels.

SFFWRTCHT: Was there anything you had to research for “Enchanted”?

Alethea Kontis: Beyond the fairy tales, I did do a bit of research on medieval European clothing, so that I could speak intelligently about the dresses the Woodcutter sisters wear to the ball. Luckily I was at Sherrilyn Kenyon’s cabin while writing that chapter–Sherri has done extensive research and written many stories about that time period. She was a great help with the styles and fabrics and sociological implications of such, and she had some lovely reference material on hand I was able to refer to. Enchanted does not have a specific time period, and I wanted to make sure that I did not include a particular late-model style of dress that would pin the tale down on a timeline.

SFFWRTCHT: What’s your writing time look like? Planned time? Grab it when you can?

Alethea Kontis: While I had a full time day job, I wrote after work and on the weekends. After I moved from TN, I had the great opportunity to live as a full time writer for a year. It was marvelous. I would go to the gym and write and work and blog and get everything out of the way before Joe and the girls came home from work and school. Thanks to the horrid economy I now have two part-time day jobs, and I’m back to writing when I can (and when I’m not completely exhausted). I do love my job at the bookstore and I treasure my kids in the afterschool program, but I do look forward to the day when I can go back to writing full time.

SFFWRTCHT: Do you use any special software or music playlist?

Alethea Kontis: Microsoft Word and silence are my friends, when I’m not going old school and writing with a pen. Crazy, right? I have notebooks everywhere.

SFFWRTCHT: How do you deal with writer’s block?

Alethea Kontis: Make a cup of tea, sit my butt down, shut up, and write.

SFFWRTCHT: How are the challenges of long form different for you than the challenges of a short story?

Alethea Kontis: Long form requires more sitting. Writing short form distracts me from writing long form, but I still love the format and can’t help myself.

SFFWRTCHT: What role do beta readers play, if any, in your process as a professional author?

Alethea Kontis: Because I didn’t have any formal teaching, I learned to write and submit all on my own. I appreciate getting feedback, but for me the most important feedback is that of the editor. Oh, I’ll get a second and third opinion if I’ve made a mess of a story, but so far those stories have all been tossed into the trunk as “unfixable.”

SFFWRTCHT: What advice would you give an up and coming writer?

Alethea Kontis: Never stop reading. Never stop learning. Most of all, shut up and write.

SFFWRTCHT: Do you have any other novels or projects? Do any involve fairy tales?

Alethea Kontis: I’m currently working on the sequel to Enchanted (tentatively called “Saturday”). I’m also working on a short story about the greatest serial killer of the fairy tale world: Fitcher (also known as Bluebeard).

SFFWRTCHT: You’ve written many stories across the spectrum of speculative fiction. Do you have any favorites (besides Enchanted)? Are there any that readers can access online?

Alethea Kontis: My favorites are the fairy tale-themed stories because I am so familiar with that world, and it’s a real challenge for me to write something new and fresh and interesting. “Sunday,” you guys know about. “Blood and Water” (online at IGMS) is my retelling of “The Little Mermaid” with vampire mermaids and pirates. “Sweetheart Come,” (Werewolves and Shapeshifters, ed. John Skipp) based on the Nick Cave song, is a Tam Lin sort of tale about enchanted wolves. “Hero Worship” (online at Enchanted Conversations) is the fangirl obsession Red Riding Hood develops with Jack Woodcutter, post wolf. My very favorite, “The Unicorn Hunter,” (Demons, ed. John Skipp) is the story of what really happened to Snow White in the woods, and discusses the origin of the iron shoes she later makes her mother dance in. I loved this story so much that its characters wove themselves into the Enchanted world, and I’m excited that I get to write about them again!

SFFWRTCHT: What future projects are you working on that we can look forward to?

Alethea Kontis: Brilliance Audio just bought the rights to do Enchanted as an audiobook, and I am SUPER excited about this! The sequel to Enchanted is my biggest project right now, and there are a few essays and short stories for anthologies that I shouldn’t really tell you about until I make the deadlines. There’s a super sekrit project with Eisner Award-winning artist J.K. Lee that I can’t tell you about or the publisher will shoot me. And for the AlphaOops fans out there: an AlphaOops Christmas book manuscript does exist, but Candlewick has not set a date for it yet. If you’d like to hurry them along, please send an email to bigbear@candlewick.com. Thanks!

