Archive for January, 2012


Review by Michelle Ristuccia

“Thief’s Covenant (A Widdershins Adventure)” by Ari Marmell is a YA fantasy with a twinge of horror. The book follows self-made thief Widdershins as she unravels the mystery of who — or what — is out to kill her and those she loves. The book begins with the horrific murder of Widdershins’ fellow worshipers of an unnamed god, and from there spills the details of her past and present in a non-linear progression that will have you connecting the dots when Ari Marmell wants you to, and not before.

Thief’s Covenant was a mixed bag for me. I enjoyed the world and I appreciated the cleverness of the scene layout, yet I was left wishing that I could take the characters more seriously. The tone was a mixture of humor and horror that, for me, threatened to mask the complexity of the characters under a veil of witty dialogue. It wasn’t until nearly half way through the book that I was completely satisfied with the main character’s motivations and human qualities. After I saw Widdershins commit a monumental selfless act, I could more fully enjoy the author’s colorful descriptions and quips. Until then, I felt that the premise of the book teetered on the edge of believability. Perhaps this is because I’m used to reading books where the rags-to-riches story is the focal point, described in detail near the beginning of the text. Here the reader comes in after the fact and we are expected to take it at face value for much of the book. But, I did appreciate how this worked towards a clever release of information and a number of surprises at the end that would have been far too easy to guess with a straight forward linear progression.

The only other thing that dampened my enjoyment of the book were one or two descriptions that I felt were anachronistic. The setting of the book appears to be a standard fantasy backdrop, so except where certain religions and magics are defined otherwise, I expect the world to conform to the standard. I do not expect the characters to understand, say, details of physiology that speak to a more advanced science than medieval times. So, while these were clever and funny, they took me out of the book for a moment, and I’d rather stay in it.

Perhaps I am not the target audience for Ari’s novel. I’m not as much a lover of humor, even dry humor, as I am of the dramas of interpersonal and internal conflict. Give me a sappy emo anti-hero over a ninja assassin superstar any day. However, If you enjoy plot-driven stories, this one will engage you with plenty of How questions, some of which you can get a taste of in the back over blurb. The scene layout and flashbacks are structured to showcase plot, setting us up with interesting mysteries from page one. It certainly kept me reading.

Ari Marmell has some thoughtful blog posts that you’ll love if you’re a speculative fiction geek. Hope on over to http://mouseferatu.com/ and, who knows, you might find that Thief’s Covenant is more your style than it was mine. Marmell has posted links to other review of his book here.

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Michelle writes short fiction of all speculative fiction genres in between chasing her toddler from tree to tree. The shorter the work, the better, because 200 words looks very long on her cellphone and that keypad is very, very small. You can find out more about her rabid love of Star Trek, podcasting, and raising future geeklings at her blog, wakingdreamsblog.blogspot.com

NOTE: Due to technical glitches with Twitter itself, we lost our guest half way through so I finished the interview with audience’s questions and my own via email. Hence, the transcript has been culled into a neater format than normal for purposes of clarity and transitions between the two formats. The full context of the chat is here with the exception of a few side comments irrelevant to the discussion (i.e. chitchat) and all questions are attributed to a group moniker instead of individual attendees.

SFFWRTCHT: Welcome to Science Fiction Fantasy Writer´s Chat. Our guest John R. Fultz teaches kids to love heavy metal by day and tells stories by night. His stories have appeared in anthologies like Way Of The Wizard and Cthulhu´s Reign and zines like Black Gate, Weird Tales and Lightspeed. His debut novel, book 1 of the Shaper Trilogy, Seven Princes, is out from Orbit this month. His comic, Primordia, was published by Archaia Comics in three issues in 2007-2008.

John R. Fultz: Ha! Actually, I teach them to love the English language and all its powerful spells and powers…

SFFWRTCHT: Where´d your interest in SFF come from?

JRF: My interest in SFF probably came from comics–as a kid I was reading them before I could read…making up stories about the pics. Also, an early book of faerie tales that my uncle Johnny gave me…that was one of the first books I ever read and re-read.. That book had Jack the Giant-Killer and tons of other stories–illustrated n the old school style. That lead me to discovering The Hobbit when I was in third grade, which led me to LOTR right around the time of Bakshi’s movie. Yes, fairie tales have always fascinated me…but there’s more of that influence in PRIMORDIA (my comic) than in SEVEN PRINCES. I’ve called PRIMORDIA a “stone-age fairie tale”…

SFFWRTCHT: Who were some of your favorite authors/books growing up?