To hear Enchanted in Audio,

To read our review of Enchanted, click here.

___________________________________________________________________

Michelle Ristuccia writes short fiction of all speculative fiction genres in between chasing her toddler from tree to tree. The shorter the work, the better, because 200 words looks very long on her cellphone and that keypad is very, very small. You can find out more about her rabid love of Star Trek, podcasting, and raising future geeklings at her blog, wakingdreamsblog.blogspot.com


StinaLeicht: It’s almost #sffwrtcht chat time, y’all. In case you’re interested. :)  (Thu Apr 26 00:55:15 +0000 2012)

PrinceJvstin: @StinaLeicht Yep, ready and waiting #sffwrtcht (Thu Apr 26 00:55:58 +0000 2012)
sffwrtcht: Welcome to Science Fiction Fantasy Writer�s Chat. #sffwrtcht (Thu Apr 26 01:00:31 +0000 2012)
BryanThomasS: Welcome to Science Fiction Fantasy Writer�s Chat. #sffwrtcht (Thu Apr 26 01:00:31 +0000 2012)
sffwrtcht: Our goal is to talk w/ writers, editors, & others abt the craft of writing, specifically related to writing speculative fiction. #sffwrtcht (Thu Apr 26 01:00:48 +0000 2012)
sffwrtcht: Our format is round table discussion. Please restrict ?s to writing craft, business of writing & the specific works of the guest. #sffwrtcht (Thu Apr 26 01:00:58 +0000 2012)
sffwrtcht: Please wait until your question gets answered to ask another & use the hashtag #sffwrtcht for all questions and comments. (Thu Apr 26 01:01:08 +0000 2012)
petersnede: Checking into #sffwrtcht — hello @BryanThomasS and @StinaLeicht (Thu Apr 26 01:01:13 +0000 2012)
sffwrtcht: We may hold questions at times to allow our guest to answer and catch up. #sffwrtcht (Thu Apr 26 01:01:23 +0000 2012)
sffwrtcht: It�s up to the guest whether the question time will run longer than our allotted hour slot. #sffwrtcht (Thu Apr 26 01:01:31 +0000 2012)
sffwrtcht: Tonight�s guest is a John W. Campbell Award nominee this year Born in St. Louis she currently lives in Central Texas w/ her hubby #sffwrtcht (Thu Apr 26 01:02:05 +0000 2012)
sffwrtcht: Her short stories have appeared in the anthology “Last Drink Birdhead” edited by the Vandermeers, amongst other places. #sffwrtcht (Thu Apr 26 01:02:18 +0000 2012)
StinaLeicht: Hello @petersnede. I’m here. :) #sffwrtcht (Thu Apr 26 01:02:35 +0000 2012) View full article »

BryanThomasS: Future Guests 4/25 @StinaLeicht 5/2 @jsprunk70 5/9 @RobertJSawyer 5/16 @gryphoness 5/23 @hunterfaith 5/30 @thenewauthor #sffwrtcht (Thu Apr 19 00:53:25 +0000 2012)

BryanThomasS: Next week, we’ll talk fey #fantasy #writing #pain and #blueskies with @StinaLeicht on #sffwrtcht 9 pm EST live Wed night 4/25 (Thu Apr 19 00:58:58 +0000 2012)
LenaOR: Well, Tweeps, I’m about to be a bit chatty. SPACE BATTLES came out today, and I’m in it! So I’m doing #sffwrtcht to celebrate! Wish me luck! (Thu Apr 19 00:59:22 +0000 2012)
sffwrtcht: Welcome to Science Fiction Fantasy Writer�s Chat. #sffwrtcht (Thu Apr 19 00:59:24 +0000 2012)
BryanThomasS: Welcome to Science Fiction Fantasy Writer�s Chat. #sffwrtcht (Thu Apr 19 00:59:24 +0000 2012)
sffwrtcht: Our goal is to talk w/ writers, editors, & others abt the craft of writing, specifically related to writing speculative fiction. #sffwrtcht (Thu Apr 19 00:59:38 +0000 2012)
shadowflame1974: RT @LenaOR: Well, Tweeps, I’m about to be a bit chatty. SPACE BATTLES came out today, and I’m in it! So I’m doing #sffwrtcht to celebrat … (Thu Apr 19 00:59:45 +0000 2012)

View full article »

Review by Michelle Ristuccia

“Enchanted” by Alethea Kontis is a YA fairy tale that follows Sunday, the seventh daughter of a seventh daughter, and her romance with a prince-turned-frog. Set in a world where it seems possible for all of our classic fairy tales to be true, Enchanted focuses on the importance of family and friends, trust, and the truth that builds that trust. After all, when your godmother is powerful enough to turn you into a frog, family matters.

If you were to ask me which fairy tale Enchanted takes after, my gut response would be, “all of them”. What starts out as apparently innocent details in a Disney-esque tale culminate in a heart-stopping fairy tale geek-out which will have you whispering madly to yourself, “I should have known!” Alethea expertly knits references to fairy tales and folk tales in every stitch of Enchanted, but one of my favorite folktale aspect of the story is the seventh daughter of a seventh daughter premise. Typically the legend goes that a seventh son of a seventh son will be born with magical powers, so extending this to the female equivalent is both mind blowing and as natural as breathing. From Sunday’s name to the Leprechaun that lives under a tree, you’ll recognize archetypes that tickle the fancy and reach deeply into the human soul.

Yet, Alethea Kontis spins from these details a story that is all her own, a tale like a fair summer day with hints of darkness breaking through the clouds, and at the center of that tale is Sunday. Sunday feels both joy and heartbreak on a profound level, and as such she is genuine and imperfect and very much sixteen, with a hint of that selfishness common to us all. Her personality drives the story, and, along with the personality of the prince, gives the story heart. The secondary characters complete the colorful selection like second, third, and fourth strands on Alethea’s knitting needles, leaving us with a work that feels as complete as it does warm and fuzzy. The grand conclusion of Enchanted is not one little girl saving the world, but the entire Woodcutter family and their friends sending evil scampering away.

This book is for readers who enjoy a realistic female protagonist and the power of friends and family. Enchanted is also for those who enjoy classics such as the Brothers Grimm fairy tales, yet yearn for more detail and breadth. Most of all, Alethea Kontis’ novel is for those who believe in the power of words.

Nab your copy of Enchanted and find out more about Princess Alethea and her varied fiction online at: www.aletheakontis.com and on twitter at @AletheaKontis .

___________________________________________________________________

Michelle writes short fiction of all speculative fiction genres in between chasing her toddler from tree to tree. The shorter the work, the better, because 200 words looks very long on her cellphone and that keypad is very, very small. You can find out more about her rabid love of Star Trek, podcasting, and raising future geeklings at her blog, wakingdreamsblog.blogspot.com

BryanThomasS: Future Guests: 4/18 Space Battles 4/25 @StinaLeicht 5/02 @jsprunk70 5/09 @RobertJSawyer @grryponess Erin Hoffman #sffwrtcht (Thu Apr 12 00:54:31 +0000 2012)