JRF: Faves when growing up: Tolkien, Robert E. Howard, Edgar Rice Burroughs, Clark Ashton Smith rocked my world when I was 10 or 11… Other early faves: Moorcock (ELRIC), Lovecraft, some Lin Carter (LOST WORLDS is his best work), etc. It wasn’t until college that I discovered Lord Dunsany’s work, which redefined fantasy fiction for me–”A Dreamer’s Tales” — Also in college: Tanith Lee’s work captivated me, Darrell Schweitzer’s short stories blew my mind (still do), & Robert Silverberg. View full article »

sffwrtcht: Welcome to Science Fiction Fantasy Writer´s Chat. #sffwrtcht (Thu Jan 19 02:00:10 +0000 2012)

sffwrtcht: Our goal is to talk w/ writers, editors, & others abt the craft of writing, specifically related to writing speculative fiction. #sffwrtcht (Thu Jan 19 02:00:21 +0000 2012)
sffwrtcht: Our format is round table discussion. Please restrict ?s to writing craft, business of writing & the specific works of the guest. #sffwrtcht (Thu Jan 19 02:00:29 +0000 2012)
sffwrtcht: Please wait until your question gets answered to ask another & use the hashtag #sffwrtcht for all questions and comments. (Thu Jan 19 02:00:36 +0000 2012)
PrinceJvstin: Time for the @bryanthomasS hosted one and only #sffwrtcht. Come join us!(Thu Jan 19 02:00:41 +0000 2012)
sffwrtcht: We may hold questions at times to allow our guest to answer and catch up. #sffwrtcht (Thu Jan 19 02:00:46 +0000 2012)
sffwrtcht: It´s up to the guest whether the question time will run longer than our allotted hour slot. #sffwrtcht And tonight she’ll stay 30 min longer (Thu Jan 19 02:01:03 +0000 2012)
sffwrtcht: Tonight´s guest Teresa Frohock is an angel. She´s filling in after a last minute cancellation by another guest. #sffwrtcht (Thu Jan 19 02:01:12 +0000 2012)

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Review by Michelle Ristuccia
“Hearts of Smoke and Steam” by Andrew P. Mayer is the second book in the “Society of Steam” steampunk superhero trilogy. Although this is the second in a series, I was able to follow it without first reading its predecessor. Reading the second book left me with a desire to read the first, but at no point did I stop in my reading to puzzle out if I was missing critical information from the first book. In the second book, we follow the dissolution of the superhero team the Paragons after the death of Sir Dennis Darby. Meanwhile, Sarah Stanton snatches the heart of the Automaton and sets herself on a quest to rebuild her friend and find her place in the growing chaos.

The Society of Steam makes you wonder why all super hero stories aren’t set in 1880s New York City. The adventure-quality superheroes fit with the big machines of steampunk like two cogs in a clock. The subgenre is a perfect stage for Andrew P. Mayer, who utilizes his experience as a video game designer to bring his readers cinematic visuals they won’t soon forget. Along with the big visuals come vividly painted characters with big personalities and big flaws, which is every thing we want to see in action-oriented drama. View full article »

The author of numerous shorts stories and dozens of novels, Kristine Kathryn Rusch is a popular writer in several genres. Her bestsellers include the fantasy series The Fey, the space opera Diving novels, the space opera mysteries The Retrieval ArtistStar Wars: A New Rebellion and several Star Trek novelizations. Her short stories regularly appear in publications such as LightspeedAnalog, and Asimov’s. Her popular blog the Business Rusch offers great advice on writing for anyone in publishing. Active on Twitter as @kristinerusch, you can easily find Kristine Kathryn Rusch via her website kriswrites.com.
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SFFWRTCHT: Thanks for making time to talk with us again.  When we talked last year, we didn’t cover much about The Retrieval Artist series, but I’ve really gotten hooked. I’ve read four books so far and a novella, and it’s just really great stuff. You told me the idea came from thinking about what the witness protection program might look like in a science fictional future. The world in which you’ve set it, future Earth, primarily focused around the Armstrong colony on the moon, is quite different from our own. Including several unique alien species who are part of the Earth Alliance. How much worldbuilding did you do before writing the first novella?