shadowflame1974: RT @BryanThomasS: Future Guests: 4/18 Space Battles 4/25 @StinaLeicht 5/02 @jsprunk70 5/09 @RobertJSawyer @grryponess Erin Hoffman #sff … (Thu Apr 12 00:55:02 +0000 2012)
shadowflame1974: What makes a monster or an alien? Find out in a few minutes on #sffwrtcht with @littlefluffycat (Thu Apr 12 00:55:48 +0000 2012)
sffwrtcht: Does a monster scare an alien or does an alien scare a monster? Find out now on #sffwrtcht with @littlefluffycat #scifi #fantasy #mywana (Thu Apr 12 00:58:49 +0000 2012)
BryanThomasS: Does a monster scare an alien or does an alien scare a monster? Find out now on #sffwrtcht with @littlefluffycat #scifi #fantasy #mywana (Thu Apr 12 00:58:50 +0000 2012)
talekyn: RT @BryanThomasS: Does a monster scare an alien or does an alien scare a monster? Find out now on #sffwrtcht with @littlefluffycat #scif … (Thu Apr 12 00:59:40 +0000 2012)
littlefluffycat: @BryanThomasS What is a monster? Who is an alien? #sffwrtcht, right now!(Thu Apr 12 00:59:45 +0000 2012)
sffwrtcht: Welcome to #sffwrtcht. Tonight, we are forgoing the interview format to instead have a roundtable discussion on aliens, monsters & more. (Thu Apr 12 00:59:51 +0000 2012)
sffwrtcht: How do you make them? Which is scarier? Which is a better house guest? Which eats more? These questions & better ones even. #sffwrtcht (Thu Apr 12 01:01:21 +0000 2012)
littlefluffycat: @sffwrtcht *sings softly* oh do you know the monsterman, the monsterman, the monsterman… #sffwrtcht (Thu Apr 12 01:01:42 +0000 2012)
sffwrtcht: First, tonight we have special guest @littlefluffycat who will be leading our discussion. Lydia is a published writer #sffwrtcht (Thu Apr 12 01:02:17 +0000 2012)
littlefluffycat: How have monsters changed in concept? How do they change us? #sffwrtcht(Thu Apr 12 01:02:31 +0000 2012)
sffwrtcht: Welcome to #sffwrtcht @littlefluffycat even though you’ve been here before asking questions of guests. ;)  (Thu Apr 12 01:02:34 +0000 2012)
littlefluffycat: @sffwrtcht thanks Brian! This is always a fun chat, I’m excited to be here. :) Monsters fascinate me, in concept & execution. #sffwrtcht (Thu Apr 12 01:03:53 +0000 2012)
sffwrtcht: in the new SPACE BATTLES anthology. And we’ll have a discussion on that next week. #sffwrtcht 40% off preorders through April 17. (Thu Apr 12 01:04:00 +0000 2012)
shadowflame1974: @littlefluffycat welcome *starts handing out anti-monster gear* So where we going to start? #sffwrtcht (Thu Apr 12 01:04:17 +0000 2012)

View full article »

by Michelle Ristuccia

“Wicked Passage” by N. M. Singel is a trippy science fiction following thirteen year old Blake Wyatt as he attempts to preserve the timeline while taking directions from a talking book and two dogs who live in a field of blue grass. With the help of an uncle who likes to nap at the most inopportune times and a sister who manages to get herself locked in a trunk, Blake must save Christopher Columbus from a mutiny started by a Tolucan, an evil being determined to destroy not only Blake but the universe’s entire timeline.

Wicked Passage is a wonderful gateway book to bizarre fiction, and Blake is the perfect young man to drop into the chaos. Persistent and single minded, Blake says things that make my inner teenager squeal with glee, like, “take that, Barbeque Man!” He also makes some big mistakes, which you would expect of any one lacking the proper hero training and fighting the tide of their own incredulity. It isn’t until Blake locks eyes with Christopher Columbus himself that he takes the plunge of acceptance that allows him to surge forward, and you can hardly blame him. First he is confronted by an uncle who can stop time, then a flying, talking book, and then Dagunblud, the evil overlord of the Tolucan who can shoot fireballs.  Truly, in a universe where dark matter is literally evil, anything is possible.

The wonderful thing about bizarre fiction, Wicked Passage included, is that you have to lean back and accept the amazingly odd details. The only thing that interrupted my suspension of disbelief was the fact that Blake speaks English, yet has no trouble conversing with the Spanish-speaking Christopher Columbus and crew. I’m perfectly willing to accept the idea that the Wyatts gain the ability to speak any language they need to as they travel through time, but I would have appreciated some mention of this. Translation issues would have needlessly complicated the book, so it’s a good thing that Singel did not go that route and instead successfully created a fun rollercoaster of an adventure that is worth your consideration.

N. M. Singel has written a book for any reader with a sense of humor and a hankering for something unique. Wicked Passage is like what would happen if I were asked to save Columbus from a time traveling maniac – instead of sending Columbo, who can escape anything with a paperclip and a pencil, I would botch it up and send two kids who don’t like history. Luckily, Blake and Ricki can magically blast the bad guys using rocks from the eleventh dimension. Totally ‘Wicked’ cool.

___________________________________________________________________

Michelle Ristuccia writes short fiction of all speculative fiction genres in between chasing her toddler from tree to tree. The shorter the work, the better, because 200 words looks very long on her cellphone and that keypad is very, very small. You can find out more about her rabid love of Star Trek, podcasting, and raising future geeklings at her blog, wakingdreamsblog.blogspot.com

Hugo Nominees 2012 from https://chicon.org/hugo-awards.php

1101 valid nominating ballots were received and counted.

Best Novel (932 ballots)
Among Others by Jo Walton (Tor)
A Dance With Dragons by George R. R. Martin (Bantam Spectra)
Deadline by Mira Grant (Orbit)
Embassytown by China Miéville (Macmillan / Del Rey)
Leviathan Wakes by James S. A. Corey (Orbit)

Best Novella (473 ballots)
Countdown by Mira Grant (Orbit)
“The Ice Owl” by Carolyn Ives Gilman (The Magazine of Fantasy & Science Fiction November/December 2011)
“Kiss Me Twice” by Mary Robinette Kowal (Asimov’s June 2011)
“The Man Who Bridged the Mist” by Kij Johnson (Asimov’s September/October 2011)
“The Man Who Ended History: A Documentary” by Ken Liu (Panverse 3)
Silently and Very Fast by Catherynne M. Valente (WSFA)

Best Novelette (499 ballots)
“The Copenhagen Interpretation” by Paul Cornell (Asimov’s July 2011)
“Fields of Gold” by Rachel Swirsky (Eclipse Four)
“Ray of Light” by Brad R. Torgersen (Analog December 2011)
“Six Months, Three Days” by Charlie Jane Anders (Tor.com)
“What We Found” by Geoff Ryman (The Magazine of Fantasy & Science Fiction March/April 2011)

Best Short Story (593 ballots)
“The Cartographer Wasps and the Anarchist Bees” by E. Lily Yu (Clarkesworld April 2011)
“The Homecoming” by Mike Resnick (Asimov’s April/May 2011)
“Movement” by Nancy Fulda (Asimov’s March 2011)
“The Paper Menagerie” by Ken Liu (The Magazine of Fantasy & Science Fiction March/April 2011)
“Shadow War of the Night Dragons: Book One: The Dead City: Prologue” by John Scalzi (Tor.com)

Best Related Work (461 ballots)
The Encyclopedia of Science Fiction, Third Edition edited by John Clute, David Langford, Peter Nicholls, and Graham Sleight (Gollancz)
Jar Jar Binks Must Die… and Other Observations about Science Fiction Movies by Daniel M. Kimmel (Fantastic Books)
The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literatureby Jeff VanderMeer and S. J. Chambers (Abrams Image)
Wicked Girls by Seanan McGuire
Writing Excuses, Season 6 by Brandon Sanderson, Dan Wells, Howard Tayler, Mary Robinette Kowal, and Jordan Sanderson

Best Graphic Story (339 ballots)
Digger by Ursula Vernon (Sofawolf Press)
Fables Vol 15: Rose Red by Bill Willingham and Mark Buckingham (Vertigo)
Locke & Key Volume 4, Keys to the Kingdom written by Joe Hill, illustrated by Gabriel Rodriguez (IDW)
Schlock Mercenary: Force Multiplication written and illustrated by Howard Tayler, colors by Travis Walton (The Tayler Corporation)
The Unwritten (Volume 4): Leviathan created by Mike Carey and Peter Gross. Written by Mike Carey, illustrated by Peter Gross (Vertigo)

Best Dramatic Presentation (Long Form) (592 ballots)
Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely, directed by Joe Johnston (Marvel)
Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (HBO)
Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (Warner Bros.)
Hugo, screenplay by John Logan; directed by Martin Scorsese (Paramount)
Source Code, screenplay by Ben Ripley; directed by Duncan Jones (Vendome Pictures)