Kristine Kathryn Rusch: I write to worldbuild, and then I fix. So I didn’t do a lot, although I stopped a lot and had to figure things out as I went. Then of course, I showed the story to my husband, Dean Wesley Smith, and he had points to help with the worldbuilding. He’s invaluable that way.

SFFWRTCHT: What are the techniques you use when creating alien races? Do you model them after animal species, earth cultures, or just wing it?

KKR: Yes to all of the above. Sometimes I wing it. Sometimes I base aliens on animals. Sometimes I have no idea where they come from. I do think we SF writers have yet to make an alien culture as alien as some human cultures that currently exist on this planet. I’m working to fix that. View full article »

NOTE: We had a technical challenge tonight and almost lost the whole transcript. As it is, I got it in disarray and cleaned it up thanks to the help of a few regulars. In any case, apologies for the reverse formatting and less pretty than usual presentation. Read from the bottom up please.

followthelede Ha! Like anyone else would be capable of editing it. MT @Metafrantic: @BryanThomasS …So long as she doesnt publish it elsewhere #sffwrtcht -9:05 PM Jan 11th, 2012
sffwrtcht Thanks all. @ghostfinder is getting on to chat in the middle of the night in the UK so please be here next week! #sffwrtcht -9:04 PM Jan 11th, 2012

crossedgenres RT @BryanThomasS: @Metafrantic And please let @followthelede tell us about INK soon. LOL #sffwrtcht -9:04 PM Jan 11th, 2012

BryanThomasS @followthelede I KNOW!!!!! ;) #sffwrtcht -9:04 PM Jan 11th, 2012

followthelede @BryanThomasS Beware what you ask for. Once I start talking I never shutup. #sffwrtcht -9:04 PM Jan 11th, 2012

BryanThomasS @followthelede SEE???!!!! No passing the buck! Heh! #sffwrtcht -9:04 PM Jan 11th, 2012
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sffwrtcht: Upcoming Guests: 1/11 @crossedgenres 1/18 @ghostfinder 1/25 @johnfultz 2/1 @saladinahmed 2/8 @MykeCole 2/a5 DarkQuest Books #sffwrtcht (Thu Jan 05 01:47:39 +0000 2012)

sffwrtcht: Oops that’s 2/15 Dark Quest Books #sffwrtcht (Thu Jan 05 01:48:06 +0000 2012)
jamietr: Here is am waiting for #sffwrtcht to begin: http://t.co/ldIsFJyb (Thu Jan 05 01:53:21 +0000 2012)
Wyld_Dandelyon: @jamietr Have a seat! There’s friendly people here, and (like any proper green room) chocolate. #sffwrtcht (Thu Jan 05 01:54:20 +0000 2012)
BryanThomasS: @jamietr Dang they had small beds in those days. ;) #sffwrtcht (Thu Jan 05 01:58:05 +0000 2012)
sffwrtcht: Welcome to Science Fiction Fantasy Writer´s Chat. #sffwrtcht (Thu Jan 05 01:58:24 +0000 2012)
sffwrtcht: Welcome to Science Fiction Fantasy Writer´s Chat. #sffwrtcht (Thu Jan 05 01:58:24 +0000 2012)
pattyjansen: @sffwrtcht it seems to be working now, but it’s been funny all morning #sffwrtcht (Thu Jan 05 01:43:40 +0000 2012)

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Emmy Jackson is the author of the post-apocalyptic urban fantasy novel Empty Cradle: The Untimely Death of Corey Sanderson. He lived as a nomad in an RV for three years, wandering the continental United States at will. He was born and raised in Detroit and always returns no matter how many times he moves away. He is an ex-school bus driver, an ex-marketing manager, and a self-published, self-syndicated freelance writer. Emmy speaks the secret language of cars, is a rescuer of things, and enjoys dancing, collecting toy cars and traveling to visit new goth clubs. He lives in a suburb of Detroit.


Writing, for me, has always been about listening to the voices in my head. I don’t mean that in a facetious, Hot Topic T-shirt way, but almost literally. It’s always started with a character speaking (or thinking) and if I listen carefully enough, some mental clutch slips a little bit and my new imaginary friend’s reality will begin to overlay my own, ever so slightly. It’s kind of like an image projected on a window, mirroring and adding to the reality beyond.