Best Dramatic Presentation (Short Form) (512 ballots)
“The Doctor’s Wife” (Doctor Who), written by Neil Gaiman; directed by Richard Clark (BBC Wales)
The Drink Tank‘s Hugo Acceptance Speech,” Christopher J Garcia and James Bacon (Renovation)
“The Girl Who Waited” (Doctor Who), written by Tom MacRae; directed by Nick Hurran (BBC Wales)
“A Good Man Goes to War” (Doctor Who), written by Steven Moffat; directed by Peter Hoar (BBC Wales)
“Remedial Chaos Theory” (Community), written by Dan Harmon and Chris McKenna; directed by Jeff Melman (NBC)

Best Semiprozine (357 ballots)
Apex Magazine edited by Catherynne M. Valente, Lynne M. Thomas, and Jason Sizemore
Interzone edited by Andy Cox
Lightspeed edited by John Joseph Adams
Locus edited by Liza Groen Trombi, Kirsten Gong-Wong, et al.
New York Review of Science Fiction edited by David G. Hartwell, Kevin J. Maroney, Kris Dikeman, and Avram Grumer

Best Fanzine (322 ballots)
Banana Wings edited by Claire Brialey and Mark Plummer
The Drink Tank edited by James Bacon and Christopher J Garcia
File 770 edited by Mike Glyer
Journey Planet edited by James Bacon, Christopher J Garcia, et al.
SF Signal edited by John DeNardo

Best Fancast (326 ballots)
The Coode Street Podcast, Jonathan Strahan & Gary K. Wolfe
Galactic Suburbia Podcast, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts (presenters) and Andrew Finch (producer)
SF Signal Podcast, John DeNardo and JP Frantz, produced by Patrick Hester
SF Squeecast, Lynne M. Thomas, Seanan McGuire, Paul Cornell, Elizabeth Bear, and Catherynne M. Valente
StarShipSofa, Tony C. Smith

Best Professional Editor – Long Form (358 ballots)
Lou Anders
Liz Gorinsky
Anne Lesley Groell
Patrick Nielsen Hayden
Betsy Wollheim

Best Professional Editor – Short Form (512 ballots)
John Joseph Adams
Neil Clarke
Stanley Schmidt
Jonathan Strahan
Sheila Williams

Best Professional Artist (399 ballots)
Dan dos Santos
Bob Eggleton
Michael Komarck
Stephan Martiniere
John Picacio

Best Fan Artist (216 ballots)
Brad W. Foster
Randall Munroe
Spring Schoenhuth
Maurine Starkey
Steve Stiles
Taral Wayne

Best Fan Writer (360 ballots)
James Bacon
Claire Brialey
Christopher J Garcia
Jim C. Hines
Steven H Silver

John W. Campbell Award for Best New Writer (396 ballots)
Award for the best new professional science fiction or fantasy writer of 2010 or 2011, sponsored by Dell Magazines (not a Hugo Award).
Mur Lafferty
Stina Leicht
Karen Lord *
Brad R. Torgersen *
E. Lily Yu

*2nd year of eligibility

 ·  · Share

BryanThomasS: Future Guests 4/11 RoundTable- Aliens/Monsters 4/18 Space Battles Authors 4/25 @StinaLeicht 5/2 @jsprunk70 5/9 @RobertJSawyer #sffwrtcht (Thu Apr 05 00:55:39 +0000 2012)

talekyn: @lindapoitevin I’d get more done tonight, but SOMEBODY agreed to be the #sffwrtcht guest, and I can’t just leave her to face them alone. (Thu Apr 05 00:58:41 +0000 2012)
sffwrtcht: Welcome to Science Fiction Fantasy Writer�s Chat. #sffwrtcht (Thu Apr 05 01:00:33 +0000 2012)
sffwrtcht: Our goal is to talk w/ writers, editors, & others abt the craft of writing, specifically related to writing speculative fiction. #sffwrtcht (Thu Apr 05 01:00:42 +0000 2012)
sffwrtcht: Our format is round table discussion. Please restrict ?s to writing craft, business of writing & the specific works of the guest. #sffwrtcht (Thu Apr 05 01:00:50 +0000 2012)
sffwrtcht: Please wait until your question gets answered to ask another & use the hashtag #sffwrtcht for all questions and comments. (Thu Apr 05 01:00:57 +0000 2012)
sffwrtcht: We may hold questions at times to allow our guest to answer and catch up. #sffwrtcht (Thu Apr 05 01:01:08 +0000 2012)
sffwrtcht: @LindaPoitevin was born and raised in British Columbia in an era when writing was “a nice hobby, dear,” but not a real job. sffwrtcht (Thu Apr 05 01:01:19 +0000 2012)
sffwrtcht: She worked at a variety of secretarial jobs before joining the Royal Canadian Mounted Police (RCMP) as a civilian dispatcher. #sffwrtcht (Thu Apr 05 01:01:27 +0000 2012)
sffwrtcht: After marrying a cop, Linda went on to become a real estate agent and then a human resources consultant before starting a family. #sffwrtcht (Thu Apr 05 01:01:39 +0000 2012)
sffwrtcht: Now a stay at home mom and full time writer, her novels include SINS OF THE ANGELS, SINS OF THE SON, and A FAIRY TALE FOR GWYN. #sffwrtcht (Thu Apr 05 01:01:48 +0000 2012)
sffwrtcht: In addition to her books, Linda also does freelance writing and editing. Info abt her services can be found http://t.co/RR2pPtMj #sffwrtcht (Thu Apr 05 01:02:18 +0000 2012)
sffwrtcht: Linda is a member of @sfwa, Quebec Writers’ Federation, RWA, RWA Futuristic Fantasy Paranormal Chapter, and Ottawa RWA. #sffwrtcht (Thu Apr 05 01:02:26 +0000 2012)
sffwrtcht: Welcome back to #sffwrtcht @lindapoitevin. It�s cool that we�re each talking from a different Ottawa tonight! #sffwrtcht (Thu Apr 05 01:02:36 +0000 2012)
BryanThomasS: Welcome back to #sffwrtcht @lindapoitevin. It�s cool that we�re each talking from a different Ottawa tonight! #sffwrtcht (Thu Apr 05 01:02:36 +0000 2012)
lindapoitevin: Thanks very much, Bryan! And yes, talk about coincidence. It was very cool finding out there was another Ottawa. # sffwrtcht (Thu Apr 05 01:03:18 +0000 2012)
BryanThomasS: @lindapoitevin Let’s start by asking you how did your interest in SFF develop? #sffwrtcht (Thu Apr 05 01:03:30 +0000 2012)
BryanThomasS: @lindapoitevin It’s much warmer here #sffwrtcht (Thu Apr 05 01:03:43 +0000 2012)
shadowflame1974: @lindapoitevin good evening! Glad you could join us tonight #sffwrtcht (Thu Apr 05 01:04:18 +0000 2012)
lindapoitevin: My dad was an avid SF fan and I was an avid reader. Once I started picking up his books, I was hooked. Fantasy just followed. #sffwrtcht (Thu Apr 05 01:04:32 +0000 2012)

View full article »

Andrew P. Mayer is author of the Society of Steam trilogy and has interviewed with us before. Active at cons like Dragon*Con, you can also find Andrew online at www.societyofsteam.com and www.facebook.com/societyofsteam and on twitter as @AndrewMayer.

___________________________________________________________________

SFFWRTCHT: How did The Society of Steam morph from a comic book pitch to a trilogy of novels? Why a comic book? Why, then, novels?

Andrew P. Mayer: At the time I first created the series I was purely pitching comics. I hadn’t written prose for quite a while, and I figured that comics would be my path to fame and glory. It was also a great way for me to get a lot of the ideas I had in my head onto the page without having to write them out long form.  That, by the way, is both the blessing and the curse of the comics medium. There are way more ideas out there than there are artists to draw them, and people are pitching constantly.

Once I decided to write a novel I knew that I was definitely going to use one of my existing pitches as the framework.

I’m not sure there’s any particular reason that I picked the Society of Steam except that I thought it was one that would work as prose. I also really liked the idea of delving into superheroes in a more narrative way without getting into the full on meta-deconstruction that seems to plague so many superhero novels.

In my case I wanted to bring some of the aspects of comic book storytelling that I’d picked up during my time trying to break into comics and bring them into the literary world—narrative reconstruction, if you will.