When this first started happening, in grade school, I didn’t think anything of it; an overactive imagination was just a handy way to make every day an adventure, after all. As I got older, though, I began to wonder if it was “right,” going so far as to visit a therapist or three during college. When they asked if I heard voices, I told them yes, and tried to explain, but this led to all future efforts being directed toward getting rid of the voices. And this, in turn, made me realize that I liked them. View full article »

Review by Michelle Ristuccia

“Harry Potter and the Prisoner of Azkaban” is the third book in the Harry Potter series by J. K. Rowling. This book follows Harry, now thirteen, as he attempts to finish his third year at Hogwarts under the threat of escaped prisoner, Sirius Black, and the Dementors that are searching for Sirius. The Prisoner of Azkaban differs significantly from the previous two installments in structure, while continuing to develop back story and conflict related to the overall plot of the series.

Almost immediately we are presented with a theme of fear revolving around Harry’s internal conflict. The Dementors that invade first the train and then the school are creatures that feed on fear, and we learn that they affect Harry particularly much because of his tumultuous past. These dangerous creatures are despised by everyone, yet even Dumbledore cannot keep them from the school grounds, and so Harry must confront them several times. The other students also confront their fears when professor Lupin introduces them to a Bogart, a creature which assumes the shape most fearful to its viewer. Professor Lupin teaches the children how to deal with both creatures – with the Bogart, by ridiculing their fears, and with the Dementors, by focusing on a positive feeling, such as love and acceptance, which can then be channeled into the Patronis spell and literally drive the Dementors away. In comparison to the Dementors, Harry’s fear of Voldemort and Sirius take the sidelines, even when Sirius infiltrates the castle in search of him. The adults are plenty worried, however, and place many restrictions on Harry’s movements. When Harry disobeys these precautions, he and his friends meet Sirius Black and, in confronting him, learn that he is not a villain after all. The final battle ends up being against the evil Dementors, partially resolving Harry’s internal struggle with fear.

However, unlike the happier endings of books one and two, book three ends with a note of dread. Voldemort is growing in power, and one of his faithful servants, Wormtail, has escaped the good people at Hogwarts to return to his master. While Harry has learned more about his past and about himself, he has not confronted Voldemort directly. The structure of book three also differs in that, while there is a mystery, the identity and motivations of Sirius black, this serves as more of a backdrop to Harry’s internal development. Harry and his friends solve the mystery almost by chance. Their real challenge is to then save Buckbeak and Sirius in a mad dash at the end. This is just as well, as it allows time for the three friends to have their arguments and their separate developments in the rest of the book. We are just now beginning to see more of Ron and Hermione as a foundation for book four. As the friends’ challenges become more sophisticated, so do their individual development as characters and their interactions as friends. Hermione in particular comes in strong at the end of the book when she reveals the time-turning device she’s been hiding from her friends all semester, and she and the device become crucial in saving Sirius. As the main character, Harry still gets the spotlight when he manages a Patronus and saves his past self from the Dementors, but the help of his friends is clearly critical.

Yet, The Prisoner of Azkaban is not all doom and gloom, as spatterings of humor throughout the text affirm. The open ending is offset by the finality of Harry helping to win the Quidditch match. This serves as not only a positive event, but also a show of Harry’s skills independent of his friends’ aid, what with Hermoine and Ron busy bickering between themselves at the time. Harry’s Patronus also shows us Harry’s skills as a wizard, but we don’t get to see this until the end.  Quidditch helps hold us off until then.  The end is also offset by the fact that Sirius Black, a protagonist after all, is Harry’s godfather. Although Sirius Black cannot back up his offer for Harry to live with him, Harry still ends up with another powerful friend going into book four, on top of Dumbledore and the school staff and, of course, Hermione and Ron.

“Harry Potter and the Prisoner of Azkaban” is exactly the engaging read that, by now, we expect. Despite being significantly longer than its predecessors, it holds our attention just as well and expertly expands our emotional involvement in the story. If we are left wanting more at the end, it is only because we want the next installment.

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Michelle writes short fiction of all speculative fiction genres in between chasing her toddler from tree to tree. The shorter the work, the better, because 200 words looks very long on her cellphone and that keypad is very, very small. You can find out more about her rabid love of Star Trek, podcasting, and raising future geeklings at her blog, wakingdreamsblog.blogspot.com