SFFWRTCHT: What key aspects had to be changed to accommodate the new medium?

Andrew P. Mayer: Originally, the comic was a much more straightforward story about a team of steampunk superheroes. It many ways the novels are telling what would have been the origin story for that comic, so I can’t really explain what I had in mind for that without giving away the ending.

Comics are visual in a way novels aren’t so you end up focusing on what looks the coolest. You need that because you don’t have nearly as much room to tell your story. You also don’t have the same kind of ability to focus on the characters from the inside out, so in the comic the Automaton was also the lead character of that series—front and center. Sarah was relegated to the background. But once there was room to focus she stepped forward and took over from the first chapter.

SFFWRTCHT: How did your work with shorter fiction influence your work on The Society of Steam?

Andrew P. Mayer: I picked something that I figured would be more effective in smaller chunks, and I had originally intended to release the book as a serial. Really it was about cutting the story up into pieces that I knew I could handle.

That’s completely changed now. I have a much better grasp of what it takes to structure a book. If anything I’m finding myself figuring out what I need to cut so I can get to the end of the story with a reasonable word count.

SFFWRTCHT: What was the most interesting or baffling thing you had to research for The Society of Steam?

Andrew P. Mayer: At first everything was baffling to some degree. I wanted to get into the world of my characters, but visiting the past is harder than visiting some place you get to completely make up—at least it was for me.

So in the beginning I needed to research everything, from the layout of Manhattan to the type of hats people wore and why. Easily the most time in the Falling Machine was spent researching what takes place in the Darby house. I really needed to stop and research almost every aspect from teeth cleaning to home heating. One thing about the Victorian era is how often you’ll discover something that you’re sure couldn’t possibly have existed at that time was commonplace, while things that seemed like they must be ancient weren’t around until the 1920s or 1940s..

SFFWRTCHT: Which has been your favorite scene to write?

Andrew P. Mayer: I really enjoy the big set pieces like the one on the Brooklyn Bridge in book one, and the theater sequence at the end of book two. They’re a bear to set up, but once they’re rolling they can be tons of fun.

SFFWRTCHT: If you could pick a character to give more “screen time” to, which would it be?

Andrew P. Mayer: Well, that would have to be Sir Dennis. He spends far more time haunting the books then actually being in them. I’m going to be giving him the chance to shine in the prequel.

SFFWRTCHT: How did you keep readers from guessing that Lord Eschaton was right under our noses the entire time?

Andrew P. Mayer: Did I? Until you mentioned it I had no idea that I’d even managed to pull that off. I just assumed everyone would guess right away, so I didn’t put a lot of effort into hiding the fact except for not stating it explicitly. Maybe that allowed me to be a little more nonchalant than I might have been if I was trying to hide something.

SFFWRTCHT: Are you planning to attend any upcoming conventions?

Andrew P. Mayer: I went to a lot of shows over the last two years, so I’ve been taking it easy for the first half 2012. I’ll definitely be going to Dragon*Con in the fall, and I might attend World Fantasy. I also really like going to Orycon, so I’m sure I’ll go back up there.

Other than that there are no big plans. Once the third book comes out I’ll hit the road a little harder over that next year. A lot of it also depends on what I get invited to.

SFFWRTCHT: Can you tell us any thing about the prequel novel?

Andrew P. Mayer: It takes place about fifteen years before the events in the series, and is going to focus on the Paragons in their heyday. My goal is to try cover things from a different angle and use that to reveal that some of the events in the trilogy aren’t quite as black and white as they appear to be.

SFFWRTCHT: If you please, tell us one thing we can look forward to in the third book.

Andrew P. Mayer: There will be a new twist on Nathaniel’s drinking problem that no one will be able to ignore.

To read our review of Hearts of Smoke and Steam, click here.

___________________________________________________________________

Michelle Ristuccia writes short fiction of all speculative fiction genres in between chasing her toddler from tree to tree. The shorter the work, the better, because 200 words looks very long on her cellphone and that keypad is very, very small. You can find out more about her rabid love of Star Trek, podcasting, and raising future geeklings at her blog, wakingdreamsblog.blogspot.com